For me, street photography is all about traveling light, and I get really want to be walking the streets with a big bag full of lenses.
So today, I’ll show you how to use the lenses I do.
And I’ll give you my top tip for lens choice and constraints.
As with most considerations about the lens, the choice is a very personal thing.
I’ve been doing this for a long time, and what works for me.
Which lens is best for street photography?
Which Fuji lens should I buy?
Here are my recommended top 6 best Fujifilm lens for street photography:-
|Image||Product||Best lens for||View on Amazon|
|Fujifilm 23mm F2||(Best Fuji Affordable lens for street photography)||View on Amazon|
|Fujifilm 16mm F2.8||(Best Fuji X lens for street photography)||View on Amazon|
|Fujifilm 56mm F1.2||(Best Fuji lens for Night street photography)||View on Amazon|
|Fujinon 50mm F2||(Best Fuji Travel lens for street photography)||View on Amazon|
|Fujifilm 27mm F2.8||(Best Fuji video lens for street photography)||View on Amazon|
|Fujifilm 23mm F1.4||(Best Fuji Prime lens for street photography)||View on Amazon|
I’ll be telling you why I think this is a great little travel lens.
So I’ve owned the 23-millimeter F2 lens for about a year now, and I’ve taken it with me to Jamaica and throughout Europe, and I must say is one of my favorites.
It’s lightweight and compact; it’s affordable.
Nice weather sealed and dust resistance, quick and silent autofocus wide field of view, makes it great for travel photography.
It’s also great for videos.
Not optimal when shooting close up; there is no image stabilization.
The Fuji 23 millimeter F2 lens is smaller and lighter than other Fuji lenses, making it a more comfortable option for smaller cameras without unnecessary parts and pieces.
The lens is sturdy and feels like it’s been made out of quality material.
The lens hood and cap are both made from plastic or metal lens hoods that can be purchased as extra and replace the plastic ones.
As mentioned before, one of the biggest pros, its convenient size; it’s small and compact, which makes it an ideal javelin that attaches easily to your camera without adding any unnecessary extra ball; the lens weighs just 180 grams.
So it’s lightweight, as well, this makes carrying it with you while in busy city streets, all day a breeze.
Now on to the good stuff, how good are the images taken by this lens? That’s the most important thing.
I’ll be breaking this down into smaller sections. One is the lens autofocus and the lens sharpness, and I’ll go more in-depth into these sections now.
The 23-millimeter lens autofocus, so the autofocus on the 23-millimeter lens is one of its best features, is exceptionally quick so that you can snap moments in a heartbeat.
And it’s silent, a big plus for street photographers’ sharpness.
The lens has fantastic central shorteners, but it starts to fade a little in the corners.
This isn’t often a major issue for street and travel photographers, though, and sometimes isn’t even that noticeable.
Most of the time, if you play around with the stops, you’ll find the ideal shortlist for your subject.
The 23-millimeter lens is actually incredibly affordable; it’s much cheaper than other Fujifilm lenses.
The lower price makes it an excellent traveler for beginners since you’re not investing in large amounts of money while you decide if photography is a hobby or career for us.
Fujifilm 23 millimeter lens review recap, this is small and affordable and is compatible with all Fujifilm X series interchangeable camera systems are perfect for beginner photographers, ideal for Vloggers, and are a must-first street photographer.
It will have you itching to get outside and snap photos of people’s buildings and opportune moments.
The free build is also perfect for throwing into a backpack and taking on adventures.
So when the Fuji 16 millimeter F2.8 was announced, I was pretty excited to get my hands on it and see what it was all about.
The 16 millimeter actually comes in and F 2.8 to keep the size under control, but for all intents and purposes, this little guy is definitely part of the same family, so I’m going to call it a Fuji cried, even if it is F 2.8, and you can’t stop me.
In terms of specs, the 16-millimeter f 2.8 is an APS-C lens with an equivalent field of view of 24 millimeters on a full-frame body.
The design weatherproof lens is made of 10 elements and 8 groups, including spherical elements.
I use this Fuji super EBC coating for outstanding optical performance.
It’s got a maximum aperture of F 2.8 for low-light shooting.
In terms of build quality, this lens is on par with any other Fuji x lens.
It’s got a metal barrel and lens mount, but it still manages to come in at about 155 grams, like all my favorite Fuji lenses.
It has a dedicated aperture ring with one-third stop increments all the way around.
Alright, let’s talk about autofocus speed. The lens uses an internal focus system with an ultra-quiet stepping motor.
I haven’t hooked this up to any high-tech measuring equipment or anything, but I can say this little lens is blazing fast as it ranks among the quickest I’ve used on any Fuji lens to date.
So yeah, the AF is fast on this lens, but I’m a street photographer, and any amount of time for ATF to acquire its focus is too long.
Now, this is where it gets interesting with a 16-millimeter lens, I normally shoot it f8, and with a 16-millimeter lens on an APS-C body at f8, the hyperfocal distance is between 5 and 6 feet.
Yes, I wish this lens was perfect in every situation, but the reality is practical to use; softness will never be an issue for me as a street photographer.
What really makes this lens stand out for me is this it is a 16-millimeter lens, a 24-millimeter full frame field of view lens.
And it’s only this big, the fact that he was able to make this lens, like this is nothing short of astounding, and having access to the 24-millimeter field of view as a street photographer opens up a ton of creative possibilities.
A 16-millimeter lens on a PSA translates into the 24-millimeter field of view approximately on a full-frame camera.
And that’s an ultra-wide-angle lens.
But is it too wide for street photography? Well, yes and no.
I like first to tell you this lens offers me shooting in tight spaces like when I go out and shoot Halloween or different events where there’s a ton of people.
And I’m shooting inside the crowd, and creating compositions in tight spaces is well unleashed a whole new shooting level.
That wouldn’t be available if I didn’t have a lens like this in my bag, so all in all.
This is an excellent versatile lens for street photography.
So, don’t hesitate if you want this focal length; this is a great choice and for the money.
There’s really nothing else in the market compared to this, so it should be obvious from how I’m going on that I’m a big fan of this lens.
I’ve been using Fuji film for roughly four years now, and 56 F1.2 is a lens that keeps getting recommended to me.
I’ve always been interested in trying it out, but I’ve never got around to it, and yet it’s given me a major headache on whether to buy this lens or not.
I like using longer focal lengths like 50 millimeters, 56 millimeters 90 millimeters for street photography.
I know lenses like this are normally used for portrait stuff in studio work.
But when taking street photos, I find it can be a bit more creative when using longer focal lengths rather than wide focal lengths.
I’m just going to share my thoughts on using this lens for roughly three weeks, so I rigged it in this unit from Fujifilm as I’m still deciding whether to buy this lens or not; I’m going to discuss that in more detail.
So let’s kick things off by talking about some of the things I like about the Fujifilm 56 F1.2, and the main reason I’ll take up a lens like this is to shoot at F1.2.
So what that means is you can get a much shallower depth fulfilled with this lens, and it allows you to be more creative.
When you’re taking photos at night, the images, a lot cleaner, a lot sharper.
Should have 1.2 at night, there is a big difference, which brings me on to my second point: image quality.
Now, even at 1.2, the photos taken with this lens are absolutely crisp.
So the 56 F1.2 probably renders the best backgrounds I’ve seen from all the Fujifilm lenses that are the focus areas are creamy, the bokeh is nice and round, especially at F1.2.
For a lens that is F 1.2 and has so much gloss in it, and it’s so fast, and it’s actually pretty light.
It was nice in hand, especially when you’re out there taking photos, which is what made the metal act during is nice and smooth.
So they’re the main things I like about this 56 F1.2, and now I’m going to talk about some of the things I dislike about this lens.
And the first point, and it’s the main point and this, the main reason which is holding me back from flying this lens is that this 56 F1.2 isn’t water-resistant.
Yeah, I really wish this 56 1.2 at Weber ceiling, because for me, that would have made it pretty much the perfect street photography lens.
Next up, and it’s not a major point, but it’s the closest focus in the distance for this lens.
So the minimum focusing distance for the 56 1.2 is 70 centimeters.
Now there’s no massive problem when you’re taking photos on the street because it’s the 56-millimeter lens; you don’t have to get brighten people’s faces, so that’s not really a big issue there.
If I’m taking product shots in the studio, or even for some close-up portrait photography, the 70-millimeter close function distance may be a slight problem; as I said, it’s nothing major, but you guys should know about it.
So there is that; it definitely is slower, so it’s something you have to watch out for.
If you’re taking photos of false moving subjects, this may not be the lens for you.
But what I will say about it is this lens actually made me want to go out and take photos, which I can’t say for many other lenses I’ve ever used.
And I really liked the photos which come out of it.
I highly recommend this lens.
When I first bought this lens, I put it on the camera straightaway when I walked out of the shop, and this is the first photo I took. It made me think; this is definitely a street photography lens.
56-millimeter F 1.2 is basically 85-millimeter equivalent, giving you that nice telephoto portrait kind of field of view, which I find amazing for street photography.
It’s well known to be a slow lens because it’s quite bulky and big.
It allows me to keep that low profile of being on the street.
And having that telephoto range allows me to get nice shots that are not in anyone’s face, not in anyone’s way but still focusing on that moment and really framing in on what’s happening in that urban environment.
Sharing that urban story of the which, in my subjective opinion, is what street photography is about doesn’t have to be on the street but really share that story of the environment that you live in share the city or wherever you live to share that with the world and let them know what it feels like to be there.
I also love this lens for videography.
F1.2 with a 56 millimeter, it gives you a nice dynamic visual that you can actually feel like you’re there, feels close, brings it all together, and tie in everything nicely, and obviously, for portraits, this length kills it.
Let’s be honest; I bought this lens with my own money for 1.2 low light.
It just makes everything come together.
Every lens has its pros and cons.
I find that bringing something new to the table brings that low light capability, brings in that stealth lift where you can; you don’t have to be so close and focus on something, bringing a new look very unique.
This is one of my favorite lenses; I use it all the time, forestry and travel photography, and commercial work.
So the first thing I’m going to say is 50-millimeter lenses are normally used for street photography.
So you have to remember, this is 50 millimeters on a Fujifilm camera, which uses APS-C sensors, so, on full-frame.
This 50-millimeter lens is actually 75 millimeters.
Now, a 75-millimeter lens or 50 Films case is very rarely used in street photography.
If you look at most famous street photographers, those guys will use 23 millimeters, 35 millimeters, or 50 on a full-frame.
I just like the range it gives you so when you are inside the pulse of the city.
You don’t actually want to get up in people’s faces, nor do you want to sometimes disturb people from their day-to-day lives by getting in their face with a wide-angle lens.
So instead, a lens like this allows you to get close to your subject without actually physically getting close to them.
Also, it allows you to get more separation between your subject and the background, which in my opinion, mixed with better photos.
So, let’s talk about some of the things I like about this lens, and the first main reason I picked this up in the first place is just down how small and lightweight it is.
So whenever I hit down into the city, I can spend between six-seven hours just walking around taking photos.
So yeah, the size away of this makes it absolutely great for street photography.
Next up is water resistance.
I love taking photos in the rain; it was one of the main reasons I picked up a Fujifilm camera in the first place.
It makes them fully water-resistant, and I’ve literally put that to the test in some crazy condition.
So, I’ve been on mountains where there’s been trying to rain and thunderstorms going on, or just walking around London nonstop in the rain, and I’ve never had a single issue.
So yeah, the water resistance definitely works on Fujifilm.
Image quality wise I have no complaints, especially when you look at the size and weight of this spin.
I use it for commercial work for portraits through photography travel, and I never really had an issue with the quality.
For autofocus, I almost always use autofocus for street photography, and I can’t remember ever missing a subject or missing a moment to slow autofocus.
So no complaints in that department to donate negative I can finger regarding this lens, and it’s the same with the F2 lenses, which is the manual focus.
So if you primarily manually focus, this lens may not be for you, and that’s because all the focus is done electronically.
The Fuji film 27-millimeter pancake lens.
What I like about this lens, first and foremost, is its size; I got this lens for the compact size and punched that it packs with small but great features. This lens actually gets down to 2.8, which is quite incredible for a lens that small and for that little glass.
There’s just something about grabbing your camera and getting on the road and going out and choose some great photography, and that’s what I love about Fuji’s amazing color with a simple setup.
This lens with video captures some incredible colors and even some good depth of field for such a small lens.
So like I said, if you’re looking to get out on the road, shoot some great street photography.
This lens cannot be wrong packs a punch in, small package.
I repurchased it in 2015.
It weighs 10 and a half ounces, takes 62-millimeter filters, and equals a 35-millimeter focal length framework.
This lens has no optical image stabilization, it’s not weather-sealed, has no fancy nano-coating, and it’s equipped with a pretty outdated autofocusing more on the price tag.
But for me, 23 1.4 is still one of the best Fujifilm Prime’s.
I’ll tell you why I think that’s the case.
Let’s start with the build quality.
The body is made out of metal, which guarantees resistance to most forms of abuse, and high copies definitely prove that.
You won’t find any cheap plastic on it; all materials are of top-notch quality.
Well, it’s lighter than any other fast aperture lens; the aperture ring it’s quite a bit too smooth for my liking.
If you pull the focusing ring towards you, the lens goes into manual focus.
This is a super clever feature, and I believe only two other Fujinon lenses offer this option.
Some people might find this annoying, but for me switching this way between AF and MF mode.
Another feature available only on these three lenses is engraved depth field marking, which I find extremely helpful for manual focusing operation.
The lens produces very rich and smooth bokeh out-of-focus area apertures between 1.4 and 2.8, capable of delivering truly great results.
The subject separation is well controlled, and there are no signs of background business, even in high contrast areas.
In conclusion, I gotta say that 35-millimeter focal length or field of view, if you like, is by far my favorite.
I believe this is a great 23 1.4 that fits a wide range of styles from street portraiture, environmental landscape, or it can be just used as a general-purpose lens.
23 1.4 sharp contrast and it renders colors absolutely beautifully.
And on top of that performance, for me, an extra stop of light is super important, especially when shooting in low light conditions and build quality. It’s absolutely exceptional.
And this might be the main reason why I picked this one.
I think its potential is later on the build construction and the quality ergonomics of this lens are bar none, just really, really great.
I really like this lens because it has 16 millimeters, and it’s the clutch system for going from auto to manual.
I really liked that clutch override, like when you click it.
You’re automatic, and you can go to manual by just pulling that down on the lens, and you don’t even have to touch the switch on the side of the camera; the focusing ring is super smooth.
The image quality on this lens is really great.
I found that there’s a tiny bit of blurriness on the edges, and when I’m way down at F 16, I can get a tiny bit of diffraction, not a lot, but it is there.
And personally, in my case, it’s just negligible, especially for the reasons I have this lens, and that is frustrating because what this lens does do that’s fantastic is its capacity to show the contrast between different colors.
The color contrast is unbelievably incredible; you say to yourself, well, color contrast doesn’t really matter because when I’m going to be shooting in black and white from street photography.
Also, bokeh is super nice, and when I do go out and shoot a bit of street, I like to open up and get a bit of blur in the background.
So overall this lens is that it’s perfect. I would suggest that to anybody doing street photography.
To me, the 23-millimeter focal length, full Frame 35-millimeter equivalent.
There’s nothing better in terms of focal length. You can’t ask for a better focal length to go out and do some great Street.
What is the best focal length for street photography?
Some of the most common questions that I get from viewers are what lenses I use or what lenses they should get?
Obviously, your photography or style of art is completely up to you, and you have to find the right lens for that picture style, but if you’re a beginner, you may not really know where to start.
What kind of results could you expect from different lenses your focal length, so you would have a better idea of what lenses to buy next.
And there are too many different camera brands, and I obviously can’t talk about all the lenses on the market.
I’m just going to focus solely on the focal lens, so it doesn’t really matter if you use Canon or Fujifilm or Nikon or Sony or DSLR or mirrorless.
Some of the most common focal lengths for street photography are 28 millimeters, 35 millimeters, and 50 millimeters.
Different focal lengths will give you a different look, and in photography, it’s not always about what’s in your frame because the way they look can also add a lot to your storytelling.
If you’re starting, the most important thing you have to remember is that any lenses that you get will add to your experience, and it will help you become a better photographer.
So, don’t worry too much about not getting the right lens, or don’t worry too much about the reviews or corner sharpness and things like that; go out there and shoot and enjoy photography.