8 Best Travel Lens For Sony A7iii: (2023 Buying Guide)

It’s a question asked every day, probably thousands of times. What is the best travel lens for Sony A7iii to take on my trip traveling?

And unfortunately, there’s no simple answer, but I have broken it down.

And I’m reviewing my 8 favorite traveling lenses for your Sony A7iii.

Let’s get started:

What lens do I need for Sony A7iii?

Here are my recommended top 8 best travel lens for Sony A7iii:

Which Sony lens is best for travel photography?

Sony 16-35mm 2.8: (Best Travel lens for Sony A7iii)

I keep seeing many people repeatedly asking the same question on forums, Facebook groups, Twitter, and Reddit about a single lens they can use to travel worldwide.

I can tell you about it from my experience with travel for almost half the year, and shooting edit publishes almost daily.

So this is the lens I travel with worldwide, the single lens I travel with. I don’t even unscrew it from my Sony isn’t an art, Not a single day.

This is heavy, expensive, and extremely sharp, recommended in the great, profoundly insane lens.

This is the only single-lens I used to shoot daily, and I do everything with it.

It can do a session well; it can do 35 and 52 mm. What else can you expect from a $2,500 lens? This is the only lens you need in your kit bag.

So, in my opinion, this is the best run-and-gun walk around the lens.

So talking about the focal length, 16 mm is perfect for vlogging and landscape photography. 35 mm is just so perfect for portrait photography.

If you’re only Sony full-time, you can switch to Super 35 mm mode and go to the crop mode, and you reach 250mm that is insane.

It’s incredibly fast if the aperture opens up after one day, and that is what the full range for 16 to 35 is; you can have the aperture open up to 2.8, which is ridiculous.

Sony is diminished to a Sony A7iii and can see in pitch dark with this lens.

I love it, and I keep seeing the person like people ask, which lens for photography and which lens for videos?

This lens can do for photos, and it does seek highly sharp images can. This is one of the sharpest lenses in the Sony lineup, the GM 16-35 F 2.8.

And talking about the videos, I’ve already clarified that this is the only lens I use the whole day for filmmaking, vlogging, weddings, and almost everything.

This is heavy; this is expensive, like $2,500 that is crazy expensive, almost the same price as a Sony camera, but yeah, it makes sense because it is incredibly sharp, extremely fast, and does nearly everything.

This is the only lens you can travel within your kit bag, and do not regret anything. I mean, this does almost everything for you.

This can see in pitch-dark conditions as well. He opens up to F 2.8, so that’s all about it.

I can tell you it sleeps with me 😀 Go ahead and get it recommended.

Sony 16-35mm f4: (Best Landscape Lens for Sony A7iii)

I choose this lens mainly because of its size and its weight. It’s a great size and way; it’s also image stabilized.

So if I don’t always have my tripod with me, or maybe it’s not convenient to have that tripod set up at that time.

I can still rely on this to give me sharp images, even at lower shutter speeds.

It’s also a tremendously versatile focal range.

I can have 35 millimeters, use it for portraits, and get right there for people and whatnot. I can also use it at 16 and get my substantial landscape shots to get as much as I want in there at a time.

As far as performance goes, the autofocus is reliable and fast.

As I mentioned, it is image stabilized to use at slower shutter speeds, and I don’t mind the f4 because I’m not using a fast ultra-wide lens.

I’m using different things like landscape or real estate, but that’s my shooting style.

So that’s my first pick when it comes to landscape lenses.

Tamron 28-75mm F 2.8: (Best vlogging lens for Sony A7iii)

Its size and weight can’t be beaten for fantastic, sharp, and crisp pitchers, and it’s just a versatile focal range.

Lens size and weight will be a huge factor, but for me, this one will win out just because of the size and weight.

But it all depends on the type of trip you’re going on and how much space you have.

So I love this lens for its versatility; it’s also a great video lens. It’s a great all-around lens.

This lens has it all; its autofocus is fast, accurate, and performs well in any situation.

It’s a fast f 2.8, giving you beautifully blurred backgrounds and decent low-light performance. I’d have to say this is one of my most used lenses.

It’s decently weather-sealed and extends as you zoom, but it’s a great size and weight.

Overall performance creates value, and I’d recommend this lens to anybody.

So looking at some of our standard zoom options, our Tamron 28 to 75 is one of the best value-for-money lenses, in my opinion. It’s a fantastic value.

So a common question I get asked pretty often is, what one lens do I recommend that can do everything, that you can vlog with that, you can shoot photography with, and get B roll with all without changing out your lens?

And not to mention, won’t it break the bank? And that’s an excellent question.

But there is one lens that gets pretty darn close: the Tamron 28 to 75 F 2.8. This is a perfect description of what this lens is.

It’s a jack of all trades; it can get pretty wide shots and lovely tight bokeh background blur shots.

So is this budget lens worth it, and can it compete against the G master lens?

So main reason why I picked this design is that I was looking for a versatile lens that I can get wide-angle shots and then quickly zoom in and get those tight background blur bokeh shots without having to switch out my lens.

This is important to me because many of my shots are running guns, and a lot of it is candid, so I don’t have much time to switch on my lens to get the specific photos I need.

So it’s town-wide enough, and can they get a nice background blur with an aperture of 2.8?

At first, I was pretty skeptical, too, as if this could get a nice background blur, but when zoomed up to 75 millimeters.

At F 2.8, you can see some very nice background blur and bokeh. All are generally impressive as, of course.

It’s not going to be as good as a prime lens at, say, f 1.8, but it still does the job, and I would use it for client projects.

I can get wide shots and then zoom in; they get those bokeh shots, making me a pretty versatile videographer. I can save a lot of time while shooting on the set.

Another thing that’s great about this lens is that it’s lightweight, pretty compact, and significant because it is made of plastic.

But that’s a trade I will take if it doesn’t affect the image quality.

I was amazed at the results, there is no difference to Tamron’s lens is just as sharp, and honestly, it works almost as well as Sony’s native lens, so that’s pretty impressive.

Okay, so how about the drawbacks?

There will be some drawbacks with this lens; with every lens, there’s got to be some drawback, but the only drawback that I can think about with this lens is that it’s a 28-millimeter instead of a 24-millimeter.

I would rather have this lens via 24 millimeters versus the 28 just because I can get wider shots.

I’m thoroughly impressed with this Tamron lens, which saved me a considerable chunk of money.

This is a very excellent beginner lens that can cover wide-angle and tight zoomed-in shots.

Sony 100-400mm F4.5–5.6: (Best Wildlife lens for Sony A7iii)

This is an absolute no-brainer, probably my favorite traveler of all time.

This thing is so tiny for what it is and versatile with this three-foot minimum focus distance.

I cannot get enough of this lens, throw 1.4 times teleconverter into your bag, and you’ve got a 150 to 600; it’s an absolute no-brainer.

This thing will be able to capture just a multitude of things on your trip, and it’s easy to throw in your bag.

So these, hands down, are one of my favorite lenses ever.

It’s sharp through every focal range at every aperture; for me, it replaces many lenses. The autofocus is fantastic.

You can bet that whatever you point this lens at, whatever you throw at it, it will perform.

I’m constantly amazed by this thing and just whipping my camera around to capture whatever might be heading my way.

It acquires focus and captures whatever I’m looking for instantly. So yeah, it’s got phenomenal autofocus.

But let’s talk about another massive factor in my choosing this lens: the minimum focus distance I just over three feet.

This lens can produce some incredible macro-like shots, making it one of the most versatile extreme telephoto lenses.

On average, you could expect a 7 and 9-foot minimum focus distance with your typical long-range lenses.

So to have a lens that performs this well inside a meter and still has some decent reach is fantastic.

So yeah, it’s great for birds and wildlife. But could you use it for portraits? Sure. What about events in the landscape? Absolutely yes.

It’s small and portable enough that you can take it anywhere.

And I find myself using it in a lot of cases.

If I’m taking a telephoto lens traveling with me, this is straight-up my number-one choice.

Sony 24mm F1.4: (Best wide-angle lens for Sony A7iii)

This is awesome, and it is truly my favorite lens.

I like a lot of lenses, and a few lenses I love, but this is my favorite. This is always on the camera lens.

Now let’s begin with the build quality; as you all know, I’m a sucker for lightweight and compact lenses, and this lens weighs in at only 445 grams or 15.7 ounces, just a pound.

The Sony A7iii camera body is lightweight, and this lens balances perfectly on it.

Sony noted that this lens is dust and moisture-resistant, and a thin rubber gasket around the mount creates a moisture seal.

It’s not fully weather-sealed, but it can withstand environmental challenges, so that’s comforting.

Now let’s talk about image quality.

This is precisely what you expect when it comes to image quality. I’d have to agree that Sony claims spectacular resolution, even at F 1.4.

Even when shooting at F1.4, You get sharp centers in fairly sharp corners with minimal corner blur.

After some tests, it looks like the sharpest aperture on this lens lands somewhere around F5.6, and it stays incredibly sharp.

So, that’s sharpness, but how does this lens deal with the negative artifacts that appear, like chromatic aberration, vignetting, and distortion?

It looks exceptionally well-controlled, with even areas of heavy contrast only showing a little bit of that green magenta.

Next up, vignetting and distortion; it does look like this lens does suffer from some level of vignetting in the corners.

However, it’s about par for the course for wide-angle lenses for video, which could be an issue.

However, this is a straightforward fix in Lightroom with a click of a button for photos.

But if we’re talking about distortion, it seems like a tiny amount.

However, it’s one of those cases where there’s so little distortion that, in practice, it doesn’t affect the image.

Finally, bokeh, this lens produced at F1.4, can create a beautiful background blur.

Even at 24 millimeters, you can get beautiful bokeh, and that’s easy to do at a focal length like 24 millimeters.

So, combining the wide aperture of F1.4 and the ability to get close to someone while maintaining a wide field of view, you get this beautiful look, which I like to refer to as environmental portraits.

You managed to get a sharp subject, combined with a wide Vista behind your subject for context.

And on top of that, you still get subject separation from the shallow depth of field from the combination of the F 1.4 and the proximity.

This creates beautiful images that let you showcase the photo’s location, giving context to your portraits while focusing on the subject.

This focal length and aperture combination is so incredible for traveling, and on top of all of that, the lens renders bokeh in a very pleasing way.

Next, discuss video quality flaring in bright sunlight, which is very cinematic and aesthetic.

It has this unique quality where you get those separate lens elements separated throughout the lens flare, and it looks very, very good.

Personally, it has that cinematic quality that I personally really like having in my shots. You don’t get any blown-out images, and you get creative flares.

Next is autofocus speed is incredibly responsive in both photo and video; this thing doesn’t miss a beat.

It seems like he can focus for a minimum close focus distance out to infinity in just under a second and silently.

That’s another thing, no autofocus motor noise, which is excellent for video if you’re vlogging or have a setup where the microphone is on top of your camera.

You’ll never have to worry about hearing the autofocus motors working to keep things in focus. Also, the focal length of 24 millimeters is perfect for handheld shooting.

This is a great focal length for shooting on the go for situations like traveling or vlogging. You won’t have to make your audience potion sick from all the shaky footage.

Now, let’s talk about what I love about this lens; what’s my favorite thing about this focal length, its lightweight qualities, and how well it works on a gimbal?

The A7iii plus the 24-millimeter F1.4 G Master Plus design weevil crane has become one of my go-to stabilizer setups for the past month.

It all works so well together; it balances incredibly quickly, it’s super compact, and I can shoot with it for hours without destroying my shoulders, and most importantly, the footage looks so good.

The compact size means I’m willing to bring the setup wherever I go without fearing it being too cumbersome.

Another great thing about this is what I mentioned initially, and it’s my always-on-the-body camera lens.

This means I’m lovely traveling anywhere with this lens and camera body with the camera strap on.

I can walk around and get shots, which means more footage with less effort.

Finally, I’ve been in love with this field of view, and I can get it on my full-frame Sony A7iii, which means an even more shallow depth of field and better low-light performance.

On top of that, I can use it knowing that Sony’s best construction gives me a bit of professional reassurance when I want to bring on the jobs with me.

So here’s my conclusion.

This lens is incredibly sharp, starting at even F 1.4, and gets sharper as you go up to F 5.6 When you hit critical sharpness.

Despite its wide-angle lens, there’s nearly no distortion, and it handles chromatic aberration very well. It renders bokeh pleasingly and smoothly and has beautiful lens flares.

It’s compact and lightweight; it balances perfectly on the Sony A7iii.

It’s priced competitively when compared to other brands selling similar quality lenses.

This is if you don’t have a wide-angle lens in your arsenal.

I’m a big fan of it because it’s useful for many types of shots, Astrophotography, real estate photography, travel photography, vlogging, gimbal work, low light work, and more.

This is a lens that genuinely gets recommendations from me.

Sony 85mm F1.4: (Best portrait lens for Sony A7iii)

This is one of the best focal lengths for both photo and video.

The buttery, smooth, out-of-focus background is crisp and sharp in focus, adding a more cinematic style to your videos.

This is a prime lens, and F1.4 blurs that background. It’s also fantastic in low light. So this is giving you that extra stop of light.

The other big deal is just how crisp things are; it draws your eyes to the subject that helps you create and share the emotion that’s going on in the people.

I find myself doing a lot of portrait work where I’m up in people’s faces, and I’m moving around them, and I’m just getting like a conversation or some laughing, and you’re feeling the emotion with this lens.

I liked the 85mm because I do many portrait-style videos where I’m shooting with people. I love to evoke that emotion and see that emotion on their face.

Many of my videos revolve around emotions, and I think 85 is a fantastic job of capturing that.

It’s wide enough to go back and get some good scenic shots.

I know it’s a high price for this lens, but it is absolutely 100% worth it for me. I’ve been using this one specifically on my Sony A7iii body and have just been blown away by it.

Tamron 17-28 f2.8: (Best budget travel lens for Sony A7iii)

It is amazing and absolutely a lens you should consider.

This lens matters so much if you’re in that sub $1,000 category; it is tiny and lightweight and matches this incredibly well.

Using this on a gimbal is fantastic because your center of gravity doesn’t shift at all while using it for video.

So, I appreciate that being incredibly small and lightweight.

I have been using this lens with the A7iii, and I was impressed with how this lens handles flare.

Overall, I didn’t see any issues I would generally see on a lens like this.

Now at F 2.8, I found it a little less sharp than I would have liked.

You’ll be much happier with the quality coming out of this and again when you start stopping down to like 5.6 and beyond.

This is a great quality lens all the way around really impressed, especially for under 1000 bucks.

Autofocus seemed great as well, and you’re not going to push the limits of autofocus on a wide-angle lens like this, even at F 2.8.

I’ve shot all of this at F 2.8 and for video or photos, and literally, all my photos were in focus, and the videos were in focus.

So, it was doing an excellent job, but yes, it’s a little bit easy for you to get that kind of performance from a lens like this.

If you haven’t picked up the 28 to 75 yet, I recommend that lens first. It is so much more versatile and has an F 2.8 in that kind of range is even more important.

I will say for wide-angle lenses, I’m not used to all the time shooting at F2.8, so the only time is if I’m in low light, with no tripod, or I have a moving subject or want to blur that background.

The performance on this was excellent, so I think you’ll be able to match that with a little bit of a reduction in image quality 2.8.

I had this lens somewhere between F8 and F 16 for many landscape shots, but hiking through trails with a small and lightweight lens with this is a fantastic experience.

Honestly, the build quality has survived everything I’ve thrown at it; it still looks perfect.

Having one lens you can use for almost everything is fantastic.

This was huge for me for video: a constant aperture, a wide aperture, and a lens without any external focus.

So it meant I could use it on a gimbal without worrying about anything.

I use this a lot at weddings, and I use it a lot out in the field, so for the video, I think this is a highly recommended lens and something you should consider.

Sigma 24-70mm f/2.8 (Best sigma lens for Sony A7iii)

The Sigma 24-70mm f/2.8 is the best lens for Sony A7iii traveling photographers!

A go-to lens for those looking to expand their range without breaking the bank.

This lens, specifically for the A7iii at its focusing length, will be just what you need to get fantastic photos like never before.

The Sony A7iii is a compact, full-frame camera with stellar image quality. It’s unbeatable for landscapes and flowers, but it might be low on high-end zoom.

That’s why we designed the Sigma 24-70mm f/2.8 lens to give you the perfect zoom range for your adventures!

Our clever Lightweight Construction design makes this lens feel weightless at just 725 grams.

With SRGB and DCN support, this lens can take any photo seamlessly from day to night or with perfect natural color reproduction that you’ll fall head-over-heels over every time.

This highly versatile lens features a constant ƒ/2.8 and is perfect for traveling abroad, capturing wildlife, sports events, and other photographic pursuits. Use it on Full-Frame sensors too!

Whether you want an extremely sharp, sweeping landscape or a glorious portrait shot, this gem will capture your beautiful moments like nothing before.

The sigma’s significant bokeh effects will keep your subjects’ eyes popping out from under any look you can create in green screen sessions too!

This lens has outstanding image quality compared to other lenses today. This lens is worth every single ounce!

What lens should I use for travel?

Sony 16-35mm 2.8 is the best lens I suggest using for travel purposes. The lens length of 16 mm is ideal for trip vlogging and landscape photography, to put it simply. The 35 mm format is merely suitable for taking trip portrait photos. If you only use a Sony camera exclusively, you may switch to Super 35 mm mode, select crop mode, and get an unbelievable 250mm. Because I travel for almost half the year and photograph, edit, and publish practically every day, I can speak from experience about how this lightweight, smooth-shooting lens has made my life easier.

What is the best telephoto lens for Sony A7 III?

The Sony 85mm F1.4 is the most fantastic telephoto lens for the Sony A7 III. My vacation videos are more theatrical because of the buttery, smooth background blur and clear, crisp focus. I adored the 85mm lens since I regularly do portrait-style movies of people. I like seeing how they react and make them feel that way. Given that this is a prime lens, at F1.4, the background appears blurred. Excellent in low light as well. Los Cabos, located at the very point of Mexico’s Baja California Peninsula, provides stunning beaches and desert scenery that I captured with the aid of this lens. It made me go smoothly with this lens’s help.

What lens should I get for A7 III?

Sony 24mm F1.4 is the best lens I should get for A7 III. It is comforting that even if it is not waterproof, it can endure some environmental dangers. Even at that diminutive size, superb bokeh may be easily achieved with a focal length of 24 millimeters. I use the F1.4 wide aperture in combination with the ability to go close to a person while maintaining a broad field of view to get this incredible effect, which I refer to as environmental portraiture. One of the most excellent times of year to visit Sedona is Christmas. There is a lot to see and do in this stunning red rock landscape. I used this lens to tell my followers about my entire journey and photograph it.

What ISO is too high for Sony a7 III?

Here, the software takes over to operate outside the sensor’s range of best performance. I’m most interested in extended ISOs from ISO 64000 to ISO 204800. It can go as low as ISO 50 at the slow end, but I’m more interested in the immediate future here. I prefer to steer clear of high ISO settings in my everyday photography. However, it’s helpful to be aware of my options and my margin of error while shooting in difficult lighting conditions. For my photographs, their sensitivity to light is ideal. This is where Sedona celebrates the lighting of the Christmas tree and the Festival of Lights, which features the illumination of 6,000 luminarias the following week. With this lens, I fly there and obtain beautiful results.

Is Sony A7iii suitable for wildlife photography?

Sony A7iii is an excellent camera for wildlife photography. Sony has been in the game for a long time, and they know what they are doing, so this should be no surprise. The Sony A7iii is a full-frame mirrorless camera with an impressive 42MP sensor that captures every detail of your subject. If you’re looking for a high-quality wildlife photography setup, go with the Sony A7iii!

Can you use Sigma lenses on Sony A7iii?

The Sony A7III is a fantastic camera. It has impressive features, and it’s priced to sell. Can you use Sigma lenses on Sony A7iii? Can you use other third-party lenses with the Sony A7III? The answer depends on the lens mount that your specific Sigma lens uses, but in general, yes!

Conclusion:

So at the end of the day, it’s all going to come down to what’s best for you, and your shooting style will be different.

What kind of shooting Are you going to be doing on your trip?

Where will you research and check out what’s available to you?

If you’re traveling only in cities, having a big telephoto lens may not make sense.

Alternatively, you may not need an ultra-wide lens if you’re going for wildlife.

So it’s going to be up to you guys, and I hope this article was eye-opening.

I hope it helped and you enjoyed it.

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7 Best prime lens for Sony A7iii: (2021 Guide & Reviews)

7 Best wide-angle lens for Sony A7iii: (2021 Guide & Reviews)

5 Best Landscape Lens For Sony A7iii:

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