11 Best lens for close up shots: (2023 Guide & Reviews)

When you need to focus on the details, whether a macro shot of an insect or the texture of the bark on a tree, your best bet is to use a lens with at least one close-focusing distance.

This blog post examines some of our favorite close-up lenses and explains what they can do.

What lens is best for close up shots?

Here are my recommended top 11 best lens for close up shots:-

Nikon 60mm F2.8: (Best lens for close-up shots Nikon)

You can use it anywhere, from family portraits to flowers in your garden, and you will love how crystal clear and stunning it looks.

It’s fast, compact, powerful, and has excellent distortion correction, all thanks to proprietary Nikon technology.

It does have the option to switch between manual autofocus on the lens itself.

It does have an external aperture ring.

This is an endless end with an ED glass as well.

It also comes with a lens cap and hood, suitable for removing sunlight.

Fabricated from resilient plastics, the barrel absorbs vibrations while it minimizes dust ingestion when using it outdoors.

Overall, this lens is one of the most incredible in the number of lenses I own.

If you’re using up-close macro photography, unlike flowers, or trying to document personal items like a wedding ring.

This lens is so pin-sharp with different distances; it can give you some fantastic images out of the field of focus.

This lens will let you accomplish what I have had some people ask if I can use it for everyday photography.

You can think you’re going to consider the size of the glass on the exterior of it.

With the amount of light and so forth, this lens is probably one of the, like I said, one of the most incredible lenses you can have when taking some excellent artsy-type photos.

You’ve had the unfortunate experience of discovering that your object is better up close.

This lens is perfect for close-up shots of people and objects with clarity.

This lens’s compact and lightweight design allows easy travel without sacrificing performance.

This Nikon’s premier telephoto portrait lenses produce pictures with a blurred background but natural-looking sharpness due to its 7-blade aperture diaphragm, which creates a beautiful blurring of out-of-focus details.

The Nikon 60mm F2.8 lens for close-up shots would be perfect in this case.

It’s so versatile you can use it to get intimate with the object of your love.

And as an all-around low-profile lens that will take some stunning urban photos at night or any other time, you must shoot from far away.

Tamron 90mm F2.8: (Best lens for food photography)

I shoot quite a lot of food.

It’s a perfect way to score for many things.

But today, I will tell you why I think it’s the best lens for food photography.

Well, first of all, when we think about food photography.

You look at food. I have a lot of different textures.

So we want to bring them out to make the food look delicious.

That’s why one of the things why I use a macro lens.

Macro lenses are sharp lenses. So, it’s easy to bring out all the goodness in the food.

I also love using the Tamron 90 millimeter because you can close in on the food.

Sometimes, I want to focus on the dish itself; it’s beautiful.

I don’t want anything other than just showing the lovely dish.

So I can go close and cut out all the distracting parts around the play, just having the lovely dish in.

And sometimes, I love to go even closer in and focus on some part of the dish, and the macro allows me to do that. So I can bring out some small delicious details in the dish.

It’s a fast lens.

It’s a 2.8 lens, so when you want a shot where the food is the main subject, you want to have some environmental surroundings.

In short, you can also get a shallow depth of field; you get the food’s sharp but lovely bouquet on everything else.

So, the eye knows exactly where to look in the photo.

Because of the think if everything would be in really sharp.

With wine glasses, candles, bread, and whatever is surrounding, you can get the food sharp and get the environment out of focus.

And it will just complement the shot.

It won’t distract the viewer.

This 90-millimeter lens gives excellent compression.

It brings everything quite close, but not too close so that it distracts the viewer.

In my opinion, 90-millimeter compression is absolutely the best for food shots.

I love it.

So, this is why I think the Tamron 90-millimeter lens is the best lens for shooting food.

Sigma 105mm F2.8: (Best lens for close-up shots Canon)

This is the best lens for B roll, released in 2011.

It has a maximum aperture of F 2.8 with nine rounded aperture blades.

All this means is that it renders a smooth and aesthetically pleasing bokeh, one of Cygnus DG lenses designed with full-frame cameras in mind.

Although it will work on APSC size DSLRs, with that 1.6 times crop also being a Sigma lens, it’s available for both Canon and Nikon cameras.

It comes with an impressive four stops of image stabilization, which on a short telephoto lens like this is as important as without it.

Even the slightest adjustments on the camera are noticeable as the camera shakes your shots, and finally comes the switchable macro focus abilities on this lens.

When enabled, it has a minimum focus distance of just 31 centimeters, with a one-to-one magnification.

It has a clever enough focusing mechanism that minimizes the distortion you get with macro shots, which renders an actual and distortion-free super close shot.

The HSM autofocus motor is allowed one, and that image stabilization is good, but there is too much handling, and you’ll notice some camera shake.

But all those minor points are far outweighed by the beautiful images it can render when this lens is used correctly.

The Sigma 105 macro is genuinely a beautiful lens to use with a bit of care and setup time.

You can get some truly stunning results from it for macro shooting and those compressed telephoto B cam locks you can get for interviews.

The build quality is superb.

A weighty bit of glass is coming in, around 725 grams for me for a premium lens.

That’s quite a reassuring quality when you hold it in your hand.

It feels like a premium bit, and I love all the controls.

The switches and the focus ring are well-built and pleasant to use.

The only drawback of the build quality is that it isn’t weather-sealed, which isn’t an issue as we’re mainly shooting indoors in a studio.

But it is something to bear in mind for some outdoor video shooters.

Once you spend a little time and care setting up a short, you can get some truly stunning images.

With its four stops of image stabilization, beautiful bokeh, and excellent optical quality, it is a hard lens to beat for B-roll product videography or even a B-cam lens for interview-style pieces.

That’s a tool for a stunning and specific Look; it’s for filmmakers with more experience who can spend more time setting up their shots.

You are given the right conditions and a little care of how you use it.

This lens will render you some truly stunning results for video, either as a macro lens for product videography B roll or as a B cam lens for interview pieces.

This lens offers something unique and, in truth, is a lens I’ve loved every second of using.

Nikon 85mm F3.5: (Best lens for closeup portraits)

The Nikon 85-millimeter F3.5 is a fantastic lens for portrait and close-up photography.

If you want to expand your photography into shooting small subjects with crisp details or portraits of your friends and family, this lens is a must-have for your arsenal.

This DSLR lens also touts advanced vibration reduction to keep your photos steady and sharp.

This dx micro Nikkor provides a one-to-one reproduction ratio when focusing on a close-up or small object.

Like the lens, this microscope is perfect for shooting photos of flowers, insects, and portraits with detail and sharpness.

Nikon’s VR technology is an important feature that assists in handheld shooting.

Using motion sensors, the lens can detect motion before and during the photograph’s exposure, shifting the image and compensating for any shakiness.

No photographer can be perfectly still when shooting, so this feature is ideal when working without a tripod and eliminates any blur you’d typically get from handheld shooting.

It’s essential to remember that this only compensates for your movement and doesn’t help when your subject is in motion.

The best DSLR lenses have an autofocus feature, but the DX micro Nikkor adds its silent wave motor, which autofocuses the lens without a peep.

Unlike most autofocus DSLR lenses, there isn’t a button to shift from auto to manual focus.

Instead, turning the focus ring on the lens to quickly switch to manual focus is essential for microphotography, where precise focus is key to getting a clear shot.

This lens is best used with the Nikon dx line of cameras, APS C.

Using the lens on the Nikon full-frame FX line will cut off the corners of your photos.

The good news is that DX lenses and cameras are inexpensive.

If you don’t mind lying on the ground to shoot tiny insects or plants or start a portrait for a business, this Nikon lens offering is a valuable option.

Nikon 105mm F2.8: (Best lens for product videography)

This lens is fantastic if you’re in the market for a lens for product videography.

This lens is sharp. It has VR.

It has a big focus ring. I use this lens a lot for product videography.

In many videos I post while reviewing lenses, I use this lens when shooting up close on the product.

I want that super fine detail shot of the product.

So, if you’re in the market for a macro lens for your Nikon cameras, get the 105-millimeter 2.8 g VR Nikon lens, guys.

This is an incredible lens that has excellent sharpness as well.

It’s a pretty decent portrait lens, too.

It’s very sharp.

This lens is very sharp and razor-sharp.

It’s a go-to lens if you’re shooting a lot of jewelry, and let’s say, in wedding photography, the wedding rings, you can get close up to that diamond to see how many carats it is and if it’s authentic.

If you’re shooting much detailed stuff, deathcore flowers, and want to get up close, it’s just the perfect lens.

And the VR is unique handheld; it helps lower shutter speed.

The focus is fast and quiet.

The build quality is solid, not too big, not too small, perfect size, and not heavy.

So guys, when doing product videography & photography, it’s always smart to carry around an excellent support system.

Nikon 40mm F2.8: (Best lens for product photography)

I enjoyed using this lens over the past eight months.

At a 40-millimeter focal length, that gives you a one-to-one magnification.

I bought this lens for one specific purpose: product photography and wristwatches.

And for me, a 40-millimeter focal length or 60-millimeter full-frame equivalent focal length is perfect.

It is a perfect portrait lens.

For example, F 2.8 can also blur the background very nicely.

This is a dx lens, meaning you can only use it with a Nikon camera on full-frame cameras.

This lens is made entirely of plastics. I was impressed with the built quality, but it feels pretty sturdy.

Fortunately, the mount is metal.

The first is for turning autofocus on and off, but you can use the manual focus, even with autofocus.

So I leave that on all the time.

The second switch can limit the focus distance from 20 centimeters to infinity, which is supposed to make autofocus faster, but I don’t think it makes a significant difference.

There is also a window with a focus distance scale and a focus ring in the front.

The feel of the ring isn’t the best.

The resistance is quite heavy, but you can still focus precisely using manual focus.

The lens’s front element extends quite a bit when you focus closely.

It is not image stabilized, and I do miss the image stabilization.

Because at this focal length, the owners will probably want to take handheld shots, and image stabilization would help a lot, mainly when focusing on a small subject.

I will say right away that sharpness is the biggest strength of this class; it might be the sharpest excellence that Nikon makes.

It is very sharp from wide open at F 2.8, the sharpest point is from F4 to F 5.6, and it is still very sharp at F 11.

Beyond that, the sharpness starts to decrease.

I have also tested this last unusual testing landscape; chromatic aberration is relatively insignificant.

It can be removed entirely in boast in most pictures; the same is true about the distortion.

I also like the color studies lens generally produces excellent optical qualities of these lines.

I have nothing to complain about in macro photography and product photography.

I enjoy the sharpness while taking pictures of wristwatches because they are handmade and hand-finished, and many details aren’t always visible to bear great.

And this lens lets me capture the detail in an awe-inspiring quality.

The autofocus of this lens in the viewfinder mode is relatively fast.

I have to say that I like this lens.

The focal length is very suitable for my purposes; it is plastic, and it frankly feels pretty cheap, but fortunately, it seems that cost spirit on build quality was used on the optics.

I liked the image quality so much that I kept my Nikon D5500 because of this lens.

So, this will probably stay in my main product photography setup for a long time.

Nikon 60mm F2.8: (Best lens for flower photography)

It’s an ideal focal length for flowers, portraits, and landscape photography.

This lens is a microlens; it will focus only a couple of inches.

So, This is a lens you want in your camera to get shots of flowers, insects, food, and what have you.

When you first get this lens, you will be amazed by its abilities because it will enable you to see the world differently.

You can stroll around your house and take pictures of relatively mundane household items like coffee beans or black pepper, and you will be amazed at the detail this lens captures.

It’s incredibly sharp. It has a reasonably bright f 2.8 aperture, making a beautiful portrait lens with beautiful bokeh.

I love the color rendition of this lens. Again, I took photos of flowers, and I think the colors are gorgeous.

I appreciate the higher-quality construction of this lens.

It just feels like it’s built to last.

You can use it as a portrait lens.

You can use it just as a general walkabout lens.

It’s great for street photography.

It’s great for landscape.

It was not expensive.

This is the kind of lens that you go to when you want to get the shot.

I love the close-focus distance of this lens.

I love the macro abilities of this lens.

It’s a great travel lens because of its versatility.

I don’t think you’ll find a much sharper lens with a more pleasing buttery bokeh and can focus any closer than this lens.

Now, if you’re a hardcore macro enthusiast and want a little bit of a longer focal length, perhaps you want a 90 or 105-millimeter macro lens, but I’m happy with this 60-millimeter.

This is another example of the relatively inexpensive lens you can pick up from the Nikon system that is just a stellar performer.

Once again, Nikon has given us a sharp lens for the money.

I couldn’t be more pleased with the quality of the imagery it produces.

So that’s a look at the Nikon 60-millimeter f 2.8 micro D lens.

Canon 100mm F2.8: (best lens for close-up makeup shots)

More of a makeup artist than a photographer?

This specialty lens can help up-close and dramatic with every closeup made.

Get stunning shots of mascara, lipstick, and more!

This lens includes all of Canon’s newest technological developments to give its user bragging rights as likely having one of the sharpest, crispest optics available on any lens today.

It only utilizes 10% or less of its full zoom capability (i.e., around 15x).

It also features USM technology, which provides fast and precise autofocusing without any perceivable noise.

This is an ideal lens for close-up shots and makeup photo sessions.

It’s fast f 2.8 and lets in much light without using flash.

Its construction features 15 elements in 12 groups, spacing between each component versus being stacked and squashed together.

This gives more control over shooting and ensures no distortion when doing up close and personal portraits with some popular cosmetics brands.

It can focus quickly and quietly without making you wait endlessly for it to catch up so you can get back to doing what is most important – impressing people with your beautiful face!

This lens also features Canon’s sophisticated image stabilization, making it one of the safest lenses on the market if you are serious about your work!

Rokinon 135mm f2.0: (Best lens for closeup face shot)

The Rokinon 135mm f2.0 is the best lens for close-up face shots, with a fast framerate of f2.0-f22 and 9 diaphragm blades for clean, inhumane backgrounds!

This is the perfect choice for any portrait photographer taking close-up shots of faces and body parts.

The 135mm is a brilliant lens for portraits.

For full-frame compatibility, those using the 18.8-degree angle of view on full-frame cameras or a 12.4-degree angle when shooting APS-C cameras will love this great lens!

It’s an all-encompassing lens, capturing a subject from head to toe with enough bokeh and sharpness to rival any other lens on the market.

A minimum focusing distance of 2.6 feet keeps your subjects close by, making this an ideal option for shooting photos at just about any event – from weddings to family reunions, it can’t be beaten!

It’s easy to see why this lens has such a huge following.

It is best used for close-up shots of faces when you want to make them pop!

This lens is an excellent choice for those looking to create high-quality closeup face shots with the convenience of an ultra-sharp, fast aperture and multiple coatings that reduce glare and distortion to produce vibrant images.

When you want to get up and close tight with the people in your photos.

This lens is perfect for portraits, group shots, and candids with some depth of field.

Built with Rokinon’s proprietary UMC coating system on a well-built metal body, this lens shoots tack-sharp images with vibrant colors to its widest aperture of 2.0!

It has a minimum focusing distance of 2.6 ft, making it easy to get very close to the person in front of you without worrying about camera shake.

This lens is for those professional photographers who need to take close-up shots of faces.

This lens has a high clarity because it provides a focal length that matches the ratio of human eyesight and can accomplish clear pictures without distortion.

It’s perfect with a wide-open aperture, which blurs the background so you can concentrate on capturing your subject’s details.

Close-ups are essential to any photographer’s arsenal because they give the viewer a personal connection with their emotions.

Your best projects will have proximity to beauty by allowing them to see every emotion—joyful happiness or deep sadness—with exquisite precision.

  

Laowa 100mm f/2.8 2:1: (Best Sony lens for close-up shots)

Ever wish you could see the person before you clearer than ever?

Laowa’s 100mm f/2.8 2:1 lens is here to solve that!

This lens is a must-have for portrait photographers, especially those trying to get extreme close-up shots. It will even get you results near 2:1 magnification!

This new 100mm f/2.8 lens has a high-speed, super bright aperture that can take full-frame sensor size and focus from 2:1 magnification to infinity!

Once you have this product in your hands, the sharpness of the 12 elements in 10 optical design groups is evident because it is crystal clear.

This lens for close-up portraits will work well with a full-frame sensor on any camera.

Now you can take great photos of your loved family and friends as they grow up, especially young babies born into the world!

And if you want to focus on working out some new ideas for your photography, this 100mm f/2.8 is also perfect for shooting products at a close distance.

Laowa 100mm f/2.8 makes an ideal companion for the pro or beginning photographers looking for versatility in different projects without sacrificing quality.

The lens is also a creative way to take stunning photos of people, pets, food, plants—anything that makes your heart flutter!

A perfect fit for macro photography enthusiasts with just as good optical quality as a high-end portrait or macro lens at a fraction of the cost!

It’ll be worth every penny!

Tamron 18-200mm f/3.5-6.3: (Best zoom lens for close-up shots)

This versatile zoom lens can cover various scenes, landscapes, and subjects.

This is why it’s great for travel photography or storytelling.

This lens is a perfect companion for any camera.

This lens allows you to shoot great detail from faraway objects up close without changing lenses.

It doesn’t introduce distortion, so your photos look just like they’re supposed to be round, clean, and beautiful.

Don’t ever worry about cropping too much or not being able to get closer because this is the lens that solves those problems right out of the gate!

This lens offers a whopping 10x optical zoom with VC for sharp images while shooting handheld and is compatible with DSLR cameras no matter what brand or type!

A powerful optical design in 17 elements in 12 groups provides excellent edge-to-edge sharpness throughout the zoom range for beautiful close-up shots.

Or, at any distance, you want to capture the moment and live the way it should be seen!

(VC – Vibration Compensation) helps provide sharper handheld images, especially with its image stabilization system, where vibrations are compensated to provide clear photos.

Even when your hands are shaking after photographing a photo session.

The built-in macro mode will allow you to zoom in close, making every inch of your image sharp.

Tried and true waterproof with this zoom lens. Design lets you take your shot when the conditions get a bit messy. It’s fast, too!

Shoot up to 6 frames per second at 18-200mm focal lengths w/o compromising image quality.

This lens is an ideal choice for on-the-go shooting.

It’s got everything to create well-rounded photos without carrying a heavy load!

Get the perfect close-up shots of what you love, fast and easy, with our Tamron 18-200mm f/3.5-6.3 Lens.

CONCLUSION:

Alright, guys, that concludes all the lenses we will discuss today in this article.

Do you guys have any experience with these lenses? What are your thoughts on them?

Which is your best lens for close-up shots?

Is there a lens I didn’t mention in this article that you love using for close-up shots?

Would you please leave your thoughts and comments below?

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