Which is the best low-light lens for Canon?
Here are my recommended top 5 best low-light lenses for Canon:-
It’s for full-frame or APSC digital SLR cameras or mirrorless cameras.
I was really impressed with it. It has a great built quality, sharpness, and image stabilization, making it a unique and enjoyable full-frame lens to handle.
Well, this newer 85-millimeter lens takes things even a step further.
No other fast aperture 85-millimeter lens features image stabilization, and it really is a great feature that I personally value highly, especially when you’re shooting indoors or in darker situations.
Video footage is held almost completely steady, and you’re still pictures will be sharper.
An 85-millimeter F1.8 lens is a classic optic for portrait and subject photography, throwing your background nicely out of focus, especially on a full-frame camera.
It’s also a potentially useful lens for landscape photography, where I find that 85 millimeters give you just enough compression on your images.
If you’re using this lens on an APS-C camera, then you’ll get images that are the full-frame equivalent of 136 millimeters.
So, a lot tighter, although the smaller camera center will also effectively increase your depth of field.
Anyone with a lens like this on our camera will get tons of use out of it.
And image stabilization is an impressive and useful bonus.
The lens itself is a little bit large; other 85 millimeter lenses come smaller and lighter, but its build quality is excellent.
The body of the lens is made of metal, and it’s all based on a metal lens mount with some light weather sealing nicely.
The rubberized focus ring can be turned at any time, whether or not the lens is set to manual focus.
It’s not the smoothest or most precise focus. I’ve never handled it, but it works fine.
The autofocus motor is very quiet and very fast, this is probably the fastest autofocus system I’ve ever seen at a time, and its accuracy was pleasingly good.
And my tests may line autofocus through the viewfinder and over 90% of the time, much better than the Sigma 85 millimeter art lens.
The build quality and functionality are fantastic.
The lens is very sharp in the middle of the image with excellent contrast.
There is no reduction in sharpness when we look into the corners and no noticeable chromatic aberration.
Overall, the lens optics are impressively good. There’s plenty of great sharpness and contrast neutral colors and smooth bokeh.
Tamron lens costs less, has more accurate autofocus, and has image stabilization. I love that image stabilization.
I find it a bit of a game-changer, particularly for handheld video work, but it’ll make a real difference to your still photography, too.
So when it comes to mid-range 85-millimeter lenses. This lovely Tamron lens comes highly recommended.
This is a lens that is very interesting indeed, but not very well known. It’s designed for APS-C cameras only.
This is a full macro lens, giving one-to-one magnification.
Basically, it’s designed to give you more high-quality extreme close-up pictures than normal lenses.
Although often, you’ll need to use a tripod, especially as this lens doesn’t have image stabilization because the lens has a wide maximum aperture of F2.
It can also double up as an excellent portrait lens, useful for getting a very blurry background in your pictures.
F2 also lets in a lot of light, so it could also be useful for nighttime or indoor photography.
Canon makes similar 60-millimeter F2.8 macro lenses, but that can only let in half the light.
Basically, the F2 maximum aperture on the device is seriously nice, and together with the lens’s macro capability, this becomes an excellent alternative to canons.
The lens’s build quality, it’s not a small lens, but it’s nice and light. Generally, it feels a bit cheap and plasticky.
The most important thing about the lens is that nice large manual focusing unusually for the Tamron lens of its age.
This has full-time manual focusing, so you can safely turn that focus when at any time.
The front element of the lens does not turn or extend, which is very good to see.
Its hands quite smooth and evenly, and the focus path is very long indeed, which means that manual focusing and macro work are quite precise.
The autofocus motor is nice and quiet, but it isn’t very fast, and it sometimes gets confused and hunts around a little bit.
All in all, the lenses quite cheap and functional, and it works okay.
F2 is a very wider maximum aperture, and it’s actually very impressive straight from the lenses, very sharp in the middle of the image right through into the corners. What a great performance.
The only problem is some quite prominent chromatic aberration on contrasting edges.
There’s some fairly strong purple highlighting.
But aside from that, the lens contrast levels are very nice, and you’re getting a great-looking image.
With the aperture of F2, the closer the picture quality, you will see the absolutely minuscule depth of field on a picture.
The lens displays an amount of barrel distortion, which is basically negligible; vignetting at F2 is not very strong. If you stopped down to f 2.8, it goes away.
This is a very nice performance, and this lens can give you a very out-of-focus background when the aperture is as wide as F2.
Some more good news is that the quality of those backgrounds is very nice and smooth, without any dizziness or distracting colors.
The lens handles bright lights, averagely well with some typical flailing and a lack of contrast. But frankly, this is a portrait and macro lens, so it’s not a problem.
60-millimeter F2 macros is a very impressive little thing. The Dark Horse of tamarins lens lineup, scoring highly on pretty much every test I can throw at it.
It’s a bit of a shame it’s not well known. It’s a very inexpensive lens.
Macro photography is a huge amount of fun, and It could be much more fun for you.
I highly recommended this lens.
This has potentially become quite popular for 30-millimeter F1.4 DC Art.
It’s designed for use with APSC digital cameras.
It will give you an equivalent focal length of 48 millimeters, making this a very versatile standard lens.
I think it’s much better than using a 50-millimeter lens.
As 30 millimeters is a much wider angle, but it’s still zoomed in enough to emphasize your subject and give you a blurry background.
The lens can give you a very out-of-focus background indeed.
The selling point is impressive F1.4 maximum aperture, which lets in eight times more light than your kit lens and gives you a much narrower depth of field.
The lens can give you some beautiful backgrounds, and the extra light it gathers makes this lens super useful for indoors or nighttime photography or video work.
However, unfortunately, the lens is not image stabilized.
The lens is not too big and not too small. It feels nice and weighty in your hand, and it will balance well on pretty much any camera.
It’s a nice compact size, and it feels like a quality product.
It comes with a very nice-looking lens set with rubber trimming classy. The focus ring is quite smooth and not too heavy, so good for purlin focus while your video making.
The lens has full-time manual focusing, so you can turn that focus when anytime you like; the autofocus motor is quite fast and silent in use.
All in all, the lens has been built really nicely, and it’s a pleasure to use on pretty much any camera.
On my 18 megapixels, Canon 60 D. Firstly, with the aperture wide open at F 1.4, the middle of the image is very sharp with good contrast, which is great to see on an F 1.4 lens.
Sadly, even in the middle of the image, we can see some rather strong pink and green and chromatic aberration on contrasting edges which gets worse.
There’s a little extra sharpness, and the chromatic aberration is not quite as strong as the picture quality in the middle of the image is fantastic.
So what can we say the lenses very sharp in the middle, and the corners are always okay.
The lens displays a little barrel distortion, but it’s not too strong at F 1.4; the corners are a little dark, but not in a very serious way.
Overall, it’s a pretty satisfactory performance; some further good news is that the lens has a very nice quality bokeh.
As well as its reasonable price, make it very desirable.
The sigma 30-millimeter F1.4 art is simply a nice lens for APS-C cameras, which will have many happy owners.
This lens has a reputation for being the holy grail for portrait and wedding photographers.
Partly due to its handy 85-millimeter focal length, which can emphasize your subject so nicely.
It has an extremely impressive maximum aperture of F 1.2. That means it lasts twice as much light and can give you backgrounds, which are twice as blurry.
The blood potential of this lens is extreme, which is one of the reasons it makes an excellent portrait lens.
It takes a lot of blasts to let in so much light, and obviously, it has to be very high-quality glass, resulting in a costly lens, even considering how useful it can be.
The lens is excellent and tightly assembled, feeling quite weighty in your hand; the front element is wonderful.
The focus mechanism on this lens is pretty unusual, and it’s electronically coupled to the camera.
So there’s a motor inside which keeps up with the way you turn the focus ring. As a result, you can only focus when your lens is attached to a camera that’s turned on.
I can reassure you that the focus mechanism is actually very quick and precise; it’s surprisingly responsive.
This system gives you an extremely smooth and quite loose focus ring, which is a pleasure to use and gives you very nice focus balls.
While your video making, the focus path is extremely long with this lens, which means he can focus very precisely, which is important in an F 1.2 lens.
The autofocus is silent and very accurate but also fairly slow.
That’s understandable considering the huge glass elements, it has to move around, but the main thing is that it’s accurate.
Overall, it’s a simple lens that works as perfectly as you could hope.
The 85 millimeter is much better. In fact, it’s really impressive with the aperture wide open at F 1.2.
The lens is very sharp, in the middle of the image, and good colors and contrast.
There is some visible purple fringing, which has a bit of a shame, but only really shows up on quite bright sunny days.
Despite the wide F1.2 aperture, the corners are still fairly sharp, and there’s a minimal chromatic aberration on contrasting edges. That’s a particularly great performance.
The picture quality becomes completely perfect, the corners and chromatic aberration have disappeared.
Overall the lens gives a brilliant performance on full-frame cameras, very impressive, indeed.
The lens is very impressively sharp, and It’s a great performance.
One thing this lens struggles with in common with other fast 85 millimeter lenses is longitudinal chromatic aberration.
The bokeh is wonderful, the blurriness is very smooth, and you can get plenty of it.
I absolutely love this camera lens.
You can set it to F 1.2 and shoot all day long, and a happy assurance that the autofocus will be accurate and your pictures will be sharp and punchy every time.
It’s a handy lens in all manners, and the backgrounds’ quality and beauty will set your work out from the competition.
This lens is undoubtedly very highly recommended.
So why do I think that everyone should actually have this little nifty 50 lens in their backpack?
You might consider buying yourself a new lens, you might have a kit lens, and you would like to upgrade it, you might not have a big budget, or you might not even want to spend too much money on a new lens right now.
But I’m here to tell you that for just $400, you should consider getting canons nifty 50.
It’s so versatile grateful portray; the background gets nice and blurry, so the subject really stands out.
You can do product photography with it, and it’s not a macro lens; it’s versatile enough for you to pull off some great shots.
Everything was made out of plastic in this lens, and this new version is very quiet.
Now even though the autofocus is better on this lens, it’s not perfect. It’s a kind of weakness, but, for me, it’s not like a deal-breaker at all.
He has got a nicer blurrier background, and it works great when it’s a bit darker outside; pop this one on.
You don’t need to have a costly camera for this lens to work out fantastically well.
If you have a full-frame camera, this is a 50-millimeter lens. However, if you use an APS c sensor, it becomes an 80-millimeter lens.
This was the first lens I bought when I wanted to upgrade my kit lens, and I have used it for years, and I’m sure you’re going to use it for years as well.
Even if you buy more expensive lenses, I think that you would still keep this one in your backpack. I still have it in my backpack.
I’m still using it. I would recommend this lens actually to basically everyone who gets it.