Today we are going to talk about the best Canon lens for night photography.
Night Photography offers a variety of ways that we can capture and create, just like the day.
However, what we hope to do tonight is give the 5 best Canon lenses for night photography that you can make better decisions at night.
We live in a wonderful era for night photography, as most of the lenses from the last 2 to 3 years will excel at night photography.
And these are my favorite lenses that I recommend to you for the best night epic shots.
Which are the best Canon lens for Night photography?
Here are my recommended top 5 best Canon lens for Night photography:-
Let’s talk about this tiny bad boy, the Canon 22 millimeter F2, but don’t let its size fool you because it’s amazing.
I’ve been using this little lens for a few months now, and I must say I am impressed.
It’s a great little lens for both video and photography.
So first the size, it’s really small, but that’s not always a good thing because small could also mean that it’s fiddly to use.
So, too small is actually a problem, but in this case, because this lens is designed to get an M series, and small is what that series is all about.
It’s the perfect little lens; if you put this lens on an M series camera, you have this nice compact little camera system that’s ideal for night street photography, travel, everyday use.
The build quality is somewhere in between. You can feel that it’s not super high quality, but it’s also not all plastic. I think it’s a combination of aluminum and plastic, but I’m convinced that I can use this lens for years.
So super small and super light, definitely approved for this lens because it is designed for that M series, and the overall build quality is pretty good.
So what about focusing? Well, the autofocus is excellent. It’s fast and super accurate both for photography and video.
The problem is manual focusing; first of all, there’s no button on the lens to switch to manual focus. You always have to go in the menu or use another button, and once you have it turned on, it’s not nice.
The focusing distance, it’s really short, 15 centimeters, and that makes it a great lens for macro photography or to shoot B roll and things like that.
It looks great super shallow depth of field, nice.
The focal length is 22 millimeters, and that translates to something around 35 millimeters at full frame, and that’s the perfect all-around focal length.
I record all my videos with my Canon 50 and the 22 millimeters, and it looks great.
I use it wide open all the time; it blurs out the background real nicely.
So it’s the perfect little lens for night photography videos, but you can also use it to shoot B-roll travel videos or if you go on the walk.
And finally, the photography image quality and what can I say it looks great; it’s sharp all the way to f2.
It has a nice blurred background, and because it’s f2, it performs really well in low light.
So, if you’re looking for a good fast all-around prime, I think this is the one that is the best choice.
So street photography, landscapes, family travel it’s all possible with this lens.
There is some distortion if you’re going really close to someone’s face.
So, in conclusion, this is an excellent general-purpose lens for the Canon EF M series cameras, super sharp, accurate autofocus, great image quality, light, portable, everything you want, definitely recommended.
The Canon 24 to 70 F 2.8 USM ii series lens is probably one of my most versatile lenses.
So, I have owned it for a year and a half, and I’ve used it hundreds and hundreds of times, obviously.
But more importantly, it has saved my butt in a couple of pinches because it’s such a useful range and an F 2.8 throughout the whole full focal range.
It’s good in so many situations, whether you’re indoors outdoors, landscape, portrait, real estate, product, any shoot you can think of.
It can be a real lifesaver, and it can be a real moneymaker in many ways.
So I really needed to own this lens this entire time to really appreciate the value that I could never have even understood when I first bought it, so I’m so glad that I waited this long actually to do a proper review on this.
It’s an extremely well-built, fairly heavy weather-sealed lens.
That is fairly indestructible, and it’s because it’s extremely well built.
I can take it anywhere because its focal length is extremely useful. After all, it gives a beautiful image. It’s truly an all-around most important lens that I own.
The best canons current professional workhorse lens. This thing had better be really, really good.
It goes without saying that this lens is designed especially for canon’s expensive full-frame cameras.
I also used this on an APS c camera. The lens starts at a very wide angle of 24 millimeters.
Well, wide-angle on a full-frame camera and zooms into 17 millimeters. It’s worth considering that 17 millimeters aren’t really all that far to zoom into on a full-frame camera.
But it’s still a very useful focal range for any camera lens, and the lens has a wide f 2.8 maximum aperture throughout its same range.
That means it can matter in a lot of light, which is great for indoor or nighttime, photography.
Getting faster shutter speeds or video work, also shooting at F 2.8 can give you lovely out-of-focus backgrounds, which slower camera lenses cannot do.
The lens is big and very solid indeed. There’s a lot of plastic in this lens construction, although obviously, it’s good quality plastic.
This thing is weather-sealed and generally tough is could probably survive in a war zone; the zoom ring on my test copy of the lens was actually quite stiff, but I’m assured that normally they are super smooth.
It has full-time manual fixing. So, you can turn that focus at when anytime.
The lens’s front elements do not extend or rotate as you change focus; the lens’s USM autofocus motor is lightning fast and very accurate.
However, it does make it quieter, with a low whooshing noise.
A surprising thing for most people is that there is no image stabilization on this lens. It was a very bold decision by canon not to implement image stabilization.
The lack of image stabilization is a shame, as it’s useful for still photographers and those wanting to do handheld video work well.
The lens is built to a very high standard. The image quality turns in the middle of the picture, super sharp, with a lot more contrast.
There’s also no visible chromatic aberration. What an amazing performance.
Overall, the 24-70 millimeter f 2.8 marks ii always gives razor-sharp images in the middle of the image frame with fantastic colors and contrast levels.
It’s the best performance of any full-frame, fast standard zoom lens.
Also, the lens puts a solid enough performance on an APS c camera, but I was hoping for a bit more sharpness in those corners.
It’s quite a good performance for vignetting and a little better than average for distortion.
The wide aperture can give you quite an out-of-focus background, and those out-of-focus areas look lovely and smooth, and non-distracting. That’s an excellent performance for a zoom lens.
So what can we say overall? The lens gives you very snappy punchy pictures that really jump out at you with fantastic sharpness in the middle of your images.
The optical quality is slightly average in some areas, and I admit that I was hoping for a bit more magic from this instrument, especially considering how expensive it is.
But at the end of the day, it’s truly a fantastic camera lens.
That’s canons business, and value for money is always subjective. Professionals will probably still pay for this lens anyway because if you need the best zoom lens available, this is it.
This Canon lens can be a bit of a dream for landscape photographers, among other people.
The latest ultra-wide-angle lens for full-frame cameras and, this time, with image stabilization.
It’s about 650 pounds, or $1,000, obviously quite a considerable investment, especially for an f4 lens which is only an average maximum aperture.
It’s perhaps not quite the strongest image stabilization I’ve ever seen.
But it does help you quite a lot to get sharper pictures and smoother video on a full-frame camera 16 to 35 millimeters and ultra-wide to standard wide-angle focal length.
Very handy for landscape and architectural photography or for making small places seem a lot bigger on an APS c camera.
It’s just a standard wide-angle zoom range.
It’s made of high-quality plastics but weighs over 600 grams or almost one and a half pounds.
It might seem like a great lens for landscape photography.
There is a weather sealing gasket around the metal lens mount, the zoom ring works extremely smoothly, being nicely damped and slightly heavy to turn.
In my opinion, that’s a real advantage for video work.
The focus also turns very smoothly and precisely, as you’d expect for the Canon l lens.
There is, of course, a full-time manual focus available.
The USM autofocus motor works blindingly fast, very quietly, and very accurately.
It’s quite fast in my view mode. However, if you’re shooting autofocus during video work, then you’ll hear a gentle clicking sound from the mechanism as the lens micro adjusts.
Overall, the build quality of this Canon L lens is top-notch in every way.
We don’t see very much chromatic aberration.
The lens shows some very clear flaring and a considerable loss of contrast when light is in or just around the picture. It’s not even very pretty flamming, to be honest.
Considering this lens sharpness and nice image stabilization, I think many people will accept the high price canon is asking for.
I’d say that the biggest reason to choose the Canon lens is its much smaller size and weight.
That’s almost certainly destined to become very popular. The EMFs 24 millimeter, f 2.8 STM pancake lens.
No surprise for guessing this piece of kit; its tiny size makes it one of the most portable and convenient camera lenses out there.
That’s a fantastically useful wide-angle focal length wide enough to give you the bigger picture and take in your surroundings.
But it’s not so wide that you have no emphasis on your subject.
I think it’s just about the best focal length for general-purpose photography work.
Unsurprisingly, this piece of kids does not have image stabilization for a lens of its size, so it’s not going to be completely perfect for handheld video work.
It has a maximum aperture of F 2.8, which means that the lens can net in a reasonably good amount of light, about twice as much as a standard kit lens does at 24 millimeters.
F 2.8 certainly gives you a helping hand for shooting indoors or at nighttime, getting you faster shutter speeds, and the aperture of F 2.8 can also give you slightly more out-of-focus backgrounds in your pictures.
This pancake lens is very nicely built.
It’s obviously very small and light, but it feels nice and solid; especially based on a metal lens mount, the narrow focus ring turns extremely smoothly.
The ring is electronically coupled to the lens’s focus mechanism.
So, it only changes anything when your camera is turned on. The lens’s STM autofocus motor is very accurate but not terribly fast, and it makes it very quiet buzzing in use.
Overall, the lens is built very nicely indeed, being small and handy and working without any problems.
The lens is very sharp, and generally, everything looks great.
So realistically, we’re not seeing any major issues with distortion or vignetting.
The lens can focus as closely as 16 centimeters from your subject, which is very close, indeed, perfect for taking pictures of small subjects at F 2.8; the picture quality is very sharp, with a tiny further improvement at F 4.
That’s a great performance.
Overall, this new pancake lens from Canon is a bit of a winner on all fronts; it’s nicely built.
It’s decently sharp, and it has no particular optical problems, except for some ghostly phonetic virtual cameras. Peripheral illumination can deal with that.
The 24-millimeter focal length is very useful, and the lenses also excellent value for money.
It makes your Canon digital SLR camera a lot more portable.
It’s really well done and comes very highly recommended.
What lens should I use for night sky photography?
It’s a full-frame lens for digital SLR cameras.
It could be an incredibly useful lens for shooting indoors and dramatic perspectives outside, and it’s definitely a versatile piece of kit.
Because of that extreme wide-angle, it’s even used as an Astrophotography lens because you can take quite long exposures before seeing any star trails.
It weighs a ton, well over a kilogram that a huge glass front element is beautiful and frighteningly exposed.
The use of filters is obviously out of the question, but it is possible to use gentle filters at the back of the lens to see a heavy-duty metal lens mount and a weather-sealing gasket.
The USM autofocus motor is quite lightning-fast and very accurate.
This lens does not have image stabilization.
It’s nicely shaped but only made of plastic and not metal.
The lens is razor-sharp in the middle with neutral colors and perfect contrast over the edges.
The good news is that we’ll also see excellent sharpness, a great achievement at this extreme wide-angle.
Unfortunately, we see some quite clear chromatic aberration, but you can use chromatic aberration correction and your camera or editing to correct that nicely.
So, on a full-frame camera, the lens performs really excellently at 11 millimeters.
But when you zoom, the corners of your images will respond well when you stop down the aperture.
Well, I don’t think many photographers will be using this lens with an APS c camera.
Anyway, as it really is intended for full-frame sensors. It’s considerably better performance on full-frame than APSC.
I don’t think many people will be trying to use this thing for macro photography. But anyway, the good news is that it’s still nice and sharp at close distances.
I can’t imagine anyone in my mind buying this lens that its background separation capabilities, but it is possible to get some dramatic close-up images.
Overall, well, considering the extreme parameters of this suit lens from Canon, the optics are pretty commendable; its sharpest at 11 millimeters, where you would want it to be distorted at normal distances, isn’t too bad, neither is common.
The biggest optical issue with this lens is probably flaming, and there were more obvious questions of its size, weight, and cost unless you’re a professional photographer.
The thought of buying this lens outright shouldn’t really be on your radar, and most hobby photographers might find themselves happy with another option.
The Canon 11 to 24 millimeters for USM L gives great enjoyment to Valley, and it’s, undoubtedly, an impressive professional option.