If you guys are starting in the real estate photography business, you’re probably wondering which lenses you should use?
Which is the best lens for indoor real estate photography?
So there are many good options out there as far as lenses go for real estate photography; which one is right for you?
I’ve been in real estate photography now for about 10 years. I shoot over 1000 listings a year.
So I’ve really spent a lot of time in these lenses and gotten to know them pretty well from a real estate photography standpoint.
What lens is best for interior photography:
A lot of DMS on Instagram on how to shoot interior photographs, so I will tell you how to do it.
Everyone has an issue with photography; when we all start, we take several different jobs.
As you grow as a photographer, you realize what you really like and don’t like.
Something I really loved was interior photography.
I had many clients; most of my clients were either real estate agents or interior designers, so I got to shoot their properties and, in turn, get inspired for the house, which is very exciting.
Real estate was my niche, and I love to tell you guys how to shoot interior photography, the way I shoot it.
Let’s talk about gear. This is like the number one question, what lens Do you use for your interior shots?
I’m using Canon 16 to 35-millimeter f2.8 lenses on a Canon 5D Mark 3.
So that is a wide-angle, rectilinear lens on a full-frame camera. It’s not a fisheye, so it doesn’t have a lot of distortion. There are some we do have to adjust for that in Lightroom later.
I find this the best focal range to get everything in the shot.
The details are just as important as the wide room shots.
Another key to shooting beautiful room shots is to make sure that things are clean, neat, and tidy.
Which is the Best Lens For Indoor Real Estate Photography?
Here are my recommended top 6 best Lens For Indoor Real Estate Photography:
|Image||Product||Best lens for||View on Amazon|
|Canon 16-35mm F2.8||(Best Canon lens for indoor real estate photography)||View on Amazon|
|Sony 16-35mm F/2.8||(Best Sony lens for indoor real estate photography)||View on Amazon|
|Sony 16-35mm F/4||(Best affordable lens for indoor real estate photography)||View on Amazon|
|Sony 12-24mm F/4||(Best Sony wide-angle lens for indoor real estate photography)||View on Amazon|
|Canon 10-18mm||(Best wide-angle lens for indoor photography)||View on Amazon|
|Nikon 16-35mm f4||(Best lens for interior photography Nikon)||View on Amazon|
If you’re talking about the professional-grade, 2.8, ultra-wide-angle lenses, surely, this was or is one of the most important lenses in the canons lineup.
The Canon EF 16 to 35 f 2.8 l two USM is probably one of the finest ultra-wide pro-level lenses out there for any DSLR brand.
Anyway, what are you getting for your money? Why is it apparently so good?
The lens itself is weather-sealed against dust and moisture, but only when you use a filter.
Naturally, you’ve got a constant f 2.8 aperture, and the ring USM keeps the focus fast, silent, and accurate.
If you want to shoot the manual, you can do this as a full-time manual enabled.
What about the image quality then wide open? It’s as sharp as you need it to be.
There’s no major vignette in a 16 little bit maybe, and a zero after that.
No extreme distortion, just a little peril when you’re 16, but nothing to worry about. The chromatic aberration is well controlled.
As you probably guessed, I only tried this on a full-frame sensor, on it performed superbly.
I found that was a decent lens even at 16 mils with something nice and close.
It was capable of producing sweet wide-open shots with smooth out-of-focus areas.
Of course, the contrast and the colors are as you expect from a pro-level Canon lens, especially on this full-frame gear.
This works well on those corporate business shoots, where you need to get, for example, the team and the location, all in one shot, and limited for space it makes it dynamic, it gives it a little bit of power.
The lens is fast, and silent image quality is faithful, perhaps inspiring as a fan of ultra-wide lenses.
This is my current go-to lens. It is also the most expensive lens of the bunch.
Is it worth it?
That is highly debated amongst photographers, and we’ll get into the reasons why.
So out of the sharpness test I’ve seen out there, the G master is the sharpest overall lens out of the bunch.
The G master stays consistently sharp throughout the zoom range and at almost all the apertures.
Except when you’re shooting things like video where your shutter speed saying put and you’re using a wide range of apertures.
It also comes in handy for photos when you’re getting those close-up detail shots with a little bokeh in the background. And I can tell you agents really love those shots.
And also, as you might expect, the G master has the best build quality out of all these lenses; it is a robust beast.
So because of the special lens coatings that G master has, it handles flaring much better than the other lenses in this group.
And as a real estate photographer, this is something to appreciate when you’re out there doing the exterior photos, and you have the sun coming right into the lens, so because this lens has fewer quality limitations on it as compared to the others is why I took a leap and bought this lens?
I don’t know about you guys, but the demand for real estate videos has been skyrocketing lately, and this lens outperforms all the others in that regard, as I mentioned earlier.
Also, I’m a full-time real estate photographer. I use this thing day in, day out, all day long, and I want the best tool for the job. I know it’s expensive, but I think it justifies it.
What do you guys think? Is it worth it?
This lens, I’d say the biggest is the price; as I mentioned, it is pretty cost-prohibitive for many people, especially if you’re starting.
In fact, if you are starting, I wouldn’t recommend going to this line straightaway.
I picked one of the less expensive options to start with.
Another slight downside to this lens is the size and the weight. It is the biggest and heaviest lens out of the group.
Another popular lens among real estate photographers is the 16-35 f4 Zeiss lens.
This was the lens that I used for many years before finally getting the G master.
And it’s a pretty solid choice, and it’s also not a bad price coming in.
This lens performs well, and it’s also significantly smaller and lighter than the G Master, but it has some drawbacks, mainly in the video department and with photos.
So this lens is pretty sharp at f8, which most of us are using anyway to shoot real estate photography.
So there are no real complaints there; however, you’re shooting anything wide open at f4, such as video where you need to let more light in this one get soft at for the G master is much sharper at f4.
Also, when you’re zooming past, say about 24 millimeters on this lens, it does start to suffer softness there as well, from 24 to 35.
So the build quality of this lens is good; it does feel excellent.
It’s made out of metal. It seems to scratch fairly easily, which is one complaint I have about it.
Also, this lens does have OSS built into it or an optical SteadyShot.
Since most of the cameras these days I’ve stabilization built-in, the price of this lens is a big plus being almost $1,000 cheaper than the G master.
If you’re starting, or maybe you’re not doing real estate photography full time, I would say this lens is the way to go, it gets the job done, does it well, and it’s affordable.
Next, we have the 12 to 24 f4 G lens, which many real estate photographers go with because it goes wider at 12 millimeters. And that’s actually my main gripe with it.
12 millimeters is just too wide to me, the 16 to 35, yes, is a wide-angle lens, but it has a little bit more of a natural and pleasing look to it, in my opinion.
I do like to have this in my bag, though, for those tight tiny small spaces. That’s when this really shines.
Also, forget about it if you think you want to shoot a video with this lens on a gimbal 12 millimeters.
It’s useless if this lens isn’t perfectly level a 12 millimeter; everything looks distorted and crazy.
Also, this lens has a bowl of this fun element on it. So you cannot screw filters onto this lens.
I don’t use a polarizer filter, but I know many real estate photographers do, and if that’s something you ever want to explore, you’re not going to be able to deal with this lens.
The build quality of this lens is really nice. It actually feels similar to the G Master, which is great.
It also has the AF MF switch and the programmable button, which is small, but you know it is nice to have one more thing.
What I’ll say about this lens that I don’t really like is the focal range.
12 to 24, I wouldn’t say I like as much as 16 and 35. I like to have that 35 millimeters and for certain things.
And in my opinion, having more drawbacks and being less versatile.
If you choose between those two lenses, I will definitely go from the 16 to 35 F4 Zeiss lens.
If you’re shooting real estate photography, you really want that wide-angle lens, and there are wider angle lenses than this, but this is a perfect starter 10 millimeter is a pretty decent wide-angle lens.
It has stabilization and autofocus, and manual focus autofocus is pretty good; I haven’t had any problems with it yet.
I just got it recently; it seems to work pretty well, and so does the stabilization.
If you’re shooting in real estate, whether it’s photos or videos, you’re going to need a wide-angle lens to really make it look good and without having to stand way far back to get the whole room in the shot.
So yeah, I highly recommend the Canon EFs 10 millimeter to 18 millimeters; the 10 millimeters is an excellent wide lens.
If you’re checking out lenses, some of them can be pretty expensive.
I hope this gave you a pretty good idea of a standard lens versus a wide-angle and why you really need that to shoot real estate.
You’ve been wondering how to capture your most stunning property shots; well, the Nikon 16-35mm f4 (the best lens for interior photography Nikon) is made for you.
This magic of a lens offers two focus modes – M/A (autofocus with manual override) and M (manual), making it perfect for any situation.
This lens captures both the angle of what’s resting in the foreground and the background, making it an ideal choice for real estate advertising shots that need to feature a room’s layout and aesthetics simultaneously.
And with its super-sharp clarity, this Nikon Nikkor is perfect for high-quality shoots at any time of day!
This lens is a versatile workhorse designed for professional real estate photography.
It offers two focus modes, M/A (autofocus with manual override) and M (manual), making it very easy to use in any situation.
Nikon’s famous VRII technology reduces vibrations and image blur up to four stops–perfect for interior shots!
The Lens construction consists of 17 elements in 12 groups to create sharp images that are very delicate to light.
Furthermore, an image stabilizer ensures shameless photos even at some high speeds.
This product also comes with a 2-year limited warranty from Nikon!
This wide zoom range offers excellent image quality and sharpness throughout the entire frame, even at max aperture.
You can take it from great doors shots up in close, indoor tight spaces or combine both creative perspectives without ever having to change lenses.
It quickly adjusts to give you everything you need in a single focal length: wide enough for floor shots of open space, heretic enough that you can show off architectural details of first floors or upper walls.
Want a faster aperture? No problem. The silent focus motor works just as well on these FX cameras–you don’t have to worry about letting other agents know when they’re outbid while remaining stealthy.”
For those interior shots, you can’t get close to, from the hallways and kitchens of stately manors to the tiny corners around a desk or bed – this lens has it all.
The wide-angle field of view lets you see everything simultaneously, with no narrow angles cutting off what’s behind a doorway.
This is perfect for making an impressive listing easier than ever on yourself (and your clients).
Get up close and personal in seconds so everyone can imagine themselves living there.
How do you photograph real estate interiors?
If you are a real estate agent, it is important to provide your clients with the best possible service. This means that you need to ensure that all of your listings have beautiful images of the property’s inside. How do you go about doing this? With these tips!
1) Create a mood board for each room in advance and bring them on location
2) Make sure to capture as wide as possible for that rooms and bathrooms look big.
3) Position furniture so that there’s plenty of space for movement
Alright, guys, so that concludes all the lenses we will talk about today in this article.
Do you guys have any experience with these lenses? What are your thoughts on them?
Which is your Best Lens For Indoor Real Estate Photography?
Is there a lens that I didn’t mention in this article that you love to use for real estate photography?
Would you please leave your thoughts and comments below?