Today, I will review my best third party E mount lenses for APS-C or crop sensor camera.
So, that includes the A5000 series and A6000 series cameras and Sony’s very old and the X series of cameras.
All of these lenses will also work on a full-frame Sony E mount camera.
I’m going to widdle things down and just show you what I think are the best third-party e mount Lenses options out there.
These are some of my favorites.
Which are the best third-party e mount lenses?
What lenses fit on E-mount?
E-mount is a mount for cameras that come with Sony’s E-Mount. Although it was designed as an adapter, not all lenses are compatible with the mount. Here are my recommended top 14 best third party e mount lenses:-
|Image||Product||Best lens for||View on Amazon|
|Viltrox 85mm f 1.8||(Cheap Portrait Lenses For Sony Mirrorless)||View on Amazon|
|Tamron 28-75mm 2.8||(Best Bang For Your Buck Lens for Sony E Mount)||View on Amazon|
|Sigma 30 millimeter f 1.4||(Best third party E Mount lens for portraits)||View on Amazon|
|Samyang 85mm f1.4||(Best third party e mount lens for portraits and landscapes)||View on Amazon|
|Samyang 50mm f1.2||(Best third party e mount lens for Sony A6000)||View on Amazon|
|Samyang 35mm f1.2||(Best third party e mount lens for a walk around)||View on Amazon|
|Samyang 75mm 1.8||(Best third party e mount lens for travel)||View on Amazon|
|Samyang 50mm 1.4||(Best third party e mount lens for street photography)||View on Amazon|
|Sigma 30mm f2.8||(Best focal length for third party e mount)||View on Amazon|
|Samyang 24mm f2.8||(Best third party e mount lens for video)||View on Amazon|
|Sigma 16mm 1.4||(Best wide-angle lens for third party e mount)||View on Amazon|
|Tamron 35mm f/2.8||(Best Sony e-mount lens for full frame)||View on Amazon|
|Samyang 12mm f2||(Best third party lens for Sony e-mount Aps-c)||View on Amazon|
|Rokinon 14mm f2.8||(best budget Sony E-mount lens)||View on Amazon|
This lens might blow your mind like it did mine.
This is the viltrox 85-millimeter f 1.8 STM prime lens for full-frame Sony e mount bodies.
F 1.8 means we’re talking low light and potentially sweet bokeh, and STM is a stepping autofocus motor, which in turn means that it’s quiet.
This lens is one of their first autofocus lenses, and they’re doing it for an extremely reasonable price, with an 85-millimeter focal length, the F 1.8 capability, and it being a prime lens.
We’re going to be picky because 85 millimeters are a strong point for several different manufacturers, including the camera manufacturers themselves. In contrast, the viltrox is a less expensive option than many of the others.
The bottom line is that it has to deliver. Or else, it isn’t worth it, right.
It looks like a lot of mirrorless prime lenses in design. The filter size is 72 millimeters, which weighs 1.4 pounds which is 636 grams.
This lens has an 80-centimeter minimum focusing distance over 2/5 feet, so this is not a macro lens.
It is completely acceptable for a portrait lens or as a short telephoto for other things besides portraits. This is a viable option for you.
In short, it’s easy to use, and it gets us the results that we want, as third-party lens manufacturers go.
I admire a company that wants to do a few things well and not try too much too fast and sacrifice quality as a result.
Only a few camera brands actually do that, and it’s better for us as consumers when brands are willing to share like that.
It gives us more choices and, in my view, helps the more open manufacturers with their technology.
I know for me, it definitely increases my loyalty.
I can go for the expensive big header lenses from the cameraman manufacturer and lenses where I don’t want to spend as much but still have very acceptable quality.
My question for you is, what’s been your experience with either viltrox or other third-party lens manufacturers?
I used to see the third party as cutting corners and going budget, but my thinking is changing.
This is an interesting lens because it’s one of the first lenses you can get for Sony e-mounts that Sony does not make.
Its autofocus and does what you need, but it doesn’t have VC vibration compensation.
Why doesn’t it have VC in this lens because the Sony cameras have a built-in steady shot?
When I first heard about this, I’m like, why would you make a 28 instead of a 24? And part of the reason and the reasoning I got back from Tamron is the size and weight.
They were able to keep the weight down for the smaller cameras.
In comparison, the 24 to 72.8 G master lens from Sony is a $2200 hunk of glass that is much heavier than this.
You could basically buy three of these for one of those, but now there’s a little bit of a trade-off is the G master lens will be sharper than this lens.
I think suddenly, because of just the optics in there, you probably won’t notice much of a difference at the end of the day, but for 800 bucks to get started with a lens like this.
It’s probably not a bad choice for somebody who just picked up the Sony camera; you may not want to spend or may not be able to spend 2200 bucks.
When on the flip side, you could spend 800 bucks, and you can get a 2.8 lens.
So I took this lens along with the Sony A9 out to the Philadelphia Museum of Art.
I noticed that there is some pretty good vignetting going on when you’re at 28 millimeters.
I don’t care about vignetting and images; you can correct that in the raw files now very well.
I’m not trying to hide the fact that it’s there; I just think that I like vignetting in some of my shots, not all of them.
But 90% of the time, I think it helps, adds to my image, then takes away in terms of sharpness and color; the photos look pretty good.
I didn’t mind having 28, I probably would like to have 24, but if you don’t have that option, you’re not really going to miss it.
So 28 is going to give you some wider angle shots for those group shots.
It will allow you to zoom in and get some tighter shots; also, you can do portraits with this lens.
I don’t think it’s going to be the greatest portrait lens in the world, but if you are going to shoot portraits with this.
I recommend that you do it all the way out at 75 millimeters.
On the full-frame side, I think it’s a good option with the 28 to 75.
We tested it, how’s the color, how’s the sharpness, how’s the tone is there vignetting is there Boeing going on, but the shots look pretty good.
I think they look pretty straight, considering the 28 millimeters and then zooming into 75.
So the value that you’re getting in these Tamron lenses is excellent.
One of the things you can do with the group shot takes a step back and zoom out to maybe 35 millimeters, and you’ll have less bowing at that, but you also noticed with some of the sample shots, you can see the vignetting around the edges.
You can determine whether it’s good or not for you?
Now, would you use this for video? Well, you could use it for video, especially on Sony.
It’s got the built-in stabilization already in the body, and it’s going to do really well.
I did do some slow handheld shots, where I shot at one-eighth of a second to see if I could do it, and I could do it, and that’s a testament to the camera because this does not have that VC.
The bokeh in the background of the bobblehead looks fine.
All you want that’s up to you to determine whether that’s good or not.
So is this a lens for you?
If you have a Sony, now with more people buying Sony’s and more third-party companies coming out with amount blast for native Sony cameras, would you pick this up?
My favorite portrait lens the Sigma 30 millimeter F 1.4.
I’ve been taking portraits since last summer, and I have gone through many lenses through that process.
I’ve used different cameras, and this still is my favorite lens.
So for this lens, I would only really recommend it for portraits, you can use it for other stuff, but it really is specialized for portraits, in my opinion.
There are a couple of reasons why I think this.
So the first reason why I love this lens for portraits is that it’s not too zoomed in, like a 50 millimeter or like an 85 millimeter, but it isn’t so wide like this is a sigma lens, as well on it has the same aperture same everything except the focal length is super wide.
When I want to take pictures of models, I will get super close, and they wanted a full-body photo.
And with this, I didn’t have to stand so far to get that, and they were wondering, you know why, like I was, pretty close to them, and it was taking a full-body photo.
So, with this, it’s not too wide, and you can see a pretty good distance away from the subject, but you don’t have to go to the other side of the street to take a photo.
If you’re in a park or something and you want to take a photo of like a nice photo, or like a portrait, you would have to go over like super far from a person, and you can even imagine with like an 85 millimeter, you would have to stand even farther.
So, with this lens, you don’t have to go, run on the other side of the street to make a cool photo, or like I know many times.
Another reason why this is so good is that the 1.4 aperture creates a very blurry background.
I like the focal length being 30.
So yeah, crazy, really blurry backgrounds. I mean, it’s also pretty good for low light photography; I do many low light portraits.
The next advantage I think this has over other portrait lenses is it’s pretty lightweight; compared to the other Sony lenses, like the Sony 35 millimeter, it’s not as lightweight.
So, it’s pretty light, pretty small.
This has worse autofocus because it’s not a native Sony lens.
So, it will obviously not be as good, but the autofocus is pretty good compared to other third-party lenses.
I think if you’re taking portraits, you shouldn’t have a problem like it’s pretty close to the Sony autofocusing, just slightly slower.
But with video, it’s much slower, so I wouldn’t really recommend this for video, but you can still do video.
Sony’s only advantage is that it is lighter, which I don’t really care about that much.
I would think that sigma would have to make autofocusing better. I also think it’s sharper with this lens than the Sony 35 millimeter.
I think the colors are better on this, and it’s cheaper. The aperture is better, and it does better in low light.
So overall, this lens is better in all aspects; it’s cheaper, so why not? Because 30 millimeters is actually a pretty good focal length for basically everything.
And this is 30 millimeters on a crop sensor.
I actually took a trip to Vegas in California just last week.
It’s made specifically for Sony e mount cameras.
This lens has been designed with both optical quality and value for money as key considerations.
The image quality is really nice, sharp, and clean.
They designed it to be sharp from the center, all the way out, edges, and I have no sharpness issues.
Even when shooting wide open at 1.8, it still seems to be nice; a sharp fit your way to the maximum aperture is 1.8.
Nice and fast means you get these nice out-of-focus elements in the foreground-background.
You can also get some really nice bokeh in there. It’s nice and smooth, very appealing. It means you’ve just totally isolated the subject in the frame on a lens like this, and it gets really nice shots.
One thing to be aware of because it is a manual focus lens is that if you’re shooting wide open at 1.8 Just need to be extra careful when you are focusing because it is such a shot at the feel of using something like that.
When the sun’s gone down, when it’s getting a little bit darker, you can carry on shooting, even handheld, because you’re able to use that faster aperture.
So, that’s exactly what I did when the sun had gone; we were still shooting we wanted to pay with the light.
We want to get those portrait shots once the lights were on, so we waited until the sun had gone down.
We were still able to handheld without any problems.
The image quality is also great for video, and it looks perfect.
The lens itself is tiny and light, surprisingly small, especially for 85 millimeters.
Have a great size of those small little cameras means that the system is nicely balanced.
This sits very well on the front of that, and we have an aperture control ring around the sides which allows you to control your aperture on the lens itself and have the manual focus ring there.
The manual focus ring, because obviously, it’s just a manual focus lens, is quite important and is very nicely weighted.
It feels like it gives you that extra bit of control for selecting focus.
Overall, this is a lovely lens to use whether you want to use it for things or portray, get out-of-focus shots, and the bokeh looks so good.
The image quality is really nice, and you want to get those nice portrait shots, or if you want to use it for things or medium, telephoto works or getting landscapes.
This is a lovely lens because its size just sits in the back nicely on E mount cameras.
It’s designed for cameras with a smaller APS C-sized sensor and mirrorless cameras only.
So, it’s available for Fuji X cameras, Canon EOS M and Sony E mount, and for Micro Four Thirds cameras as well.
You can get a compact-sized portrait lens with a high-speed maximum aperture of F 1.2.
You can get noticeably faster shutter speeds for shooting in dark situations, and more interestingly, it opens up some very out-of-focus backgrounds indeed for you and potentially beautiful images.
This lens was born for portrait work and otherwise Creative Photography.
Its main disadvantage is that it’s a fully manual lens, manual focus, and manual aperture.
The 50-millimeter focal length is the full-frame equivalent of about 75 millimeters.
So manually focusing will take a little care, but really it’s easy enough, especially with modern digital cameras.
After a bit of practice, manually focusing is not an issue unless you’re dealing with a particularly fast-moving subject.
The focus ring itself turns very smoothly, indeed. So, it’s quite enjoyable to use, but I feel it could be just a little more precise.
The aperture ring also manages to turn quite smoothly while still clicking positively every half stop.
Generally, the lens feels very solid, made of a combination of metal and high-quality plastics.
Samyang lenses have always had a good build quality, but their new mirrorless lenses seem to have been tightened up even more; it’s a real pleasure to use.
I checked out this lens with my Sony A6000 camera at that fast maximum aperture of F 1.2.
The lens is fairly sharp in the middle of the image, with just a touch of purple fringing to be expected.
I see awesome picture quality in the corners; that’s something I’ve noticed about pretty much all Samyang lenses.
These Samyang 50 millimeter F 1.2 gives an excellent performance for such an extremely wide aperture lens, the middle is always sharp, and even the corners are not bad.
For such a small lens at this price point, it’s pretty impressive.
The lens appears to be free of distortion, and even at F 1.2, vignetting is not too high.
The good news is that close-up image quality at F 1.2 is pretty good and remains quite sharp.
Finally, Bokeh, this lens can give you some very autofocus backgrounds, indeed, of course, and the quality of those backgrounds is generally nice and smooth.
Occasionally they can look a tiny bit smudgy.
Overall, the Samyang 50 millimeter F 1.2 for E mount cameras is a perfect optic indeed, especially considering its low price.
It’s a nice, sharp lens with good build quality and fairly little distortion or vignetting.
Anyone with an E mount camera will really want to consider this very capable portrayed lens for that kitbag. It is recommended.
The Samyang 35 millimeter is made for various mirrorless mounts, including the Canon EOS M, the Fuji X mount micro four-thirds, and Sony e mounts.
Now what’s special about this lens is that it is a manual focus lens with an F1.2 aperture.
So, that’s going to be great for low light conditions, and it also helps blur the subject blur the background from the subject in focus.
The lens has a plastic and middle construction.
It comes with a plastic barrel-type lens hood and has a focus ring and aperture ring just below with markings on the lens to indicate the focusing range and aperture you’re using.
Unfortunately, there are no electronic contacts on the mounts of the lens, which means that you will not have all the metadata on your photos, such as aperture.
The lens weighs approximately 420 grams, and that’s the lens hood and the lens cap included.
So, it really shouldn’t be too heavy if you’re walking around, taking some snapshots, or even taking some scenic shots.
Having it on a camera with a grip like the A6000 definitely helps with hand-holding, and the focus ring is reasonably smooth, offering little resistance when in use.
Its physical size does not change as you adjust focus since it is a manual focus lens. I recommend people use the focusing aids built into the camera, such as speaking and focus magnifier.
The aperture ring on the lens makes changing settings easy and has a clicking sound when you change the aperture.
You, unfortunately, can’t change this to make it silent.
However, if you’re a photographer or videographer who hates using fly-by-wire, you’ll be happy to hear that he doesn’t use this system.
Its minimum focusing distance is 38 centimeters, which isn’t so bad for Lens at this focal length.
The lens produces some very sharp images, and I found it at its best at around F4 out of focus blur is reasonably smooth, especially with the help of having an F 1.2 aperture.
Which also makes shooting in low-light scenarios easy without having to raise your ISO.
I didn’t find any issues with distortion and only found a tiny bit of chromatic aberration when shooting with vignetting was a nonissue.
The Samyang 35 millimeter F1.2 does a reasonable job at a reasonable price.
I feel like if you want to get really sharp images, it’s best to stop down the lens to about F 3.5.
Although having the F 1.2 aperture does make a big difference when you’re shooting in low light conditions and really want to get some nice out-of-focus blur.
Now being a manual focus lens, it’s not going to be for everyone, but it is good to have as it’s a different alternative to what’s already on the market and if you’re looking for a fast prime lens.
Now, if there’s one thing to sort of complain about. It’s a shame that there are no electronic contacts on the lens itself to transfer any metadata.
All the metadata from the lens to the camera onto your images, but to be honest, it’s not a huge loss.
I recommend this for anyone who shoots portraits, scenic shots, and street photography who doesn’t mind manual focus.
Samyang is some of the most compact and lightweight, and being Samyang, quite affordable lenses are designed for the Sony e mount.
So after going over the options, I decided to go with the 75-millimeter f 1.8.
75 millimeters will be a pretty interesting focal length to try, not just for things like conventional portraits, but overall, so things like travel and street photography as well.
This is such a small lens, and the lens comes with a pretty decent hood and a nice little clamshell case.
My first impression of the lens was that although this is indeed a small lens. Obviously, this isn’t like a pancake lens small, but this is incredibly light.
Just to give you guys an idea of how this feels, this lens 230 grams is about 140 grams lighter than the Sony 85 1.8, which is already a pretty small and light lens.
The build quality seems pretty good, it feels quite solid, and there are no loose joints or anything that rattles inside the lens.
The focus ring is also very well dampened; I find it a little stiff, especially for manual focus during video.
But I think it’s good for fine-tuning your focus for stills within close distances, and it might get broken over overtime.
Instead of the traditional autofocus, the lens has a customizable switch that lets you choose what to do with the focus ring.
The most important thing about a lens is the image quality, and it doesn’t matter if it has the best hardware or the best price if the images are terrible.
And I’m glad to say I was pleasantly surprised there as well. This lens is sharp, and I always say sharpness isn’t everything regarding image quality, but it’s never bad either.
I think this is as sharp or sharper as any of them from corner to corner. It also handled flare and chromatic aberration extremely well.
To control the chromatic aberration, Samyang used a certain combination of low dispersion and high refractive lenses.
I often find the background blur on some 1.8 lenses quite busy and distracting, but that wasn’t the case with this lens.
I found the bokeh to be quite pleasing.
There were certain softness and dreaminess that I usually find much more expensive lenses, and they’ve handled extremely busy background and foreground elements really well.
It’s not a macro lens by any means, but you can create some incredible results at close range, shooting wide open at this range.
The autofocus, in general, performed quite well, and it’s not the snappiest auto-focusing lens, but it’s far from the slowest, and its speed seems pretty typical for a portrait lens like this.
The fact that it’s a third-party lens didn’t seem to affect the performance negatively.
The annual Eye Autofocus seems to work really well without any issues.
So I think that pretty much sums up this lens. I was quite pleasantly surprised by its value and the image quality, and the autofocus performance.
I had a lot of fun using this lens, normally you buy third-party lenses for the value while giving up some performance but neither for the price or the performance.
I really couldn’t find anything negative to say about it. Like I said, power being really picky; as I said, it’s not the most durable or expensive feeling piece of hardware, but it’s meant to be light and small.
I was very impressed by its value and performance, so I would highly recommend this to anyone.
This will be like the mid-range lens of Samsung’s current 1.4 lenses with autofocus for Sony E Mount cameras.
The build quality feels solid. It doesn’t have any kind of bottoms or switches or anything like that, and the only thing you got is basically the focus.
The casing on the lens is made of metal which gives it this premium look, and it feels perfect when you’re holding it because it gives it this quality feel.
It feels good, and you also have a red trademark ring that goes all the way around the lens.
It weighs 556 grams, which is one point 22 pounds. Even though it’s kind of heavy, it’s by far not as heavy as the other 50 millimeter lenses that are out there with 1.4 aperture.
It’s actually going to feel quite well balanced because it’s not too heavy.
The focus ring on this lens is actually smooth.
This is the only Samyang lens with a weather-sealing gasket in the back, which is really good.
It will give you a really blurred-out background when you’re using it at that distance.
And with that said, it brings us to the rich performance of this because that’s the most interesting part, and the 50-millimeter lens will mostly be used for street and landscape and product photography.
There’s a reason why the 50-millimeter lens is called the nifty 50 because you can basically use this.
At F 1.4, it does look sharp, but when I stopped the lens down to F 2.8, it was way sharper.
If you really need a 50-millimeter lens with a 1.4 aperture on a budget, I would recommend this lens.
A low-budget lens for mirrorless cameras, the sigma 30-millimeter F2.8, is available on Sony E mount and micro four thirds.
The maximum aperture of F 2.8 is not very bright.
It’s much wider than your everyday kit lens at 30 millimeters to help you get pictures and darker situations and get more out of figures’ backgrounds.
Remember, though; this little lens does not have image stabilization to build quality; the lens is nice and simple.
It’s small, although it’s certainly no pancake lens, and with its metal lens mount. It does have a little weight to it.
Its main control is the focus ring, which runs smoothly, although it is focused by wire.
It’s electronically coupled to the focus motor Berge when using manual focus, and it’s fairly responsive.
However, one issue for the lens is that while its autofocus motor is almost silent, it’s also quite slow.
It’s a straightforward little lens.
How about image quality? The lens is extremely sharp with excellent contrast, over in the corners.
Image quality is a little less biting but still very sharp.
So, 10 out of 10 to sigma, it may be a budget lens, but it certainly seems to be high performance, and about distortion and vignetting, it’s good news.
Only a little barrel distortion is visible, and even at F 2.8, Vignetting is nothing bad.
The lens can focus as closely as 30 centimeters, which is good enough for smaller subjects at F 2.8.
The image quality closes up, is nice and sharp.
Overall, the sigma 30-millimeter f 2.8, when used on a Sony camera, at least, is a very well-done lens.
Indeed, the focal length of 30 millimeters is handy for all kinds of photography. The F 2.8 maximum aperture is reasonably bright, if not very exciting.
The build quality is good, the image quality is great.
In terms of image quality, this is really fantastic and is highly recommended.
We’re going to break down everything that you need to know so that you can decide if this thing’s going to be right for you or not.
We will be looking at everything you need to know today, including building performance, value, and everything important.
The first thing you noticed and one of the signs is the best features, is its size.
This lens measures less than two and a half inches wide by one and three-quarter inches long with the lens hood installed.
And even better, it only weighs 93 grams with no accessories on it, making this lens fantastic for travel, street photography, and gimbal work.
You’ll notice that there are no buttons or switches on this lens, which helps with cost as this is a relatively inexpensive lens.
You’ll find an ultra multi-coating on the front element, which is set to increase clarity and sharpness by reducing lens flare and ghosting.
On the back, you’ll find a metal-looking plastic mount and a complete lack of weather sealing.
The focus ring is firm and accurate and is electronically coupled to your camera.
Although it is a mainly plastic build, it does feel well put together and somewhat reliable as a whole.
Just 249 US dollars, this lens is full of value, and there’s not much to compare it to. Because of the price of this lens, what it offers, and comparisons, this lens is excellent value for money.
All right, so let’s talk performance. Don’t expect miracles, but expect better than expected like most things in photography and life.
You get what you pay for, but as I said, there’s value to be had here.
Let’s start with the autofocus. When it comes to video, this is definitely not the fastest focusing lens.
However, it’s pleasantly accurate, and another nice thing about it is it’s basically silent.
This thing’s perfect for video work, and because of its size, it will be great on a gimbal. Also, face and eye-tracking work just fine on this lens for both people and animals.
The autofocus does perform better instills rather than video, but it’s perfectly acceptable for both.
So talk about the sharpness and the optics of this lens. Now wide open at F 2.8 in the center, it’s reasonably sharp.
However, if you tend to venture outside of that, it will be noticeably soft quite fast, and that’s a bit disappointing, especially when you stop down to F4; there’s a tiny bit of improvement but not much.
So, all in all, this lens does suffer a little bit in the corners and is by no means anything extraordinary when it comes to sharpness.
Also, you’ll notice that this lens suffers from quite heavy vignetting, especially wide open.
Also not the most impressive is the bokeh, and it is a two-point, having a seven-bladed aperture; it’s just nothing out of this world.
When it comes to performance as a whole, there are not many bad things to say about this thing.
Sure, it doesn’t have the fastest autofocus, but it’s not the slowest either it is accurate.
Sharpness is outstanding, but it’s not terrible, but you do have to keep the price in mind.
My final thoughts on this lens are fairly decent, and I like the size. I like the weight.
It’s by no means a professional lens, but if you’re on a budget and you’re looking for a great walk-around lens, something for travels, street photography, or, like I said, gimbal work.
This is a great option for you.
The 16-millimeter f 1.4 DC in C for contemporary, it’s for Sony’s E mount cameras and Micro Four Thirds.
With their smaller sensors, it costs about 380 pounds in the UK, or 400 US dollars, making potentially good value for money if it’s any good.
It’s a really wide angle, giving you dramatically stretched images. They’re not so wide that everything is pushed away into the distance. This isn’t quite an ultra-wide-angle territory.
And to have 1.4, you can obviously get some fast shutter speeds for shooting indoors or in the dark and getting some noticeable background separation too.
The build quality, it’s not a huge lens, but it is quite substantial, being a little long and feeling solid and weighty 400 grams.
Its only control point is the large rubberized focus that turns extremely smoothly and not too loosely, and the focus control worked precisely on my Sony camera lens.
The Autofocus motor is accurate, averagely fast, and pretty quiet, although you can hear a little worrying and clicking going on if you listen carefully.
Bear in mind this lens does not have image stabilization.
Overall, really nice build quality.
The image quality as half 1.4 sharpness is excellent right away, and contrast is also outstanding.
Over in the corners, sharpness and contrast are a little reduced, but not much at all.
For such a wide-angle lens at F 1.4, This is actually excellent quality.
Overall, those results speak for themselves; really, the image quality of this lens is simply brilliant.
It’s fun to get close-up shots with bright aperture wide-angle lenses at F 1.4.
So, overall, the optical priority of a wide-angle lens, such as this is sharpness, and even to have 1.4, the good news is that the sigma 16-millimeter F1.4 can really fly.
Its distortion is rather strong, and the bokeh can be a little smoother, but its value for money, build quality, high contrast, and close focus distance are brilliant.
And aside from anything else, it’s a handy lens. Combined with a bite maximum aperture, those dramatically wide images make it just so enjoyable to use.
It is excellent value for money, and it has to come highly recommended.
The Tamron 35mm f/2.8 fulfills all the needs of a full-frame E-mount lens with its excellent sharpness, clarity, and contrast; while also super compact and lightweight.
This lens will capture your subject beautifully, whether you are shooting portraits on location or street photography in the city.
With close focus up to 1:2 Macro capabilities, you can achieve some really stunning detail when portraits come into focus at long-range distances.
The build quality and image quality are top-notch!
Multi-coated lenses protect against flare and ghosting, so your pictures will always look their absolute best.
It captures crisp images with superb image quality thanks to a high MTF performance on all full-frame DSLRs.
The ƒ/2.8 fast aperture lets you shoot handheld at lower ISO sensitivity settings in dimmer situations.
And the close focus distance of just 19 inches (48 cm) offers impressive 1:2 Macro performance making it perfect for capturing small objects and large scenes alike.
Low Light / Landscape Photography are some of the best genres that will suit this particular lens! Not only does it retain incredible sharpness, but it also provides accurate colors year-round!
The Moisture-resistant construction makes it perfect for all those outdoor adventures you might be taking as well.
It’s 35mm focal length has a fast aperture of F2.8 and allows for various work from detailed product photography all the way up to portraits with pleasing bokeh (out-of-focus effect).
This lens is a perfect full-frame lens for those who are just getting started in photography!
Use it and your everyday walk-around lens or vacation to get stunning travel photos while continuously adjusting settings.
It works well in conjunction with tripods, which are often the solution for such shots.
With this lens, your Tamron lenses won’t let you down when it comes to providing excellent photo quality without spending too much money!
Ready to bring some sharp, glorious images to your film?
The Samyang 12mm f2 is the perfect lens for Sony’s APS-C sensors as it delivers an angle of view equivalent to 18mm when mounted on a full-frame camera.
The Samyang 12mm f2 is a lens designed with the Sony Aps-c shooter in mind.
The manual focus allows for precision control, which benefits photography in low-light situations and a macro on any subject.
It will work well with outdoor, nature, and landscape photographers looking to get close-up shots of farther away objects like people at the beach or an animal across a vast clearing.
Sporting a lightweight design and sturdy aluminum alloy build, this affordable lens will be sure not to disappoint!
Optical Image Stabilization (OIS) is incorporated to minimize blur from camera shake or low light photography.
The Samyang 12mm f2 has fast aperture benefits that can take care of any scene without having you struggle with noise.
It focuses on 7.9 in and is for APSC-format Sony E-mount cameras.
Not only does it have a fast maximum aperture of f/2, but it also has an NCS (nano-coating system) for increased light transmission and reduced internal reflections, giving you clear shots no matter what the lighting conditions are like!
This lens is a great choice for photographers who shoot on Sony E-mount APS-C cameras and want to save some money.
As one of the best third-party lenses we have ever seen, it has most of the same features as an expensive, brand-name counterpart and offers numerous benefits such as a low price point.
Affordability and quality — a great combination!
As one of the best budget Sony E-mount lenses, this ultra-wide-angle camera lens from Rokinon is a must-have.
You’ll be able to get that perfect unobtrusive shot with its super multi-layer coating to reduce flares as well as ghost images, thanks to an aspherical lens element for the amazing peripheral image.
With a minimum focusing distance of 0.9′ (28 cm) and a built-in petal-type hood for greater contrast, don’t feel shy about getting up close and personal with your subjects because it has razor-sharp construction, which will help you add some depth to those shots like no other.
The best budget Sony E-mount lens with an ultra-wide angle of view on both full-frame and APS-C cameras.
This is the “must-have” for anyone interested in landscape photography!
This ultra-wide angle of view gives an entirely different perspective on what’s out your window or walking down the sidewalk.
With a minimum 28cm focusing range for close-up shots and razor-sharp imaging, it’s perfect for shooting headshots and landscapes with plenty of depth.
Designed exclusively to work with Sony cameras using E-mount technology, its 100% metal body is built to last without all the bells and whistles with more expensive models.
The lens has a maximum aperture of F2.8, which can be opened down to capture more light, or closed down to create dramatic depth of field effects due to the narrow depth range that appears sharply focused in front of its blurry background.
There’s no autofocus function or zoom capability, so users are expected to rely only on manual focus strictly, but this is the best part!
You choose what portion of the scene you want to be blurry while having everything else razor-sharp.
It is the best lens to buy if you want superior build quality without spending more money.
This is one of the best budget lenses on the market today!
Do Sony FE lenses fit E-mount?
Do Sony FE lenses fit E-mount? Do they work with an A7RIII? Do they work with the latest Sony full-frame mirrorless cameras, including the A7RIII and the A9? Do you have to buy a new lens to take advantage of all of these features built into this camera body? The answer is yes! Sony has released two different types of their own range of lenses: FE and G. The difference between them is that one set will give you access to more features than the other.
Are third-party lenses any good?
Many people have been asking themselves this question, so we decided to get the answer for you. Are third-party lenses any good? The answer is YES! In fact, some studies show that they are BETTER than the original manufacturer’s lens.