8 Best lens for close up shots: (2021 Guide & Reviews)

What lens is best for close up shots?

Here are my recommended top 8 best lens for close up shots:-

Nikon 60mm F2.8: (Best lens for close up shots Nikon)

This is the NIKON 60MM F2.8 lens for close-up shots. You can use it anywhere from family portraits to flowers in your garden, and you will love how crystal clear and stunning it looks.

It’s fast, compact, powerful, and has great distortion correction, all thanks to proprietary Nikon technology.

It does have the option to switch between manual autofocus on the lens itself.

It does have an external aperture ring. This is an endless end with an ED glass as well.

Main use as I get out of this lens or, for you know, up-close photography.

And also, it does come with the lens cap, I mean a lens hood, which is good for getting rid of the sunlight and so forth.

Especially if you’re using up-close macro photography, unlike flowers, or if you’re trying to document personal items like a wedding ring.

This lens is so pin-sharp with different distances; it can give you some really cool images and out of the field of focus.

This lens overall is one of the coolest lenses in the number of lenses that I own.

It is very specific; I don’t find myself using it as much as I thought.

However, when it comes to photographing up-close objects or if you really want to get a very defined field of focus.

This lens will let you accomplish what I have had some people ask if I can use it for just everyday photography. You can obviously think you’re going to consider the size of the glass on the exterior of it.

With the amount of light and so forth, this lens is probably one of the, like I said, one of the coolest lenses you can have when it comes to taking some really cool artsy-type photos.

You’ve had the unfortunate experience of discovering that your object is better up close.

The NIKON 60MM F2.8 lens is perfect for capturing close-up shots of both people and objects with clarity.

The compact and lightweight design on this lens allow for easy travel without sacrificing performance.

This Nikon’s premier telephoto portrait lenses produce pictures with a blurred background but natural-looking sharpness due to its 7-blade aperture diaphragm, which creates a beautiful blurring of out-of-focus details.

Fabricated from resilient plastics, the barrel absorbs vibrations while it minimizes dust ingestion when using it outdoors.

You need a lens, and quick! The NIKON 60MM F2.8 lens for close-up shots would be perfect in this case.

It’s so versatile you can use it to get really intimate with the object of your love, and as an all-around low profile lens that will take some stunning urban photos at night or any other time, you have to shoot from far away.

NIKON 60MM F2.8: (Best lens for close up shots Nikon)

  • Excellent sharpness
  • Lightweight & compact.
  • Less distortion.
  • Some vignette.
  • No image stabilization.

Tamron 90mm F2.8: (Best lens for close up shots Sony) (Best lens for food photography)

I shoot quite a lot of food.

I’m going to talk about the most important lens for me. So, the lens that I’m talking about is a fantastic Tamron 90mm 2.8 macro lens.

It’s a perfect way to score for many things. But today, I’m going to tell you why I think it’s the best lens for food photography.

Well, first of all, when we think about food photography. You look at food. I have a lot of different textures.

So we want to bring them out to make the food look really delicious. That’s why one of the things, why I use a macro lens.

Macro lenses are really sharp lenses. So, it’s easy to bring out all the goodness in the food.

I also love using the Tamron 90 millimeter macro because you can go really close in on the food.

Sometimes I want to focus on the dish itself; it’s a beautiful dish.

I don’t want anything other than just showing the lovely, lovely dish.

So I can go close and cut out all the distracting parts around the play, just having the lovely dish in.

And sometimes, I love to go even closer in and focus on some part of the dish, and the macro allows me to do that. So, I can bring out some small delicious details in the dish.

It’s a fast lens. It’s a 2.8 lens, so when you want the shot, where the food is the main subject, you want to have some environmental surroundings.

In the short as well, you can really get a shallow depth of field, you get the food’s really sharp, but a lovely bouquet on everything else.

So, the eye knows exactly where to look in the photo. Because of the think if everything would be in really sharp.

Well, then I wouldn’t know where to look. And it would be distracting.

Having wine glasses, candles, bread, whatever in the surrounding, you can get the food really sharp and have the environment they’re out of focus.

And it will just complement the shot. It won’t distract the viewer.

On our food wine glasses, whatever you want there to complement the dish that you’re shooting.

This 90 millimeters lens gives a really nice compression. It brings everything quite close, but not too close so that it would distract the viewer.

In my opinion, 90-millimeter compression is absolutely the best for food shots. I love it.

So, this is why I think that the Tamron 90 millimeter macro lens is the best lens for shooting food.

TAMRON 90MM F2.8: (Best lens for close up shots Sony) (Best lens for food photography)

  • Excellent sharpness.
  • Less distortion.
  • Image stabilization.
  • Dim corners.

Sigma 105mm F2.8: (Best lens for close up shots Canon)

This is the best lens for B roll, released in 2011. It has a maximum aperture of F 2.8 with nine rounded aperture blades.

All this means is that it renders a really smooth and aesthetically pleasing bokeh being one of Cygnus DG lenses is designed with full-frame cameras in mind.

Although it will work on APSC size DSLRs, just with that 1.6 times crop also being a sigma lens, it means it’s available for both Canon and Nikon cameras.

It comes with an impressive four stops of image stabilization which on a short telephoto lens like this is really important as without it.

Even the slightest adjustments on the camera are noticeable as cameras shaking your shots, and finally comes the switchable macro focus abilities on this lens.

When enabled, it has a minimum focus distance of just 31 centimeters, with a one-to-one magnification.

It has a clever enough focusing mechanism that minimizes distortion that you get with macro shots, which renders a true and distortion-free super close upshot.

The Sigma 105 macro is truly a beautiful lens to use with a bit of care and setup time.

You can get some truly stunning results from it, both for macro shooting but also for those compressed telephoto B cam locks that you can get for interviews.

I particularly like a shot for a second camera for any talking head or interview style pieces.

The build quality is absolutely superb. It’s a really weighty bit of glass coming in, around 725 grams for me for a premium lens that’s quite a reassuring quality to have when you hold in your hand.

It feels like it’s a premium bit loves all of the controls. The switches and the focus ring are well built and really nice to use.

The only drawback from the build quality is that it isn’t weather-sealed, which isn’t really an issue as we’re mainly shooting indoors in a studio, but it is something to bear in mind for some outdoor video shooters.

Bill, there are technical points; it’s just the general usability of the sleds.

Once you spend a little bit of time and care setting up a short, you can get some truly stunning images from it.

With its four stops of image stabilization, beautiful bokeh, and great optical quality, it is really a hard lens to beat for B roll product videography or even a B cam lens for interview style pieces.

It is not a versatile piece of glass far from it for any newer filmmakers looking to invest in their first premium bit of glass.

This definitely isn’t the lens for you because it’s built for a particular purpose; this will not be a lens for the casual blogger or YouTube creator.

That’s a tool for a stunning and specific Look, it’s a tool for filmmakers with a little bit more experienced, and they can spend a little more time setting up their shots.

The HSM autofocus motor is allowed one and that image stabilization, it’s good but too much handling, and you’re going to notice some camera shake.

But all those little points are far outweighed by the beautiful images it can render when this lens is used correctly.

So given the right conditions and a little care and how you use it.

This lens is going to render you some truly stunning results for video, either as a macro lens for product videography B roll or as a B cam lens for interview pieces.

This lens offers something truly unique and, in truth, is a lens that I’ve loved every second of using.

SIGMA 105MM F2.8: (Best lens for close up shots Canon)

  • Excellent optics
  • Fast & relaible autofocus
  • Dust, splash, and fluorine protection
  • No image stabilization

Nikon 85mm F3.5: (Best lens for portrait and close up photography)

The Nikon 85 millimeters F3.5 is a microlens for portrait and close-up photography.

If you’re looking to expand your photography into shooting small subjects with crisp detail or portraits of your friends and family, then a microlens is a must-have for your arsenal.

This DSLR lens also touts advanced vibration reduction to keep your photos looking steady and sharp.

When focusing on a close-up or small object, this dx micro Nikkor provides a one-to-one reproduction ratio.

This microscope, like the lens, is perfect for shooting photos of flowers, insects, and portraits with detail and sharpness.

Nikon’s VR technology is an important feature that assists in handheld shooting.

Using motion sensors, the lens can detect motion before and during the photograph’s exposure, shifting the image and compensating for any shakiness in the shot.

No photographer can be perfectly still when shooting, so this feature is ideal when you’re working without a tripod and eliminates any blur you’d normally get from handheld shooting.

It’s important to keep in mind, though, that this only compensates for your own movement and doesn’t help when your subject is in motion.

The best DSLR lenses have an autofocus feature, but the DX micro Nikkor adds its silent wave motor, which autofocus is the lens without a peep.

Unlike most autofocus DSLR lenses, there isn’t a button to shift from auto to manual focus.

Instead, turning the focus ring on the lens to quickly switch to manual focus is important for microphotography, where the precise focus is key to getting a clear shot.

This lens is best used with the Nikon dx line of cameras, APS C. Using the lens on the Nikon full-frame FX line will cut off the corners of your photos.

The good news is that dx lenses and cameras are inexpensive. If you don’t mind lying on the ground to shoot tiny insects or plants, or you want to start a portrait-taking business Nikon’s microlens offering is a useful lens option.

Vibration Reduction means not always having to haul your tripod around, and the autofocus and manual override feature give you more control over your shot.

NIKON 85MM F3.5: (Best lens for portrait and close up photography)

  • Lightweight & compact.
  • Excellent sharpness.
  • Image stabilization.
  • Some barrel distortion.

Nikon 105mm F2.8: (Best lens for product videography)

If you’re in the market for a macro on a Nikon, this lens is amazing.

This lens is sharp. It has VR. It has a big focus ring. I use this lens a lot for product videography.

Many videos that I posted when I’m reviewing lenses, I use this lens when I’m shooting up close on the product.

And I want that super fine detail shot of the product. So if you’re in the market for a macro lens for your Nikon cameras, get the 105 millimeters 2.8 g VR Nikon lens, guys.

This is an incredible lens that has an incredible sharpness as well.

It’s a pretty decent portrait lens too. It’s very sharp. This lens is very sharp razor-sharp.

It’s definitely a go-to lens if you’re shooting a lot of jewelry, and let’s say in wedding photography the wedding rings, you can really get close up to that diamond to see how many carats it is and if it’s authentic.

If you’re shooting a lot of detailed stuff deathcore flowers and you want to really get up close, it’s just the perfect lens.

And the VR is amazing handheld; it definitely helps in lower shutter speed. The focus is fast and quiet.

The build quality is solid, not too big, not too small perfect size, and it’s not that heavy.

So guys, when you’re doing macro photography, it’s always smart to carry around a nice support system.

NIKON 105MM F2.8: (Best lens for product videography)

  • Lightweight & compact.
  • Extremely sharp.
  • Less distortion.
  • Image stabilization.
  • Bit pricey.

Nikon 40mm F2.8: (Best lens for product photography)

I really enjoyed using this lens over the past eight months.

The word micro in the name actually means that this macro was macro lens is by definition a lens that can give a focal length focus so close that it can project the picture in one-to-one ratio onto the sensor.

There are many lenses with the word macro in the name, which is not a true macro lens.

So those cannot give you a one-to-one magnification, but this is a true macro less than the minimum focus distance of this class is just 16.3 centimeters.

And at 40-millimeter focal length, that gives you a one-to-one magnification.

And that 40-millimeter focal length is probably the main factor that determines whether this class is suitable for you or not.

I have bought this lens for one specific purpose: product photography and the photography of wristwatches in particular.

And for me, 40-millimeter focal length or 60-millimeter full-frame equivalent focal length is perfect for that purpose.

If you want to shoot, for example, insects, or you want to have a longer working distance, you will be better off with a longer focal length macro lens; you can, of course, use this lens for other purposes.

It is actually a perfect portrait lens. For example, at F 2.8, It can also blur the background very nicely.

This is a dx lens, which means that you can only use it with a Nikon camera on full-frame cameras.

This lens is made entirely of plastics, in one impressed you with the built quality, but it feels quite sturdy.

Fortunately, the mount is metal.

The first is for turning autofocus on and off, but you can use the manual focus, even with autofocus. So I leave that on all the time.

And the second switch can limit the focus distance from 20 centimeters to infinity, which is supposed to make autofocus faster, but I honestly don’t think it makes a significant difference.

There is also a window with a focus distance scale and the focus ring in the front.

The feel of the ring isn’t the best. The resistance is quite heavy, but you can still focus very precisely using manual focus. The front element of the lens also extends quite a bit when you are focusing really close.

It is not image stabilized, and I actually do miss the image stabilization.

Because at this focal length, the owners will probably want to be taking handheld shots, and the image stabilization would help a lot, especially when you are trying to focus on a small subject.

I will say right away that sharpness is the biggest strength of this class; it might be the sharpest excellence that Nikon makes.

It is very sharp from wide open at F 2.8, the sharpest point is from F4 to F 5.6, and it is still very sharp at F 11.

Beyond that, the sharpness starts to decrease. I have also tested this last unusual testing landscape; of course, chromatic aberration is quite insignificant. It can be completely removed in boast in most pictures; the same is true about the distortion.

I also like the color studies lens generally produces the optical qualities of these lines are excellent.

I have nothing to complain about and in macro photography and product photography.

It is especially important because the sharpness is, in my opinion, really crucial and making the right impression of seeing a small object magnified so much.

And I really enjoy the sharpness while taking pictures of wristwatches because they are handmade and hand-finished, and many details aren’t always visible to bear great.

And this lens lets me capture the detail is a really impressive quality.

The autofocus of this lens in the viewfinder mode is actually quite fast, not super fast but still fast enough to capture some macro shots handheld.

Even with a very shallow depth of field in live view, it is very slow because another focus in live view is generally a big weakness of Nikon cameras.

And they’ve handed a lot before it focuses properly, but it is actually reasonably accurate to some of this review. I have to say that I really like this lens.

The focal length is very suitable for my purposes, it is plastic, and it frankly feels pretty cheap, but fortunately, it seems that cost spirit on build quality was used on the optics.

I actually liked the oral image quality so much that I mostly keep my Nikon D 5500 because of this lens.

So this will probably stay in my main product photography setup for a long time.

NIKON 40MM F2.8: (Best lens for product photography)

  • Lightweight & compact.
  • Extremely sharp.
  • Affordable in price.
  • No image stabilization.

Nikon 60mm F2.8: (Best lens for flower photography)

This is simply a wonderful lens 60 millimeters is a good walkabout focal length. It’s an ideal focal length for portraits on the X camera, in addition to portrait and landscape photography.

This lens is a macro lens; it will focus down to just a couple of inches. So, This is a lens you want in your camera to get shots of flowers, insects, food, what have you.

When you first get this lens, you will be fairly amazed by its abilities because it’s the type of lens that will enable you to see the world differently.

You can stroll around your house and take pictures of relatively mundane household items like coffee beans or black pepper, and you will be amazed at the detail captured by this lens.

It’s incredibly sharp. I guess it has to be an effective macro lens. But again, it’s more than just a macro lens. It has a fairly bright f 2.8 aperture, making a beautiful portrait lens with beautiful bokeh.

I love the color rendition of this lens again take photos of flowers, and I think the colors are gorgeous.

I really appreciate the higher-quality construction of this lens. It just feels like it’s built to last.

You can use it for macro purposes. You can use it as a portrait lens. You can use it just as a general walkabout lens. It’s great for street photography. It’s great for landscape.

It’s not terribly expensive. I mean, brand new the lens retails for a little over 500 US dollars.
This is the kind of lens that you go to when you really want to get the shot. I love the close focus distance of this lens. I love the macro abilities of this lens. It’s a great travel lens because of its versatility.

I don’t think you’re going to find a much sharper lens that has more pleasing buttery bokeh and can focus any closer than this lens.

Now, if you’re a really hardcore macro enthusiast and maybe you want a little bit of a longer focal length, maybe you want a 90 or 105-millimeter macro lens, but for me personally, I’m happy with this 60 millimeter.

This is another example of the relatively inexpensive lens you can pick up the Nikon system that is just a stellar performer.

Once again, Nikon has given us just a brilliant lens for the money, or like, I couldn’t be more pleased with the quality of the imagery it produces. So that’s a look at the Nikon 60 millimeter f 2.8 micro D lens.

NIKON 60MM F2.8: (Best lens for flower photography)

  • Excellent sharpness
  • Lightweight & compact.
  • Less distortion.
  • Some vignette.
  • No image stabilization.

Canon 100mm F2.8: (Best lens for close-up makeup shots)

More of a makeup artist than a photographer? This specialty lens can help up-close and dramatic with every closeup made. Get sensational shots of mascara, lipstick, and more!

You’re a makeup artist, and your next gig is to do the face of a model for an ad. The catch is, it’s impossible to get close enough because the client wants to shoot from a distance of 20 feet away!

Enter the Canon 100mm f2.8 Close-Up Lens with Image Stabilization.

This lens includes all of Canon’s newest technological developments to give its user bragging rights as likely having one of the sharpest, crispest optics available on any lens today.

It only utilizes 10% or less of its full zoom capability (i.e., around 15x).

It also features USM technology which provides fast and precise autofocusing without any perceivable noise.

The Canon 100mm F2.8 is an ideal lens for close-up shots and makeup photo sessions.

It’s fast f 2.8, lets in a lot of light without necessarily having to use flash. It has a construction that features 15 elements in 12 groups, spacing between each element versus being stacked squashed together.

This gives more control over shooting and ensures there isn’t any distortion when doing up close and personal portraits with some popular cosmetics brands.

It can focus both quickly and quietly without making you wait endlessly for it to catch up so you can get back to doing what is most important – impressing the heck out people with your beautiful face!

This lens also features Canon’s sophisticated image stabilization, making it one of the safest lenses on the market if you are serious about your work!

Canon 100mm F2.8: (Best lens for close-up makeup shots)

  • Excellent sharp images.
  • Image stabilization.
  • Affordable in price.
  • Color fringing.

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