Sony is one of my favorite brands, and they have some great lenses for landscape photography.
In this post, I’ll share with you what Sony offers in their lineup and which lens is best suited for different types of landscapes.
Which is the best lens for landscape photography Sony:
Here are my recommended top 10 best lens for landscape photography Sony:-
|Image||Best lens for||View on Amazon|
|Sony 25-105mm F4: (Best landscape lens for Sony A7riii)||View on Amazon|
|Sony 24-70mm 2.8: (Best full frame zoom lens for landscape photography Sony)||View on Amazon|
|Tamron 28-75mm F2.8: (Best lens for landscape photography Sony A6300)||View on Amazon|
|Tamron 17-28mm F2.8: (Best lens for landscape photography Sony A7)||View on Amazon|
|Tamron 70-300mm F/4.5-6.3: (Best lens for landscape photography Sony A6400)||View on Amazon|
|Sigma 56mm F1.4: (Best Sony lens for portrait and landscape photography)||View on Amazon|
|Sony 70-200mm F4: (Best lens for landscape photography Sony A6000)||View on Amazon|
|Sony 16-35mm F4: (Best lens for landscape Sony e mount)||View on Amazon|
|Sigma 24-70mm F2.8: (Best lens for landscape photography Sony A7iii)||View on Amazon|
|Sony 16-35mm f2.8: (Best wide-angle lens for landscape photography)||View on Amazon|
This is quite an important lens for Sony’s full-frame mirrorless cameras.
The zoom range of 24 to 105 millimeter covers most of your bases very nicely, from a very wide-angle to short telephoto.
Lens designers have a hard time holding the image quality together.
The maximum aperture of F4 is not great but useful, making it brighter and the telephoto and then a cheaper kit lens.
The thing is solid enough but has a slightly plasticky feel with a visible seam, and down one side, it doesn’t feel like a lens that costs.
It’s a fairly large optic but not too heavy, weighing one and a half pounds, about 700 grams.
The lens does feature image stabilization; it’s helpful and works silently.
The focus ring turns extremely smoothly.
It’s electronically coupled to the focus motor, as usual for nearly all autofocus mirrorless lenses.
It responds well when manually focused, and the autofocus system works silently, fairly quickly, and accurately.
Another good news is that we don’t see much focus breathing going on as we change focus.
The lens has a 77-millimeter filter thread, and it comes with a decently deep lens hood.
Overall, I think that photographers will be a lot happier.
But, on the other hand, there aren’t any real problems either, it works quite nicely.
My Sony A7riii, the lens is razor-sharp in the middle with excellent contrast on a full-frame camera.
The corners are softer with lower contrast, and the little purple finch in there is an improvement at 5.6, and F8 is reasonably sharp.
The 24 to 105 millimeter F4 is nice and sharp on APSC.
In fact, I would say the 24 to 105 millimeter is just about the sharpest general zoom lens for Sony’s APSC cameras.
Finally, bokeh, a maximum aperture of F4 does not give you strongly out-of-focus backgrounds.
Those backgrounds are slightly edgy, looking a little busy, but nothing really offensive or distracting when you get them.
Overall, well, I think the most impressive thing about this lens is its sharp contrast and nice colors, which is exactly what you’re looking for in landscape or vacation photography.
Most of my 42-megapixel camera with in-camera cracks and clearing up those vignetting and distortion issues, your pictures will always look pretty fantastic.
It’s by far the best standard zoom lens. I’ve tested it on any Sony camera, and so it easily comes recommended.
I have used this lens for a while, and I will discuss this lens with my personal opinion.
I’m going to focus on three major points.
First, of course, I got to look at how it looks and how I feel about it.
The second is autofocus.
I know you guys really want to know how fast is this thing, and the third is image quality.
So first look, no need to say, this is just an amazing piece of metal when I touch this for the first time.
That was like, wow, the body is excellent and metallic, and really thick and coarse It’s heavy.
The touching field is really amazing.
It feels like a $2,000, you know it feels like a laboratory, it is very satisfying, the zoom ring is a little bit heavy, but personally, I really love this heaviness.
When it comes to the focusing ring, the zoom ring and a focus ring are made of rubber, so they are very easy to use, nice to touch, an amazing piece of rubber, and have an FMF control switch.
Focus lock and zoom ring lock switch, but this doesn’t fall off by dissuades, so I don’t think I need this lock, but it’s nice to have.
This weighs 886 grams, so yeah, a little bit heavy, but I love this heaviness again since this lens doesn’t have image stabilization, so I can use just heaviness to make my footage stable.
What, besides the weight, doesn’t matter for me at all. I can work with great feelings and vibe.
This G Master is way faster, the focus speed is just amazingly fast, and it’s very natural. It chases, moves, stops; everything is very natural.
There was one negative point about manual focus; it was a little bit difficult to focus because the focus speed is really fast, so it’s sometimes passed us by the object, which I wanted to focus on.
So, if you want to focus on everything on your face, I think you need to close the aperture a little bit.
But also, indeed, I am not good at manual focus, and I have to practice it, but this was really fun using manual focus for the first time, another new fun.
This gave me a new experience, but autofocus is incredible.
So you have nothing to worry about this, even if you’re going to use manual focus most of the time; just in case you have strong backup autofocus, this autofocus will make your work stable and secure.
It’ll give you a great working environment.
The last one is image quality. Well, my first impression of this lens was, I was surprised by this wide view, like when I blocked the balance between face and background is really great.
When I filmed that landscape, it had a wide image and a wide dynamic range, and even though the opposite is so far away, the image is still sharp, about sharpness and resolution of cinematography.
This lens is doing as well as a prime lens, and also, you can shoot with F 2.8 through the old focal length.
So, when it’s dark, you still can get, but also a smooth and creamy and wide range of colors.
This can do a lot of things, and when it comes to photography.
Well, I thought this lens is good at photography than cinematography; I don’t know exactly why I thought like this.
I don’t know the technical reason I thought like this, but the color of science is really great. The contrast is really high.
The range of color is really wide, and especially this lens catches the light very well; Sony officially says this lens is good at catching the light; I completely agree with this.
This lens made me realize that photography is enjoyable. Maybe you love photography more.
Okay, so the conclusion is just a lens, keeps high resolution and sharpness through all focal lengths.
And personally, this lens is good at photography and cinematography, and it has a wide range of colors and types of black in vivid color.
The light is really smooth and creamy, but also the image is sharp and crispy, so I think this lens is something like you mixed up every good stuff of other lenses.
So this is why people think G-master is perfect.
If you want to step masterpiece top-notch lens of Sony A series, I think it is an excellent idea to purchase this.
Today I am reviewing one of my go-to lenses, the Tamron 28 to 75 F 2.8 for Sony mirrorless bodies.
This lens is getting a lot of attention lately, and for good reasons.
Let’s break down many things people are really seen about and what Tamron has done to put this on the map.
So jumping right into build quality, when you pick this thing up for the first time, it just feels good; it feels solid, and It’s got a bit of weight to it.
It is made from a plastic or composite material.
It’s got some nice grippy rubber zoom and focus rings, and you will notice the absence of a manual focus button or any button for that matter.
The lens does have tamarins proprietary broadband anti-reflection coating, which makes the pictures look good.
They did get right was a metal mount weather sealing gasket around the outside, which always makes me happy.
By starting the zoom range at 28 instead of 24, Tamra has engineered this lens to be light and small that it works.
Being only 4.6 inches long and less than three inches wide, it’s a very versatile lens that comes with me everywhere, and they even include a lens hood.
Thanks, Tamron, for the build quality.
When we’re talking about value, this thing is going to be really hard to beat. Tamron is an absolutely amazing value.
And it comes with a six-year warranty. Needless to say, the Tamron gets five stars for excellent value.
It is quick, accurate, and completely silent. Tamron built this lens with Sony users in mind.
They engineered it from the ground up, utilizing the newest technology, including AI autofocus direct manual focus in-camera lens correction and camera-based firmware updates.
All of which worked flawlessly. It produces beautiful soft bokeh and incredible sharpness in any situation.
Paired with my A7iii, I haven’t found a situation that led me down, even in super-low light conditions.
This lens has incredibly sharp in the middle throughout all apertures with a little bit of softness wide open in the corners, but as you stop down, you can see it gets nice and sharp as well.
One thing to note is that this lens is not image stabilized, and I think this was a bit of a gamble.
It might have been a bigger issue a few years ago, but Sony’s embody image stabilization systems.
These days, you’re still able to handhold great photos at slower shutter speeds.
So wrapping up here, there’s not a heck of a lot to not like about this lens.
It’s fantastic value quality and performance, and I’d recommend it to pretty much anybody.
This guy is definitely a definite buy.
Suppose you’re in the market for a fast standard zoom lens. That’s very reasonable and full of value; you’re going to want to pick one of these.
You know, I think all landscape photographers have some severity of gear acquisition syndrome.
But I have a lot of photography equipment, and I think photography gear lenses and cameras and tripods and drones, all that stuff is a tool that we use as landscape photographers.
To make our creative vision come to life, we have this image, whether grand or small, in our head about how we want our photograph to turn out the gear we use is how we bring that to life.
And one piece of gear that I’ve been using has really been standing out among the rest, and that’s the Tamron 17 to 28 F 2.8 lens.
This lens is really fantastic. It’s fast; it fits on a mirrorless system. It’s a full-frame lens.
So, let’s talk about the Tamron 17-28 F 2.8 lens specifically, and some of the things that I like about it, some of the things that I don’t necessarily like too much about it.
So number one, what’s the feel of this lens like how does this lens feel ergonomically? And I think it’s really cool, in a way that they do the lens.
The focus ring and the zoom ring because I like having the zoom ring on the outside at the furthest point, and that’s how they’ve done it.
I like to do the focus ring on the smallest part because I easily reach the focus ring with the same hand as I shoot.
So, the same finger I’m going to hold down my shutter button is the same hand with which I’m going to adjust my focus ring.
So, I like to slide my middle finger easily as I hold down my pointer finger on the shutter button.
I can easily take a shot whenever I get that exact focus; this species comes into play when pairing wildlife and landscape photography together.
You know I recently went on a trip to Africa. I used this lens, many different scenarios of photographing wildlife while pairing that wildlife with the surrounding landscape.
I think it’s a great way to tell a story of a location.
Especially if you’re going somewhere for the first time and you really want to show off a location and a lot of the animals that were there to encompassing.
That whole place is so ergonomically; I think this lens feels really good.
You know it doesn’t have that sturdy steel metal feeling that many higher-end cameras have or higher-end lenses have.
It feels a little bit light, a little bit plasticky, but I don’t think that’s totally a bad thing because I think that also cuts down on the weight of this lens.
And that leads me to the second thing about this lens that I really like: the size and weight; you know, landscape photographers hike for long periods of time to get to the locations.
They want to photograph, whether that is a day hike or taking your camera out backpacking; all that stuff comes into play when you think about the size and weight.
Weigh Down my bags; lighter and smaller equipment like this lens really helped me hike longer distances and not be as fatigued when I get there.
I know many people say that size and weight aren’t a huge deal, and I know it’s not the biggest deal ever, but it comes into play a lot more than you would think.
Normally, if you are just photographing from the side of the road, not a big deal, but as you continue to get into landscape photography, you want to go to those extreme places.
No one’s ever really been photographed before.
Size and weight can be a huge deal when you start thinking about it that way.
The most important thing about this lens is image quality, and I think the image quality of this lens is fantastic. I was absolutely blown away by how crisp this lens actually was.
On the very edges of this frame, wide-angle lenses will often start to drop off and kind of fade away at the corners of the image.
I didn’t really find that too much with this lens.
Now you still get some drop-off, which comes into play with basically any lens you use for landscape photography.
No matter what it is, it’s just soft and fades on the very corners that are especially true for wide angles ultra-wide-angle lenses.
This one did an excellent job of it, and I was really impressed by the quality of the image, all the way across the board, even down into the corners.
Now, it’s also a fast lens.
You can use this lens for night photography, creating those epic night shots whether you are camping or just trying to photograph the Milky Way.
This lens does an excellent job and low light situations; now, obviously, it helps to have a sensor, like a full-frame sensor, that can eliminate a lot of the noise and low light situations.
But it does help to have a lens that’s like an F 2.8, a fast lens that allows you to gather a bunch of light and create those epic night shots of the Milky Way or star trails.
This just does an excellent job of photographing situations like that.
One of the things and one of my photography gear list and gear missions that I have acquired over a long time is how budget-friendly this lens is, and this lens is pretty budget-friendly.
Coming in at a pretty low price point, it’s perfect for finding budget-friendly, kind of like third-party lenses that you can get put onto your camera.
Tamron has really done a good job and liked it. The price is lower than your manufactured lenses by the same make as your camera body.
I think Tamron does an excellent job. This lens was absolutely fantastic across the board, well worth the price point. I would highly recommend this for anybody shooting landscapes.
What about some of the drawbacks I mentioned earlier in the field: a little bit plasticky, a little bit light, and not as durable feeling.
That’s like completely weather sealed, you know, I haven’t tested this a lot in the rain; I have tested it in damp conditions, and it did just fine.
So, weather sealing to me isn’t a huge deal with this lens; I’m sure it would perform perfectly well and some light mist when you’re going out and photographing and like that.
But, if it were a downpour, I would definitely use something like an umbrella covering the camera and this lens while I was out shooting in that condition.
Another drawback here is that I didn’t necessarily like when I was using autofocus.
It took a little while to search for the overall autofocus, using the general autofocus.
I wasn’t using spot metering or anything like that or point autofocus or autofocus continuous; I was just using the general area focus for my autofocus when I was using this.
And it was a little bit slow, and I searched for the focus for a little bit, which was kind of surprising for an F 2.8 lens.
However, I’m always using manual focus for landscapes anyway, so a slower searching focus doesn’t impact me all that much like I’m trying to manually focus to exactly where I want my camera to focus in the field.
And I want full control over that. So having a little bit of a slow focus on this lens was not a huge deal to me at all.
Overall, I rate this lens is very high.
The price point is perfect for a lens of this quality. You know you’re spending a little bit more money for a full-frame wide-angle zoom lens like this that is an F 2.8.
It’s a fast lens with a wide aperture on it so that you can use it in every kind of condition, night daytime, morning sunset.
Everything’s good for you with this lens, and the image quality of this lens is outstanding.
I love this lens. I can’t wait to use it more while I am in the field and try it out.
I want to tell you about this lens that I’ve been using the past few months: the Tamron 72 300, f 4.5 to 6.3 telephoto lens.
I wanted to see how it performed in many conditions that outdoor photography and landscape photographing, and just see how it performs.
I had many questions about this lens before I got started, especially how it would perform differently.
I want to cover the pros and cons of what I found and what you may want to watch for when purchasing this lens or are interested in purchasing it.
So first off, the big thing is size and weightTamron touts this lesson as the lightest and smallest telephoto zoom on the market, and I would definitely have to agree with that.
It’s extremely short, and it’s extremely lightweight.
When I held it in my hand, and when I first got it, I was kind of surprised that it didn’t have a footer on it to attach to my tripod.
Whereas a lot of that telephoto lens is going to have that footer.
I love it because it’s so light; you can just attach it to your camera and strap it onto your L bracket and put that right on your tripod.
You don’t have to fool around with an extra footer when trying to put that on your camera and keep everything stabilized and still.
So, size and weight are definitely a huge part of this lens and one of the biggest factors that I would consider being a pro for it if you’re considering buying it.
Because as landscape photographers, when we go out into the field, we don’t want to weigh down our bags so much with extra equipment or longer lenses.
Especially if you’re going out for a few days of backpacking, you don’t want your camera equipment to add a lot of extra weight.
So this definitely checks the box of size and weight.
I will definitely go for Tamron and that direction if you’re looking for less gear that packs more punch into your camera bag.
Now I was also concerned a little bit about the quality of this lens.
Many people don’t want to go with a third-party lens because they are worried about the quality. Is it going to be there?
I was really pleased with the performance and the quality of this lens. I tested it in a lot of different conditions and a lot of different techniques.
It is weather sealed.
Everything is internalized, and all the zoom is controlled inside the lens barrel, and I don’t have to worry about extra moisture getting in.
If I’m zooming in and out and I’m photographing and some rainy, drizzly conditions, so I love that about this lens. It’s probably one of my favorite things.
It feels very sturdy. It feels very metal.
On the other hand, this lens feels slightly more plasticky, and the build feels just a little bit less wet.
For the price difference of these and being able to get something like an extra 100 millimeters in extra range with the Tamron lens, it’s definitely more of a bang for your buck.
The Sigma 56 millimeter F1.4 for Sony APS-C email cameras is available on a few other camera mounts and performs very similarly.
We’re going to break this thing down in its entirety to figure out whether or not you should be considering it.
Today, we’re checking out the Sigma 56 millimeter F1.4 with the crop factor that will perform more like an 85 millimeter, which happens to be one of my favorite focal lengths.
I recommend this lens to pretty much anybody getting into photography is a great all-around lens if you’re an APS-C shooter for Sony cameras.
But like I said, it is available for some other camera mounts as well.
It’s a great size, it’s a great weight, good value for money, and you’ll see the performance is pretty darn good too.
It will be a great performing portrait lens, and it is really just an all-around great shooter.
It is a great size measuring only 3/5 inches with the lens hood installed and two and weighing only 280 grams.
It’s a great travel lens, and you can stick it in your bag and forget about it.
There are no buttons or switches whatsoever on this lens to keep costs down, and it is a mainly plastic but good feeling construction.
The rubberized grippy focus ring is a good size and turns firmly and accurately.
On the front, you’ll find 55-millimeter filter threads along with segments proprietary coatings.
On the back, you’ll find a nice metal mount with the tiniest rubber gasket you’ve ever seen.
So there is an attempt at least at some weather sealing.
Overall it’s a great size and weight and does feel good in your hand.
It’s a very basic lens without all the bells and whistles.
So, touching on the value of this lens a bit, it really is a fantastic lens.
This is a decent lens at a reasonable price, but the Sigma definitely has some advantages in around 429 US dollars.
There’s really nothing available in this fast aperture range, even close to this price.
And as far as a warranty is concerned, you’re covered with a sigma 7 plus a year warranty, depending on where you’re from.
Overall, this lens has phenomenal value.
For the most part, the autofocus is pretty quick; it’s reliable and basically silent.
From time to time, you might find it hunting, especially in video, but for the most part, and in this price range, it’s completely acceptable.
When shooting stills, it’s not surprising that it’s a bit faster and even more reliable; no complaints here.
If you are a video shooter, it’s also worth noting that it will suffer from a bit of focus breathing.
Now, as I said, I’m a big fan of this focal length of 56 millimeters or about 85, with the crop factor gives you some real versatility.
It’s going to be a great portrait lens, giving you some nice background compression, and even for landscapes, it’s got enough reach where you can get in and really shoot some details.
Its fast F1.4 aperture means it’s going to be great in low light and give you an incredibly thin depth of field.
9 aperture blades mean it’s going to produce some stunning backgrounds and bokeh.
It has a minimum focus distance of just under 20 inches, which is actually quite decent for an 85-millimeter equivalent lens.
So having a look wide open here at F 1.4, this lens is quite sharp in the center with decent contrast, and the corners are actually pretty good as well.
You will notice some distortion and vignetting, especially wide open; we can stop down to about f2 to see that pretty much disappear, and the sharpness improves.
Now, this will continue all the way down to about F4, where we start to see some really nice corner sharpness, and that’s going to continue down to about F11.
So, overall pretty good sharpness out of this lens in the center and even into the corners.
You will see some pretty heavy barrel distortion, and we can clear that up with in-camera corrections or, of course, a profile correction in Lightroom.
Overall, if you use that correction, it will make your image look quite a bit better.
When we’re talking performance as a whole, and I mean autofocus rendering handling, this thing does a pretty darn good job across the board.
This really is a pretty solid performer.
So wrapping up this lens does take many of the boxes of things that we’re looking for.
And just like the16 millimeters and the 30-millimeter F1.4 from Sigma, this lens should be no different in reputation.
Suppose you are looking for a budget-friendly, great-performing 85 millimeter equivalent for your Sony APSC or another camera. I think this is a great option and I can completely recommend it to you.
I’m going to review the Sony 70 to 200 F4 email lens for mirrorless cameras and how it can be used to improve your landscape photography.
As a landscape photographer, you may love your wide-angle lens just like I do.
I love my wide-angle. It’s all my cameras so much of the year.
But I truly believe that all landscape photographers need to have a telephoto lens similar to 70 to 200.
This lens is a 70 to 200-millimeter lens, which gives you that exact distance on a full-frame camera.
If you’re using your crop sensor camera like a Sony A 6000 with this lens, I will get a zoom of 105 to 300 millimeters to give you that little extra boost.
Because you’re using that crop sensor instead of a full-frame 35-millimeter equivalent sensor on your camera, so that’s what you’re getting with this lens.
Now I’ve been using this lens for a little over a 1/5 year, and I really wanted to use it a lot before I did an exact review on what I think about it and how I use it.
My first experience with this lens is, it feels extremely durable.
I’ve used this lens in the cold, I’ve used it in the heat, I’ve used it in the dust, I’ve used it in the sand, I’ve used it in the rain, everything I’ve used it in, and it still performs extremely well.
The image quality on this lens is absolutely tremendous. Not to mention the landscape detail that they have is absolutely incredible, very sharp.
Probably the sharpest lens that I’ve ever used, and I’ve used some pretty sharp lenses in the past, but this one is so sharp on those like little minute details within landscapes and creates some excellent images.
Even putting images together and creating panoramas with this lens is truly easy because the detail is there.
If you know your settings on how to get that dialed in, the Sony 70 to 200 f4 is loaded with features from landscapes.
It’s so easy to get out of your bag and set up and get ready to shoot.
It’s also got a really steady focus ring on the lens that allows you to easily zoom up on the subjects in your landscape telephoto photos.
Also, switches on the side help you switch between manual and autofocus fold to infinity focus and image stabilization.
It’s also got a ring that allows you to switch between landscape and portrait view when it’s on your tripod.
If you’re in the market for a 70 to 200 lens, I highly recommend this Sony version if you’re using a Sony mirrorless e mount camera because it is so fantastic.
If you have the money to invest in a telephoto lens of this quality, I highly recommend doing that.
I honestly credit this lens with getting me back into love with landscape photography because I went through about a six-month stretch of not being happy with my images.
I honestly did not pick up my camera for about five months and then took this lens out, shooting with me just capturing detailed telephoto images that I could get with this lens.
And I was so happy with the results, and it was so fun.
It was fun creating images with a telephoto look that I hadn’t really done too much in the past.
And notice the details and the things that I could capture and make compressions with this lens with a telephoto option for landscapes.
I truly fell back in love with photography. So I credit this lens with a lot in my life and my photography career. I mean, it’s basically like a baby to me.
IT TRULY IS MY BABY whenever I go somewhere, besides leaving it out in the rain and sand and throwing it down in the car.
I promise I wouldn’t treat my actual baby like that.
I highly recommend this lens if you’re a Sony user and in the market for a telephoto lens.
I think it’s quickly becoming one of my favorite lenses.
So the 16 to 35 f4 does make a super good video lens, especially when you’ve got a nice wide landscape to show people or maybe a cityscape or architecture or potentially real estate.
It also makes a super good vlogging lens, which is really nice because it’s super wide.
I can hold it closer to my face, and it’s going to be able to get more in the frame more behind me, so it looks super good.
And I’ll probably be using it a lot more for actual vlogging than I will for shooting quote-unquote cinematic footage.
But the main reason that I actually purchased this lens is to use it as a landscape photography lens.
I just really love the wide focal length; it just makes your epic landscapes look even more epic.
So, I’m probably going to be using this lens, most of the time for landscape photography, and then probably vlogging, and then probably lastly for cinematic video.
I bought this lens because now I live in a beautiful place in Lake Tahoe where there are really awesome landscapes pretty much everywhere you look.
Now the 16 to 35 really comes in handy, and I feel like it makes those epic landscapes look a lot more epic.
On the 35 millimeters, you can still shoot your portraits and your close-ups and different details and things like that without changing lenses.
So, I think this is like a good all-around lens; even though it is only at F4, you still get a nice shallow depth of field when you zoom in to 35 millimeters.
The build quality is a Zeiss lens, and personally, I think Zeiss has some of the best build quality on the market.
So, I think you guys will really like the build quality on this lens is nice and weighty and feels super good in your hands.
Overall, I think you guys will be satisfied with how this lens is built.
The sharpness, this lens is incredibly sharp.
I’m shooting most of my photos at F8 or F 10, usually at those smaller apertures, which is where the lens will tend to be a bit sharper.
If you’re shooting wide open at like F4, it may not be quite as sharp, but that’s to be expected.
Most lenses aren’t at their full sharpness when you’re shooting wide open.
F4 has been perfect, and I really like it and find myself using it a lot.
Now, as I said, I’ll be using this lens mainly for photography.
It’s a super good lens for vlogging and a perfect lens for those wide cinematic shots.
I’ve been out about taking photos of landscapes portraying an all-rounder 24 to 70 is my absolute favorite focal range.
I love it because you can do all kinds of things with it is such a workhorse, such a great all-around us, obviously wide at 24.
And then it goes zoom all the way, and I get some really nice portraits, especially with a professional option, like this with an F 2.8 aperture.
A nice fast standard zoom lens allows you to capture some portraits.
Now I’ve been pairing it with the Sony A7iii.
One thing that is really interesting about this lens is that it’s very competitively priced versus other options, such as the Sony g master lens, things like that.
It’s a very competitively priced option for pro shooters, which works really well with the email system.
Now let’s talk a little bit about the image quality of the actual lens, like shooting with the A7iii and A7iv, and it handled those; the higher-res the 61 megapixels with absolutely no issues was nice sharp.
Even wide open even at F 2.8, and right out of the corners device, it was nice and sharp with only a really a little bit of drop off right at the edges, and stopping down just a little bit to F4 gives you an incredibly sharp image.
Now the images also seem to have lovely contrast to them, as well as beautiful color rendition.
I was really impressed with the colors that I was getting, even shooting into the sun, We are still getting lovely colors in the grass in the sea, and the sky is really impressed by that.
This lens actually has some really nice bokeh; it looks very nice and has blurred backgrounds. I think it just looks wonderful.
There are no artifacts.
I did notice a little bit of vignetting, but that’s easily correctable either in-camera if you leave the encounter corrections on or if you prefer, you can do it when you’re editing.
So, to me, this isn’t really much of a concern.
When you are shooting with it wide 24 millimeters, your closest focusing distance is 18 centimeters, which is really quite close. He lets you get really close to subjects and then at 70 mils.
It allows you to get slightly different images that you might not get with other lenses, but this focal range is not just great for photos. Of course, it’s good for video as well.
Again, it’s a standard kind of fast zoom lens, exactly the kind of thing I would use for shooting pretty much all video, and it allows you to be very flexible and versatile.
The kind of stuff you go for and something that I really liked about this lens in terms of video is it doesn’t seem to suffer from any focus breathing issues at all, which is really big, and that’s a big thing for video shooters.
That’s going to be really important, and it kind of sets this lens a little bit of part, maybe from other available zoom lenses.
The actual build of the lens is very nice as well; the actual design is really sleek and just good-looking and looks nice on the front of a camera.
The zoom and the focus ring they’re both rubberized. They feel perfect to use. They’re very smooth.
Then you’ve got things like the autofocus; of course, it’s silent as you’d probably expect for a pro lens and this kind of price range, but I found it super quick as well.
This lens is a really great pro option for email cameras is a true workhorse, and I’ve really never said, I am very impressed with the sharpness of the colors, just the overall performance of this lens.
It’s always lovely with a 24 to 70 F 2.8 to just switch it up from shooting may be wider at 24-35 mil for landscapes and then immediately turn around, go into 70 and just take a great portray.
That’s the versatility and the flexibility that this kind of thing affords you, and I think that’s difficult to replicate and have a good, solid build and then some great image quality. It’s unbeatable combat.
Sony 16-35mm f2.8 is the perfect lens for capturing a panoramic view of your latest work or trip abroad with this broad range, wide-angle zoom.
Made with Sony’s G Master optical technologies, even the edges and corners are sharper than ever before!
And, thanks to its constant F2.8 aperture, you can maintain your exposure while achieving optimum depth of field.
It can achieve 50 lines pairs per millimeter of the resolution, perfect for landscape photography needs.
You will capture incredible details and colors that other cameras cannot do with wider angles, such as 10 or 12 mm.
With an f2.8 maximum aperture, you can get close to your subject without worrying about shutter speed or depth of field!
Utilizing Super Sonic Wave Motor movement construction, feel assured that even shooting handheld won’t compromise imaging quality when using this legendary optic device!
The G Master design also enables smooth bokeh at all apertures, which we know any artistic photographer lives for.
Plus, with 11 aperture blades, you’ll have that smooth bokeh effect on select photos!
If you’ve been wondering what lens to use for your landscape photography, this is the one!
Whether hiking deep out in the wilderness or walking around on city streets, this versatile f2.8 wide-angle lens can provide you with that perfect perspective.
It’s great for capturing memories and landscapes alike—ideal for adventures both near and far.
What is the best prime lens for landscape photography?
The best prime lens for landscape photography is the Sony 55mm F1.8. This lens has an aperture of 1.8, making it perfect for low-light situations, and can be used in daylight. It’s also known as one of the best portrait lenses on the market! With its wide field of view and sharp detail, this is a must-have in any photographer’s bag!
Is Sony A7iii good for landscape?
The Sony A7iii is an excellent camera for landscape photography. It has the best autofocus system in any mirrorless camera, and its low-light performance is incredible, making it perfect for capturing dawns, sunsets, and night skies. The 24MP sensor can shoot at up to 10fps with full AF tracking, so whether you are moving from one point of interest to another or following an animal as it moves through the frame, you will get crisp shots every time. The A7iii also excels at shooting video thanks to its uncompressed 4K output and robust stabilization features, making handheld footage look pro-level even when there isn’t a tripod handy.
What is the best focal length for landscape photography?
Many photographers say that the most versatile focal length is 24mm if you’re looking for an easy answer. This lens has been shown to work well in both landscape and portrait shots. It also has a wide enough angle to take in more than just your surroundings without getting too close or including unwanted objects within the frame.
Which lens is better for landscape photography?
Depending on the type of shot you are trying to achieve, different lenses can be more or less ideal. For example, if your goal was to capture an expansive vista without any distractions in the foreground, perhaps something like 16-35mm is an ideal choice.
Best Sony camera for landscape photography?
If you are looking for an excellent low-light sensor with a high ISO range, the α7R III would be a good option. This camera also has ultra-fast autofocus capabilities that work well in both bright and dim light, as well as weather sealing features that protect it from dust, moisture, and rain.
Alright, guys, so that concludes all the lenses we will talk about today in this article.
Do you guys have any experience with these lenses? What are your thoughts on them?
Which is your best lens for landscape photography, Sony?
Is there a lens that I didn’t mention in this article that you love to use for landscape photography?
Would you please leave your thoughts and comments below?