I often ask what lenses you need for shooting real estate videos, and here are my recommendations.
A really common question that I get asked through my website is what camera you shoot that video on.
It is a natural question to ask, but in my opinion, a better question to ask would be what lens or lenses did you shoot that video.
Different cameras and brands have slightly different visual aesthetics or features, but never forget that image comes through your lens first.
So for shooting a real estate video, I would always recommend using these 5 best lenses for real estate video.
What lens is best for real estate videography:
So the first type of lens that I think real estate agents should get is always a wide-angle lens. It’s probably the most important lens for doing real estate video and even real estate photography, for that matter.
You want to get a nice wide-angle lens to capture it as much as possible within the property.
So, number one lens, get a wide-angle lens because that’s just what you’re going to need for most of the shots that you’re doing.
So the second type of lens that I would recommend is a quiet one.
That is because it allows us to get more detail and cinematic shots to make the overall video a lot more cinematic.
A wide-angle can do that for us because, again, it’s a wide-angle. We need more zoomed-in shots and higher aperture lenses within the range of like f 1.4 to like 2.8.
So those are the two types of lenses I would recommend for real estate agents when we’re getting into real estate video.
Which is the Best Lens For Real Estate Video?
What lens should I use for real estate videos?
Here are my top 6 recommended best lens for Real estate video:
|Image||Product||Best lens for||View on Amazon|
|Samyang 12mm F2.0||(Best Fuji lens for real estate video)||View on Amazon|
|Samyang 14mm f2.8||(Best Sony lens for real estate video)||View on Amazon|
|Sigma 10-20mm f/3.5||(Best wide-angle lens for real estate video)||View on Amazon|
|Canon 17-40mm F4||(Best canon lens for real estate video)||View on Amazon|
|Canon 10-18mm F/4.5-5.6||(Best budget ultra-wide-angle lens for real estate video)||View on Amazon|
|Nikon AF-S Nikkor 50mm f/1.8G||(Best Nikon lens for real estate video)||View on Amazon|
So the first best video lens for real estate I use, which was in my budget kit, is the 12 millimeter Samyang lens, which I still used today, and it works incredibly well.
It is a very tight aperture ultra-wide-angle manual focus lens for mirrorless cameras, only with APS-C sized sensors.
It’s a lens that’s enjoyed popularity since it came out with plenty of Sony, especially Fuji camera owners, picking them up.
You can find lots of good reviews of it online from some outstanding photographers.
I first saw this lens when I visited Samsung’s factory in Korea a few years ago.
If you own a mirrorless APS-C camera, this is the widest angle lens you can get with an aperture as wide as F2.
The 12-millimeter focal length is the full-frame equivalent of 18 millimeters, a nice ultra-wide-angle.
That’s not crazy wide, and the wider maximum aperture of F2 means lots and lots of light for shooting indoors or in the dark, and I found it useful for video work, too.
What’s also nice is the lenses are small in size and low weight. It comes in at around 250 grams, but it also feels nice and solid.
It’s fully manual focus manual aperture control. The aperture ring turns smoothly with some gentle clicks at half-stop intervals.
The focus ring turns very smoothly and precisely with just the right amount of weight to make it enjoyable to use manual focusing is pretty easy with an ultra-wide-angle lens.
All in all, the build quality is everything you could hope for.
But what really counts, of course, is image quality.
Yeah, I also tested it on a Sony A6300, a mirrorless APS-C camera with a challenging, 24-megapixel sensor.
In the middle of the image, the resolution is incredibly sharp, with good contrast and slightly warmer colors. So for an ultra-wide-angle lens with a fast aperture, the lens is impressively sharp.
You might want to try and remove that chromatic aberration on editing day, and it will show up slightly in video work, too.
The lens can focus slightly closer than 20 centimeters, which is handy for some nice artistic images. Even straight from F2, image quality remains bitingly sharp.
So, every lens can be measured in three ways by its build quality, optical quality, and the character of its images.
The Samyang 12 millimeter F2 has great build quality. Its optical quality has its ups and downs.
The chromatic aberration vignetting and poor work against bright lights count against it yet.
It’s undeniably sharp with good contrast, low distortion, low coma, and great close-up image quality.
The character of this lens is perhaps its strongest point, and it easily gets wonderful evocative punchy images.
The 12-millimeter focal length is easy to use, but dramatic and it’s very cool to be shooting at F2.
It’s been a hugely useful lens for me, and it’s enormously enjoyable to use with its small size and low price.
It’s no wonder this lens has already become a classic; with almost every reviewer is touched, it is highly recommended.
So, the Samyang lens is really the phenomenal best video lens for real estate.
I did a couple of video shoots where I use this specifically just for a video with Sony A7iii for some clients, and I really liked how it looked. I absolutely love this lens.
It’s a 14-millimeter ultra ultra-wide; when I mean ultra-wide, I mean it’s ridiculously wide, like absurdly wide like you wouldn’t need anything wider at all.
And so the purpose of a lens like this is for architectural or landscape photography, and in my case, I do real estate photography.
I put this on about three weeks ago, and I would give it a full week of shooting only this and nothing else. I was going to use this and then afterward so I can do this review.
The angles you get with this are incredible. You can get all four walls practically when you’re shooting, and it is amazing.
So the 14 millimeters in this space just this makes it really huge. 14 millimeters is honestly the best architectural lens, in my opinion.
What I love about this lens is that it is weather-sealed. I’m really impressed with it, and the quarters are really sharp; the images look great.
What I love about this isn’t small bathrooms or small rooms.
You can sort of open up the shot without making things look overly distorted or too big, which is a problem that I see many photographers and videographers often have.
So, the great budget lens can’t recommend this enough.
What is the best focal length for a real estate video?
I was super excited to quit my job to become a full-time creator in the real estate industry.
I went into the real estate industry, and I had to learn how to shoot photos and shoot videos.
Its 3.5 aperture is pretty badass, to be honest. It is designed for a crop sensor camera DSLR mirrorless, so I do use them.
So, again, why do we need a wide-angle lens for real estate to make sure that we capture the full size of the room, to make sure it looks spacious big for the buyer.
Remember, a wide-angle lens for real estate video and photo is a must.
So the big benefit is this lens is cheap; relatively speaking, you can pick it up for a good price secondhand, but you get a really nice wide field of view.
It’ll come into 14 millimeters and then into 20 millimeters gives you that flexibility; also, the focus ring is really nice and smooth, really easy to use.
The lens is relatively small and lightweight, and it’s a pretty cheap lens to buy.
But the best thing about it is, you can get such a wide field of view in such a small lens, but not only that, you can go wide, and then you still have the option to zoom in right at 20 millimeters.
I’ve used it on a few interior shots, and it was perfect. It’s a brilliant little lens, and it’s sharp; it’s versatile.It’s got a nice zoom range.
This is a 3.5 is a safe bet. You know this is done everything I’ve needed to do in real estate video work.
One of my best video lenses for real estate. Why do I think it’s such a good value for this lens? And why should it be?
So, this lens has an excellent range of about 17 to 40.
A full-frame camera is an ultra-wide-angle focal length until almost a normal focal distance at 40 millimeters 50 would be around that area good ultra-wide to the standard lens.
This is a really versatile lens you can use for both video and photography projects.
And if you’re currently shooting on a crop sensor camera or APS-C sensor camera, 17 to 40 actually offers a pretty good full range as well.
It doesn’t have as much reach as your kit lens, but this lens actually does maintain a constant aperture of f4, which is really nice if you’re shooting video.
And you don’t want to see exposure in your video change when you zoom in and out on APS-C lens cameras.
It’s going to be cropped in closer, around 27 to 64 millimeters, for the full-frame equivalent.
It’s still a very versatile focal range and in being an L series lens. This lens is actually very robust.
This lens is weather-sealed, meaning that it seals through the lens, specifically at the focus ring, the zoom ring, and the lens mounts.
As for the size and usability of this lens, this lens is tiny and light for an ultra-wide-angle zoom lens, making it a great choice for traveling or bringing it around with you every day.
It also features a USM autofocus motor which is quite fast and generally decently quiet.
It also has a focus window to check the focus distance; you can guesstimate accurate manual focus.
Overall this is a great value lens.
If you’re using this for video as an ultra-wide-angle lens, Muse digital stabilization offered for your camera body supports it.
But the lens itself does not offer any image stabilization.
When I first started using this lens, I found some strong barrel distortion on the wide end at 17 millimeters, which means the image is stretched quite slightly.
But the lens profiles on Lightroom through an excellent job of cleaning this up.
And regardless of the distortion, I really like the image quality coming out of this lens, just because it is quite short in the center.
I had to make a lot of investments in gear to further my business, oftentimes in filmmaking. There are a lot of things that you need to really get into filmmaking.
So the thing that helped me most this year in my filmmaking journey was the Canon 10 to 18 ultra-wide.
As I started shooting listing videos for some realtors in my area. I ended up needing an ultra-wide lens.
I needed something that would go pretty freak in wide to get the full field of view and real estate and oftentimes in real estate.
You want to see both ceiling and floor and make the area your filming field larger than it might actually be. So that is where this guy comes to.
It is a 10 to 18-millimeter lens made exclusively for an APS-C size sensor.
So if you shoot on a full-frame, you will have to crop it to actually get a normal 16 by 9 readout of this lens that realistic video I’ve done this far.
It is sharp, and it is sufficiently wide. And the best part about it, it’s pretty cheap.
Some plastic build quality, the barrel does move a little bit when you sit down. It’s not much at all, but keep in mind if you want to rebalance on the gimbal.
The main focus in-ring is a focus by wire which is not my favorite at all. I prefer something a little bigger and stiffer.
So let’s go over some of the pros of this bad boy.
One being, it’s a zoom lens that can be a con and feel the heat for just like superb sharpness. In my case, I think it is a pro.
Most of the time, I am zoomed in to about 14 millimeters on this guy, but sometimes I need to zoom out to the 10 millimeters to get everything in the frame.
And sometimes, I zoom back into the 18 for more walking and talking shots when shooting listing videos.
And number 2 been it is super sharp, and for this price, I think it really can’t beat.
Most of the time, on stop down somewhere between the aperture of 7 or 8 that like everything and frame and focus and tack sharp three being if you’re shooting handheld even on a gimbal.
It has inbuilt image stabilization. And lastly, it is super lightweight.
The build quality isn’t all that great, and that’s to be expected in that price range lens.
So having a lightweight lens like this is perfect for the job.
And the last proof course is obviously cost for getting into the game of filming real estate videos.
People often think you need a lot of expensive equipment, and lenses are often one of them. As I know, higher-end ultra-wide lenses often run 1000s of dollars.
It is probably the best 250 bucks I spent on my career.
So cons, what are they?
If you’re trying to get super shallow out of the field of this guy’s not gonna cut it, the minimum aperture is 4.5, and that has been zoomed all the way out, and it automatically closed on the aperture when you zoom in.
And that goes up to 5.6 automatically. And then you can stop down farther than that which I normally do, for real estate.
On here, there’s a lot of chromatic aberration and vignetting around the corners of the brain, nothing too terrible, but something to be aware of when you’re going for a more budget-friendly option like this.
So, in summary, who is this lens for?
If you shoot real estate and are just looking for an ultra-wide option that is more budget-friendly, pick it up.
You’ve been dreaming about taking your real estate agency to the next level with video marketing.
You want videos that leave viewers feeling an AWE phenomenon, but you know that inferior lenses will leave them not caring one bit about what they see and your property.
In real estate, the most important thing is a person’s perspective. That’s why Nikon created the AF-S Nikkor 50mm f/1.8 lens for photorealistic video and photography in this industry.
This lens for real estate video is fast, compact, and great at shooting in low-light settings.
Its focus range can be quickly changed to suit the environment by using a M/a switch, and it also features a useful autofocus function.
The maximum reproduction ratio possible with this lens is 0.15X, so you never have to worry about your images coming out too big or small next time you head out on a job!
They considered that by making it an affordable piece of equipment with a built-in motor to match perfectly with a DSLR camera or camcorder (Nikon D3400).
Additionally, since you’d be using it outdoors on sunny days–and under less than ideal conditions like rain and snow–the AF-SMote has been refined over time so that it can now handle these factors without any explosions of light.
This lens is best for shooting real estate videos because of the near-focus distance and beautiful bokeh.
With a focus distance of 1.6 feet to infinity, this video-producing lens is fast and ultra-sharp at an F1.8 aperture which produces stunningly beautiful images in all types of light conditions – from low to high contrast scenes and even when you use filters!
With this product, homeowners can enjoy capturing sharp close-ups of the property for marketing purposes.
This lens from Nikon has a great reputation for quality and is perfect for videography because you get to take slow-motion shots that look more professional than ever before.
How to shoot a real estate video? Real estate video settings?
When it comes to shooting a real estate video, there are many things to consider. How will you get the perfect shot? How do you make sure that the lighting is just right? How do you set up your camera for the best results? The answer is that there are some basic tips and tricks that can help capture every detail of your property in an entertaining way.
1) Take your time in picking out the right location
2) Include some high-quality still photos
3) Edit, edit, edit!
4) Make sure to shoot as wide as possible!
Alright, guys, so that concludes all the lenses we will talk about today in this article.
Do you guys have any experience with these lenses? What are your thoughts on them?
Which is your best lens for real estate video?
Is there a lens that I didn’t mention in this article that you love to use for real estate photography?
Would you please leave your thoughts and comments below?