Panasonic’s S5 is the company’s first full-frame mirrorless camera.
Panasonic is notorious for cramming a lot of features into every camera company release, and this one is no exception.
It has 4K 10-bit 60 frames per second video, anamorphic capabilities, and 60-frames-per-second burst shooting.
It combines powerful video and image capabilities with a portable outer design and incredible agility for committed photographers and videographers.
Lenses’ outstanding defense has been bolstered in recent years.
Panasonic offers a wide selection of L-mount lenses, from wide-angle zooms and primes to telephoto zooms and primes.
Because it is a full-frame camera, the LUMIX S5 is closer to the picture plane than DSLRs.
Performance and optical quality have both improved as a consequence.
Panasonic has finally provided us with native system lenses capable of various photographic genres.
To help you choose the right lens for your needs, we’ve categorized the top lenses for the Panasonic LUMIX S5.
We hope that the information on this page will give you the most realistic image possible of these lenses.
Which are the Best lens for Panasonic LUMIX S5?
Here are my recommended top 5 Best lens for Panasonic LUMIX S5:-
I’ve always admired the aesthetic appeal of street photography to the general public.
I’m an expert in street photography, which allows me to interact with the environment and relive memorable moments.
The Panasonic LUMIX S 20-60mm f/3.5-5.6 has been my Panasonic LUMIX S5 companion for years.
It has featured the ability to frame spontaneous events in public places without needing mediators.
These close-up images inspired my curiosity about creating street portraits.
It was the most deliberate movement I’d ever made with the super zoom lens on the Panasonic LUMIX S5.
Since every part of the street flow accentuates itself, the visual clarity I acquired is remarkable.
This lens offers excellent zooming build quality when used with the Panasonic LUMIX S5.
It offers excellent image quality with an f/3.5-5.6 aperture, making it look like a professional lens and allowing me to express myself more freely.
It did, however, serve me well by providing quiet, high-speed focus, allowing me to respond rapidly to diverse street objects.
Coverage across a large region:
I accommodated the frame with my target from a respectable distance due to the 20-60mm focal length, rendering it an excellent lens for the Panasonic LUMIX S5 that covers a broad perspective.
Its architecture, which includes solid encapsulation and weather-resistant build, is impervious to tiny alterations in the natural habitat.
I’ve been shooting, enabling me to capture more detailed photographs in minimal situations.
While I am merely moving the focus from one topic to another, it looks like I am zooming in or out with the lens.
When I used this lens with the Panasonic LUMIX S5, the STM focused quickly and allowed smooth focus adjustments when shooting video.
It improved color consistency and decreased flare, resulting in clips just on the cusp of becoming stunning.
Why is this lens the best?
The tiny, weather-resistant structure of the lens is its most notable feature.
It has all the distinguishing qualities, such as a fast aperture and quick Autofocus, which gave me crisp and clear pinpoints.
Long-distance street aesthetics were possible with the Panasonic LUMIX S5. Its diaphragm offers a beautiful, smooth effect while decreasing the influence of point light sources streaking.
I’m not going to commute my view about the lens being the best lens for the Panasonic LUMIX S5 after using its features, as I previously stated.
The Panasonic LUMIX S 20-60mm f/3.5-5.6 is the first Panasonic lens to blend all the best features into a tiny size.
Because of these capabilities, the Panasonic LUMIX S5 has become the best choice for street and travel photographers and enthusiasts who wish to start photography.
Portrait photography has always piqued my interest due to its aesthetic qualities.
I’m a gifted photographer who employs a few portraiture techniques to evoke recollections.
The MEIKE 50mm f/1.7 lens has been my go-to lens for years.
I could take random photos of my family or myself in indoor situations with the Panasonic LUMIX S5.
Made the images arouse my interest in wide-angle photography.
It was the discriminating feint I’d ever made while holding the most spectacular prime lens on the Panasonic LUMIX S5.
With the Panasonic LUMIX S5, I appreciated being able to shoot with a prime lens for various reasons.
It features an intriguing focus mechanism that eliminates focus-dependent aberration in my portrait photos while keeping the image clarity at a constant focal length of 50mm.
When I want to carry a prime lens with me, the prime lens’s extraordinary soft-focusing effect up to a minimum focusing distance of 0.5m has fascinated me by transforming everyday surroundings into an exquisite spectrum of adaptability.
Extensive field of view:
It’s an optically tuned f/1.7 aperture prime lens that latches on quickly and gently.
When paired with the Panasonic LUMIX S5, this prime lens allowed me to capture every event’s action with an angle of view from 39.2° to 23.6°, horizontally and vertically, boosting my efficiency and shooting range.
In various situations, I can cover a giant field of view and snap great portraits with the 50mm focal length.
Its multi-layer coating design shaped all of my aspirations at gorgeous techy conferences, eliminating glare or ghosting and allowing me to achieve the ambiance of a low-light environment, allowing me to record more accurate photographs.
It includes a rugged all-metal housing with an ergonomically designed grip, a built-in lens hood, and full Panasonic LUMIX S5 compatibility, allowing me to capture images that surpass my expectations.
Why is this lens the best?
This prime lens’s flexibility appeals to me, especially in portrait shooting.
It provided optical quality, as well as value and weight.
Portrait shooters will like the slow focusing and modest maximum aperture.
I’ve never seen a prime lens on the Panasonic LUMIX S5 capture such a gorgeous image.
A special mention goes to the multi-layer coating, which has encased my clips in the brightness and transparency of the Canon EOS RP’s pixel readout without causing any image degradation.
In the same way, I’ve given this lens the title of best prime lens for Panasonic LUMIX S5.
The MEIKE 50mm f/1.7 has traditionally been a favorite among sports photographers looking for a robust prime lens with more enthusiastic features.
Since I first studied it, I’ve suggested it as my first-choice prime lens for portrait photography made explicitly for the Panasonic LUMIX S5.
Click on the link below to order.
I hurry out of my house with my Panasonic LUMIX S5 as the moon rises over the horizon to capture its majesty.
Astrophotography’s visual appeal soothes me.
I’ve always wanted a tiny system lens that I can carry around with me, isn’t too heavy, and is simple to use. Consequently, whenever I travel with the Panasonic LUMIX S5, I always have the Panasonic LUMIX S PRO 16-35mm f/4 on hand, ready to detour any attractive astrophotographic location I come across.
It’s the lightest wide-angle lens ever made to capture the most common twilight effects when traveling worldwide.
Nightscapes to die for:
This substantial lens is a loyal partner in capturing starry sky or other heavenly views at night or the seaside with a broad perspective of 16-35mm focal length.
It allows me to catch a moving subject by altering the shutter speed instead of depending on ISO sensitivity.
It was made just for Panasonic LUMIX S5 cameras.
This wide-angle lens has offered me a more enriched and unique astrophotography experience than any other advanced function lens.
Excellent focus algorithms:
I captured a cluster of stars with great clarity, a lovely bokeh effect, and excellent light streaking control.
A significant boost in traffic to my astrophotography has occurred from the Advanced switch between Auto Focus and manual focus methods for more superior automated focusing.
The wide-angle lens includes a focus mechanism that eliminates focus-dependent aberration while keeping image quality in my astrophotography videos, which excites me.
I finally discovered how to modify the depth of field to appropriately capture the picture by notifying the f/4’s compatibility, which has been an issue for decades.
When I use it with my Panasonic LUMIX S5, it performs admirably.
This one-of-a-kind perspective and optical components challenge expectations while reducing image degradations that harm image cementation.
My twilight clips turned out brilliantly, and explored the issue thoroughly.
Why is this lens the best?
This wide-angle lens provides experience in removing optical faults and constructing new structural pieces by leveraging the extreme angle of view and dramatic perspective.
By associating my astrophotographic search with stunning results, it brightened my nights.
I didn’t need anything else than the Panasonic LUMIX S5 and the L-mount wide-angle lens that came with it.
When the relative light levels in an image are low, the corners seem dark, providing a lovely bokeh effect.
Due to these findings, I feel it is the best wide-angle lens for the Panasonic LUMIX S5.
When used with the Panasonic LUMIX S5, the Panasonic LUMIX S PRO 16-35mm f/4 is a wide-angle lens that produces excellent astrophotographic stills and video.
It’s an excellent starting place for newbies and specialists since it provides all the necessary pro-markers for exploring the hamlet.
Investing in the best wide-angle lens for the Panasonic LUMIX S5 will allow you to take control of your photography.
To acquire it, click the link below.
Almost every sports shutterbug desire to frame significant events on the field, such as football or the Olympics.
Because I was once welcomed to cover a football match, I’ve been embracing that ambition for a long now.
With the Panasonic LUMIX S5, I choose the Panasonic LUMIX S 70-300mm f/4.5-5.6 as the best telephoto lens for the Panasonic LUMIX S5.
Everything was digitized. It was previously difficult for me to publish a photo of a penalty kick the next day.
Although the occasion has passed, the artistic grandeur has not, owing to the telephoto lens that has satisfied my eyes.
I have to work in low light when I attend night sporting events.
Nonetheless, after experimenting with the telephoto lens, I’ve realized that the f/4.5-5.6 stops of aperture allow me to adapt to any lighting situation while maintaining a small depth of field up to a focusing distance of 0.54m.
The telephoto lens’s unique AF technology soars to new heights when combined with the Autofocus mechanism on my Panasonic LUMIX S5.
I can catch videos with minor changes in the angle of view, such as those that occur when focusing.
Surpassing optical design:
My sports film was outstanding from start to finish, which was crucial.
Extra-Low Dispersion’s two components with the Ultra-high refractive index reduce chromatic aberration, ghosting, and flare while magnifying at 0.5x.
I acquire uniform image quality from the center to the edges of the sporting event, even with the most extensive aperture settings.
The synergistic powers of the Olympus OM-D E-M5 Mark III with this telephoto lens wowed me, allowing me to focus on my selected subject quickly.
The optical stabilization of the telephoto lens effectively eliminates camera shake, resulting in crisp, in-focus images and videos regardless of the setpoint used to frame the sporting action.
Where sturdiness is a problem, it has always steered me on the proper route.
Since most of my images were wide-angle-based, I took no shortcuts in shooting the region’s handheld shots with the Panasonic LUMIX S5.
As a result, this telephoto lens capable of delivering 70-300mm focal length operations was my deal.
Why is this lens the best?
This telescopic lens will be simple to market as a luxurious hamming lap.
It gives an excellent vantage point to examine the sporting situation with pinpoint precision.
It has a fast aperture and an optimal focal length, allowing it to capture crystal-clear films and photos during the race.
The OIS is the perfect balance of size, image quality, and depth of field control.
I was able to operate in low-light environments with minimal background noise.
The Panasonic LUMIX S5’s strong processing engine impressed me by recording unaltered sports videos.
As a result, I’d recommend this telephoto lens for the Panasonic LUMIX S5.
The Panasonic LUMIX S 70-300mm f/4.5-5.6, the most fabulous telephoto lens for the Panasonic LUMIX S5, has successfully merged all of the explicit attributes, producing golden sports stills and videos right out of the box.
Take this well-designed trinket packed with high-quality, sophisticated technology for your Pansonic LUMIX S5 anywhere you want to create a memorable scene.
Please use the link below to declare ownership of this telephoto lens.
I have a fixation on taking close-ups of microscopic animals, especially arthropods, to understand them better.
As a professional macro photographer, I once arranged a walk with my crew to the Lembeh Strait in Indonesia for business.
For my Panasonic LUMIX S5, a squad member encouraged me to bring the Panasonic LUMIX S 24-105mm f/4 lens.
It was widely regarded as the best macro lens for the Panasonic LUMIX S5.
I framed well-lit, stunning photographs that gave some glitter to my thesis with this masterpiece.
Over a 24-105mm focal length range, I’ve put together the components to create a narrow depth of field perspective with a fast aperture of f/4.
It satisfies my high requirements as a macro photographer while allowing maximum adjustability.
It has a metal lens hood that is dust and splash-resistant and can endure the demands of professional use.
It also allowed me to capture a wide field of view, improving the quality of my macro photographs.
Elite light condensation:
It allowed me to photograph at a minimum focusing distance of 0.3m to prevent frightening the lizards away and obstructing the light.
The macro lens’ advanced aperture f/4 stop provided constant brightness and crisp features in the photographs.
In addition, the macro lens offers excellent bokeh contrast and performs well in intense light.
I encountered a varied range of intriguing sites in the location I visited.
Clarified image cementation:
I could take sharper images with this macro lens and attain better results.
Using two aspherical lenses and 2 ED lens elements, I generated well-defined images with flare and ghosting.
My macro clips have seen a tremendous increase in traffic that I can’t ignore thanks to the 5 axes optical stability optical image stabilizer, which is softly and rapidly productive in varied lighting situations.
Why is this lens the best?
Thanks to the aperture results during high-speed shooting and a lifetime of excellent macro photography, the fast-moving clouds became my possession.
When I tried the macro lens with the Panasonic LUMIX S5, I was blown away by the beauty it produced from such a rugged compact.
The optical outlining and focusing algorithms allow me to go from high-speed autofocusing to precise manual focusing without concern for picture degraders.
It satisfies my need for high-end macro aesthetics while offering a versatile macro format, making it the most significant macro lens for Panasonic LUMIX S5.
The Panasonic LUMIX S 24-105mm f/4 lens captures stunning images.
The exceptional image quality, well-established ergonomics, and elegant focusing mechanism with a large buffer make this macro lens a photographer’s dream.
You can shoot breathtaking details and fast-moving macro objects with the Panasonic LUMIX S5 and its macro lens.
To claim it, go to the website below.
Is the Panasonic S5 good for photography?
Yes, Panasonic S5 is good for photography. The S5 has a dual native ISO and a 24.2MP CMOS sensor, enabling stunning image quality even in dim lighting. The high base dual ISO is advertised at 4000, and the low range ISO is given at 640. It integrates a full-frame sensor with a compact but comfortable chassis. With a fair range of video specifications, the final result is a camera that should appeal to a broad spectrum of producers. It’s a terrific hybrid and is highly recommended. I have used it recently for street photography and have gotten excellent results.
What lens mount does the Lumix S5 use?
There are presently 56 native lenses that can be used with the Panasonic S5 Leica L lens mount. These lenses will be stabilized when used with S5, which also features sensor-based image stabilization technology. With that lens, I can capture what kind of photography I need. For my trip, I carry with me these 5 lenses for this camera;
- Panasonic LUMIX S 20-60mm f/3.5-5.6
- MEIKE 50mm f/1.7
- Panasonic LUMIX S PRO 16-35mm f/4
- Panasonic LUMIX S 70-300mm f/4.5-5.6
- Panasonic LUMIX S 24-105mm f/4
Does Lumix use Leica lenses?
Yes, Lumix uses Leica lenses. Panasonic has been employing Leica lenses on its high-end LUMIX cameras for some time now. LEICA DG lenses for the LUMIX G, LEICA D lenses for digital SRLs, and LEICA DC lenses for small cameras. Panasonic produces them using measuring tools and a stringent quality control system that Leica Camera AG has approved.
Is Lumix a professional camera?
Yes, Lumix is a professional camera. For the professional requirements of contemporary filmmakers, photographers, or those who wish to move between the two, LUMIX G offers the ideal system camera with the newest features and technology integrated into a lightweight, small, mirrorless body design. The Panasonic LUMIX is an excellent option for vacation or street photography if you want something portable. With dedicated exposure knobs that offer you more control over settings without navigating through menus, this high-end point-and-shoot is primarily geared toward enthusiasts. I love to capture New York streets with my mates at night with its help.
Can a Canon lens fit a Panasonic Lumix?
Yes, a Canon lens will work with a Panasonic Lumix. With a lens adapter, the Canon EF mount may be used with the Panasonic Lumix flexible Micro Four Thirds (MFT) mount. Mounting the lens is just half the process because Canon’s EF lenses are electronically controlled. As you all know, I have tons of Canon cameras and lenses. It’s a good option that I can use another type of lens on this as well. On my trip to London a few months back, I forgot Panansonics lenses, So I used my available Canon lenses to get pictures of the board meeting, which I went there to attend.
Alright, guys, that concludes all the lenses we will discuss today in this article.
Do you guys have any experience with these lenses? What are your thoughts on them?
Which is your Best lens for Panasonic LUMIX S5?
Is there a lens you love to use that I didn’t mention in this article?
Would you please leave your thoughts and comments below?
I am a professional photographer born in the USA. I have been in this field of photography for 22 years now, and in these years, I used many photography lenses, which I want to share here on this website about my experience of it. The idea for Bestoflens.com is to provide honest information about different Lenses products in the format of a “Best lenses for AYZ” list. I want this website to be the last destination for people to pick the best lenses to fit their needs. You can find our unbiased reviews here on Bestoflens.