Last Updated on January 17, 2023 by Sharon Advik
The Olympus OM-D E-M5 Mark III sat near the summit of Olympus’ mirrorless camera portfolio for many years.
It also incorporates a sensor-based image stabilization technology, which implies that each lens will be stabilized using the E-M5 Mark III.
It has undoubtedly provided us with native lenses in the system that have worked in many photographic specializations.
However, you may get even more bewildered by many alternatives than before.
If you’ve already purchased the Olympus OM-D E-M5 Mark III, the next move is to choose the optimal lens for it.
To assist you in capturing a professional-looking photograph, we’ve assembled an inventory of the best-recommended and most appropriate micro four-thirds lenses for the Olympus OM-D E-M5 Mark III mirrorless camera, including leading prime and zoom alternatives ranging from wide-angle to telephoto.
You can prefer the one you require!
Which are the Best lens for Olympus OM-D E-M5 Mark III?
Here are my recommended top 7 Best lens for Olympus OM-D E-M5 Mark III:-
Panasonic 42.5mm f/1.2: (best lens for Olympus OM-D E-M5 Mark III)
Even when the light is terrible, I photograph and work with my Olympus OM-D E-M5 Mark III.
Peak action moments at the wedding are unforgettable, but I appreciate the slower times since they usually need the most creativity.
Similarly, I’ve always carried a Panasonic 42.5mm f/1.2 lens with my Olympus OM-D E-M5 Mark III to increase my versatility.
The collection of wedding images offered me all the qualities of participation I had hoped for, and it persuaded me that the Olympus OM-D E-M5 Mark III was the perfect lens for me.
Key specifications:
Compatible construction:
The Nano Crystal coat decreased internal lens element reflections over a wide range of wavelengths.
Meanwhile, by simply spinning the lens’s focusing ring, the lens may be switched from automatic to manual focusing without lag time.
As a result, I utilized the Olympus OM-D E-M5 Mark III with this lens in a suitable micro four-thirds lens mount for my wedding couples.
Tack-sharp images:
I’ve assembled the potential to produce a shallow depth of field view with a fast aperture of f/1.2 over a 42.5mm focal length range.
As a wedding photographer, it meets my demanding standards with maximum adaptability.
It has a Metal Lens Hood that can withstand the demands of professional use and is resistant to shocks and jerks.
I could capture a broad field of vision with it; using the Olympus OM-D E-M5 Mark III increased the sharpness of my wedding shots significantly.
Optical image stabilization:
I went down to get some unique viewpoints and utilized optical image stabilization to capture detail with great confidence, even when the light levels plummeted.
It provides clear, in-focus wedding photographs and videos regardless of the setpoint.
In terms of consistency, it has guided me in the proper direction.
This lens tells my story when employed with the Olympus OM-D E-M5 Mark III in great depth and clarity, whatever the case may be.
Why is this lens the best?
My revolutionary video-capturing capability with high efficiency and sophisticated features has been accomplished.
This lens gives a superb position for watching the scene and correctly shooting a video using the Olympus OM-D E-M5 Mark III.
It has a fast aperture rate and a wide focal length, making it ideal for capturing crystal-clear video during weddings or other video-related events.
Because of IF’s better concentration, I’ve reduced my working distance.
It pleasantly surprised me by capturing vivid videos, prompting me to get the most sensitive lens for the Olympus OM-D E-M5 Mark III.
Conclusion:
Never before have I seen a lens with so many professional features packed into such a compact size.
When used with the Olympus OM-D E-M5 Mark III, the Panasonic 42.5mm f/1.2 is a flexible lens that produces outstanding overall results.
Because of its ample capacity, it’s a fantastic choice for wedding photography.
You may reach there by clicking on the following link.
Panasonic LUMIX 20mm f/1.7: (best prime lens for Olympus OM-D E-M5 Mark III)
As the moon rises over the horizon, I dash out of my house with my Olympus OM-D E-M5 Mark III to capture its splendor.
The aesthetic attraction of astrophotography calms me down.
I’ve always wanted a small system lens that’s easy to carry anywhere, doesn’t weigh me down and is easy to use.
As a result, whenever I travel with the Olympus OM-D E-M5 Mark III, I always have the Panasonic LUMIX 20mm f/1.7 ready to detour to whichever intriguing astrophotography spot I come across.
When traveling worldwide, it’s the most lightweight prime lens ever manufactured for capturing the most prevalent twilight effects.
Key specifications:
Awe-inspiring nightscapes:
Because it allows me to capture a moving subject by adjusting shutter speed instead of relying on ISO sensitivity, this large-diameter lens is a powerful ally in photographing starry skies or other celestial scenes at night or of the seashore with a broad perspective.
It was developed exclusively for mirrorless cameras like the Olympus OM-D E-M5 Mark III.
This prime lens has provided me with a more enhanced and unique astrophotography experience than any other advanced function lens.
Superb Design:
I shot a cluster of stars with perfect clarity, a nice bokeh effect, and excellent light streaking control.
The Advanced Auto Focus (AF) system’s revised algorithms for more excellent automatic focusing have resulted in a considerable increase in traffic to my astrophotography.
The prime lens has a focus mechanism that removes focus-dependent aberration in my astrophotography videos while maintaining the image quality of a constant focal length of 20mm, which intrigues me.
Broad outline:
By announcing the f/1.7’s compatibility, I’ve finally figured out how to change the depth of field to adequately capture the scene, which has been a problem for decades.
It wonderfully functions when I use the lens with my Olympus OM-D E-M5 Mark III.
This unique perspective defies standards while increasing the focusing distance of astrophotography expression to 0.66 feet.
My twilight clips came out beautifully, thoroughly examining the chosen topic.
Why is this lens the best?
By utilizing the extreme angle of view and dramatic perspective, this prime lens creates an experience in eliminating optical flaws and developing new structural parts.
It made my nights brighter by associating my astrophotographic quest with beautiful outcomes.
Apart from the Olympus OM-D E-M5 Mark III and the prime lens with its micro four-thirds lens mount, I didn’t require anything else.
The corners seem dark when the image’s relative light levels are low, creating a beautiful bokeh effect.
Because of these discoveries, I believe it is the best prime lens for the Olympus OM-D E-M5 Mark III.
Conclusion:
The Panasonic LUMIX 20mm f/1.7, when used with the Olympus OM-D E-M5 Mark III, is a prime lens with great astrophotographic stills and video characteristics.
It’s a tremendous commencing point for newcomers and enthusiasts, with all the required pro-markers for exploring the hamlet.
Purchasing this best prime lens for the Olympus OM-D E-M5 Mark III will give you the ability to empower yourself.
Please tap on the link below to obtain it!
Olympus 7-14mm f/2.8: (best wide-angle lens for Olympus OM-D E-M5 Mark III)
Filming events has been both a career and a passion for me.
The objective is to get to the heart of the event’s story and convey it in the most authentic, gripping, intriguing, and attractive way possible.
So, to incorporate this mood into my professional process, I always utilize the Olympus OM-D E-M10 Mark III with the best wide-angle lens, the Olympus 7-14mm f/2.8, which, despite its slick 4k video recording capabilities, is usable in every situation.
To get that “punch line,” I felt forced to push my videography to the next level by squeezing my way through the mob.
Key specifications:
Alluring magnification:
My goal of taking the most innovative photos at the event has been accomplished.
The 7-14mm focal length and f/2.8 light-gathering compatibility of the wide-angle lens supplied me with the most spectacular event sceneries at the highest resolution.
These fine-tuned clips result from the newly increased aperture’s light-capturing capabilities, which retain adequate magnifying power to capture event images up to 0.12x magnifying rate with the Olympus OM-D E-M5 Mark III’s firing rate capability.
View from a wide angle:
I could reuse the event lights in my area with this bit of wide-angle lens.
Despite my terrible circumstances, the lens’s well-designed tiny body and gorgeous components assisted me in overcoming each obstacle.
When twinned with the Olympus OM-D E-M5 Mark III, this wide-angle lens allowed me to catch every movement of the event at an angle of view ranging from 114° to 75°, enhancing my efficiency and shooting range.
Explicitly expressed Optical power:
Even when walking, I get wonderfully stabilized stills and movies when I use my Olympus OM-D E-M5 Mark III’s 5-axis Image Stabilizer with the wide-angle lens’s three Super ED lens elements.
It improved my visualization, and I could frame the fast-paced inner motions with peripheral steadiness by continuously changing the refractive index from the lens’s center.
The lens is splash and dustproof, which protects it from challenging conditions.
Why is this lens the best?
I use the same image quality, low-light capabilities, and pleasantly blurred backgrounds, making this lens the best wide-angle lens for the Olympus OM-D E-M5 Mark III.
Adjustable focal lengths and optical glass aid the wide-angle lens’ ability to correct chromatic aberrations.
For the first time in my event shooting career, I’ve noticed an increase in agility.
The lens’s ability to focus on distant objects rapidly while looking through the Olympus OM-D E-M5 Mark III viewfinder is fantastic.
It has attracted interest in event photography due to its tiny size and easy controls.
Conclusion:
The Olympus 7-14mm f/2.8 has proven to be the ideal wide-angle lens for Olympus OM-D E-M5 Mark III users who wish to capture a broad range of well-textured event aesthetics when wandering around the city.
This wide-angle lens features a high-speed autofocus system that is both silent and accurate.
As soon as possible, get your hands on this fantastic lens!
Olympus 12-100mm f/4: (best all-in-one lens for Olympus OM-D E-M5 Mark III)
I’m obsessed with capturing the beauty of feathers of all kinds.
With the Olympus OM-D E-M5 Mark III, I’ve been in photography for over twenty-five years, and the sort of photography in which I’m a pro is the most diversified area of macro photography.
The Olympus 12-100mm f/4 has earned the title of most excellent all-in-one lens for the Olympus OM-D E-M5 Mark III in this course, and it has wowed me with its outstanding performance.
I’ve created many gorgeous photos of bird feathers or those picked from a pillow.
Key specifications:
Stabilized imagery:
Because of the image stabilization characteristics, I’ve noticed an increase in my ability to frame macro shots up to a minimum focusing distance of 1.5cm from infinity to macro.
The macro lens’ weatherproof structure is exposed to the front and rear components to guard against water droplets and dust.
I was introduced to strengthening the all-in-one lens capability using the Olympus OM-D E-M5 Mark III and XY-Shift compensation.
Stunning visuals:
I’ve seen a substantial improvement in light-gathering efficiency, allowing me to take flawless, crystal-clear photos even in direct sunlight.
The Olympus OM-D E-M5 Mark III focusing sensors get enough light thanks to the f/4 maximum aperture.
As a result, my photographs have been taken in a more polished style.
While recording fine-tuned bokeh effects, the 12-100mm focal length boosts the cutting-edge all-in-one performance.
Elite focus:
When I used the all-in-one lens with the Olympus OM-D E-M5 Mark III, the focus blurriness from macro images was virtually eradicated, allowing me to change focus smoothly without affecting the angle of view of the shot.
By using the fast optimal focal length, I can enlarge distant objects up to a magnification range of 0.6x-0.42x.
It allows me to delve into the images I took for an endless amount of fun.
Why is this lens the best?
With this all-in-one lens, you may snap high-resolution shots and stunning photos connected to photography.
It has cutting-edge focusing technology for ground-breaking outcomes and is built for creative control.
The optical brightness and versatility of this all-in-one lens are unrestricted.
It is my favorite lens for my Olympus OM-D E-M5 Mark III.
The lens has no jagged edges, and because of its fast maximum aperture, it lives up to its promise for the Olympus OM-D E-M5 Mark III, producing results comparable to the previous best-in-class dream.
Conclusion:
With its extreme performances, the Olympus 12-100mm f/4 is the heritage of the Olympus line, which provides shutterbugs with photographs with refinements and high-end quality.
It is my most recommended all-in-one lens and has shown to be the best for the Olympus OM-D E-M5 Mark III.
Look for it at the website provided below to improve your photography skills.
Olympus 40-150mm f/2.8: (best telephoto lens for Olympus OM-D E-M5 Mark III)
Wildlife photography is crucial because it allows me to capture images of monsters and wildlands comparable to them.
I once started on a quest to shoot annelids with my all-time favorite camera, the Olympus OM-D E-M5 Mark III and the Olympus 40-150mm f/2.8 with its appropriate lens adapter.
It has enhanced my level of inventiveness with its well-equipped features.
Many crawlers’ nature photos had been transformed from motile to sessile without affecting image quality.
Key specifications:
High-end performance:
I have to work in low light when visiting rare wildlife areas.
Nonetheless, after testing with the lens, I’ve discovered that, because of the f/2.8 stops of aperture, I can adjust to any lighting scenario and get a shallow depth of focus.
When paired with the Dual VCM Autofocus mechanism on my Olympus OM-D E-M5 Mark III, the telephoto lens’s unique AF technology reaches new heights.
I can capture movies with slight alterations in the angle of view, such as those that might occur when focusing.
Surpassing optical construction:
My wildlife film was excellent from beginning to end, which was significant.
The three components of Extra-Low Dispersion work together to eliminate chromatic aberration, ghosting, and flare.
Even at the most comprehensive aperture settings, it aids me in capturing the fast-paced actions of wild animals.
The Olympus OM-D E-M5 Mark III’s synergistic capabilities impacted me, allowing me to focus on my chosen subject swiftly.
Fast zoom ability:
Olympus’ 40-150mm zooming capabilities are currently the cheapest way to get to an actual 150mm focal length in Olympus’ current line of lenses, offering significantly more accurate still shots when using the Olympus OM-D E-M5 Mark III; it’s worth mentioning that the entire lens is dust, splash, and freezeproof, allowing me to expose in challenging situations with fast, precise, smooth, silent autofocus and minimum wobbling.
Why is this lens the best?
The enhanced output of this telephoto lens allowed me to frame the beautiful nature footage in front of me in a realistic manner, with fantastic interaction.
When utilized with the Olympus OM-D E-M5 Mark III’s readout, the telephoto lens’ high-tech focal power and focusing efficiency encircled my clips with brightness and transparency without any image degradation.
It can take beautiful scenic photographs and record animal videos.
The most fabulous telephoto lens for Olympus OM-D E-M5 Mark III features an aperture and focal power capable of freezing the scene and preventing camera movement.
Conclusion:
When I first encountered the Olympus 40-150mm f/2.8 lens, I thought it was the most acceptable option.
I upgraded this telephoto lens with the Olympus OM-D E-M5 Mark III since it provided excellent results.
All amateurs and professionals seeking a unique wildlife experience should check out the most delicate telephoto lens for the Olympus OM-D E-M5 Mark III.
You may get this one from the URL below for your future convenience.
Olympus 60mm f/2.8: (best macro lens for Olympus OM-D E-M5 Mark III)
Macro photography is a field that offers shutterbugs a wide range of creative possibilities.
Individuals have grown their nosiness in various niches along these lines.
My work is classified as macro photography of automotive details.
As a result, my preferred macro lens is the Olympus 60mm f/2.8, the most excellent macro lens for the Olympus OM-D E-M5 Mark III.
It has such excellent attributes of intuitive macros of automobile detailing.
This macro lens has simplified my trials with its tiny, lightweight form that fits all the exciting attributes.
Key specifications:
Edge-to-edge focus:
The macro lens, designed specifically for cameras like the Olympus OM-D E-M5 Mark III, has shown me compatibility with both videos and still images.
The practically quiet and soft focus allows me to respond quickly and capture fleeting moments when photographing.
This suitable lens for the Olympus OM-D E-M Mark III offers the highest artistic expression and quality, making it an excellent choice.
Outperforming Aperture:
I bought this macro lens a few years back and have had the chance to use it on macro shots worldwide since then.
It’s a high-quality macro lens that locks on swiftly and softly and has an optically matched f/4.5-5.6 aperture range.
With maximum adaptability, it’s been tailored to meet my exacting needs as a macro photographer using Olympus OM-D E-M5 Mark III.
It boasts a weather-resistant magnesium body that can withstand the demands of professional use.
Brilliant magnifying power:
It is one of the most portable macro lenses accessible, with a fantastic magnification format.
With the 60mm focal length, I can cover a large field area and capture excellent macro videos in various scenarios.
The magnification rate is typically at 2.0x at a minimum working distance of 7.4 inches.
Using the Olympus OM-D E-M5 Mark III, this lens allows me to capture distant scenes without fear, resulting in a dramatic, exaggerated image.
Why is this lens the best?
This macro lens is a fashionable vintage with several unique features.
It stood out from the competition by adding a system that ensured rapid and precise focusing in both movies and stills.
The danger of losing the explicit functioning of the lens surface has been removed thanks to a weatherproofing coating, making it easier to clean.
With the addition of the aforementioned pleasurable aspects, this macro lens has enriched my delivery.
When coupled with the Olympus OM’D E’M5 Mark III, it is an excellent choice for macro photographers wishing to expand their lens set.
Conclusion:
My macro photography journey began with the Olympus 60mm f/2.8 lens and continues today.
When used in conjunction with the Olympus OM-D E-M5 Mark III, it has propelled me to the peak of creativity, propelling me to the aspiring position.
It will be the most acceptable option for those hobbyists and professionals who want to have an excellent time photography macros or items.
Panasonic 25mm f/1.7: (best video lens for Olympus OM-D E-M5 Mark III)
When a vehicle business releases a new model, they assemble the media and videographers to advertise it with images and films.
As an automotive historian, I am interested in documenting the finer points of high-profile automobiles.
Each shutter click offers me delight as I capture the vehicle’s uniqueness with the Olympus OM-D E-M5 Mark III.
I brought the Panasonic 25mm f/1.7 video lens for the Olympus OM-D E-M5 Mark III and framed the most striking photos for my gallery, which featured a panoramic perspective.
Key specifications:
Elaborated focus:
I liked the freedom of shooting with a standard lens utilized for various reasons with the Olympus OM-D E-M5 Mark III.
There were many exciting topic attractions in the area where I walked around.
The remarkable soft-focusing effect of the video lens has enchanted me by converting commonplace surroundings into an exquisite range of versatility when I only wish to take a standard lens with me.
This video lens helped film a range of topics in several situations.
Graded imagery:
Because of the 60mm focal length, I could fill the frame with my target from a reasonable distance, making this an excellent lens for the Olympus OM-D E-M5 Mark III.
Its Nano Crystal Coat construction molded all of my ambitions at beautiful techy conferences, preventing glare or ghosting and helping me capture more correct images by permitting me to reach the ambiance of a low-light scenario.
Compact body design:
I called a reputable lens for a more secure videography shoot despite my reservations.
When the Olympus OM-D E-M5 Mark III is equipped with this lens, I don’t even need to utilize a handgrip, which allows me to shoot more comfortable handheld films with a broader field of view over time.
When used with the Olympus OM-D E-M5 Mark III compatible mount, the fixed focal length, broad maximum aperture adjustment, and great focusing are all features I love.
Why is this lens the best?
With excellent efficiency and improved functionality, I have gained the formulation of my ground-breaking architectural stills and video recording and frame capacity.
With the conjoint functionality of the Olympus OM-D E-M5 Mark III and this compact lens, you can view the action and capture video.
It also has a fast aperture rate and a sizeable overall lens length to film movies with sharp pictures.
The Olympus OM-D E-M5 Mark III sensitive video lens stunned me by making animated films, prompting me to buy it.
Conclusion:
The Panasonic 25mm f/1.7 is the lens to acquire if you want to add variation to your filming.
Its focusing peak and its ability to allow shutterbugs to enhance the enchantment of captured films without taking their gaze away from the Olympus OM-D E-M5 Mark III viewfinder exceeded my expectations.
Look for it at the website provided below to improve your videography abilities.
- Do professional photographers use Olympus cameras?
Yes, Olympus cameras are used by professional photographers. Many of the photographers I’ve met use Olympus cameras. They frequently have a lot of passion for their equipment. Olympus is significantly different from other cameras because many of its features are exclusive. OM-D E-M5 Mark III from Olympus. As a professional wedding photographer, I frequently bring this when I need great items to arrive quickly. I have a person who will honestly recommend this to all of you or especially to professional shooters.
- What lenses work with Olympus?
I have several lenses that work best with an Olympus camera. I’ve compiled a list of the top prime and zoom options from wide-angle to telephoto, as well as the best-recommended and most suitable micro four-thirds lenses for the Olympus OM-D E-M5 Mark III mirrorless camera, to help you take photos that appear professional. My video recording capability with high efficiency and sophisticated features has been completed.
- Panasonic 42.5mm f/1.2
- Panasonic LUMIX 20mm f/1.7
- Olympus 7-14mm f/2.8
- Olympus 12-100mm f/4
- Olympus 40-150mm f/2.8
- Olympus 60mm f/2.8
- Panasonic 25mm f/1.7
What is an Olympus ED lens?
For Micro Four Thirds mirrorless cameras, Olympus’ Zuiko Digital ED 12mm f/2 has a focal length equal to 24mm. The bright f/2 maximum aperture and the overall focal length provide good low-light and astrophotography applications. The lens also features a manual focus clutch, Snapshot Focus mode, Movie & Still Compatible autofocus mechanism for rapid and silent operation, a manual focus clutch, and simple control over focus position and depth of field. I prefer this while doing astrophotography due to its excellent strength and focus, which can easily capture far-away objects.
Does Olympus OMD E M5 have WiFi?
Although it should be noted that endless mode is not supported, the Olympus E-M5 also supports WiFi-enabled Eye-Fi Secure Digital cards for wireless transmission directly from the camera body. I can easily adjust the password selection method, turn on or off WiFi and image sharing, and choose WiFi and settings from the Setup menu (private or one-time). Manually connect your camera to your phone’s WiFi network so that it may interact with the OLYMPUS OI. Share app. This versatile feature allows me to share my stuff wherever I am on my social media accounts.
Is OMD em5 Mark III worth it?
Yes, OMD em5 Mark III is worth it. Product overall in my expertise. For studio video, the Olympus OM-D E-M5 Mark III is suitable. Overall, the video quality is excellent, and it appears particularly lovely in low light with little noise and grain. It provides a fantastic combination of functions in a tiny camera, but its outdated 16MP sensor limits its capabilities. The Mark III maintains the notion of being small yet strong while utilizing the most current, highest-quality 20MP MFT sensor. I did record my cousin’s street photography for his college assignment with this camera and got great remarks from Dean.
Is Olympus a good mirrorless camera?
Yes, Olympus is a good mirrorless camera. It is a flexible, high-performing mirrorless camera offered at a fantastic price after more than 220 hours of study and testing over the past seven years, including real-world shooting alongside the top rivals. One of Portugal’s most picturesque seaside towns is Azenhas do Mar. You’ve most likely seen it in many pictures, which might be those I clicked. Watermills of the Sea is the name’s meaning which I captured to make my viewers connect with me from staying home.
CONCLUSION:
Alright, guys, that concludes all the lenses we will discuss today in this article.
Do you guys have any experience with these lenses? What are your thoughts on them?
Which is your Best lens for Olympus OM-D E-M5 Mark III?
Is there a lens you love to use that I didn’t mention in this article?
Would you please leave your thoughts and comments below?
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Best lens for Panasonic LUMIX S5:
I am a Professional and Certified Digital Photographer born in the USA. I have been in this field of photography for 22 years, and in these years, I have used many photography lenses and Cameras, which I want to share here on this website about my experience. The idea for Bestoflens.com is to provide honest information about different Lenses and Camera products in the format of a “Best lenses for AYZ” list. I want this website to be the last destination for people to pick the best Cameras and lenses to fit their needs. You can find our unbiased reviews here on Bestoflens.
Hi. I was wondering if the 12-100 mm lens is a little too large
for the Olympus M5 111 and if the 12-40 mm is a better size and maybe a better lens. Less reach I know but I’m worried about the balance of the larger lens.
I’m an artist and I’m interested in buying this camera specifically to photograph my paintings for making high quality prints. Can you tell me which lens is best for this?
Thanks