Today we’re going to get into a question that I hear come up all the time, what is the Best full-frame lens for Real estate photography?
So there are many good options out there as far as lenses go for Real estate photography.
Which one is right for you?
I’ve been in real estate photography for about nine years, and I shoot over 1000 listing a year.
So I’ve spent a lot of time in these lenses and gotten to know them pretty well from a real estate photography standpoint.
Let’s drive in:
Which is the best Full Frame Lens For Real Estate Photography?
Here are my recommended top 6 best Full Frame Lens For Real Estate Photography:
|Image||Best lens for||View on Amazon|
|Sigma 14-24mm F2.8: (Best ultra-wide-angle full-frame lens for real estate photography)||View on Amazon|
|Tamron 15-30mm F2.8: (Best ultra-wide-angle full-frame lens for real estate videography)||View on Amazon|
|Sony 16-35mm f4: (Best Sony full-frame lens for real estate photography)||View on Amazon|
|Sony 24mm F1.4: (Best Sony prime full-frame lens for real estate photography)||View on Amazon|
|Sigma 20 F1.4: (Best APS-C full-frame lens for real estate photography)||View on Amazon|
|Sigma 12-24mm f4: (Best Canon full-frame lens for real estate photography)||View on Amazon|
It’s a full-frame ultra-wide-angle zoom lens that is currently just for Sony’s mirrorless and E-mount cameras.
I love its relatively compact size.
This lens has opened up different and exciting real estate, landscape photography, indoor pictures, and astrophotography.
It’s really versatile and properly intended for full-frame shooters.
The build quality, I love the way this lens looks and handles.
It’s a lovely size and weight to bring this count to about 800 grams.
The lens’s body is a mixture of metal and plastic, feeling nice and solid.
Next comes verbalizing the ring, which tends perfectly smoothly with no stickiness or unevenness to it of any kind.
Then, the focus ring again mobilized and turned amazingly smoothly.
And the lens’s focus motor responds very well as he uses it.
The lens has an excellent, accurate, quiet, and averagely fast autofocus motor.
The lens has a built-in hood, which he cannot remove.
And unfortunately, you can’t use conventional filters with a lens.
But it does come with a nice cap that fits perfectly.
It does not have image stabilization.
Overall, perfect professional build quality here for an optic of this type.
What’s more important is, of course, image quality.
This is incredibly impressive to appreciate what we’re dealing with here.
The lens remains incredibly sharp in the middle, straight from F 2.8, and the corners of your images.
Overall, I loved this camera lens.
And using it was great joy in all areas of its performance; it decompresses from its versatility.
It’s relatively compact and friendly to build quality and crucially.
It’s an incredibly brilliant optical performance, essential to my mind with such a wide-angle lens.
Virtually it’s easily the sharpest ultra-wide-angle zoom lens I’ve ever tasted and one of the most enjoyable and valuable.
It’s my favorite ultra-wide-angle lens I have ever tested.
This is an ultra-wide-angle zoom lens for full-frame cameras.
What’s an exciting formula, a fast maximum aperture of F 2.8?
An extremely wide-angle 15 millimeters and image stabilization combined to make a unique and potentially exciting lens.
It helps capture wider rooms, giving unexciting scenes that dramatically new perspective, or shooting indoors or in tight spots.
The lens also zooms into 30millimeters, giving you some excellent flexibility to work with.
You can also fit this lens onto an APS-C camera if you want.
But the zoom range is far less attractive, covering a wide angle to standard focal length.
The wide maximum aperture of F 2.8 lets in quite a lot of light and makes it easier to shoot indoors or in darker conditions.
F 2.8 can also give you more noticeably out-of-focus backgrounds and image stabilization.
Tamron calls VC a desirable feature, helping you get the sharpest still pictures.
This lens is a sure contender for the bulkiest wide-angle lens in the world.
It’s massive, weighing over one kilo or 2.5 pounds.
This lens means serious business.
It turns heavily and not very smoothly.
Unfortunately, you won’t be able to fit any filters to the front of this lens.
However, it does come with an adorable lens cap that fits comfortably and safely to the front.
The lens’s focus swing is much more excellent than the zooming.
The lens has full-time manual focusing so that you can turn that thing at any time.
The ultrasonic autofocus motor is lightning fast, accurate, and quiet.
We also get a gasket for weather sealing time with metal lens mounts to make professional photographers happy.
The lens’s build quality is excellent, although its zooming is stiff.
It’s a hefty piece of kit.
And the all-important picture quality, an ultra-wide-angle lens needs to be sharp from corner to corner.
We saw fantastic sharpness and contrast in the middle of the image.
If we zoom in 30millimeters, the picture quality is very sharp and punchy in the middle from F 2.8.
Overall, distortion and vignetting are noticeable.
But this is a better performance than average for the first ultra-wide-angle lens.
The closer picture quality is reasonably sharp things look a lot more accomplished when he stepped down to earth with a spotless and punchy image.
Overall, this heavyweight camera lens punches very strongly in image quality.
There are no real optical problems to speak of.
It’s very sharp at 15 a millimeter, even with the wide aperture open at F 2.8 as a Canon user.
Suppose I were on the market for a new ultra-wide-angle lens for my full-frame camera.
This is undoubtedly the best full-frame lens for real estate photography or video work.
It’s great fun, and its fantastic images speak for themselves.
Tamron has done a great job here.
And for full-frame camera owners, this lens certainly comes highly recommended.
This is an ultra-wide-angle zoom lens for Sony’s full-frame mirrorless cameras.
A classic is an ambitious zoom range for an ultra-wide lens.
They are making it flexible and useful for real estate photographers, landscape photographers, and photojournalists.
If used on an APSC camera, 16 to 35 millimeters is just a normal wide-angle zoom range.
It works silently, and you will see it makes a nice difference, helping you to get smoother video footage and sharper still pictures.
It’s made of solid metal and is weighty at half a kilogram.
The zoom ring turns perfectly smoothly and precisely the focus detail.
Overall, it’s a little bigger and heavier than you might expect for a wide-angle lens on a mirrorless camera.
The build quality is perfect.
If you want to do video work, the constant maximum aperture, the smooth zooming image stabilization, and the excellent autofocus will be helpful.
The image quality is razor-sharp in the middle of the image, and the corners are excellent.
So, the lens is a superb performance.
The close-up image quality is excellent and sharp, even from zoom-in to 35 millimeters, and the lens turns from jackal into height.
It’s very sharp, except for 35 millimeters and F4.
And its build quality is fantastic, especially for those doing video work.
It does have excellent potential, so it is recommended.
The Sony 24-millimeter G master is a light, compact full-frame lens.
It weighs just under a pound.
The G Master is moisture and dust-resistant but has no weather sealing.
The lens has a minimum focusing distance of 79 feet on the mount.
And has an 11-bladed aperture capable of closing down to F 16 and wide open at F 1.4.
One of the G master’s strengths is in its manual control options.
The lens features one focus hold button that can also be programmed for other functions.
It has a D-clickable aperture ring for smooth transitions when shooting video in different lighting situations.
As with all G master lenses, the autofocus is nearly flawless in photo mode.
If your exposure and composition are on point, it will miss.
The autofocus works like a charm, and the autofocus drive is fast, powerful, and utterly silent in the video.
The autofocus is fast, even at F1.4.
This is my primary real estate lens and wide-angle for professional video work for clients.
It’s a sharp lens for video, and all apertures, even at one point for the colors you can pull out and post.
Make for an incredible cinematic filmy Look.
The 24-millimeter G master lens uses two X-rays or extreme spiritual elements to create the clarity and sharpness synonymous with G master lenses.
It also has three extra-low dispersion elements.
Which attribute to the lens’s lack of chromatic aberration, and the fact that it’s nearly impossible to get it to flare from a clarity and sharpness standpoint is a great thing.
The lens and wide-angle photography, such as real estate, buildings, and landscapes, shine.
Its 1.4 capabilities make it a fantastic lens for stylized and environmental portraits.
The focus works like a dream.
And the final images are sharp right where you want them to be.
It has an 11-bladed aperture producing perfectly round bokeh and a soft dreamy background when shooting outdoors.
The lights behind your subject enhance the contrast and sharpness of your photo’s focal point.
This is the entire reason to get this lens, its power of 1.4, and it’s the reason why I love it so much.
This is a no-brainer if you’re a professional real estate photographer or filmmaker using mirrorless cameras.
The professional filmy look that this lens produces in the video is exceptional.
And if you love the extreme depth of field and clean, crisp images as a photographer, then this lens is for you.
This is a must-have in your kit if you’re a Sony shooter and prefer prime lenses.
And after six months of shooting everything, I can say that this is probably the best and most versatile lens I’ve ever used.
I’m looking at a camera lens that made my heart skip when I heard its announcement.
The Sigma company has surprised everyone by releasing a new lens version entirely out of the blue.
Which promises to deliver the same unique kinds of pictures.
But this time, with sharp, professional image quality, not to mention a considerably wider maximum aperture of F 1.4.
This is the widest angle F 1.4 lens ever made for full-frame cameras, an awe-inspiring achievement.
However, the image quality turns out, 20 millimeters.
I’ve come to like 20 millimeters as a focal length on a full-frame camera.
It gives you a nice dose of ultra-wide-angle stretched corners with the pushing away of your subject.
But it’s nowhere near as extreme as 16 millimeters or even wider.
So it’s a more subtle ultra-wide-angle that lends an interesting touch to your perspective on an APS-C camera.
It is a lovely standard wide-angle, perfect for real estate photography.
And, of course, that extremely impressive maximum aperture of F 1.4 can let in tons of light for nighttime or indoor photography.
And give you some pretty out-of-focus backgrounds, unique for such a wide-angle lens.
It’s pretty hefty and excellent and built to a high quality with tight tolerances.
The lens can’t take filters.
The manual focus ring is large and works very smoothly and precisely.
He can turn the focus ring at any time, whether or not you’re switched to manual focus.
The autofocus system works faster than usual for one of the sigma art lenses, and it’s quiet in my tests.
The lens does not have image stabilization.
You will see contrast and sharpness levels from the middle of the image and into the corners.
The image quality is razor-sharp, straight from F 1.4, with outstanding contrast levels.
But what’s most impressive is that we continue to see pretty good sharpness over the image corners with minimal chromatic aberration on contrasting edges.
Well, the Sigma 20-millimeter f 1.4 art is a trailblazing lens.
This lens is seriously sharp.
The lens protects some moderate panel distortion.
Nothing too horrendous, but noticeable in some pictures nonetheless at F 1.4.
We see some very dark corners, which you’ll want to brighten with photo editing software.
The close-up picture quality is pretty sharp, but with a touch of color, fringing stopped down to F2, though, and the picture quality shines again.
An ultra-wide-angle lens needs to work well against bright lights.
As you’ll be catching bright lights in your pictures quite often.
The Sigma 20mm f 1.4 art is a severe achievement in optical engineering.
Simply getting to use a 20-millimeter f 1.4 lens is a delightful experience.
Which lends itself to real estate photography and creative photography.
Even the most discerning professional photographer will be delighted with its exceptional image quality.
I’m amazed at how sharp and fun these lenses are.
So it comes very highly recommended. Indeed.
12mm is the widest angle, which is a helpful focal range.
It’s a fantastic field of view.
It’s all about the background, at 12 millimeters.
They have a nice maximum aperture of F 4 throughout their zoom ranges.
Meaning they let her know a reasonably good amount of light.
The body is excellent, as you’d expect from our sigma art lens.
But it’s big and heavy, tipping the scales well over a kilogram or two and a half pounds.
The lens zoom ring turns very smoothly but quite heavily.
It has a large focus ring that can be turned at any time and works smoothly and precisely.
The autofocus mechanism is fast and quiet.
It comes with an adorable lens cap that slips on comfortably.
All in all, the build quality is pretty much perfect.
On a full-frame camera, the image quality is excellent and punchy in the middle of the image.
The corners adjust okay with a touch of magenta color fringing is top-down to f 5.6 for a tiny improvement in the corners.
But a perfect image back in the middle.
And its lack of chromatic aberration is commendable at these extremely wide angles.
I was expecting to see a bit worse vignetting and distortion on this lens, so sigma should be pleased with themselves here.
Close-up image quality remains excellent and sharp, even at F 4.
It is good to see how this extremely wide-angle lens when bright lights stray into the picture.
There’s almost no loss of contrast.
So that’s great to see from a lens of this type.
This lens philosophy naturally has little to do with getting out-of-focus backgrounds birch.
They look lovely and smooth when you do, which is good to see on such a wide-angle instrument.
It’s a sharp lens, especially when the aperture is stopped, giving you punchy clean images.
The Sigma lens controls chromatic aberration a lot better.
Undoubtedly the Sigma lens is much better valued, and it is recommended.
What lens do realtors use to make rooms look bigger?
Wide-angle lenses make tiny spaces appear more prominent, which will be very helpful to you when selling the house. Like a magic wand, really. Additionally, it improves depth perception, giving your room a more realistic appearance. The best wide-angle lens for beginners is 10 to 18mm in focal length. I have always loved the Sony 16-35mm f/4 lens for real estate professionals. The zoom ring rotates flawlessly, smoothly, and accurately. Additionally, it gives the appearance that remote sites seem much more significant than they are. I can capture shots of both of the room’s walls if I position myself in one of the room’s corners and use a lens with a significant depth of focus.
Do you need a full-frame camera for real estate photography?
A question that often comes up for photographers is whether they need to use a full-frame camera. The answer depends on what you are shooting and who your clients are. If you’re shooting only inside the home, then it’s possible any camera will suffice, so long as it has good battery life and can handle low light well. However, a full-frame camera is necessary if you want to shoot outside or in open spaces like an office building or warehouse. This type of photography requires more light than indoors, so your shutter speed (and ISO) needs to be faster; having the larger sensor helps ensure you get enough light in an image without grainy noise.
What lens do most real estate photographers use?
The Sigma 14-24mm f/2.8 is the most used lens by real estate photographers. The ultra-wide angle of view allows you to capture tight spaces or limited areas. It’s also great for capturing architecture in urban areas where buildings are often clustered closely together. It has a large aperture opening, making it suitable for low-light photography and creating beautiful shallow depth-of-field effects without adjusting your camera settings. This lens is one of my favorite lenses because I like shooting architectural photographs, and this lens helps me do so with ease! Every professional photographer needs at least one high-quality wide-angle lens in their arsenal.
Alright, guys, that concludes all the lenses we will discuss today in this article.
Do you guys have any experience with these lenses? What are your thoughts on them?
Which is the Best Full Frame Lens For Real Estate Photography?
Please leave your thoughts and comments below.
I am a professional photographer born in the USA. I have been in this field of photography for 22 years now, and in these years, I used many photography lenses, which I want to share here on this website about my experience of it. The idea for Bestoflens.com is to provide honest information about different Lenses products in the format of a “Best lenses for AYZ” list. I want this website to be the last destination for people to pick the best lenses to fit their needs. You can find our unbiased reviews here on Bestoflens.