Photography is on the edge of becoming a career.
As a result, individuals work hard to break into and master this unique field.
Using a clear lens is an ideal strategy to approach the degree of achievement you eagerly want to reach, whether you intend to select any photographic niche from various kinds ranging from fashion to editorial or sports, wildlife, and Astro.
The Nikon series is my only choice on the list of well-known lens brands since it provides excellent value for money.
As a result, the Nikon D500 is a fantastic camera for many photography tasks.
There are a variety of suitable lenses on the market, and new inventive discoveries appear to develop regularly.
Instead of throwing away your time and money on a low-quality lens, check out the top Nikon lenses we’ve found, which range from wide-angles to standard intervention shooters and gadgets, and all of them are compatible with the Nikon D500.
Which are the Best Lenses for Nikon D500?
Here are my recommended top 16 Best Lenses for Nikon D500:-
Nikon 50mm f/1.4: (best lens for Nikon D500)
I’ve been working as a fashion photographer who appreciates the finer points of fashion.
I have framed many photographs of elegant noble ladies dressed in the most beautiful clothing and accessories in the long run.
You’re probably curious about what lens I use with my Nikon D500, my all-time favorite camera.
So, to satisfy your curiosity, I’ll recommend the Nikon 50mm f/1.4 as the ideal lens for fashion photography because it’s compatible with the Nikon D500 camera.
It provides me with all the image quality features I had hoped for.
Key specifications:
Standard Lens
50mm focal length
Maximum Aperture f/1.4
9-blade diaphragm
Bokeh effect
F16 minimum
FX and DX-format Nikon Lens compatibility
Unparalleled autofocus
Focusing distance: 0.45m/17.72 Inches
Super Integrated Coating
Ultra-fast Aperture:
With a comprehensive aperture standard of f/1.4 and a distinctive tapered 9-blade diaphragm that allowed me a diverse array of photos ahead of it, I am convinced in my words that the sharpness of my fashion portraitures had a considerable influence on my mates.
I must say that no other lens with an advanced function has provided me with as much heightened and excellent natural background blur.
It had kept the quality of the photographs I hoped to provide to the onlookers while allowing for a seamless operation.
Versatile focal length:
I had to work in low-light situations on occasion.
Still, after engaging with the spectacular focal length feature of 50mm combined with the sharp lens, I’ve discovered that I’m adaptable to any lighting scenario and can get a shallow depth of Focus.
That is in respect to the purpose of having a sizeable creative range to blur out backdrops and focus attention on your focal image while focusing as near as 1.5 feet for me to take the portraitures.
Tack-sharp images:
It gives me a more natural reaction and lets me keep pleasant working proximity amongst my subjects; Nikon’s Super Integrated Coating (SIC) improves optical transmission utilization.
By pairing with the Nikon D500’s AF system to monitor the movements of fashion models with great accuracy and precision, it gives improved color consistency and minimized flare so that my clips were on the borderline of beauty.
Why is this lens the best?
I have to add all of the fantastic qualities of my choice that this lens is trendy when paired with the Nikon D500.
Because of the robust structure, a plastic casing, and a metal mount, the focal length is suitable for portraits and daily photography, resulting in more circular bokeh forms.
By spinning the focusing ring on the lens, I can convert from automatic to manual focusing with almost no lag time.
Because of all the outstanding qualities I gained in a single phase, and I decided to upgrade to this lens, ideal for Nikon D500.
Conclusion:
My photographic journey began with the Nikon 50mm f/1.4 lens and continues today.
It has propelled me to the peak of creativity when teamed up with the Nikon D500 and elevated me to the status I had hoped for.
This will be the right decision ever made, whether you’re shooting portraits or anything else to your liking, to all the enthusiasts and professionals who want to have a fantastic experience.
Nikon AF-S 105mm f/1.4: (best macro lens for Nikon D500)
I decided to explore macro photography as an adult and have built a business around it.
To keep my business running smoothly, I needed a macro camera that could keep up with the speed of my primary camera, the Nikon D500, and had maximum magnification power.
After perusing numerous online lens stores and recognized labels, I settled on the Nikon AF-S 105mm f/1.4, the best macro lens for the Nikon D500 for achieving macro photography.
It had exceeded my expectations by fusing all of the elements and providing me with high-quality macro shots.
Key specifications:
Macro lens
105mm max. focal length
Wide maximum Aperture f/1.4
Internal Focus and Manual Focus
F-mount Lens
9-Blade diaphragm
1.0m minimum focus distance
Nanocrystal coating
14 lens elements
Wide-Maximum Aperture:
Its macro lens innovation has inspired me to shoot beautiful macro images with my favorite macro lenses.
Employing the wide aperture of f/1.4, I shot a wide range of macro pictures, creating stunning enlargements of numerous things ranging from insects to dews.
It resulted in a great outcome, and I visualize the faraway subjects by the 105mm focal length compatibility.
It performs admirably well when I use the lens’s nine-blade diaphragm with the Nikon D500.
Aesthetic image quality:
Aside from all features, every photographer’s primary goal is to capture exceptional quality photographs.
When paired with the full-frame FX-format Nikon D500, I witnessed the functioning of the new optical design, which delivered sharply defined photographs.
Due to the Nano Crystal Coat and pro-grade build quality, which successfully suppresses ghost and flare produced by light hitting the lens laterally, my images were rich in clarity, with every speck of the scene fixating exactly.
Distortion-free shots:
This lens is the epitome of a large piece of glass. My macros had even image quality from edge to edge, which was an uncommon achievement.
Three Extra-Low Dispersion elements guarantee me that chromatic aberration, ghosting, and flare are reduced.
The fast-paced caterpillar became my possession through continuous exposure during high-speed capture and a lifetime of beautiful macro photography performances.
Its synergistic benefits with the Nikon D500 won me over, allowing me a flexible focusing change to my selected subject.
Why is this lens the best?
The macro lens’s focal length, tapered fulcrum, and optical design generate a smooth and pleasing macro look in my photographs.
There are no signs of raggedness, and the lens delivers on its promise.
Because of its fast maximum aperture, this is an excellent macro lens for the Nikon D500.
I used it with the Nikon D500 and accumulated the possible macro results comparable to the prior dream of its type.
The fluorine coating of Nikon’s lenses efficiently repels dust, water droplets, oil, and grime, and its anti-reflective effect aids in taking crisp macro photographs.
Conclusion:
The Nikon AF-S Nikkor 105mm f/1.4 lens does not have a match in terms of quality.
It provides the goods with stunning photos and flawless handling.
Because of its significantly bigger aperture and a whole optical overhaul with nearly twice the number of elements, its macro photography compatibility turned out to be an entirely different beast in contrast.
Its use with the Nikon D500 has caused all macro shutterbugs to get their hands on this lens.
It’s available at the URL below.
Nikon AF-S NIKKOR 24mm f/1.8: (best prime lens for Nikon D500)
I’m an interior photographer on the lookout for exciting stories.
When I observe some beautiful light streaks, I take a picture of them right away, sweeping my glance over my favorite features.
The Nikon prime lens series has my admiration because of its dependable products.
In essence, I was capable of getting my hands on a Nikon AF-S NIKKOR 24mm f/1.8 in the most satisfying way possible while pursuing my interior photography career.
Viewers were directed to the location by light trails it captured.
When used with the Nikon D500 for interior photography, I’m happy to have this most extraordinary Nikon prime lens in my arsenal.
Key specifications:
Wide-angle lens
24mm focal length
Fast f/1.8 aperture
blurred backgrounds
Minimum aperture – f/16
Compatible imagery power:
I achieved all of my goals of taking the most imaginative interior shots at the event.
The lens’s well-equipped 24mm focal power and f/1.8 light gathering compatibility produced the most spectacular interior scenes for me at the extreme-end resolution, and it earned all of the credit.
The light-capturing capabilities of the newly developed aperture resulted in these fine-tuned clips, which maintain enough power to capture action images with the Nikon D500’s ability to frame at a firing rate.
Handy prime lens:
I could reuse my Christmas lights at my party if I used this tiny container.
Despite my hazardous circumstances, the lens’s well-designed tiny body with attractive elements assisted me in overcoming every obstacle.
When combined with the Nikon D500, this prime lens enabled me to record every party’s action from every viewpoint, enhancing my efficiency and widening my shooting range.
Exaggerated depth-of-field:
This prime wide-angle lens makes my subject stand out against a slightly blurred background or foreground, opening attractive new photography options.
A curved, non-spherical surface decreased aberrations even if someone drove out of view.
Continually adjusting the refractive index from the center of the lens improved my eyesight and allowed me to frame the fast-paced motion of the interior motions with perimeter steadiness.
Nikon’s anti-reflective coating prevents obliquely ghosting and flares produced by light entering the lens.
Why is this lens the best?
I use the same image quality, low-light capabilities, and nicely blurred backgrounds that helped this lens earn its reputation as the most fabulous prime lens for Nikon D500.
The lens has a wide range of focal lengths and optical glass, effectively correcting chromatic aberrations.
For the first time in my indoor photography endeavor, I’ve noticed an increase in my agility.
The lens’ ability to easily transition to precise manual focusing while looking via the viewfinder is fantastic.
Its tiny size and straightforward controls have earned it much praise for interior photography.
Conclusion:
Anyone wishing to generate a stunning impression on a broad range of well-textured interiors just by strolling among the internal spaces may choose the Nikon AF-S NIKKOR 24mm f/1.8 as the ideal prime lens for interior photography.
This lens has a high-speed autofocus system that is both accurate and silent.
Get this best lens as soon as possible!
Consequently, you won’t miss out on your company’s successful future.
Nikon AF-S DX NIKKOR 12-24mm f/4: (best wide-angle lens for Nikon D500)
I’ve had the privilege of photography in some of the most beautiful places.
I took my time inspecting the area, noticing how the weather varied as clouds went in and out, showing bright patches here and there.
While I’d seen similar settings, I was confident in the capabilities of my Nikon AF-S DX NIKKOR 12-24mm f/4 to capture the power of this incredible scene.
This lens was the most extraordinary wide lens for Nikon D500 because it allowed me to frame the entire scene in a wide-angle view while slowing down the shutter to get the lit sweepy hills.
Key specifications:
Wide-angle lens
Nikon DX Lens mount
F/4 maximum aperture
24mm Maximum focal length
Rounded diaphragm
3.2 inches in diameter and 3.5 inches long
1.8-inch close focus distance
2 Extra-Low Dispersion glass elements
3 aspherical lens elements
Focusing shift
Ultra-wide-angle aperture:
The f/4 fixed-aperture zoom lens has delivered the most delicate soft, warm tones and eye-pleasing sunset shadows by consistently establishing pictures when filming HD video with the Nikon D500.
The rounded diaphragm with optical features developed for sophisticated DX-format Nikon D-SLR camera sensors makes out-of-focus elements look more natural.
It allows me to focus on distant objects using the fast optimal 12–24mm focal length, resulting in a narrow field depth.
Versatile body design:
I could locate my reliable traveling buddy for a safer shooting session regardless of my concerns.
The lens is small enough to fit in my pocket without stretching a bit, depending on pocket size.
The lens mount is protected by the external shell, composed of metal.
I don’t even need to utilize a handgrip with the Nikon D500 when equipped with this wide-angle lens, allowing me to shoot more comfortable handheld films with a broader field of vision over time.
Transposition focusing comfort:
Manual focusing, aperture adjustment, and exposure correction are all things I appreciate.
I’ve always liked operating lenses according to my wishes, and the Aspherical lens components reduce some sorts of lens aberration.
I used high-speed photography with super-quiet autofocus.
When I received the panorama straight from the Nikon D500, all perspectives were on the borderline of clarity.
Why is this lens the best?
It’s what I’d call the “best wide-angle lens for Nikon D500.”
I came upon the lens’s most quick aperture rate as it bore the camera’s display without skipping any opportunity to catch the sight.
It is designed for DX-format cameras and does include the empowered capacity to frame the aesthetics.
The lens creates a smaller picture circle that allows me to stand out in public areas by focusing on my face while simply shifting it to the sculptures right next to me.
This lens allows me to enter the wide-angle panorama smoothly.
Conclusion:
If you plan to travel with the Nikon D500 soon, the Nikon AF-S DX NIKKOR 12-24mm f/4 is a fantastic choice.
It has more advanced capabilities than you’d expect from a professional DX-Format lens.
This wide-angle lens is ideal for capturing anything from landscapes to tight interiors, and I highly suggest it to all photographers.
Please use the link provided below to obtain it immediately.
Nikon AF-S DX NIKKOR 18-140mm f/3.5-5.6: (best walk around lens for Nikon D500)
I’ve had the privilege of photography at some of the most breathtaking sites.
Because the scenery is so strong, it may appear that taking amazing photographs is straightforward.
I walked about the area, noticing how the weather varied as clouds drifted in and out, showing bright patches here and there.
When used with the Nikon D500, I felt confident in my Nikon AF-S DX NIKKOR 18-140mm f/3.5-ability 5.6’s to capture the force of these stunning surroundings.
This lens is the most excellent for Nikon D500 since it is terrific to frame the entire scene while slowing down the shutter to get the illuminated sweepy hills.
Key specifications:
Zoom lens
A broad Aperture value of f/3.5-5.6
Maximum 18-140mm focal length
Nikon DX-format lens compatibility
7.8x zoom range
VR stabilization
Silent wave motor
Extra-low dispersion glass
Aspherical lens elements
1.48-feet distance coverage
Superb field of view:
Despite its obsolete appearance, I can say that this is the most excellent zoom replacement for the Nikon D500 camera system.
It boasts excellent crispness in the center position and fantastic edge-to-edge acuity at only a few stops when utilized at an ideal aperture range of f/3.5-5.6.
The lens also boasts lovely bokeh, outstanding contrast, and works brilliantly in solid light.
Its 7.8x zoom range allows me to shoot anything while walking around, from magnificent wide-angles to close-ups, with an optimum focal length value falling between 18-140mm.
Stabilization on peak:
My set point has always been to capture a solid shot.
I’ve noticed a significant improvement in my ability to create a long-lasting photo.
The Vibration Reduction of the lens easily removes the camera shake, resulting in clear, in-focus photographs and movies regardless of the setpoint while walking around.
Had aided me in the direction where sturdiness is an issue.
Most of my images were wide-angle-based; hence, a lens capable of doing similar operations was my deal, and I took no shortcuts in capturing the region’s handheld photographs with the Nikon D500.
Image gradation:
The lens’ cutting-edge optics deliver stunning image quality.
The location I walked around provides a diverse range of exciting tourist attractions.
The Silent Wave Motor gave me ultra-quiet autofocusing with exceptional speed and precision, extending the flexibility of the zoom range.
The Aspherical lens elements reduced chromatic aberrations, while Extra-low Dispersion glass eliminated reflections and flares to boost contrast even to the edge of the frame.
Why is this lens the best?
When I used it with the Nikon D500, I was blown away by the beauty it produces from such a tiny package.
This lens reduces blur and allows for slower shutter speeds in low-light settings, which improves clarity.
In my opinion, it is a genuinely versatile performer.
While going around, the panorama gives excellent visual quality without deterioration throughout the entire frame and from any distance.
Whatever my shooting location, it is the best walk-around lens for the Nikon D500.
Conclusion:
Essentially, the Nikon AF-S DX NIKKOR 18-140mm f/3.5-5.6 offers all of the superbly developed characteristics that most wanderers like myself want.
From the fantastic possibilities for delivering rich details to its accessibility for shutterbugs, it is the most excellent walk-around lens for Nikon D500 to date.
You may get one from the link below.
Nikon 55-300mm f/4.5-5.6: (best telephoto lens for Nikon D500)
On March 17th, 2020, a sportscar championship was held by IMSA WeatherTech.
The event organizer had invited me to cover it for 12 hours.
To capture the gorgeous motions of the event, I took out my Nikon 55-300mm f/4.5-5.6 lens, which I had recently acquired.
The 6 Mazda MX-5 Miatas’ superb quick reflexes and the visuals of this telephoto lens, designed specifically for these types of photography, were difficult to overlook.
The results from this specialist lens are outstanding.
Throughout my whole life, I had never formed pictures like this.
The shots captured nearly all of the updated miniatures in spectacular detail.
With this NEW LENS TYPE, Nikon D500 has taken it to another level.
Key specifications:
Telephoto lens
5.5x zooming power
300 maximum focal length
Nikon DX-Format lens compatibility
2 Extra-low Dispersion elements
4.6 ft Minimum Focus Distance
HRI Lens Element
Nikon Silent Wave Motor
VR II image stabilization
Super Integrated Coating
Steady outcomes:
My capacity to make a long-lasting snapshot has significantly improved.
The lens’s Vibration Reduction II feature reduces camera shake by 3.0 stops, giving in sharp, in-focus photos and videos regardless of the setpoint while trekking.
It had steered me on the right path in terms of steadiness.
Because most of my shots were zoom-based, I needed a telephoto lens that could perform comparable tasks, and I employed it when photographing the location with the Nikon D500.
Aesthetic zoom efficiency:
Nikon’s 55-300mm zooming capacity is presently the cheapest option in Nikon’s current line of lenses to get to a genuine 300mm focal length, with a varied range to work with, ensuring considerably more precise still shots and HD video recording.
The zoom ring is enormous, taking up a good chunk of the lens canister, making it simple to zoom in and out with my left hand firmly the camera with my right.
Degradation free shots:
The lens’ state-of-the-art optics produce superb image quality.
I found a varied assortment of intriguing sites in the area where I wandered.
Thanks to the Silent Wave Motor, I achieved ultra-quiet autofocusing with excellent speed and precision, which increased the zoom range’s versatility.
The HRI achieves the impression by balancing the coverage and spherical aberrations, while Extra-low Dispersion glass removed reflections and flares to increase contrast even to the frame’s edge.
Why is this lens the best?
This lens’s flexibility is appealing to me, especially in trip photography.
Despite being a consumer zoom lens, it performed in optical quality, value, and weight.
Landscape and architectural photographers will like the sluggish focusing and tiny maximum aperture.
When using the Nikon D500, I’ve never seen such a beautiful depiction with the lens.
The mobility of this lens is where I find the most outstanding value in it.
I like how HRI lenses provide excellent optical performance in a smaller package.
As a result, this telephoto lens has proven to be the best fit for the Nikon D500.
Conclusion:
The Nikon 55-300mm f/4.5-5.6 is a professional-level telephoto lens specializing in wildlife, travel, and portrait photography.
It comprehends how to quickly frame the most alluring views of the portraitures, swift animals, and the fast-paced traveling course.
This ready-to-use lens performs admirably with the Nikon D500, making it excellent for any photographer.
You may get your ownership of this renowned Nikon model by following the link below.
Nikon 17-55mm f/2.8: (best travel lens for Nikon D500)
The Nikon lens series is excellent for framing spectacular views in Rome, one of my favorite shooting locations on the planet.
The Heavenly Borough is a paradise with historical sites for photographers and vacationers.
The Nikon 17-55mm f/2.8 lens was my companion in Rome.
It is intended to list the requirements of travelers, such as the most delicate Nikon travel lens for the Nikon D500.
I feel as though I could spend years in Rome and merely scratch the surface of its potential thanks to this masterpiece.
Key specifications:
Zoom lens
Nikon DX Format compatibility
Constant f/2.8 wide-maximum aperture
17-55mm focal length
Wide-angle zoom at 79 degrees
3.2x zoom lens
Silent Wave Motor
Focusing shift by M/A mode
ED glass elements and Aspherical lens elements
Wide-angle zooming benchmark:
With the lens encompassing a wide field of view of 79° at 55mm, I have earned the most significant results of the beautiful vistas of the shore.
It gives me a view comparable to my vision, perfect for trip photography.
With this travel lens, I was engrossed in photographing the coast’s outstanding beauty to capture it with supreme clarity and lasting vibrancy.
Regardless of the spotlights, I am happy to report that it fashioned all of my goals at breathtaking tech conferences without glare or ghosting.
Compatible with any lighting:
The travel lens’s hypersonic, fixed aperture of f/2.8 assures me excellent translucence, delightful backdrop bokeh, and enduring exposure across its zoom scope, allowing me to photograph in a more comprehensive spectrum of lighting grounds without employing a flash.
I obtained the most enthralling view, sitting back on the beach and savoring the moment.
With the travel lens’s DX-optimized design, my clips were marked with the most prominent output, allowing the Nikon D500 to reach its maximum potential.
Hi-tech innovations:
This travel lens exemplifies a massive shard of glass. My travel photos exhibited consistent image quality from base to tip, which is a rare feat.
Thanks to three Extra-Low Dispersion components, chromatic aberration, ghosting, and flare are minimized.
Its collaborative benefits with the Nikon D500, such as minimizing lens aberration, won me over, allowing me to make quick focusing changes to my chosen subject.
Why is this lens the best?
Thanks to continuous exposure during high-speed capture and a lifetime of superb holiday photography performances, the fast-moving clouds became my possession.
I was astounded by the beauty it generates from such a robust compact when I tried the travel lens with the Nikon D500.
Due to the Silent Wave Motor, the M/A allows me to easily transition to fine manual focusing while gazing through the Nikon D500’s viewfinder with high-speed autofocusing that is very accurate and silent.
It fulfills my need for high-end travel aesthetics with a flexible standard zoom, making it the best travel lens for Nikon D500.
Conclusion:
The qualities of the Nikon 17-55mm f/2.8 have prompted me to rate it as the most progressive travel lens for the Nikon D500.
It has developed captivating qualities that allow you to enjoy witnessing extreme events without fear.
Now is the moment to add this trip lens to your collection and get the benefits. Follow the link below to buy it.
Sigma 18-35mm f/1.8: (best zoom lens for Nikon D500)
Vlogging is another creative way to tell a story in a more rapid-fire fashion, letting viewers observe people’s lives through their eyes as they go about their everyday routines.
A zoom lens is a must-have for travel video blogging and photography to overcome video degradation.
The vlogging business has been swept by the Sigma 18-35mm f/1.8, the most excellent zoom lens for video vlogging and photography employed by Nikon D500.
It made me feel obligated to interact with the rest of the world as effectively as possible.
Key specifications:
Wide-angle zoom lens
35mm maximum focal length
F1.8 maximum aperture and F16 minimum
0.23 optical Zoom
Compatible with Nikon f (DX) mounts
28 cm minimum focusing distance
Ring and ultrasonic-type AF motor
Newly designed lens format:
For the first time in my vlogging course, I met the first wide-angle, standard zoom lens with a big aperture of f/1.8, developed exclusively for APS-C sized sensors like the one used in the Nikon D500.
No other advanced function lens has supplied me with as many heightened and great video blogs while converging the most illuminance to the image sensor as this zoom lens.
Fine creation:
The rubberized association and a recently devised lens cap, designed for straightforward usage and greater functionality, have won me over.
With Hyper Sonic Motor’s improved algorithms for better automatic focusing, my video blogs have seen a considerable increase in traffic.
The lens has a rear focus mechanism, which avoids a focus-dependent change in aberration in my video clips while maintaining the picture quality of a fixed focal length lens, which piques my attention.
Widefield coverage:
I’ve finally figured out how to shift the angle of view to appropriately capture the picture in front of me, which has been a problem for decades.
By proudly announcing the compatibility of the 18-35mm focal length.
When I use the lens with the Nikon D500, it functions excellently.
This ground-breaking perspective challenges stereotypes while broadening the scope of video blog expression.
My vlogging went incredibly well, thoroughly examining the chosen subject.
Why is this lens the best?
I made a video blog using this zoom lens, which drew on the company’s significant experience in eliminating optical aberrations and building innovative structural parts.
It made my day by turning my vlogs into an animated video with dramatic consequences direct from the zoom lens, and all of them earned good marks from pro-level vloggers.
I didn’t need to use anything else than the Nikon D500 and the zoom lens employed with it.
The corners seem dark when the image’s relative light is low, creating vignetting and a beautiful bokeh effect.
Because of these results, I believe it is the best zoom lens for the Nikon D500.
Conclusion:
In a word, I’d call the Sigma 18-35mm f/1.8 the most fabulous zoom lens for Nikon D500 because of all of the qualities listed above and the fact that it is the only zoom lens in the Nikon Series that can give zoom power at f/1.8.
I also urge you to enslave this work of art by quickly declaring ownership of your camera at the URL address below.
Nikon 18-300mm f/3.5-6.3: (best lens for Nikon D500 sports)
The entire sports photographer fancies photographing sports events, such as football or the Olympics.
Because I was once welcomed to a football match, I’ve been embracing that goal now.
I wanted a lens that would work with the Nikon D500.
Using my desire, I picked the Nikon 18-300mm f/3.5-6.3, the best lens for Nikon D500.
The next day, I was able to run a photo of a penalty kick, which had previously been impossible.
The occasion is passed, but the aesthetic grandeur lives on owing to this work of art that satisfies my eyes.
Key specifications:
Telephoto lens
Lens compatibility: Nikon DX Lenses
f/3.5-6.3 Aperture range
18-300mm focal length
16.7x zoom lens
7-blade diaphragm
VR stabilization with internal Focus
Silent Wave Motor
Minimum focus distance: 16 feet
Three Aspherical and Extra-low Dispersion glass elements
Unparalleled deliveries:
With a vast zoom range that ranges from wide-angle to super-telephoto, I’d like to recommend this camera for the most incredible performance.
It had given me a broad shooting range of the best footballers from dusk, when the lighting was terrible, until daybreak when the sun shone brightly on us.
The f/3.5-6.3 lens is responsible for all of this since it captures excellent close-ups of athletes and vast scenery images.
Glare-free snaps:
When used with the Nikon D500, the improved lens technologies have wowed me with their ease of use and increased usefulness.
My sports clips have significantly boosted traffic because of Silent Wave Motor’s new algorithms, which allow the lens to focus softly and rapidly in varied lighting circumstances.
Nikon gave me a zoom deadbolt on the lens exterior to minimize concerns with lens creep, and three Extra-Low Dispersion elements ensure that chromatic aberration, ghosting, and flare from sports films are decreased interest.
Handheld images:
Even if my hands are shaky, I’ve substantially increased my ability to take long-lasting photographs.
Vibration Reduction in the lens decreases camera shake by 4.0 stops, resulting in clear, in-focus photographs and movies regardless of the setpoint when shooting sports.
In terms of steadfastness, it had led me down the right road.
I required a telephoto lens that could accomplish similar jobs because most of my images were zoom-based, and I used it to shoot the site using the Nikon D500.
Why is this lens the best?
This lens allows you to capture high-resolution shots and the most incredible sports photos.
It also has a quick speed and excellent precision.
It elevates the aesthetics of my sports photography to a new level.
This lens is my favorite for my Nikon camera.
There are no jagged edges, and the lens fulfills its promise for the Nikon D500 because of its fast maximum aperture.
I tried it with a Nikon D500 and achieved sports results equivalent to the previous dream of its kind.
Conclusion:
Following my positive experience with the Nikon 18-300mm f/3.5-6.3, I’ve set several objectives to keep my sports photography career going with a reliable workhorse lens and a Nikon D500.
It has good system characteristics and provides outstanding image quality and smooth stabilization.
If you want to boost your photography learning curve, think outside the box and buy the Nikon 18-300mm f/3.5-6.3, the best lens for Nikon D500 sports at the required value, from the link below.
Sigma 85mm f/1.4: (best lens for Nikon D500 portraits)
I’ve always liked portraits’ visual appeal to the general audience.
I am an expert in Candid and street portraits, which allows me to engage with the environment and relive unique experiences. In this regard, I’ve been using the Sigma 85mm f/1.4 with the Nikon D500 for years.
It has featured the opportunity to frame impromptu portraits in public settings without a camera.
These photographs were designed to pique my interest in photographing people on the street.
It was the most delicate motion I’d ever taken with this lens, best for Nikon D500 portraits.
Key specifications:
Short telephoto lens
85mm wide focal length
Wide maximum f/1.4 aperture
Newly designed Hypersonic Motor
Lens compatibility with MC-11
Type 14 lens elements
9 aperture blades
Updatable lens firmware
A1 Modulation Transfer Function
Aesthetic snaps:
In my portrait photography class, I encountered the first telephoto lens with a large aperture of f/1.8, explicitly designed for full-frame DSLRs like the Nikon D500.
This zoom lens has provided me with more heightened and superb portraitures than any other advanced function lens while concentrating the most illuminance on the picture sensor.
This art line lens provides high-level artistic expression and fulfills the highest quality by providing incredible rendering performance; it is ideal for portrait photography.
Surpassing vibrancy
I’ve been bowled around by the means for ease of use and improved service.
My portraits have witnessed a significant boost in traffic due to Hyper Sonic Motor’s new algorithms, which are 1.3 times faster than its predecessor and allow for greater automated centering.
The lens has nine aperture blades and gives portraiture a nice bokeh outside the focus plane.
Maintaining the image quality of a fixed focal length lens attracts my interest.
Wide area coverage:
By boldly proclaiming the compatibility of the 85mm focal length, I’ve finally worked out how to alter the angle of view to adequately capture the scene in front of me, which has been an issue for decades.
When I employed the lens with my Nikon D500, it performed admirably.
This innovative viewpoint defies preconceptions while expanding the possibilities of portraits expression.
My portraits photography went incredibly well, thoroughly examining the chosen subject.
Why is this lens the best?
Using this telephoto lens, I created a portrait gallery that drew on the company’s extensive knowledge in removing optical defects and creating unique portraits.
It brightened my day by converting my photos into animated films with stunning results straight from the telephoto lens.
Professional portrait photographers gave them high scores on each of them.
I didn’t need anything beyond the Nikon D500 and the telephoto lens it equips.
I’ve always had a gorgeous bokeh effect at my disposal. I feel it is the best lens for Nikon D500 portraiture due to these results.
Conclusion:
With super-advanced aspherical correction and current tempering procedures to date, the Sigma 85mm f/1.4 has proven to be the most powerful version in the Sigma series’ history.
When used with the Nikon D500, this masterpiece is the most spectacular lens for taking portraits.
I suggest it to all travel and portrait photography fans who want to be as creative as possible.
The following website sells it.
Nikon 55-300mm f/4.5-5.6G: (the best lens for Nikon D500 wildlife)
Marcel Van Oosten has significantly affected me, one of the generation’s most remarkable wildlife photographers.
His photography talents surpassed my wildest dreams.
I began framing wildlife aspects with the Nikon 55-300mm f/4.5-5.6G while investigating animals in various nooks and corners of the Earth, following his photography tactics.
To be honest, few animal scenarios have matched his capturing prowess.
When combined with the Nikon D500, this lens, the best lens for Nikon D500 wildlife, gave me the courage to pursue this subject as a career.
Key specifications:
Telephoto lens
5.5x zooming power
300 maximum focal length
2 Extra-low Dispersion elements
4.6 ft Minimum Focus Distance
HRI Lens Element
Nikon Silent Wave Motor
VR II image stabilization
Super Integrated Coating
Highly stabilized images:
My ability to capture a long-lasting wildlife image has considerably increased.
The lens’ Vibration Reduction II technology decreases camera shake by 3.0 stops when traveling through the forest, resulting in clear, in-focus images and films of the wild beast regardless of the setpoint.
In terms of steadfastness, it has guided me in the proper direction.
I required a super-telephoto lens to execute similar jobs because most of my images were zoom-based, and I used it when photography in the wild with the Nikon D500.
Wide view:
Nikon’s 55-300mm zooming capability is now the most cost-effective way to reach a valid 300mm focal length in Nikon’s current line of lenses, with a wide variety of focal lengths to work within the wildlife habitat, assuring far more precise still images and HD video recording.
The zoom ring is massive, occupying a large portion of the lens canister, making it easy to zoom in and out with my left hand while holding the camera steady with my right.
Technical operability:
With this strong zoom lens, I can reach out into the wild and capture everything in crystal precise detail with the maximum aperture range of f/4.5-5.6.
I was able to accomplish ultra-quiet autofocusing with exceptional speed and precision utilizing the Silent Wave Motor, which enhanced the adaptability of the zoom range.
The HRI creates the illusion by balancing coverage and spherical aberrations, while Extra-low Dispersion glass eliminates reflections and flares, resulting in increased contrast even to the frame’s edge.
Why is this lens the best?
In the region, I encountered a varied range of intriguing natural environments, and for the first time, I utilized this NIKKOR lens to push my trip to new heights.
The slow focusing and small maximum aperture will appeal to wildlife photographers.
I’ve never seen a lens capture animals so well as the Nikon D500.
The lens’s mobility is the feature that I find most valuable.
HRI lenses offer outstanding optical performance in a compact size, which I find appealing.
Consequently, this super-telephoto lens is the most fantastic suit for the Nikon D500 and wildlife photography.
Conclusion
The 55-300mm f/4.5-5.6G Nikon is a high-end telephoto lens designed specifically for wildlife photography.
It knows how to swiftly capture the most enticing images of wild portraits, speedy animals, and a fast-paced journey route.
This ready-to-use lens works well with the Nikon D500, making it a good choice for any photographers types.
Follow the link below to buy this well-known Nikon model.
Nikon AF-S NIKKOR 300mm f/4: (best birding lens for Nikon D500)
As a bird photographer, I’ve worked hard to improve my skills.
I’ve had a deep love for the natural world since I was a child, and I’ve been fortunate enough to shift that passion into a career as a photographer.
One of my main passions is photographing birds with the Nikon D500, and I’ve gone all over the world searching for the perfect birdshot.
Throughout this lengthy journey, the Nikon AF-S NIKKOR 300mm f/4E has been my guide, allowing me to exceed my expectations in bird photography with the high-end images it produces with the Nikon D500.
Key specifications:
Telephoto lens
Prime lens capability
Compatible with Nikon FX lens Mount
Superb 300mm focal length
F/4 aperture value
Silent Wave Moto
Phase Fresnel lens
Nano Crystal Coat
Vibration Reduction
Electromagnetic diaphragm mechanism
Extreme performance:
I met all of my objectives for getting the most creative backyard bird photographs.
The lens’s well-equipped 300mm focal length and f/4 light-gathering compatibility provided the most magnificent birdy sceneries for me at the highest resolution, and it deserves all of the credit.
The newly enhanced aperture’s light-gathering capabilities resulted in these fine-tuned clips, which keep enough power to create action bird shots, even while shooting at high frame rates, thanks to the Nikon D500’s capacity to frame at a firing rate.
Striking clarity:
This cutting-edge lens innovation has helped me get the most enthralling birdy aesthetics out of high-resolution full-frame cameras like the Nikon D500.
Aside from all the features, I’ve seen how the new optical design works and produces clearly defined photos.
My bird shots were rich in clarity, with every detail of the scene fixating perfectly, thanks to the Nano Crystal Coat and pro-grade build quality, which successfully suppressed ghost and flare caused by light striking the lens laterally.
Steady outcomes:
While collecting the birds in my gallery, the lens’ Vibration Reduction quickly reduces the camera shake, giving in crisp, in-focus images and videos regardless of the setpoint.
A shutter speed of up to 4.5 stops equals the picture stabilizing effect function.
When paired with traditional glass lens elements, the Phase Fresnel (PF) lens elements efficiently adjust for chromatic aberration and ghosting, which astounded me.
Such mastery had never occurred to me.
Why is this lens the best?
I was awestruck by the beauty this birding lens provided from such a little compact when I tried it with the Nikon D500.
This lens features an exciting new focal length and a large maximum aperture, necessary for shooting birds in flight.
It is, in my opinion, a very flexible performer since the A/M mode allows for a smooth shift from autofocus to manual.
The birdy panorama approaches new heights of sharpness and clarity while wandering in my backyard, with practically no chromatic aberration or ghosting.
It is the most excellent birding lens for Nikon D500, regardless of my shooting location.
Conclusion:
The Nikon AF-S NIKKOR 300mm f/4E has taken up a significant market share with its outstanding performance.
This birdy lens is a dream come true for recreational and bird photographers due to its fantastic image quality, established ergonomics, and exquisite focusing mechanism with a big buffer.
Shooting birds with the Nikon D500 will be a blast, with dramatic bird scenarios and fast movement photos.
Please glance at the link below to get your hands on it.
Nikon 24-70mm f/2.8G: (best video lens for Nikon D500)
I’m a skilled wedding videographer that strives for excellence and originality in the videos I produce.
As a consequence of my videography services, I’ve amassed a sizable and diverse clientele base in the industry.
This begins with the Nikon 24-70mm f/2.8G video lens, a top-of-the-line video lens that meets my filming demands while keeping my subject in Focus.
My wedding videography curriculum surprised me by achieving a level of credibility far above my wildest hopes, with videos that speak for themselves.
Key specifications:
Zoom lens
24-70mm focal length
f/2.8 wide aperture
Minimum Focus Distance: 1.2 ft.
Exceptional low light performance
3ED glass elements
3 aspherical lenses
Nano Crystal Coat
Internal focusing power
Delicate videos:
When recording HD video with the Nikon D500, a fast aperture of f/2.8 over a 24–70mm zoom range has consistently created the most delicate soft, warm tones and eye-pleasing couple wedding video by continually establishing images.
The optical characteristics of powerful DX-format and FX Nikon D-SLR camera sensors make out-of-focus components appear more realistic.
It enables me to focus on distant things while maintaining a rapid focal length, resulting in satisfactory resolution and a realistic portrayal.
Better durability:
It was a remarkable achievement for my wedding videography to be of continuous quality from beginning to end. Chromatic aberration, ghosting, and flare are reduced thanks to three components of Extra-Low Dispersion.
The Precision Glass Mold (PGM) Aspherical lens components controlled chromatic aberrations while boosting clarity and contrast, even at the most comprehensive aperture settings, allowing me to capture the married couple’s fast-paced dance.
Its synergistic qualities with the Nikon D500 swayed me, allowing me to focus on my selected topic quickly.
Anti-reflective coating:
The Nano Crystal coat eliminated internal lens element reflections across a wide range of wavelengths.
Meanwhile, by simply twisting the focusing ring on the lens, the lens has converted from automatic to manual focusing with no lag time.
As a result, I emphasize compatibility for my wedding couples.
Internal Focus allows for quick and silent autofocusing without changing the lens’s length, allowing me to keep my partners at the same working distance throughout the focus range.
Why is this lens the best?
With excellent efficiency and advanced features, I entirely fulfilled my revolutionary video recording potential.
With the Nikon D500, this video lens gives an excellent vantage point for observing the scenario and shooting a movie with pinpoint accuracy.
Aside from that, it has a fast aperture rate and a wide focal length, allowing it to take crystal-clear movies during a wedding or any other video-oriented subject.
Because of IF’s enhanced concentration, I’ve reduced my working distance.
It astonished me by capturing palette videos, prompting me to get the best video lens for Nikon D500.
Conclusion:
When used with the Nikon D500, the Nikon 24-70mm f/2.8G, the leading video lens, has successfully merged all of the desired attributes, resulting in amazing videos instantaneously.
Grab this well-designed appeal, packed with superb high-tech equipment, and attempt to kill a fantastic scene.
Click the link below to take control of this camera quickly.
Sigma 35mm f/1.4: (a best low light lens for Nikon D500)
I have an unquenchable need to photograph the night sky.
To pursue this as a career, just two investments are required.
The first is an issue of money, which necessitates a user-friendly camera and shooting equipment, and the second is a matter of time, which necessitates plenty of time to posture along the beach and wait for the shot that counts.
I kept both of them in my rucksack bag for safety’s sake.
I’m a low-light photographer who shoots with a Nikon D500 with the Sigma 35mm f/1.4, the most excellent low-light lens for the Nikon D500.
This journey will be the most unforgettable clip I’ve ever recorded with this great gear while exploring the low-light aesthetics.
Key specifications:
Standard lens
F/1.4-16 expansive aperture range
35mm focal length readability
Hyper-sonic motor focusing
The angle of View: 63.4º
Nikon cameras (both DX and FX-format compatibility)
67mm filters
Maximum Magnifications: 1-5.2
Full-time manual Focus
Better visualization:
In my low-light photography class, I came across the first standard lens with an aperture of f/1.4, explicitly constructed for DSLRs like the Nikon D500.
This standard zoom lens has given me a more heightened and fantastic dimly lit church than any other advanced function lens while focusing the most illuminance on the image sensor.
This art line lens, created from the ground up exclusively for cameras like the Nikon D500, enables high-level artistic expression and meets the highest quality with low distortion.
Undegraded images:
With respect, I’d like to point out that this low-light lens has 15 elements in 11 groups, including two SLD elements, an ELD element, an FLD element, and two aspherical elements.
Even wide open, the lens can manage sagittal coma flare remarkably well, preventing bright light spots from flaring at the frame’s borders, despite having a large aperture.
Photographers of the night sky, such as me, will find this intriguing.
Elite focus controls:
This motor is in charge of a focusing lens group consisting of a single, lightweight element; thus, the AF can efficiently keep moving objects in Focus.
This low-light lens raises the bar when combined with the sophisticated Nikon D500’s performance and the ease of its small size.
The hood encloses a lock mechanism that keeps it firmly attached to the lens, and its grip makes it quick and easy to install and remove, resulting in a convenient shooting experience.
Why is this lens the best?
Almost all of Nikon’s lenses have been used by me.
This work of art is the most productive in generating night skyline photos of exceptional quality, with clarity captured by the broad aperture value.
I captured the fantastic low-light panoramas without worrying about flare, graininess, or other image quality-degrading traits.
The interoperability of Nikon X and FX-format lenses has resulted in next-level stills and films of city streets reflecting directly from the camera.
These three aspects, in particular, impacted my choice to buy the best low-light lens for Nikon D500.
Conclusion:
I discovered my invention on the mountain while working on Pools of Light at dusk with the Sigma 35mm f/1.4.
This lens is my sincere advice to both amateurs and pros who want to shape their vision in a single frame with limitless possibilities in low-light photography: choose this masterpiece, as it is the most extraordinary low-light lens for Nikon D500 to date.
Click the link below to obtain it right now!
Nikon 50mm f/1.8G: (best all in one lens for Nikon D500)
Because of their aesthetic aspects, photographs have always piqued my interest.
I’m a professional photographer who uses a combination of outdoor and interior aesthetics and genres to bring back beautiful memories.
For years, I’ve used the Nikon 50mm f/1.8G standard lens with the Nikon D500, which is quite compatible.
It has options for framing beautiful shots of all subjects without being limited to a specific context with a short depth of Focus.
These images pique my interest in producing high-quality graphics.
While holding the most delicate all-in-one lens for Nikon D500, it was the most sophisticated feint I’d ever pulled off.
Key specifications:
Standard lens
Compatible with Nikon FX lens mounts
F/1.8 wide aperture rate
50mm extensive focal length
0.15X maximum reproduction ratio
Minimum focus distance: 0.45m
Aspherical lens element
Nikon silent wave motor
Focus switch between manual and automatic
Edge to edge sharpness:
Because you never think when a lovely, sunny day may turn gloomy and rainy, it offers me a more natural reaction and allows me to work near my subjects with its fast f/1.8 aperture.
By combining with the Nikon D500’s AF system, which monitors the movements of any moving subject with high accuracy and precision, it provides better color constancy and astonishing brightness in even low-light circumstances, bringing my clips to the edge of beauty.
Innovative optical system:
This lens has fewer aberrations and smaller lens size.
The area where I wandered around has many intriguing subject attractions.
Thanks to the Silent Wave Motor, I achieved ultra-quiet autofocusing with excellent speed and precision, which increased the zoom range’s versatility.
The aspherical lens elements minimized chromatic aberrations, while the Extra-low Dispersion glass prevented reflections and flares, boosting contrast to the frame’s edge.
I found this lens helpful in photographing a wide range of subjects settings.
Explicit bokeh:
On few times, I had to labor under hazardous conditions.
Still, after experimenting with the 50mm focal length and sharp lens, I’ve learned that I’m adaptive to any lighting situation and can get a shallow depth of Focus.
That is about the goal of having a sizeable creative range to blur out background photos and focus attention on your primary image while focusing as close as 0.45 meters for me to take enticing images of any subject in question.
Why is this lens the best?
The lens’s most notable feature is the capacity to record static and moving subjects with cutting-edge technology.
When used with the Nikon D500, the lens’s slim, lightweight design, which contained all of the distinctive qualities, such as a fast aperture rate and a wide focal length, allowed me to shoot precise, clear pinpoints.
It is constant in its compatibility with all genres of photography, gaining it the kinds of aesthetics that other lenses seek.
I begin my continuous interest in photography at this crucial juncture, ranking it as the best all-in-one lens for Nikon D500.
Conclusion:
The Nikon 50mm f/1.8G has proven to be the most advanced version of the Nikon lens series’ legacy with super-advanced standard compatibility to date, thanks to its exceptional capabilities.
I propose this masterpiece to all fans wanting the maximum degree of creativity in their desired photography as the most spectacular all-in-one lens for the Nikon D500.
The following website sells it.
Rokinon 8mm f/3.5: (the best fisheye lens for Nikon D500)
Despite my photography abilities, I have certain qualities to investigate ancient locations.
I used to seek out the aesthetics of panoramas of beautiful locations surrounded by nature for my enjoyment.
It is a fount of happiness for me.
The Rokinon 8mm f/3.5 fisheye lens is the most popular for hemispherical image shooting; it’s versatile and has the best ergonomics I’ve ever seen.
When using it with the Nikon D500, I was astounded to see that fantastic ultra-wide-angle photographs of each area existed, representing all sides of each natural item with the most detailed curved sparkles.
Key specifications:
Fisheye lens
8 Millimeters focal length
The angle of view: 180 degrees
Built-in Petal-type hood
Aperture of F/3.5
The minimum focus distance of 12″ (30.48 cm)
10 Elements in 7 groups
Superior imagery:
I was ecstatic with the most incredible fisheye lenses I’ve ever used.
Because this is an all-manual lens, I expected it to perform incredibly well, especially with the Nikon D500’s electronic rangefinder capabilities.
Beyond the “fisheye appearance” sort of photos, the f/3.5 aperture gives up a world of creative options.
With the right distortion-correcting software, I attained a significant field of vision up to 8mm focal length.
State-of-the-art optical visuality:
One of the most portable lenses is this fisheye lens.
I can take this lens and shoot magnificent night skies in various locations.
In a nutshell, I know I can count on this lens at any moment.
I usually keep my Focus at 3 feet and rarely change it.
Using the Nikon D500, this lens has kept my images in Focus and provided me with a 180° vision with a dramatic, exaggerated perspective.
This lens provided crisper photos and generated better photographs when I had it.
With hybrid aspherical lenses and multi-layer coating, I was able to get clearly defined pictures with little flare and ghosting.
Due to the focusing skill that is gently and quickly productive in various lighting situations, my sports clips have witnessed an enormous increase in traffic that I can’t overlook.
Why is this lens the best?
The unrelenting effectiveness of the fisheye reinvents my inventiveness in taking a wide range of images, videos, or a mix of the two.
It’s an eclectic blend of excellent characteristics that combine to provide a strong effect in every aspect, from a faster f/3.5 aperture to a profound influence.
Its Aspherical lens element outperforms the competition.
The fisheye viewpoint is a significant advancement in visualizing when utilized with the Nikon D500.
I am convinced that it will readily withstand ultra-wide-angle photographic conditions due to its appropriateness as the best fisheye lens for Nikon D500.
Conclusion
Due to my experiences with the Rokinon 8mm f/3.5, I can now picture ultra-wide-angles at a high level without fear of losing a picturesque vista.
I’d be happy to share my event photography experiences using the Nikon D500 and the fisheye lens.
As the most spectacular fisheye lens for Nikon D500, I strongly recommend this master creation to all fans.
For buying it, please go to the website listed below.
CONCLUSION:
Alright, guys, that concludes all the lenses we will talk about today in this article.
Do you guys have any experience with these lenses? What are your thoughts on them?
Which are the best lenses for Nikon D500?
Is there a lens that I didn’t mention in this article that you love to use?
Would you please leave your thoughts and comments below?
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I am a professional photographer born in the USA. I have been in this field of photography for 22 years now, and in these years, I used many photography lenses, which I want to share here on this website about my experience of it. The idea for Bestoflens.com is to provide honest information about different Lenses products in the format of a “Best lenses for AYZ” list. I want this website to be the last destination for people to pick the best lenses to fit their needs. You can find our unbiased reviews here on Bestoflens.