Today, we will talk about the best Canon lens for night photography.
Night Photography offers a variety of ways that we can capture and create, just like the day.
However, we hope to give the 12 best Canon lenses for night photography tonight so you can make better nightly decisions.
We live in a beautiful era for night photography, as most of the lenses from the last 2 to 3 years will excel at night photography.
And these are my favorite lenses that I recommend to you for the best night epic shots.
Let’s drive in:
Which are the best Canon lens for Night photography?
Here are my recommended top 12 best Canon lens for Night photography:-
|Image||View on Amazon||Best Canon Lens for Night Photography|
|View on Amazon||Canon 22mm f2: (Best Canon lens for Night Street photography)|
|View on Amazon||Canon 24-70mm f/2.8: (Best Canon lens for Nighttime photography)|
|View on Amazon||Canon 16-35mm f/4: (Best Canon lens for Landscape and Night photography)|
|View on Amazon||Canon 24mm f/2.8: (Best Canon lens for Night pictures/photo)|
|View on Amazon||Canon 11-24mm f/4: (Best Canon lens for Night Sky photography)|
|View on Amazon||Canon 50mm f1.4: (Best Canon EF lens for night photography)|
|View on Amazon||Canon 24mm f2.8: (Best lens for night photography Canon t3i)|
|View on Amazon||Tamron 70-200mm f2.8: (Best Canon lens for night sports photography)|
|View on Amazon||Rokinon 24mm f1.4: (Best wide-angle lens for night photography canon)|
|View on Amazon||Canon 17-55mm f2.8: (Best lens for night photography canon 80d)|
|View on Amazon||Canon 50mm f1.8: (Best prime lens for Canon night photography)|
|View on Amazon||Canon 85mm f1.8: (Best lens for night photography Canon t7)|
Let’s talk about this tiny lousy boy, the Canon 22 millimeter F2, but don’t let its size fool you because it’s fantastic.
I’ve been using this little lens for a few months now, and I must say I am impressed.
It’s a great little lens for both video and photography.
So first, the size is tiny, but that’s not always good because small could also mean it’s fiddly to use.
So, too small is a problem, but in this case, this lens is designed to get an M series, and small is what that series is all about.
It’s the perfect little lens; if you put it on an M series camera, you have this compact little camera system ideal for night street photography, travel, and everyday use.
The build quality is somewhere in between.
You can feel that it’s not super high quality, but it’s also not all plastic.
I think it combines aluminum and plastic, but I’m convinced I can use this lens for years.
So super small and light; I approved this lens because it is designed for that M series, and the overall build quality is pretty good.
So what about focusing?
Well, the autofocus is excellent.
It’s fast and super accurate both for photography and video.
The problem is manual focusing; first, the lens has no button to switch to manual focus.
You always have to go to the menu or use another button, and once you have it turned on, it’s not nice.
The focusing distance is short, 15 centimeters, making it an excellent lens for macro photography or shooting B roll and things like that.
It looks excellent; it has a super shallow depth of field, which is nice.
The focal length is 22 millimeters, which translates to around 35 millimeters at full-frame, the perfect all-around focal length.
I record all my videos with my Canon 50 and 22 millimeters, which looks great.
I always use it wide open; it blurs out the background nicely.
So it’s the perfect little lens for night photography videos, but you can also use it to shoot B-roll travel videos or if you go on a walk.
And finally, the photography image quality and what can I say?
It looks great; it’s sharp to f2.
It has an excellent blurred background, and because it’s f2, it performs well in low light.
So, if you’re looking for an excellent, fast, all-around prime, I think this is the one that is the best choice.
So street photography, landscapes, and family travel are all possible with this lens.
There is some distortion if you’re going close to someone’s face.
So, in conclusion, this is an excellent general-purpose lens for the Canon EF M series cameras; super sharp, accurate autofocus, excellent image quality, light, portable, and everything you want is recommended.
The Canon 24 to 70 F 2.8 USM ii series lens is probably one of my most versatile lenses.
So, I have owned it for a year and a half, and I’ve used it hundreds and hundreds of times.
But more importantly, it has saved my butt in a couple of pinches because it’s such a useful range and an F 2.8 throughout the full focal range.
It’s good in many situations, whether indoors, outdoors, landscape, portrait, real estate, product, or any shoot you can imagine.
It can be a real lifesaver, and it can be a real moneymaker in many ways.
So I needed to own this lens this entire time to appreciate the value that I could never have even understood when I first bought it, so I’m so glad that I waited this long to do a proper review on this.
It’s a highly well-built, fairly heavy weather-sealed lens.
That is fairly indestructible, and it’s because it’s exceptionally well built.
I can take it anywhere because its focal length is beneficial.
After all, it gives a beautiful image.
It’s truly an all-around most important lens that I own.
The best canons current professional workhorse lens.
This thing had better be good.
This lens is designed especially for Canon’s expensive full-frame cameras.
I also used this on an APS C camera.
The lens starts at a very wide angle of 24 millimeters.
It is wide-angle on a full-frame camera and zooms into 17 millimeters.
It’s worth considering that 17 millimeters aren’t too far to zoom into on a full-frame camera.
But it’s still a handy focal range for any camera lens, and it has a wide f 2.8 maximum aperture throughout its same range.
That means it can matter in a lot of light, which is excellent for indoor or nighttime photography.
Getting faster shutter speeds or video work, also shooting at F 2.8, can give you lovely out-of-focus backgrounds, which slower camera lenses cannot do.
The lens is big and very solid indeed.
There’s a lot of plastic in this lens construction, although obviously, it’s good-quality plastic.
This thing is weather-sealed, generally tough, and could probably survive in a war zone; the zoom ring on my test copy of the lens was quite stiff, but I’m sure they are usually super smooth.
It has full-time manual fixing. So, you can turn that focus at any time.
The lens’s front elements do not extend or rotate as you change focus; the lens’s USM autofocus motor is lightning-fast and very accurate.
However, it does make it quieter, with a low whooshing noise.
A surprising thing for most people is that this lens has no image stabilization.
It was a very bold decision by Canon not to implement image stabilization.
The lack of image stabilization is a shame, as it’s useful for photographers and those wanting to do handheld video work well.
The lens is built to a very high standard.
The image quality turns super sharp in the middle of the picture, with more contrast.
There’s also no visible chromatic aberration.
What a fantastic performance.
Overall, the 24-70 millimeter f 2.8 marks ii always gives razor-sharp images in the middle of the image frame with fantastic colors and contrast.
It’s the best performance of any full-frame, fast standard zoom lens.
Also, the lens puts a solid enough performance on an APS C camera, but I was hoping for a bit more sharpness in those corners.
It’s quite a good performance for vignetting and a little better than average for distortion.
The wide aperture can give you quite an out-of-focus background, and those out-of-focus areas look lovely, smooth, and non-distracting.
That’s an excellent performance for a zoom lens.
So, what can we say overall?
The lens gives you snappy, punchy pictures that jump out at you with fantastic sharpness in the middle of your images.
The optical quality is slightly average in some areas, and I was hoping for a bit more magic from this instrument, especially considering how expensive it is.
But at the end of the day, it’s genuinely a fantastic camera lens.
That’s canon’s business, and value for money is always subjective.
Professionals will probably still pay for this lens anyway because this is it if you need the best zoom lens.
This Canon lens can be a bit of a dream for landscape photographers, among other people.
The latest ultra-wide-angle lens for full-frame cameras and, this time, with image stabilization.
It’s about 650 pounds, or $1,000, which is quite a considerable investment, especially for an f4 lens with only an average maximum aperture.
It’s perhaps not quite the strongest image stabilization I’ve ever seen.
But it does help you quite a lot to get sharper pictures and smoother video on a full-frame camera 16 to 35 millimeters and ultra-wide to standard wide-angle focal length.
It is handy for landscape and architectural photography or making small places seem bigger on an APS C camera.
It’s just a standard wide-angle zoom range.
It’s made of high-quality plastics but weighs over 600 grams or almost one and a half pounds.
It might seem like an excellent lens for landscape photography.
There is a weather-sealing gasket around the metal lens mount, and the zoom ring works exceptionally smoothly, being nicely damped and slightly heavy to turn.
In my opinion, that’s a real advantage for video work.
The focus also turns smoothly and precisely, as expected for the Canon l lens.
There is, of course, a full-time manual focus available.
The USM autofocus motor works blindingly fast, quietly, and accurately.
It’s pretty fast in my view mode.
However, if you’re shooting autofocus during video work, you’ll hear a gentle clicking sound from the mechanism as the lens micro-adjusts.
Overall, the build quality of this Canon L lens is top-notch in every way.
We don’t see very much chromatic aberration.
The lens shows very clear flaring and a considerable loss of contrast when light is in or around the picture. It’s not even very pretty flamming, to be honest.
Considering this lens’s sharpness and excellent image stabilization, many will accept the high price Canon asks for.
I’d say that the biggest reason to choose the Canon lens is its much smaller size and weight.
That’s almost certainly destined to become very popular.
The EMFs 24 millimeter, f 2.8 STM pancake lens.
It is no surprise to guess this piece of kit; its tiny size makes it one of the most portable and convenient camera lenses.
That’s a useful wide-angle focal length, enough to give you the bigger picture and take in your surroundings.
But it’s not so wide that you have no emphasis on your subject.
I think it’s just about the best focal length for general-purpose photography work.
Unsurprisingly, this piece of kids does not have image stabilization for a lens of its size so that it won’t be completely perfect for handheld video work.
It has a maximum aperture of F 2.8, meaning that the lens can net in a reasonably good amount of light, about twice as much as a standard kit lens at 24 millimeters.
F 2.8 certainly gives you a helping hand for shooting indoors or at nighttime, getting you faster shutter speeds, and the aperture of F 2.8 can also give you slightly more out-of-focus backgrounds in your pictures.
This pancake lens is very nicely built.
It’s tiny and light but feels nice and solid; the narrow focus ring turns extremely smoothly, primarily based on a metal lens mount.
The ring is electronically coupled to the lens’s focus mechanism.
So, it only changes anything when your camera is turned on.
The lens’s STM autofocus motor is accurate but not fast, making it quiet and buzzing.
Overall, the lens is built nicely, being small and handy and working without problems.
The lens is very sharp, and generally, everything looks great.
So, realistically, we’re not seeing any significant issues with distortion or vignetting.
The lens can focus as closely as 16 centimeters from your subject, which is very close, indeed, perfect for taking pictures of small subjects at F 2.8.
The picture quality is very sharp, with further improvement at F 4.
That’s an excellent performance.
Overall, this new pancake lens from Canon is a bit of a winner on all fronts; it’s nicely built.
It’s decently sharp and has no particular optical problems, except for some ghostly phonetic virtual cameras.
Peripheral illumination can deal with that.
The 24-millimeter focal length is beneficial, and the lenses are also excellent for money.
It makes your Canon digital SLR camera a lot more portable.
It’s well done and comes very highly recommended.
It’s a full-frame lens for digital SLR cameras.
It could be a handy lens for shooting indoors and dramatic perspectives outside, and it’s a versatile piece of kit.
Because of that extremely wide angle, it’s even used as an Astrophotography lens because you can take long exposures before seeing any star trails.
It weighs a ton, well over a kilogram, and a huge glass front element is beautiful and frighteningly exposed.
The use of filters is obviously out of the question, but it is possible to use gentle filters at the back of the lens to see a heavy-duty metal lens mount and a weather-sealing gasket.
The USM autofocus motor is quite lightning-fast and very accurate.
This lens does not have image stabilization.
It’s nicely shaped but only made of plastic and not metal.
The lens is razor-sharp in the middle, with neutral colors and perfect contrast over the edges.
The good news is that we’ll also see excellent sharpness, a remarkable achievement at this wide angle.
Unfortunately, we see some clear chromatic aberration, but you can use chromatic aberration correction and your camera or editing to correct that nicely.
So, on a full-frame camera, the lens performs excellently at 11 millimeters.
But when you zoom, the corners of your images will respond well when you stop down the aperture.
I don’t think many photographers will use this lens with an APSC camera.
Anyway, it is intended for full-frame sensors.
It’s considerably better performance on full-frame than APSC.
I don’t think many people will be trying to use this thing for macro photography.
But anyway, the good news is that it’s still nice and sharp at close distances.
I can’t imagine anyone buying this lens with its background separation capabilities, but it is possible to get some dramatic close-up images.
Considering the extreme parameters of this suit lens from Canon, the optics are commendable; its sharpest at 11 millimeters, where you would want it to be distorted at normal distances, isn’t too bad, and neither is common.
The biggest optical issue with this lens is probably flaming, and there were more obvious questions of its size, weight, and cost unless you’re a professional photographer.
The Canon 11 to 24 millimeters for USM L provides excellent enjoyment to Valley and is undoubtedly an impressive professional option.
You know your way around any scene; night lighting is no exception.
With Canon’s 50mm f/1.4 lens for Canon EF cameras, you’ve got the perfect tool to capture unique and silent images with a smooth focus – all without sacrificing image quality.
This lens is best for night photography because of its fast, dead-silent autofocus motor and a fast aperture of f1.4, creating a shallow field depth that’s great for blurring the background!
Canon’s fast-aperture 50mm delivers an extra-wide frame for low-light situations like dusk, dawn, or indoors while giving a deep depth of field for portraits where the subject stands out in sharp contrast against a blurred background.
This compact, standard focal-length lens features a well-built rotating and removable metal filter (58 millimeters) perfect for attaching the necessary filters to match specific shooting conditions.
This Canon lens is the perfect partner for your night photography.
Ensuring sharp, beautiful images, this lens has a maximum aperture of f/1.4 with Gaussian optics, which are crystal clear in low light and can achieve a maximum magnification ratio of 0.25x.
The ultrasonic autofocus motor (USM) operation is quick, smooth, and laser-sharp, ensuring complete silence to avoid alerting subjects around you to the profundity of their shooting experience!
This prime can be used in many shooting situations, such as portraits, landscapes, still life, or close-up shots requiring precision.
The bright aperture of the lens enables you to get beautiful bokeh during a photo shoot at night.
The completely manual operation makes it ideal for beginners in night photography who are learning how to properly use their cameras to capture incredible views during nighttime pursuits.
It’s perfect for making out low-light details and textures in your landscape compositions at great distances or near busy streets.
This Canon 50mm f1.4 EF lens for night photography makes it easy by giving you a tremendous depth-of-field rendering that will have you capturing remarkable images like never before!
This wide-angle lens is ideal for night photography.
It captures a tremendously expansive scene with soft backgrounds–and a minimum focus distance of 0.16 meters guarantees you get close enough to capture breathtaking detail.
This lens is designed for night photography and offers a wide angle of view equivalent to 38 millimeters on a full-frame camera.
It has a slim, lightweight design that’s perfect for night photography. It delivers beautiful picture quality thanks to the 7-blade circular aperture and complete manual focus capable of adjusting in One-Shot AF mode.
Realistic textures are rendered beautifully with this versatile lens.
Completely compatible with all nonfull frame EOS digital SLRs!
This lens is excellent for night photography because of its wide field of view.
This lens has all the attractive features you’d expect in one compact, high-quality optic that performs flawlessly across an array of shooting situations – from astrophotography to macro shots and everything in between!
This lens delivers crystal-clear images with a fast aperture of 2.8.
Perfect for those blurry nights where you can’t quite find what you’re looking at until it’s too late or for photographing after sundown.
If this is what you need, we have your answer – Canon has you covered with a fantastic product that will help you shoot like a professional.
Let’s not forget about how affordable it is, too!
It excels greatly in night photography; you’ll get sharp images with good contrast without color casts!
Canon’s best lens for night photography on the t3i is a versatile, durable, and reliable investment that will give your shooting more impact from the dark.
Tamron 70-200mm f2.8, a sports photographer’s dream lens for night shoots under the lights.
When you need to shoot in low light from the stands or behind the field, this is your go-to lens to give it that professional edge.
This lens is built for sports photographers and hobbyists who want to capture images at night but need all-around versatility.
This lens also offers an even more compact design due to its internal zooming mechanism, making it easy to bring along wherever you go.
This kit’s zoom-in starts at a wide angle for that perfect crowd shot and moves up to telephoto range if you need an extreme perspective.
For night sports photography with a zoom range that provides maximum flexibility and high image quality.
The stabilized optical formula of this new Tamron lens offers smooth, natural contours to subjects that include vibrant colors, accurate skin tones, and an expansive focus reach.
From scenery pictures to your favorite sporting event highlights through the planned design of 23 elements in 17 groups.
This durable and accessible lens has a 5-stop panorama VC mode that allows up to 100% viewfinder stability when shooting night sports and other rapid movements, like animals in action or children playing.
It also comes with three modes optimized for different shooting situations, so this lens can do it all, whether you shoot wildlife or product photos!
The antifreeze system means you can shoot in any condition, including rain or snow, without worrying about your equipment getting ruined by water droplets or wetness inside the lens.
Tamron has added a tripod mount compatible with Arce-Swiss-style quick-release plates, making your setup time much quicker and easier.
With a focal distance of 200, Tamron’s newest telephoto zoom gives the photographer an incredible field of view that has always been difficult without going farther away from the event.
This lens is one of the highest-rated Canon lenses in professional photography, and night sports photographers go to this lens with confidence.
Get the perfect shot no matter what.
This lens is a must-have if you want high-quality images when lighting conditions are not ideal.
No matter what type of photography you want, this lens is an excellent addition to your camera bag.
It is perfect for nighttime photography and an excellent lens for all flashlights and lighting (which can be tricky) with its tiny aperture size.
The f1.4 allows you to shoot quickly and easily in low-light conditions without worrying about slow shutter speed or noise on the sensor (which often happens when shooting under dim street lighting).
This lens would be great for those who enjoy nighttime photography or wide-angle photos of landscapes taken at sunset.
This lens is also perfect for astrophotography as it captures the beauty of the night sky and celestial lights, making every picture you take a full-moon-approved photoshoot.
With Rokinons ultra-wide-angle lenses, you can see at 84 degrees with just one click!
The fast aperture range from f14 to 22 also allows easy adjustment in low-light situations, capturing stunning portraits, stars, and planets that would otherwise be difficult to see.
Its construction from 8 different elements provides unparalleled clarity for your images, whether shooting close up to the subject for an enhanced depth of field or observing more detail from afar.
This lens is the best wide-angle lens for night photography to capture unique, creative photos of the city lights after sundown.
The wide angle of this lens allows you to get unique perspectives that no other lens can achieve with its fast focus and precise aperture.
It is ideally suited for all situations like astral imaging or sophisticated portrait work.
Whether in motion or not, nighttime scenes are possible and easy to take with this wide angles 1.4 aperture lens.
The Rokinon 24mm f1.4 is the perfect choice with its fast aperture and roomy field of view, making the nocturnal scenery bloom with life even when all else seems dark and cold.
You’ll never need another photography accessory again once you snag one of these lenses!
It’s best suited for night photography canon and provides the widest angle of any other Canon L-series wide angles on the market.
Canon’s 17-55mm f2.8 lens is a versatile, high-performance professional L series ultra-wide-angle zoom lens with the Canon 80D for night photography.
We know how hard it is to find professional lenses that work well in low light conditions -especially when traveling or shooting sports or news events without recourse to expensive off-camera lighting sets.
So we’re happy to introduce this lens as an incredible tool for anyone who likes taking sharp, detailed pictures, regardless of where they happen.
This lens is great for outdoor photography.
It lets you get wide-angle and linear shots with minimal distortion or aberration.
This creates an optical zoom range for general landscape, architecture, interior design, and night photography.
The Canon 17-55mm f2.8 is the perfect lens for capturing incredible night sky photographs, and it works great on a Canon 80d DSLR camera!
This lens will give you sharp images with excellent detail thanks to its wide aperture that lets in much more light than a typical lens.
The aperture also helps out when shooting at low ISOs in dark locations.
The 17-55mm f2.8 lens is a high-quality, professional lens that will produce stellar shots for the demanding photographer in all lighting conditions.
Sports photographers have long favored this versatile zoom lens as an essential addition to their camera bag.
Because it offers comprehensive angle coverage that can be used indoors or outdoors and features Canon’s superior image stabilization system for low-light situations.
With a constant F2.8 aperture, no matter the focal length, this ideal lens for night photography is perfect for isolating your subject with starry backgrounds and shooting in low-light environments.
The Image Stabilized Ultrasonic Motor (USM) lets users focus right down to 1 ft 2 in their subject when shooting still subjects or at full telephoto when capturing fast action scenes without any noise.
With its wide range of focal lengths, this sharp, clear zoom accommodates video and photo work flawlessly, whether standing or on the ground.
The company offers a filter size of 77 mm that will provide you with exquisite imagery on your camera when using this product.
An affordable option for those looking to achieve professional-level photos.
For some photographers, night photography is an enjoyable challenge that requires thoughtful planning and patience on both your and your equipment’s part.
The Canon 50mm f1.8 prime lens for canon presents a convenient solution.
This lightweight, affordable alternative fixed focal lens gives users stellar images with zero shutter lag.
This prime lens is a bestseller in Canon lenses for its night photography feature.
This lens is perfect for the Canon night photography enthusiast!
This versatile lens will give you the versatility only a prime lens can.
This fixed focal length can easily handle any lighting situation, whether it’s a sunny day or a cloudy night.
It earns this title with its 40º angle of view, 27º upper and lower angle of view, 46 degrees diagonal angle, and its 1.15 feet minimum focusing distance, allowing you to take close-up shots of wildlife too!
Performs amazingly on all photography subjects, including portraits, action, and nighttime photography.
That allows quick focus adjustment during video recording or still scenes for smooth background blur (Bokeh); you’ll get flawless imagery always!
It works well with Live View shooting and movies thanks to its STM stepping motor that delivers near-silent continuous autofocusing in both movies and stills modes.
It is beneficial when you want shots where movement isn’t apparent.
Designed specifically for APS-C cameras, this 50mm prime lens will give you excellent results even on full-frame ones, too, thanks to its 80-millimeter effective focal length.
With 6 elements in 5 groups of construction, don’t worry about optical issues either!
It is incredibly sharp from its maximum aperture at ƒ/1.8 right into the corners of your image field – perfect for low-light shots.
Plus, distortion is minimized by our optical design, so it’s ideal as an all-purpose lens.
It’s an excellent choice for photographers who don’t want to invest in other expensive options like variable aperture zoom lenses or different types of filters.
But still, they need versatility and low-light performance to create high-quality images at night or in dimly lit places.
No matter what you’re shooting, the Canon 50mm f1.8 prime lens is an attractive choice for nailing that perfect shot.
If you want to photograph at night or shoot in low light, this will be the right addition to your camera bag.
The Canon 85mm f1.8 lens is best used for night photography because of its fast maximum aperture, focal length, and susceptibility for creating background blur, which is ideal for portraits and realistic images.
Great for shooting at concerts, weddings, or other fast-moving events where autofocus is sometimes slow and unreliable.
It was created especially for low-light settings and allowed photographers to easily explore creative opportunities at a slow shutter speed.
The high-quality rating of this lens makes it an excellent choice.
This is another reason why the lens would be great for night photography.
The ring-type ultrasonic monitor allows you to quickly bring a subject into focus while maintaining the natural angle of view and perspective.
This beautifully crafted lens weighs only 15 ounces and measures 3 inches in diameter by 2.8 inches long.
It comes with a 1-year warranty and cannot be zoomed during use to help capture nighttime atmospheres from far away.
This lens is designed for the creative professional and amateur night photographer or anyone who wants to shoot a beautiful image without zooming.
The lens is the best for shooting at night because it has a fast aperture, allowing for low-light situations with little to no noise.
It is also perfect for capturing atmospheric photos that punch up the colors of a scene and showcase its textures and finer details.
You’ll be pushing your ISO all over the place when photographing at night, just like you would with daytime photography!
It opens up that shutter speed area where any photographer needs to control their exposures, from letting in more or less light as desired before capturing an image on their camera sensor.
Put this lens on, and you can get crystal clear, remarkable shots at any hour, whether taking photos of friends or capturing an animal in a dramatic setting.
The Canon 85mm has been used by professional photographers such as Ryan Brenizer, who specializes in long-exposure seascapes using film photography to capture their beauty and mystery.
If you shoot images at night, this is one piece of gear you need in your kit!
Alright, guys, that concludes all the lenses we will discuss today in this article.
Do you guys have any experience with these lenses? What are your thoughts on them?
Which is your best Canon Lens for Night Photography?
Is there a lens I didn’t mention in this article that you love using for night photography?
Would you please leave your thoughts and comments below?
I am a Professional and Certified Digital Photographer born in the USA. I have been in this field of photography for 22 years, and in these years, I have used many photography lenses and Cameras, which I want to share here on this website about my experience. The idea for Bestoflens.com is to provide honest information about different Lenses and Camera products in the format of a “Best lenses for AYZ” list. I want this website to be the last destination for people to pick the best Cameras and lenses to fit their needs. You can find our unbiased reviews here on Bestoflens.