18 Best low light lens for Canon: (2023 Guide & Reviews)

You’re taking great shots, but it’s hard to get those perfect photos that you know are there because your camera can’t handle the dark.

Fear not!

You don’t need to spend a fortune on an expensive new camera or lens.

There is a low-light lens for Canon DSLRs that will make all of your photography dreams come true, and we’ll tell you which one it is in this blog post.

This article is for photographers who are looking to try out the best low-light lens for Canon.

I’ll be reviewing thirteen of the most popular options on the market and then providing an overview of what you might need depending on your photography needs.

Find out which low-light lens is best for Canon photographers.

Lens reviews are not always easy to find, so we have scoured the internet and found some of the best lenses for low-light photography that will fit your budget.

Read on to learn more about what each type of lens has to offer you!

Which is the best low light lens for Canon?

Here are my recommended top 18 best low light lenses for Canon:-

Tamron 85mm F1.8: (Best low light lens for Canon 80D)

It’s for full-frame or APSC digital SLR cameras or mirrorless cameras.

I was impressed with it. It has excellent built quality, sharpness, and image stabilization, making it a unique and enjoyable full-frame lens to handle.

Well, this newer 85-millimeter lens takes things even a step further.

No other fast aperture 85-millimeter lens features image stabilization, and it is a great feature that I value highly, especially when you’re shooting indoors or in darker situations.

Video footage is held almost completely steady, and you’re still pictures will be sharper.

An 85-millimeter F1.8 lens is a classic optic for portrait and subject photography, throwing your background nicely out of focus, especially on a full-frame camera.

It’s also a potentially helpful lens for landscape photography, where I find that 85 millimeters give you just enough compression on your images.

If you’re using this lens on an APS-C camera, then you’ll get images that are the full-frame equivalent of 136 millimeters.

So, a lot tighter, although the smaller camera center will also effectively increase your depth of field.

Anyone with a lens like this on our camera will get tons of use out of it.

And image stabilization is an impressive and valuable bonus.

The lens itself is a little bit large; other 85-millimeter lenses come smaller and lighter, but its build quality is excellent.

The body of the lens is made of metal, and it’s all based on a metal lens mount with some light weather sealing nicely.

The rubberized focus ring can be turned at any time, whether or not the lens is set to manual focus.

It’s not the smoothest or most precise focus. I’ve never handled it, but it works fine.

The autofocus motor is very quiet and very fast, this is probably the fastest autofocus system I’ve ever seen at a time, and its accuracy was pleasingly good.

And my tests may line autofocus through the viewfinder and over 90% of the time, much better than the Sigma 85 millimeter art lens.

The build quality and functionality are fantastic.

The lens is very sharp in the middle of the image, with excellent contrast.

There is no reduction in sharpness when we look into the corners and no noticeable chromatic aberration.

Overall, the lens optics are impressively good.

There’s plenty of outstanding sharpness and contrast neutral colors and smooth bokeh.

Tamron lens costs less, has more accurate autofocus, and has image stabilization. I love that image stabilization.

I find it a bit of a game-changer, particularly for handheld video work, but it’ll make a real difference to your still photography, too.

So when it comes to mid-range 85-millimeter lenses.

This lovely Tamron lens comes highly recommended.

Tamron 60mm F2: (Best low light portrait lens for Canon)

This is a lens that is very interesting indeed but not very well known. It’s designed for APS-C cameras only.

This is a full macro lens, giving one-to-one magnification.

It’s designed to give you more high-quality extreme close-up pictures than normal lenses.

Although often, you’ll need to use a tripod, especially as this lens doesn’t have image stabilization because the lens has a wide maximum aperture of F2.

It can also double up as an excellent portrait lens, helpful in getting a very blurry background in your pictures.

F2 also lets in a lot of light, so it could also be helpful for nighttime or indoor photography.

Canon makes similar 60-millimeter F2.8 macro lenses, but that can only let in half the light.

The F2 maximum aperture on the device is seriously nice, and together with the lens’s macro capability, this becomes an excellent alternative to canons.

The lens’s build quality, it’s not a small lens, but it’s nice and light.

Generally, it feels a bit cheap and plasticky.

The most important thing about the lens is its excellent large manual focusing unusual for the Tamron lens of its age.

This has full-time manual focusing, so you can safely turn that focus when at any time.

The front element of the lens does not turn or extend, which is very good to see.

Its hands are pretty smooth and even, and the focus path is very long indeed, which means that manual focusing and macro work are pretty precise.

The autofocus motor is nice and quiet, but it isn’t very fast, and it sometimes gets confused and hunts around a bit.

All in all, the lenses are pretty cheap and functional, and it works okay.

F2 is a very wider maximum aperture, and it’s very impressive straight from the lenses, very sharp in the middle of the image right through into the corners.

What an excellent performance.

The only problem is some quite prominent chromatic aberration on contrasting edges.

There’s some reasonably strong purple highlighting.

But aside from that, the lens contrast levels are very nice, and you’re getting a great-looking image.

With the aperture of F2, the closer the picture quality, the more you will see the little depth of field a picture has.

The lens displays an amount of barrel distortion, which is negligible; vignetting at F2 is not very strong. If you stopped down to f 2.8, it goes away.

This is a very nice performance, and this lens can give you a very out-of-focus background when the aperture is as wide as F2.

Some more good news is that the quality of those backgrounds is very nice and smooth, without any dizziness or distracting colors.

The lens handles bright lights, averagely well, with some typical flailing and a lack of contrast.

But frankly, this is a portrait and macro lens, so it’s not a problem.

60-millimeter F2 macros is a very impressive little thing.

The Dark Horse of tamarins lens lineup, scoring highly on pretty much every test I can throw at it.

It’s a bit of a shame it’s not well known.

It’s a very inexpensive lens.

Macro photography is a huge amount of fun, and It could be much more fun for you.

I highly recommend this lens.

Sigma 30mm F1.4: (Best low light lens for Canon 60D)

This has potentially become quite popular for 30-millimeter F1.4 DC Art.

It’s designed for use with APSC digital cameras.

It will give you an equivalent focal length of 48 millimeters, making this a very versatile standard lens.

I think it’s much better than using a 50-millimeter lens.

As 30 millimeters is a much wider angle, but it’s still zoomed in enough to emphasize your subject and give you a blurry background.

The lens can give you a very out-of-focus background indeed.

The selling point is the impressive F1.4 maximum aperture, which lets in eight times more light than your kit lens and gives you a much narrower depth of field.

The lens can give you some beautiful backgrounds, and the extra light it gathers makes this lens super useful for indoor or nighttime photography or video work.

However, unfortunately, the lens is not image stabilized.

The lens is not too big and not too small.

It feels nice and weighty in your hand, and it will balance nicely on pretty much any camera.

It’s a nice compact size, and it feels like a quality product.

It comes with a very nice-looking lens set with rubber trimming classy.

The focus ring is relatively smooth and not too heavy, so good for purlin focus while making videos.

The lens has full-time manual focusing, so you can turn that focus when anytime you like; the autofocus motor is relatively fast and silent in use.

All in all, the lens has been built nicely, and it’s a pleasure to use on pretty much any camera.

On my 18 megapixels, Canon 60 D. Firstly, with the aperture wide open at F 1.4, the middle of the image is very sharp with good contrast, which is great to see on an F 1.4 lens.

Sadly, even in the middle of the image, we can see some relatively strong pink and green and chromatic aberration on contrasting edges, which worsens.

There’s a bit extra sharpness, and the chromatic aberration is not quite as strong as the picture quality in the middle of the image is fantastic.

So what can we say? The lenses are very sharp in the middle, and the corners are always okay.

The lens displays a little barrel distortion, but it’s not too strong at F 1.4; the corners are a bit dark, but not in a very serious way.

Overall, it’s a pretty satisfactory performance; the further good news is that the lens has a very nice quality bokeh.

As well as its reasonable price, make it very desirable.

The sigma 30-millimeter F1.4 art is simply an excellent lens for APS-C cameras, which will have many happy owners.

Canon 85mm F1.2: (Best Canon lens for low light wedding photography)

This lens has a reputation for being the holy grail for portrait and wedding photographers.

Partly due to its handy 85-millimeter focal length, which can emphasize your subject so nicely.

It has an extremely impressive maximum aperture of F 1.2. That means it lasts twice as much light and can give you backgrounds, which are twice as blurry.

The blood potential of this lens is extreme, which is one of the reasons it makes an excellent portrait lens.

It takes a lot of blasts to let in so much light, and obviously, it has to be very high-quality glass, resulting in a costly lens, even considering how useful it can be.

The lens is excellent and tightly assembled, feeling quite weighty in your hand; the front element is terrific.

The focus mechanism on this lens is pretty unusual, and it’s electronically coupled to the camera.

So there’s a motor inside which keeps up with the way you turn the focus ring. As a result, you can only focus when your lens is attached to a camera that’s turned on.

I can reassure you that the focus mechanism is actually very quick and precise; it’s surprisingly responsive.

This system gives you an incredibly smooth and quite loose focus ring, which is a pleasure to use and gives you very nice focus balls.

While your video is making, the focus path is exceptionally long with this lens, which means he can focus very precisely, which is important in an F 1.2 lens.

The autofocus is silent and very accurate but also relatively slow.

That’s understandable considering the huge glass elements, it has to move around, but the main thing is that it’s accurate.

Overall, it’s a simple lens that works as perfectly as you could hope.

The 85-millimeter is much better. It’s really impressive with the aperture wide open at F 1.2.

The lens is very sharp, in the middle of the image, and has good colors and contrast.

There is some visible purple fringing, which is a bit of a shame, but only really shows up on quite bright sunny days.

Despite the wide F1.2 aperture, the corners are still reasonably sharp, and there’s minimal chromatic aberration on contrasting edges. That’s a particularly outstanding performance.

The picture quality becomes completely perfect, and the corners and chromatic aberration have disappeared.

Overall the lens gives a brilliant performance on full-frame cameras, very impressive, indeed.

The lens is very impressively sharp, and It’s an excellent performance.

One thing this lens struggles with in common with other fast 85-millimeter lenses is longitudinal chromatic aberration.

The bokeh is lovely, the blurriness is very smooth, and you can get plenty of it.

I love this camera lens.

You can set it to F 1.2 and shoot all day long, and a happy assurance that the autofocus will be accurate and your pictures will be sharp and punchy every time.

It’s a handy lens in all manners, and the backgrounds’ quality and beauty will set your work out from the competition.

This lens is undoubtedly very highly recommended.

Canon 50mm 1.8: (Best low light lens for Dslr Canon)

So why do I think that everyone should have this little nifty 50 lens in their backpack?

You might consider buying yourself a new lens, you might have a kit lens, and you would like to upgrade it, you might not have a big budget, or you might not even want to spend too much money on a new lens right now.

But I’m here to tell you that for just $400, you should consider getting canons nifty 50.

It’s so versatile grateful portray; the background gets nice and blurry, so the subject stands out.

You can do product photography with it, and it’s not a macro lens; it’s versatile enough for you to pull off some great shots.

Everything was made out of plastic in this lens, and this new version is very quiet.

Now even though the autofocus is better on this lens, it’s not perfect.

It’s a kind of weakness, but, for me, it’s not like a deal-breaker at all.

He has a more excellent blurrier background, and it works great when it’s a bit darker outside; pop this one on.

You don’t need to have a costly camera for this lens to work out exceptionally well.

If you have a full-frame camera, this is a 50-millimeter lens.

However, if you use an APS c sensor, it becomes an 80-millimeter lens.

This was the first lens I bought when I wanted to upgrade my kit lens, and I have used it for years, and I’m sure you’re going to use it for years as well.

Even if you buy more expensive lenses, I think that you would still keep this one in your backpack. I still have it in my backpack.

I’m still using it. I would recommend this lens actually to everyone who gets it.

Canon 32mm f/1.4: (Best low light lens for Canon m50)

There’s nothing more important than a high-quality lens that can take sharp images even in dimly-lit conditions when it comes to low-light photography.

We will discuss the pros and cons of the Canon 32mm f/1.4 and what makes it one of the best lenses in low-light photography.

This lens is just what you need for your camera—a fast aperture of f/1.4 creates nice, soft backgrounds and perfect portraits!

This lens is an excellent low-light lens for the Canon M50 that has a maximum aperture of 1.4 and delivers stunning quality images in low-light environments.

It makes it an excellent choice for those who need to use their lens across different brands or systems to get the best shot possible.

The lens is lightweight and compact, making it easy to carry around with you on your next shoot!

If you’re looking for an inexpensive but high-quality prime lens, this one will surely not disappoint!

The best part? It’s constructed entirely out of metal, so you know this product will last you years!

This is the perfect lens for all your low-light adventures!

Did you know that this lens has a maximum magnification of 0.25x? Get up close to your subjects with this fixed focal length lens.

With a wide aperture of f/1.4, you’ll be able to take the most captivating images with minimal exposure time and effort.

This Canon lens can shoot clear from up close or from far away so that each subject looks their best.

This is the best low-light lens to create some gorgeous images.

Reach out wide beyond any obstacle in your way without spending hours defending against vanishing points and converging lines.

It’s great at night, too, because it captures more light than other ultra-wide lenses, so shots stay sharp even if it’s highly dark outside!

You can now say goodbye to grainy photos and harsh shadows because Canon has it all figured out!

The Canon 32mm f/1.4 is the best low-light lens for your camera.

Because it gives you a very shallow depth of field to blur out background distractions and get more attention to what’s important in the foreground.

It also has an excellent build quality with top-of-the-line optics that will last you many years.

Even when shooting professionally or creatively engaging projects both indoors and outdoors.

If you’re looking for a significant low-light lens upgrade, this should be at the top of your list!

Sigma 50mm F1.4: (Best low light lens for Canon 9d)

If you’re looking for a lens that will allow you to take pictures in low-light situations, then Sigma 50mm F1.4 is a great option.

It is an excellent lens for low-light photography and has the added benefit of having a very fast aperture at a reasonable price point.

Also, suppose you’re looking to get started with astrophotography.

In that case, this may be the best option on the market without spending thousands of dollars on lenses designed specifically for capturing stars.

Not only does it have an excellent aperture rating of 1.4.

This means it can let more light into your camera sensor than other lenses on this list, but it also has image stabilization and fast focusing capabilities as well!

In addition to being ideal for shooting at night or indoors without needing additional lighting equipment.

This lens is perfect for portraiture because its focal length allows you to get close enough to your subject while still capturing them in their surroundings.

This lens allows you to shoot in an array of different conditions with ease.

Its design makes it easy to travel with and carry around on your camera body.

So you’ll never have to worry about not being able to capture the shots you want!

The lens has an 80 mm focal length equivalency on Canon APS-C cameras, making it great for capturing more landscape or portrait shots.

It is one such lens that goes all the way offering quality, and prestige for your pictures!

Light seems to catch every angle of this lens, which brings about precise colors and captivating focal points.

You can also say what we call the bokeh effect.

Which has been regulated by its high-powered motor with ring drive optical construction and low-dispersion glass elements.

It will bring out even the smallest details in life, even while shooting in low light conditions or evening hours -hence excelling as the best alternative 100-400mm zoom lens too!

This lens provides excellent control over the depth of field and will produce images with minimal background blur between ƒ/2 and ƒ/11.

This makes it best suited for daylight photography indoors without artificial lights.

Where your subjects are lit by external sources such as windows, held flashlights, the photographer’s flashlight, or a mobile device.

Fortunately, Sigma 50mm F1.4 has been around long enough to know that low-light photography is difficult without a quality piece of glass.

Check them out today and get more creative control over your shots than ever before.

Canon 50mm f/1.8: (Best low light lens for Canon t7i)

The Canon EF 50mm f/1.8 is an excellent lens for those who want to take their photography and videography skills up a notch.

It is the perfect lens for low-light photography, letting you shoot with shallow depth of field and blur backgrounds with ease!

The fast aperture enables photographers to capture high-quality stills in less-than-ideal lighting conditions, capturing sharp details without overexposing images.

It delivers incredible optic performance throughout its range of coverage, allowing both professionals and amateurs shooters alike to experiment at an affordable price point.

It is perfect for capturing images in low-light settings while preserving natural skin tones.

The lens has a state-of-the-art stepping motor (STM) that delivers near-silent, continuous motion enabling users to record video without interfering with audio recordings.

Canon’s servo AF technology gives you smooth AF for movie stills or fluid sequences of photos.

It is an exceptional lens for taking quality shots without the expensive expense of buying a large-aperture prime.

This low-light lens produces beautifully blurred backgrounds in portraits and delivers sharp results no matter what you’re shooting at night or during the day.

Its rounded blades have smooth-filled shots—perfect for taking children’s school pictures on even sunny days.

This wide lens has excellent capability to perform well under dim lighting conditions or at nighttime.

It’s perfect for street photography, portraits, and even some limited work with macro photography.

Because it’s affordable, you can take more risks in experimenting with this inexpensive piece of development that can deliver terrific high-quality results!

This lens is perfect for low-light photoshoots and capturing those vital moments that can’t be missed because the sunset is too early.

This versatile lens also boasts great for taking traditional shots and portraits in all types of weather, and action photography from afar on bright summer days – nighttime photos will never look better at this.

The Canon 32mm f/1.4 is the best low-light lens for your camera if you want to take great pictures without sacrificing quality or speed.

It has a wider aperture than other lenses, making it better in dim lighting situations and creating professional-looking portraits with beautiful effects.

Take this opportunity to buy one of these fantastic lenses and see what all the hype is about!

Sigma 24mm f/1.4: (Best low light lens for Canon 6d)

The #1 rule is to have a wide-angle lens when it comes to shooting the night sky.

The Sigma 24mm f/1.4 not only has a fantastic low-light performance.

Thanks to its large aperture, it lets you achieve breathtaking Stars cape photography of your favorite constellations at nighttime that is truly out of this world.

With ultra-sharp pictures of distant suns and star clusters with pinpointed hotspots.

This lens will ensure every moment feels more atmospheric than ever!

During daylight, long day trips cannot compete with carrying a giant equipment bag or lugging around clunky gear for hours on end.

It is geared towards capturing great low-light shots.

They are used by professional photographers worldwide looking for an affordable, dependable full-frame lens that produces artistic beauty.

Whether shooting near or far subjects, this lens is perfect!

It includes fast autofocus with HSM, plus compatibility with Sigma USB Dock to avoid any malfunctioning problem that might arise.

Please note that one USB dock should be used per computer when operating it!

This lens pushes the boundaries of low light capability with a large aperture and large focal length for exceptional optical performance.

This lens offers superior optical performance in its category with its FLD, SLD, and aspherical lens elements.

This lens produces images that are sharp from wide open to the corners!

Furthermore, it has a minimum focusing distance making it perfect for close-ups from head-shots to full-body portraits.

Every photographer knows the role a lens plays in producing stunning images.

Sigma’s wide-angle prime has features you won’t find anywhere else.

A large aperture, F1.4 for accurate low light shooting, and an ultrasonic motor make autofocusing fast and near-silent.

Sigma 24mm f/1.4 lens is the best low-light lens one can get.

Suppose you’re looking for a creative, engaging way of capturing your world in stunning detail with the versatility of an ultra-wide-angle perspective on offer by this fast aperture prime.

In that case, it’s time to learn more about how sigma has created one of their most popular lenses ever–for both photography enthusiasts and professionals alike!

Your artistic captures will be perfect with this lens.

Canon 24-70mm f/2.8: (Best low light zoom lens for Canon)

It would be best if you captured that gorgeous night or daylight, but you can’t find the right lens.

Fear not! Canon 24-70mm f/2.8 has your back!

It’s great as both a general everyday use lens and something specific like photographing architecture or concerts with talented spotlights.

Without having it be too expensive, this product is perfect for beginners and pros alike!

Additionally, It is a fantastic low-light zoom lens for all sorts of photography, from weddings to parties, concerts, and other events.

It is a pro-level lens well known for capturing stunning images in low-light situations due to the constant maximum aperture.

This allows you to avoid problems where your camera turns off your flash once it reaches maximum aperture.

The ultrasonic-type AF motor allows full-time manual focusing, making it easy to use on difficult subjects like sports or nature walks.

You might need to change the focus at any given time without relying solely on autofocus modes.

This also reduces shake, which will help you get that perfect shot focused better than ever before!

It is the smartest low-light zoom lens for Canon cameras.

This powerful lens will make you a better photographer, but it won’t work in the dark.

It is perfect for low-light situations and is going to give you incredible sharpness.

The photos with this lens are going to be amazingly clear, even in your old age!

Be sure not to forget that there will be no second chances when things finally go wrong on set without image stabilization.

It is a must-have for any photographer looking to take smooth photos in low-light situations.

This lens has an excellent zoom range and the best maximum aperture of a zoom lens that Canon makes.

The fast, constant F2.8 maximizes creative opportunities by allowing handholding in dim conditions.

I am meeting creative challenges with unparalleled image quality at all focal lengths, from wide-angle to portrait telephoto views.

Those who love quality and want an adventure-seeking lens that can handle anything from weddings to war zones.

Then the Canon 24-70mm f/2.8 II USM Lens is just what they need!

Canon 16-35mm f2.8: (Best low light wide angle lens for Canon)

The Canon 16-35mm f2.8 is advertised as “the world’s best low light wide-angle lens.”

This high-performance L-Series ultra-wide-angle zoom lens is built with a constant f/2.8 maximum aperture.

Allowing customers to shoot in virtually any lighting conditions by maximizing both their foreground and background exposures.

The all-new optical design for this lens also gives significant improvements in extreme and corner sharpness.

While its Circular Aperture helps deliver beautiful, soft backgrounds.

This high-performance L series ultra-wide-angle zoom lens with a constant f/2.8 maximum aperture allows photographers to shoot in diverse light conditions.

It gives you the capability of shooting fast action or capturing landscapes even at night.

You’ll be able to capture wide shots from expansive mountains, dramatic skyscapes from cities, and huge groups of colleagues during company barbeques.

And still, get specs of dust captured in sunsets over skyscrapers.

It has an all-new optical design for significant improvements in sharpness across the frame.

Including corners softening any appearance of image jumpiness or distortion when panning up vertical surfaces such as bridges and tall buildings.

High-performance L-series ultra-wide-angle zoom lens with constant f/2.8 maximum aperture.

The Canon 16-35mm is a versatile, fast focal length even in low light conditions.

The rounded outers make it easier to find focus minimizing the depth of field.

You’ll be able to get near-perfect clarity from corner to corner when wide open at 2.8 or stop down one for cleaner background blur.

Super sharp and clear at 16mm while still getting close enough for natural textures like water droplets on flowers.

We couldn’t think of any other lens that could do all that.

This lens is perfect for photographers who want to handle all sorts of situations, from wide landscape shots to close portraits.

They are designed with versatility in mind.

This high-performing L series ultra-wide-angle zoom offers remarkable image quality features like a constant aperture of 2.8.

And an improved optical design for sharper edges and corners than ever before.

Outer glass has also been optimized to reduce unnecessary refraction while shooting at the widest possible angle.

So you’ll be able to capture life.’

Now you can snap crisp images at any time of day or in low lighting conditions without worrying about blurriness or reflections on your photos.

Canon 70-200mm f/2.8: (Best Canon lens for low light concert photography)

How do you feel about freezing your memories for posterity or capturing them for your use?

Capture the moment with crisp shots of natural light.

This Canon 70-200mm f/2.8 lens is designed for low-light photography, where the extra 2 stops are needed to get balanced results in difficult lighting conditions.

This is Canon’s go-to lens for professional photojournalists and concert photographers.

And just about anyone who needs to capture excellent snapshots at night or in low-light conditions.

It also has a fluorine coating on its front and rear elements to help reduce smears caused by fingerprints.

Which means it will stay cleaner when you’re not using it.

The air sphere coating minimizes ghosting and flare.

At the same time, optical image stabilization keeps your photos sharp even when there’s plenty of movement or energy coming from the final subjects in your frame.

Even if you’re working with challenging weather conditions, this lens is dust-and-off water-resistant.

It features a constant f 2.8 maximum aperture throughout the zoom range.

One fluorite element and five UD elements for excellent image quality.

Full-time manual focus with ring ultrasonic motor, which responds quickly to adjustments on the fly.

So you can shoot portrait photos without a tripod!

It has a high level of dust resistance that meets military specifications.

Including a full-time manual focus ring for expert control over manual focusing during video work with an Inner Focusing System driven by Ring Ultrasonic Motor to adjust from close range to infinity without changing magnification smoothly.

It’s versatile too – you can use it for many different types of shooting, including portraits, sports and action shots, weddings, landscapes, environmental portraiture, and long-range telephoto work.

There is no better lens for low-light concert photography than the Canon 70-200mm f/2.8.

You won’t find a more constant max aperture zoom lens on the market today that manages to outshine this master in sharpness and speed.

But it isn’t just its acrobatic performance that makes this such an enticing piece of gear.

This lens is made for you if you love capturing moments!

Sigma 50-100mm f/1.8: (Best Canon lens for low light sports photography)

Sigma has been a leader in the photography industry for years, and its latest release is no exception.

It’s hard not to recommend this beautiful glass when you’re looking for your next piece of photographic equipment!

The Sigma 50-100mm f/1.8 is an excellent choice for low-light sports photographers thanks to its fast aperture that can capture images without too much noise or blurriness.

This lens is the best Canon lens for low-light sports photography in this focal length range.

Covering three popular short telephoto lengths equates to a constant aperture zoom when crop factor is considered.

As an Art lens, very sharp at any aperture, the sharpness rivals fast primes while offering additional benefits like AF within.

This lens is exceptional for taking photographs of sporting events played in the evening or poorly lit.

You will be able to take exquisitely long exposures with shallow depth-of-field, thus capturing images filled with light and sharpness at night without tripod use.

It is designed to cover the three most popular short telephoto focal lengths for crop factor cameras.

It’s also an Art lens that will rival primes in both sharpness wide open and overall color correction.

This means you’ll be able to achieve professional quality at less-than-pro prices.

And because it has optical stabilization built into it, you won’t see camera shake or movement even when filming handheld video at high shutter speeds.

This lens has outstanding autofocus performance, even in low-light conditions.

I am making it a favorite among candid photographers who prefer shooting sports action over other genres.

This high-density lens is an excellent companion for food, fashion, and boudoir portraits as its wide aperture allows for less post-processing because of the shallow depth of field.

The build quality feels solid in hand but doesn’t appear heavy- a proper balance between function and portability.

This outstanding lens is one of the highest quality and sharpest lenses in its class.

This lens allows you to shoot with wide apertures, even in low light conditions such as during nighttime sports or indoor photoshoots.

Without sacrificing the razor-sharpness that sigma prides itself on or turning down your camera’s ISO.

If you’re looking for fantastic clarity at any focal length with fast focus speeds throughout as well as minimum distortion, then don’t hesitate to get one now!

Sigma 50-100mm f/1.8 is one of the highest quality and sharpest lenses in its class.

Sigma 18-35mm f/1.8: (Best Canon lens for low light video)

Have you found yourself wanting to get that tricky shot with background blur but don’t want to use your aperture wide-open due to the too much light in front of you? Well, fret no more!

The incredible Sigma 18-35mm f/1.8 aperture will take care of the problem by allowing for seamless bokeh (background blur) even in well-lit spaces.

The perfect companion for any photographer looking for versatility; take portraits during the day and impress your fam at night with stellar images.

This lens is sharpened enough that it can tackle landscapes or astrophotography without much trouble!

So whether you’re just starting or need a new lens, this gem will be worth it.

The F1.8 maximum aperture and 72mm filter size allow you to use the lens in different lighting conditions, including indoors or nighttime photography.

With full-time manual focusing and USB Dock compatibility, It is easy to quickly adjust on the go without taking time out of your day to visit a physical store!

It is an ultra-wide to short telephoto zoom lens with a constant maximum aperture of F1.8 throughout the entire range.

From its widest angle setting at 18mm to its longest narrowest angle of view at 35mm.

You reach a wide field of view while maintaining point light sources in focus, even in low light conditions.

Entirely handheld photography becomes possible even in the dark.

Because it has a Ring-type ultrasonic waves motor, which provides fast and accurate focusing for every type of shooting situation.

No matter how dark or closed up you get to your subject, so there’s no need to worry about blurry photos from unwanted camera shake!

Sigma’s newest lens packs life-long original equipment manufacturer (OEM) quality into an impressive ultra-portable size.

This is the best standard zoom lens in its class, with a price tag to match.

This lens has everything you need with all kinds of sensitive adjustments that will get you the perfect shot every time.

Servo autofocus for catching fleeting moments, full-time manual focus capabilities so technical skills don’t get left behind, and an impressive 1.8 maximum aperture.

This high-powered wonder won’t disappoint your customers!

Aspiring photographers should invest in this versatile tool to help express themselves creatively and come up with unique shots that we could never see any other way!

Canon EF-S 17-55mm f/2.8: (Best Canon lens for low light action)

This is a well-loved lens for Canon.

If you’re looking to shoot in low light and action shots, this is the perfect lens.

They are designed with aspherical elements and wide-angle zoom power.

It’s your best bet for an up-close and personal view of the action.

Optical image stabilization that compensates for camera shake even when lighting is dim.

It’s easy to capture those once-in-a-lifetime shots every time.

The Canon EF-S 17-55mm f/2.8 lens is a must-have for capturing everything from artsy still-life shots to all the action of sporting events and wildlife photography in low light.

And it’s also beautiful for portraits with an interesting shallow depth of field.

This lightweight, versatile pro DSLR lens has an aperture range equivalent to f/4.0 – 5.6 on your camera.

So shooting anything indoors or at night is no problem either–a ring-type ultrasonic monitor (USM) ensures that focus will be fast and accurate.

Even if you’re wearing gloves or have wet hands.

This powerful, wide-angle lens is perfect for low-light action and allows you to zoom with only one compact lens.

It also features Canon’s Image Stabilizer Function.

This will compensate for claim shake in dim lighting with lens groups that shift, so every object comes into sharp focus as close as 1.15 feet away from your camera!

This lens for Canon DSLRs is the sweet spot of the price.

An f/2.8 maximum aperture excels in low light situations such as city streets at night or indoor weddings during the cake cutting when auto-focus is tricky because of all the movement in nearby guests.

The ring-type USM means you can take candid photos without moving about too much – just point, click, and smile!

This state-of-the-art product features a build and a circular aperture designed to produce a shallow depth of field to catch all those intimate moments no matter where they happen.

And it is perfect for group shots or selfies!

Wide-angle views with barrel distortion combined with close focusing make this an excellent lens to shoot food photography.

Which many professional photographers are starting to do these days.

Grab this lens, and capture your favorite moments now.

Sigma 85mm f/1.4: (Best low light lens for Canon 5d mark iv)

The newest addition to sigma’s offerings, the Sigma 85mm f/1.4DG HSM Art is perfect for professionals looking for a reliable low-light lens.

With its handy hypersonic motors and sleek design, this sigma can handle anything you throw at it!

It is the most advanced lens in its class.

They are designed for photographers who demand unrivaled performance and emphasize capturing exquisite detail without compromising low-light authenticity.

This Sigma lens is the latest addition to our world-renowned Sigma Global Vision Line.

It is equipped with a hypersonic motor (HSM) that provides nimble AF control and 1.3 times more torque than its predecessor.

This lens is for those seeking a sharp, wide-angle prime lens that can produce spectacular, breathtaking, out-of-focus backgrounds with natural bokeh.

It is best used in low light and can deliver sharp, breathtaking images at ƒ1.4 and beautifully blurred photos.

The new Sigma global vision lenses are co-designed by famous cinematographer John Brawley to maximize an APS-C sensor.

They ensure gorgeous edges and flawless skin tone reproduction in even low light or turbulent situations without sacrificing much clarity or detail.

Simply put, this lens has perfect low-light performance for Canon 5d mark iv cameras.

If you are looking for a reliable product that will get excellent quality pictures and awesome quality selfies without breaking the bank, please bring this fantastic piece of equipment.

Canon EF 50mm f/1.4: (Best Canon EF lens for low light)

If you’re looking for a versatile lens that can be used both indoors and outdoors, this is the one.

It is a higher standard lens for its perfection, clarity, color fringing reduction, and edge-to-edge sharpness with images free of ghosting.

It is the best Canon lens for low light because it’s fast and compact, meaning you can take photos in any lighting situation, no matter how dark.

It has beautiful bokeh (out of focus) and captures the details of what you’re photographing with sharp images on one side and smooth swelling out to infinity on the other.

The USM motor is silent and instant, reducing vibrations on your product and ensuring crisp, clear imagery.

With 2 high-refraction lens elements and Gaussian optics.

This large-aperture standard prime lens also happens to be lightweight, making portability that much more fun!

You’ll never go back once you’ve tried this lens.

A Canon lens with a high-quality 50mm focal length and an f/1.4 maximum aperture optimal for low light, this EF lens offers up precise imaging in any situation.

With its Ultrasonic motor for crisp, fast autofocus at every turn, it’s sure to meet the needs of amateurs and professionals alike.

Because this versatile lens has a large max-aperture range from very small to very large.

You’ll get superior performance that can capture your subjects clearly both near or far away without distortion of out-of-focus points.

If you’re looking for a professional quality shot on the go with a built-in USM motor and impressive optical properties – look no further than the EF 50mm f/1.

Designed for low-light environments and portraiture, this standard focal length has a fast maximum aperture of f/1.4.

Which offers shallow depth of field imaging and clear visuals in dim conditions.

Perfect when photographing newborn babies or family groups without having to depend on expensive studio lighting equipment.

It’s perfect for day-to-day shooting too, so if you use Canon DSLRs to capture every special moment, the 50mm lens is an ideal choice.

Shoot impressive, professional-looking portraits with the Canon EF 50mm f/1.4 prime lens.

Canon RF 35mm f/1.8: (Best Canon RF lens for low light)

The Canon RF 35mm f/1.8 is the perfect tool for grabbing those moments that pass by you too quickly.

The fast-aperture lens provides clear, sharp images with excellent light capture in dark areas, keeping up with your style of photography.

The Canon RF 35mm f/1.8 is one of the most popular lenses for photography both professionally and inside your home.

This lens offers all the features that you need to take amazing pictures.

Including high-quality optics, compact design for easy carrying, quick autofocus response time, and optical image stabilization at up to 5 stops of shake correction.

If you are looking for a be-all-end-all list lens or an additional kit lens, this product will not disappoint!

It is the best Canon RF lens for low-light- photography due to its wide aperture and optical image stabilization.

It has a compact form factor with macro optics, which is great for detail shots of small subjects like flowers or insects on flowers.

The control ring provides direct setting changes that are easy to use when capturing moments in time while shooting video.

With 12 pin communication system, your photos will be consistent every time!

This lens is their best RF lens for low-light photography, according to our data at CameraLabs.

The Macro Lens will allow you to take gorgeous detail shots of objects in motion or still-life compositions without getting too close!

With up to 5 stops of shake correction, even your handheld shots will be sharp and crisp.

They are making it perfect for self-portraits or blacking out backgrounds when shooting indoors or taking portraits with blurred hair on models.

Though small, this little lens has a lot of the features that you need in DSLRs.

The precision control ring lets you make adjustments quickly and smoothly with an expert touch, while image stabilization compensates up to 5 stops for a camera shake.

This is the perfect combination of size and performance!

This is the best Canon RF lens for low light because it will capture beautiful shots in any condition.

It’s compact, which means it doesn’t get in your way when you’re trying to shoot videos.

But impressive with a macro ratio of 0.5x that lets you get close-ups of details or insects without disturbing them.

You’ll love capturing photos at night with its optical image stabilization — up to 5 stops of shake correction for maximum detail even if your hands are too unsteady!

Don’t hesitate one second more! Get your very own Canon RF 35mm f/1.8 lens right away!

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