Today we are going to talk about the best Canon lens for night photography.
Night Photography offers a variety of ways that we can capture and create, just like the day.
However, what we hope to do tonight is give the 12 best Canon lenses for night photography that you can make better decisions at night.
We live in a wonderful era for night photography, as most of the lenses from the last 2 to 3 years will excel at night photography.
And these are my favorite lenses that I recommend to you for the best night epic shots.
Which are the best Canon lens for Night photography?
Here are my recommended top 12 best Canon lens for Night photography:-
|Image||Best of lens||View on Amazon|
|Canon 22mm f2: (Best Canon lens for Night Street photography)||View on Amazon|
|Canon 24-70mm f/2.8: (Best Canon lens for Nighttime photography)||View on Amazon|
|Canon 16-35mm f/4: (Best Canon lens for Landscape and Night photography)||View on Amazon|
|Canon 24mm f/2.8: (Best Canon lens for Night pictures/photo)||View on Amazon|
|Canon 11-24mm f/4: (Best Canon lens for Night Sky photography)||View on Amazon|
|Canon 50mm f1.4: (Best Canon EF lens for night photography)||View on Amazon|
|Canon 24mm f2.8: (Best lens for night photography Canon t3i)||View on Amazon|
|Tamron 70-200mm f2.8: (Best Canon lens for night sports photography)||View on Amazon|
|Rokinon 24mm f1.4: (Best wide-angle lens for night photography canon)||View on Amazon|
|Canon 17-55mm f2.8: (Best lens for night photography canon 80d)||View on Amazon|
|Canon 50mm f1.8: (Best prime lens for Canon night photography)||View on Amazon|
|Canon 85mm f1.8: (Best lens for night photography Canon t7)||View on Amazon|
Let’s talk about this tiny bad boy, the Canon 22 millimeter F2, but don’t let its size fool you because it’s amazing.
I’ve been using this little lens for a few months now, and I must say I am impressed. It’s a great little lens for both video and photography.
So first the size, it’s really small, but that’s not always a good thing because small could also mean that it’s fiddly to use.
So, too small is actually a problem, but in this case, because this lens is designed to get an M series, and small is what that series is all about.
It’s the perfect little lens; if you put this lens on an M series camera, you have this nice compact little camera system that’s ideal for night street photography, travel, everyday use.
The build quality is somewhere in between. You can feel that it’s not super high quality, but it’s also not all plastic.
I think it’s a combination of aluminum and plastic, but I’m convinced that I can use this lens for years.
So super small and light, definitely approved for this lens because it is designed for that M series, and the overall build quality is pretty good.
So what about focusing? Well, the autofocus is excellent.
It’s fast and super accurate both for photography and video.
The problem is manual focusing; first of all, there’s no button on the lens to switch to manual focus.
You always have to go in the menu or use another button, and once you have it turned on, it’s not nice.
The focusing distance is really short, 15 centimeters, making it a great lens for macro photography or to shoot B roll and things like that.
It looks great super shallow depth of field, nice.
The focal length is 22 millimeters, which translates to around 35 millimeters at full-frame, the perfect all-around focal length.
I record all my videos with my Canon 50 and the 22 millimeters, and it looks great.
I use it wide open all the time; it blurs out the background real nicely.
So it’s the perfect little lens for night photography videos, but you can also use it to shoot B-roll travel videos or if you go on the walk.
And finally, the photography image quality and what can I say it looks great; it’s sharp all the way to f2.
It has a nice blurred background, and because it’s f2, it performs really well in low light.
So, if you’re looking for a good fast all-around prime, I think this is the one that is the best choice.
So street photography, landscapes, family travel it’s all possible with this lens.
There is some distortion if you’re going really close to someone’s face.
So, in conclusion, this is an excellent general-purpose lens for the Canon EF M series cameras, super sharp, accurate autofocus, great image quality, light, portable, everything you want, definitely recommended.
The Canon 24 to 70 F 2.8 USM ii series lens is probably one of my most versatile lenses.
So, I have owned it for a year and a half, and I’ve used it hundreds and hundreds of times, obviously.
But more importantly, it has saved my butt in a couple of pinches because it’s such a useful range and an F 2.8 throughout the whole full focal range.
It’s good in so many situations, whether you’re indoors outdoors, landscape, portrait, real estate, product, any shoot you can think of.
It can be a real lifesaver, and it can be a real moneymaker in many ways.
So I really needed to own this lens this entire time to really appreciate the value that I could never have even understood when I first bought it, so I’m so glad that I waited this long actually to do a proper review on this.
It’s an extremely well-built, fairly heavy weather-sealed lens.
That is fairly indestructible, and it’s because it’s extremely well built.
I can take it anywhere because its focal length is extremely useful. After all, it gives a beautiful image. It’s truly an all-around most important lens that I own.
The best canons current professional workhorse lens.
This thing had better be really, really good.
It goes without saying that this lens is designed especially for canon’s expensive full-frame cameras.
I also used this on an APS c camera.
The lens starts at a very wide angle of 24 millimeters.
Well, wide-angle on a full-frame camera and zooms into 17 millimeters.
It’s worth considering that 17 millimeters aren’t really all that far to zoom into on a full-frame camera.
But it’s still a very useful focal range for any camera lens, and the lens has a wide f 2.8 maximum aperture throughout its same range.
That means it can matter in a lot of light, which is great for indoor or nighttime, photography.
Getting faster shutter speeds or video work, also shooting at F 2.8 can give you lovely out-of-focus backgrounds, which slower camera lenses cannot do.
The lens is big and very solid indeed.
There’s a lot of plastic in this lens construction, although obviously, it’s good quality plastic.
This thing is weather-sealed and generally tough is could probably survive in a war zone; the zoom ring on my test copy of the lens was actually quite stiff, but I’m assured that normally they are super smooth.
It has full-time manual fixing. So, you can turn that focus at when anytime.
The lens’s front elements do not extend or rotate as you change focus; the lens’s USM autofocus motor is lightning fast and very accurate.
However, it does make it quieter, with a low whooshing noise.
A surprising thing for most people is that there is no image stabilization on this lens.
It was a very bold decision by canon not to implement image stabilization.
The lack of image stabilization is a shame, as it’s useful for still photographers and those wanting to do handheld video work well.
The lens is built to a very high standard.
The image quality turns in the middle of the picture, super sharp, with more contrast.
There’s also no visible chromatic aberration. What an amazing performance.
Overall, the 24-70 millimeter f 2.8 marks ii always gives razor-sharp images in the middle of the image frame with fantastic colors and contrast levels.
It’s the best performance of any full-frame, fast standard zoom lens.
Also, the lens puts a solid enough performance on an APS c camera, but I was hoping for a bit more sharpness in those corners.
It’s quite a good performance for vignetting and a little better than average for distortion.
The wide aperture can give you quite an out-of-focus background, and those out-of-focus areas look lovely and smooth, and non-distracting.
That’s an excellent performance for a zoom lens.
So what can we say overall?
The lens gives you very snappy punchy pictures that really jump out at you with fantastic sharpness in the middle of your images.
The optical quality is slightly average in some areas, and I was hoping for a bit more magic from this instrument, especially considering how expensive it is.
But at the end of the day, it’s truly a fantastic camera lens.
That’s canons business, and value for money is always subjective. Professionals will probably still pay for this lens anyway because if you need the best zoom lens available, this is it.
This Canon lens can be a bit of a dream for landscape photographers, among other people.
The latest ultra-wide-angle lens for full-frame cameras and, this time, with image stabilization.
It’s about 650 pounds, or $1,000, which is obviously quite a considerable investment, especially for an f4 lens with only an average maximum aperture.
It’s perhaps not quite the strongest image stabilization I’ve ever seen.
But it does help you quite a lot to get sharper pictures and smoother video on a full-frame camera 16 to 35 millimeters and ultra-wide to standard wide-angle focal length.
Very handy for landscape and architectural photography or making small places seem bigger on an APS c camera.
It’s just a standard wide-angle zoom range.
It’s made of high-quality plastics but weighs over 600 grams or almost one and a half pounds.
It might seem like a great lens for landscape photography.
There is a weather sealing gasket around the metal lens mount, the zoom ring works extremely smoothly, being nicely damped and slightly heavy to turn.
In my opinion, that’s a real advantage for video work.
The focus also turns very smoothly and precisely, as you’d expect for the Canon l lens.
There is, of course, a full-time manual focus available.
The USM autofocus motor works blindingly fast, very quietly, and very accurately.
It’s quite fast in my view mode.
However, if you’re shooting autofocus during video work, then you’ll hear a gentle clicking sound from the mechanism as the lens micro adjusts.
Overall, the build quality of this Canon L lens is top-notch in every way.
We don’t see very much chromatic aberration.
The lens shows some very clear flaring and a considerable loss of contrast when light is in or just around the picture. It’s not even very pretty flamming, to be honest.
Considering this lens sharpness and nice image stabilization, many people will accept the high price canon asks for.
I’d say that the biggest reason to choose the Canon lens is its much smaller size and weight.
That’s almost certainly destined to become very popular.
The EMFs 24 millimeter, f 2.8 STM pancake lens.
No surprise for guessing this piece of kit; its tiny size makes it one of the most portable and convenient camera lenses out there.
That’s a fantastically useful wide-angle focal length wide enough to give you the bigger picture and take in your surroundings.
But it’s not so wide that you have no emphasis on your subject.
I think it’s just about the best focal length for general-purpose photography work.
Unsurprisingly, this piece of kids does not have image stabilization for a lens of its size, so it’s not going to be completely perfect for handheld video work.
It has a maximum aperture of F 2.8, which means that the lens can net in a reasonably good amount of light, about twice as much as a standard kit lens does at 24 millimeters.
F 2.8 certainly gives you a helping hand for shooting indoors or at nighttime, getting you faster shutter speeds, and the aperture of F 2.8 can also give you slightly more out-of-focus backgrounds in your pictures.
This pancake lens is very nicely built.
It’s obviously very small and light, but it feels nice and solid; especially based on a metal lens mount, the narrow focus ring turns extremely smoothly.
The ring is electronically coupled to the lens’s focus mechanism.
So, it only changes anything when your camera is turned on.
The lens’s STM autofocus motor is very accurate but not terribly fast, and it makes it very quiet buzzing in use.
Overall, the lens is built very nicely indeed, being small and handy and working without any problems.
The lens is very sharp, and generally, everything looks great.
So realistically, we’re not seeing any major issues with distortion or vignetting.
The lens can focus as closely as 16 centimeters from your subject, which is very close, indeed, perfect for taking pictures of small subjects at F 2.8.
The picture quality is very sharp, with a tiny further improvement at F 4.
That’s a great performance.
Overall, this new pancake lens from Canon is a bit of a winner on all fronts; it’s nicely built.
It’s decently sharp and has no particular optical problems, except for some ghostly phonetic virtual cameras.
Peripheral illumination can deal with that.
The 24-millimeter focal length is very useful, and the lenses are also excellent value for money.
It makes your Canon digital SLR camera a lot more portable.
It’s really well done and comes very highly recommended.
It’s a full-frame lens for digital SLR cameras.
It could be an incredibly useful lens for shooting indoors and dramatic perspectives outside, and it’s definitely a versatile piece of kit.
Because of that extreme wide-angle, it’s even used as an Astrophotography lens because you can take quite long exposures before seeing any star trails.
It weighs a ton, well over a kilogram that a huge glass front element is beautiful and frighteningly exposed.
The use of filters is obviously out of the question, but it is possible to use gentle filters at the back of the lens to see a heavy-duty metal lens mount and a weather-sealing gasket.
The USM autofocus motor is quite lightning-fast and very accurate.
This lens does not have image stabilization.
It’s nicely shaped but only made of plastic and not metal.
The lens is razor-sharp in the middle with neutral colors and perfect contrast over the edges.
The good news is that we’ll also see excellent sharpness, a great achievement at this extreme wide-angle.
Unfortunately, we see some quite clear chromatic aberration, but you can use chromatic aberration correction and your camera or editing to correct that nicely.
So, on a full-frame camera, the lens performs really excellently at 11 millimeters.
But when you zoom, the corners of your images will respond well when you stop down the aperture.
Well, I don’t think many photographers will be using this lens with an APSC camera.
Anyway, as it really is intended for full-frame sensors.
It’s considerably better performance on full-frame than APSC.
I don’t think many people will be trying to use this thing for macro photography.
But anyway, the good news is that it’s still nice and sharp at close distances.
I can’t imagine anyone buying this lens with its background separation capabilities, but it is possible to get some dramatic close-up images.
Overall, well, considering the extreme parameters of this suit lens from Canon, the optics are pretty commendable; its sharpest at 11 millimeters, where you would want it to be distorted at normal distances, isn’t too bad, neither is common.
The biggest optical issue with this lens is probably flaming, and there were more obvious questions of its size, weight, and cost unless you’re a professional photographer.
The Canon 11 to 24 millimeters for USM L gives great enjoyment to Valley, and it’s, undoubtedly, an impressive professional option.
You know your way around any scene, and night lighting is no exception.
With Canon’s 50mm f/1.4 lens for Canon EF cameras, you’ve got the perfect tool to capture images that are unique and silent with a smooth focus – all without sacrificing image quality.
This lens is best for night photography because of its fast, dead silent autofocus motor and a fast aperture of f1.4, which creates a shallow depth of field that’s great for blurring the background!
Canon’s fast-aperture 50mm delivers an extra-wide frame for low light situations like dusk, dawn, or indoors while giving a deep depth of field for portraits where the subject stands out in sharp contrast against a blurred background.
This compact, standard focal-length lens features a well-built rotating and removable metal filter (58 millimeters) perfect for attaching the necessary filters to match specific shooting conditions.
This Canon lens is the perfect partner for your night photography.
Ensuring sharp, beautiful images, this lens has a maximum aperture of f/1.4 with Gaussian optics, which are crystal clear in low light and can achieve a maximum magnification ratio at 0.25x.
The ultrasonic autofocus motor (USM) operation is quick, smooth, and laser-sharp, ensuring complete silence to avoid alerting subjects around you to the profundity of their shooting experience!
This prime can be used in many shooting situations, such as portraits, landscapes, still life, or close-up shots where precision is required.
The bright aperture of the lens enables you to get beautiful bokeh during a photoshoot at night.
The completely manual operation makes it ideal for beginners in night photography who are learning how to properly use their cameras to capture incredible views during nighttime pursuits.
It’s perfect for making out low-light details and textures in your landscape compositions at great distances or next to busy streets.
This Canon 50mm f1.4 EF lens for night photography makes it easy by giving you a great depth-of-field rendering that will have you capturing remarkable images like never before!
This wide-angle lens is ideal for night photography.
It captures a tremendous expansive scene with soft backgrounds–and a minimum focus distance of 0.16 meters guarantees you get close enough to capture breathtaking detail.
This lens is designed for night photography and offers a wide angle of view equivalent to 38 millimeters on a full-frame camera.
It has a slim, lightweight design that’s perfect for night photography while delivering beautiful picture quality thanks to the 7 blades circular aperture and complete manual focus capable of adjusting in One-Shot AF mode.
Realistic textures are rendered beautifully with this versatile lens.
Completely compatible with all nonfull frame EOS digital SLRs!
This lens is excellent for night photography because of its wide field of view.
This lens has all the attractive features you’d expect in one compact, high-quality optic that performs flawlessly across an array of shooting situations – from astrophotography to macro shots and everything in between!
This lens delivers crystal-clear images with a fast aperture of 2.8.
Perfect for those blurry nights where you can’t quite find what you’re looking at until it’s too late or for photographing after sundown.
If this is what you need, we have your answer – Canon has you covered with a fantastic product that will help you shoot like the professionals.
Let’s not forget about how affordable it is too!
It excels a lot in night photography; you’re going to get sharp images with good contrast without any color casts!
Canon’s best lens for night photography on the t3i is a versatile, durable, and reliable investment that will give your shooting more impact from the dark.
Tamron 70-200mm f2.8, a sports photographer’s dream lens for night shoots under the lights.
When you need to shoot from the stands or behind the field in low light, this is your go-to lens to give it that professional edge.
This lens is built for sports photographers and hobbyists who want to capture images at night but need all-around versatility.
This lens also offers an even more compact design due to its internal zooming mechanism, which means it’s easy to bring along wherever you go.
The zoom-in this kit starts at a wide-angle for that perfect crowd shot and moves up to telephoto range if you need an extreme perspective.
For night sports photography with a zoom range that provides maximum flexibility and high image quality.
The stabilized optical formula of this new Tamron lens offers smooth, natural contours to subjects that include vibrant colors, accurate skin tones, and an expansive focus reach.
From scenery pictures to your favorite sporting event highlights through the planned design of 23 elements in 17 groups.
This durable and accessible lens is equipped with a 5 stop panorama VC mode that allows up to 100% viewfinder stability when shooting night sports and other rapid movements, like animals in action or children playing.
It also comes with three modes optimized for different shooting situations, so this lens will be able to do it all whether you shoot wildlife or product photos!
The antifreeze system means you can shoot in any condition, including rain or snow, without worrying about your equipment getting ruined by water droplets or wetness inside the lens.
Tamron has added a tripod mount compatible with Arce-Swiss style quick-release plates, which make your setup time much quicker and easier than ever before.
With a focal distance of 200, Tamron’s newest telephoto zoom gives the photographer an incredible field of view that has always been difficult to get without going much farther away from the event.
This lens is one of the highest-rated Canon lenses on professional photography, and night sports photographers go to this lens with confidence.
Get the perfect shot no matter what.
This lens is a must-have if you want to get high-quality images when lighting conditions are not ideal.
No matter what type of photography you’re looking to do, this lens is an excellent addition to your camera bag.
Not only is it perfect for nighttime photography, but it’s a great lens at all flashlights and lightening (which can be tricky) with its small aperture size.
The f1.4 allows you to shoot in low-light conditions quickly and easily without needing to worry about slow shutter speed or noise on the sensor (which often happens when shooting under dim street lighting).
This lens would be great for those who enjoy nighttime photography or wide-angle photos for landscapes taken at sunset.
This lens is also perfect for astrophotography as it captures the beauty of the night sky and celestial lights, making every picture you take a full-moon approved photoshoot.
With Rokinons ultra-wide-angle lenses, you can see at 84 degrees with just one click!
The fast aperture range from f14 to 22 also allows easy adjustment in low light situations, not only capturing stunning portraits but also stars and planets that would otherwise be difficult to see.
Its construction from 8 different elements provides an unparalleled clarity for your images, whether you are shooting close up to the subject for an enhanced depth of field or observing more detail from afar.
This lens is the best wide-angle lens for night photography when you want to capture unique, creative photos of the city lights after sundown.
The wide-angle of this lens allows you to get unique perspectives that no other lenses can achieve with its fast focus and precise aperture.
It is ideally suited for all types of situations like astral imaging or sophisticated portrait work.
Whether you’re in motion or not, nighttime scenes are not only possible but easy to take with this wide angles 1.4 aperture lens.
The Rokinon 24mm f1.4 is the perfect choice with its fast aperture and roomy field of view, making the nocturnal scenery blooming with life even when all else seems dark and cold.
You’ll never need another photography accessory again once you snag one of these lenses!
It’s best suited for night photography canon and provides the widest angle of any other Canon L-series wide angles on the market.
Canon’s 17-55mm f2.8 lens is a versatile, high-performance professional L series ultra-wide-angle zoom lens for night photography with the Canon 80D.
We know how hard it is to find professional lenses that will work well in low light conditions -especially when traveling or shooting sports or news events without recourse to expensive off-camera lighting sets.
So we’re happy to introduce this lens as an incredible tool for anyone who likes taking pictures that are sharp and detailed, regardless of where they happen.
This lens is great for outdoor photography.
It enables you to get both wide-angle and linear shots with minimal distortion or aberration.
This creates an optical zoom range for general landscape, architecture, interior design, and night photography alike.
The Canon 17-55mm f2.8 is the perfect lens for capturing incredible photographs of the night sky, and it works great on a Canon 80d DSLR camera!
This lens will give you sharp images with excellent detail, thanks to its wide aperture that lets in much more light than a typical lens.
The aperture also helps out when shooting at low ISOs in dark locations.
The 17-55mm f2.8 lens is a high-quality, professional lens that will produce stellar shots for the demanding photographer in all lighting conditions.
Sports photographers have long favored this versatile zoom lens is an essential addition to their camera bag.
Because it offers comprehensive angle coverage that can be used indoors or outdoors and features Canon’s superior image stabilization system for low light situations.
With a constant F2.8 aperture, no matter the focal length, this ideal lens for night photography is perfect for isolating your subject with starry backgrounds and shooting in low-light environments.
The Image Stabilized Ultrasonic Motor (USM) lets users focus right down to 1 ft 2 in their subject when shooting still subjects or at full telephoto when capturing fast action scenes without any noise whatsoever.
This sharp, clear zoom accommodates both video and photo work flawlessly, whether standing or on the ground, with its wide range of focal lengths.
The company offers a filter size of 77 mm that will provide you with exquisite imagery on your camera when using this product.
An affordable option for those looking to achieve professional-level photos.
For some photographers, night photography is an enjoyable challenge that requires thoughtful planning and patience on both you and your equipment’s part.
The Canon 50mm f1.8 prime lens for canon presents a convenient solution.
This lightweight, affordable alternative fixed focal lens gives users stellar images with zero shutter lag.
This prime lens is a bestseller in Canon lenses for its night photography feature.
This lens is perfect for the Canon night photography enthusiast!
This versatile lens will give you the versatility that only a prime lens can.
This fixed focal length can easily handle any lighting situation, whether it’s a sunny day or a cloudy night.
It earns this title with its 40º angle of view, 27º upper and lower angle of views, 46 degrees diagonal angle of view, and its 1.15 feet minimum focusing distance allowing you to take close-up shots of wildlife too!
Performs amazingly on all types of photography subjects, including portraits, action, and nighttime photography.
That allows quick focus adjustment during video recording or still scenes for smooth background blur (Bokeh); you’ll get flawless imagery always!
It works well with Live View shooting and movies thanks to its STM stepping motor that delivers near-silent continuous autofocusing in both movies and stills modes, which is beneficial when you want shots where movement isn’t apparent.
Designed specifically for APS-C cameras, this 50mm prime lens will give you excellent results even on full-frame ones, too, thanks to its 80-millimeter effective focal length.
With 6 elements in 5 groups of construction, don’t worry about optical issues either!
It is extremely sharp from its maximum aperture at ƒ/1.8 right into the corners of your image field – perfect for low-light shots.
Plus, distortion is minimized by our optical design, so it’s ideal as an all-purpose lens.
It’s an excellent choice for photographers who don’t want to invest in other expensive options like variable aperture zoom lenses or different types of filters.
But still, they need versatility and low-light performance to create high-quality images at night or in dimly lit places.
No matter what you’re shooting, the Canon 50mm f1.8 prime lens is an attractive choice for nailing that perfect shot.
If you want to take photographs at night or shoot in low light, this will be the right addition to your camera bag.
The Canon 85mm f1.8 lens is best used for night photography because of its fast maximum aperture, focal length, and susceptibility for creating background blur that’s ideal for portraits as well as realistic images.
Great for shooting at concerts, weddings, or other fast-moving events where autofocus is sometimes slow and unreliable.
It was created especially for low-light settings and allowed photographers to easily explore creative opportunities at a slow shutter speed.
The high-quality rating of this lens makes it an excellent choice.
This is an additional reason why the lens would be great for night photography.
The ring-type ultrasonic monitor allows you to quickly bring a subject into focus while maintaining the natural angle of view and perspective.
This beautifully crafted lens weighs only 15 ounces, measures 3 inches in diameter by 2.8 inches long.
It comes with a 1-year warranty and cannot be zoomed during use to help capture nighttime atmospheres from far away distances.
This lens is designed for the creative professional and amateur night photographer or anyone who wants to shoot a beautiful image without zooming.
The lens is the best for shooting at night because it has a fast aperture allowing for low-light situations with little to no noise.
It is also perfect for capturing atmospheric photos that punch up the colors of a scene and showcase its textures and finer details.
You’ll be pushing your ISO all over the place when photographing at night-time, just like how you would with daytime photography!
It opens up that shutter speed area where any photographer needs to control their exposures, from letting in more light or less light as desired before capturing an image on their camera sensor.
Put this lens on, and you can get crystal clear, remarkable shots at any hour, whether you are taking photos of friends or capturing an animal in a dramatic setting.
The canon 85mm has been used by professional photographers such as Ryan Brenizer, who specializes in long-exposure seascapes using film photography to capture their beauty and mystery.
If you shoot images at night, this is one piece of gear you need in your kit!
Good Canon lens for night photography?
Night photographers will need a good lens for their camera with a wide aperture and can also focus in low light. An excellent option for Canon users is the EF 24-70mm f/2.8L II USM Lens, which can be used with any Canon DSLR camera. It offers excellent bokeh and sharpness, even at the widest setting of 24mm, while still having an affordable price tag.
What is a good Canon lens for night photography?
If you plan to photograph cityscapes and other landscapes at night, we recommend purchasing the EF 24mm f/2.8 IS USM Lens which includes image stabilization (IS). It has an aperture range from 2.8 to 22, so it can capture crisp images even when light levels are low; this makes it perfect for capturing nighttime shots!
Alright, guys, so that concludes all the lenses we will talk about today in this article.
Do you guys have any experience with these lenses? What are your thoughts on them?
Which is your best Canon Lens for Night Photography?
Is there a lens that I didn’t mention in this article that you love to use for night photography?
Would you please leave your thoughts and comments below?