Last Updated on December 5, 2023 by Sharon Advik
Sony is one of my favorite brands, and they have some great lenses for landscape photography.
In this post, I’ll share with you what Sony offers in their lineup and which lens is best suited for different types of landscapes.
Which is the best lens for landscape photography Sony:
Here are my recommended top 4 best lens for landscape photography Sony:-
I have used this lens for a while, and I will discuss this lens with my personal opinion.
I’m going to focus on three significant points.
First, of course, I got to look at how it looks and how I feel about it.
The second is autofocus.
I know you guys want to know how fast this thing is, and the third is image quality.
So, first look, there is no need to say this is just a fantastic piece of metal when I touch it for the first time.
That was like, wow, the body is excellent and metallic, thick and coarse. It’s heavy.
The touching field is fantastic.
The zoom ring is slightly heavy, but I love this heaviness.
When it comes to the focusing ring, the zoom ring and a focus ring are made of rubber, so they are very easy to use, pleasant to touch, a fantastic piece of rubber, and have an FMF control switch.
Focus lock and zoom ring lock switch, but this doesn’t fall off by dissuades, so I don’t think I need this lock, but it’s nice to have.
This weighs 886 grams, so yeah, it’s a little bit heavy, but I love this heaviness again since this lens doesn’t have image stabilization, so I can use just heaviness to stabilize my footage.
What, besides the weight, doesn’t matter to me at all?
I can work with great feelings and vibes.
This G Master is way faster, the focus speed is amazingly fast, and it’s very natural.
It chases, moves, stops; everything is very natural.
There was one negative point about manual focus; it was a bit difficult to focus because the focus speed is fast, so it sometimes passed us by the object I wanted to focus on.
So, to focus on everything on your face, you need to close the aperture slightly.
But also indeed, I am not good at manual focus, and I have to practice it, but this was fun using manual focus for the first time another new fun.
This gave me a new experience, but autofocus is incredible.
So you have nothing to worry about this, even if you’re going to use manual focus most of the time; just in case you have strong backup autofocus, this autofocus will make your work stable and secure.
It’ll give you a great working environment.
The last one is image quality.
Well, my first impression of this lens was that I was surprised by this wide view, like when I blocked the balance between face and background, which is excellent.
When I filmed that landscape, it had a wide image and a wide dynamic range, and even though the opposite is so far away, the image is still sharp, with sharpness and resolution of cinematography.
This lens does as well as a prime lens, and you can shoot with F 2.8 through the old focal length.
So, when it’s dark, you can still get a smooth, creamy, and wide range of colors.
This can do many things, especially when it comes to photography.
I thought this lens was better at photography than cinematography; I don’t know precisely why I felt like this.
I don’t know the technical reason I thought like this, but the color of science is excellent.
The contrast is high.
The range of color is really wide, especially since this lens catches the light very well.
Sony officially says this lens is good at seeing the light; I agree.
This lens made me realize that photography is enjoyable. Maybe you love photography more.
Okay, the conclusion is a lens that keeps high resolution and sharpness through all focal lengths.
Personally, this lens is good at photography and cinematography, and it has a wide range of colors and types of black in vivid color.
The light is smooth and creamy, but the image is sharp and crispy, so I think this lens is something you mix up every good stuff of other lenses.
So this is why people think G-master is perfect.
I think purchasing this is an excellent idea if you want to step a masterpiece top-notch lens of the Sony A series.
The Sigma 56 millimeter F1.4 for Sony APS-C email cameras is available on several other camera mounts and performs very similarly.
We will break this thing down in its entirety to figure out whether or not you should be considering it.
Today, we’re checking out the Sigma 56-millimeter F1.4 with the crop factor that will perform more like an 85-millimeter, one of my favorite focal lengths.
I recommend this lens to pretty much anybody getting into photography. It is a great all-around lens if you’re an APS-C shooter for Sony cameras.
But as I said, it is also available for other camera mounts.
It’s a great size, a great weight, good value for money, and the performance is pretty good too.
It will be a great performing portrait lens, and it is just an all-around great shooter.
It is a great size, measuring only 3/5 inches with the lens hood installed two and weighing only 280 grams.
It’s a great travel lens; you can stick it in your bag and forget it.
There are no buttons or switches on this lens to keep costs down, and it is a mainly plastic but good-feeling construction.
The rubberized grippy focus ring is a good size and turns firmly and accurately.
You’ll find 55-millimeter filter threads and proprietary coatings segments on the front.
On the back, you’ll find a pleasant metal mount with the tiniest rubber gasket you’ve ever seen.
So there is an attempt at least at some weather sealing.
Overall, it’s a great size and weight and does feel good in your hand.
It’s a fundamental lens without all the bells and whistles.
So, touching on the value of this lens a bit, it is a fantastic lens.
There’s nothing available in this fast aperture range, even close to this price.
Overall, this lens has phenomenal value.
For the most part, the autofocus is pretty quick; it’s reliable and silent.
From time to time, you might find it hunting, especially in video, but for the most part, and in this price range, it’s completely acceptable.
When shooting stills, it’s not surprising that it’s a bit faster and even more reliable; no complaints here.
If you are a video shooter, it’s also worth noting that it will suffer from a bit of focus breathing.
As I said, I’m a big fan of this focal length of 56 millimeters or about 85, with the crop factor giving you some real versatility.
It will be a great portrait lens, giving you some excellent background compression, and even for landscapes, it’s got enough reach to get in and shoot some details.
Its fast F1.4 aperture means it will be great in low light and give you an incredibly thin depth of field.
9 aperture blades mean it will produce some stunning backgrounds and bokeh.
It has a minimum focus distance of under 20 inches, which is decent for an 85-millimeter equivalent lens.
So, looking wide open here at F 1.4, this lens is quite sharp in the center with decent contrast, and the corners are pretty good.
You will notice some distortion and vignetting, especially wide open; we can stop down to about f2 to see that pretty much disappear, and the sharpness improves.
Now, this will continue down to about F4, where we start to see some excellent corner sharpness, which will continue down to about F11.
So, overall, this lens has pretty good sharpness in the center and even into the corners.
You will see some pretty heavy barrel distortion, and we can clear that up with in-camera corrections or, of course, a profile correction in Lightroom.
Overall, if you use that correction, it will make your image look quite a bit better.
When we’re talking performance as a whole, and I mean autofocus rendering handling, this thing does a pretty good job across the board.
This is a pretty solid performer.
So, wrapping up this lens takes many boxes of things we’re looking for.
And just like the millimeters and the 30-millimeter F1.4 from Sigma, this lens should be no different in reputation.
Suppose you want a budget-friendly, great-performing 85-millimeter equivalent for your Sony APSC or another camera.
I think this is a great option and recommend it to you.
I think it’s quickly becoming one of my favorite lenses.
So the 16 to 35 f4 makes a super good video lens, especially when you’ve got a lovely wide landscape to show people, maybe a cityscape, architecture, or potentially real estate.
It also makes a super good vlogging lens, which is nice because it’s wide.
I can hold it closer to my face, and it will get more in the frame behind me, so it looks super good.
And I’ll probably use it more for actual vlogging than for shooting quote-unquote cinematic footage.
But the main reason I purchased this lens is to use it as a landscape photography lens.
I love the wide focal length; it makes your landscapes look even more epic.
So, I’m probably going to be using this lens, most of the time for landscape photography, and then probably vlogging, and then probably lastly for cinematic video.
I bought this lens because I live in a beautiful place in Lake Tahoe where astonishing landscapes are everywhere.
Now, the 16 to 35 comes in handy, and I feel like it makes those epic landscapes look much more epic.
On the 35 millimeters, you can still shoot your portraits, close-ups, details, and other things without changing lenses.
So, I think this is an excellent all-around lens; even though it is only at F4, you still get a unique shallow depth of field when you zoom in to 35 millimeters.
The build quality is a Zeiss lens, and I think Zeiss has some of the best build quality on the market.
So, I think you guys will like the build quality of this lens. It is nice and weighty and feels super good in your hands.
Overall, you will be satisfied with how this lens is built.
The sharpness of this lens is incredibly sharp.
I’m shooting most of my photos at F8 or F10, usually at those smaller apertures, where the lens will tend to be a bit sharper.
If you’re shooting wide open at F4, it may not be quite as sharp, but that’s to be expected.
Most lenses aren’t at their full sharpness when shooting wide open.
F4 has been perfect; I like it and use it a lot.
As I said, I’ll use this lens mainly for photography.
It’s a super good lens for vlogging and perfect for those wide cinematic shots.
Sony, 16-35mm f2.8, is the perfect lens for capturing a panoramic view of your latest work or trip abroad with this broad range, wide-angle zoom.
Made with Sony’s G Master optical technologies, even the edges and corners are sharper than ever before!
And, thanks to its constant F2.8 aperture, you can maintain your exposure while achieving optimum depth of field.
It can achieve 50 line pairs per millimeter of resolution, perfect for landscape photography.
You will capture incredible details and colors that other cameras cannot do with wider angles, such as 10 or 12 mm.
With an f2.8 maximum aperture, you can get close to your subject without worrying about shutter speed or depth of field!
Utilizing Super Sonic Wave Motor movement construction, feel assured that even shooting handheld won’t compromise imaging quality when using this legendary optic device!
The G Master design also enables smooth bokeh at all apertures, which we know any artistic photographer lives for.
Plus, with 11 aperture blades, you’ll have that smooth bokeh effect on select photos!
If you’ve been wondering what lens to use for landscape photography, this is the one!
Whether hiking deep out in the wilderness or walking around on city streets, this versatile f2.8 wide-angle lens can provide you with that perfect perspective.
It’s great for capturing memories and landscapes—ideal for near and far adventures.
Alright, guys, that concludes all the lenses we will discuss today in this article.
Do you guys have any experience with these lenses? What are your thoughts on them?
Which is your best lens for landscape photography Sony?
Is there a lens I didn’t mention in this article that you love using for landscape photography?
Would you please leave your thoughts and comments below?
I am a Professional and Certified Digital Photographer born in the USA. I have been in this field of photography for 22 years, and in these years, I have used many photography lenses and Cameras, which I want to share here on this website about my experience. The idea for Bestoflens.com is to provide honest information about different Lenses and Camera products in the format of a “Best lenses for AYZ” list. I want this website to be the last destination for people to pick the best Cameras and lenses to fit their needs. You can find our unbiased reviews here on Bestoflens.