It’s a question asked every day, probably thousands of times. What are the best travel lens for Sony A7iii for me to take on my trip traveling?
And unfortunately, there’s no simple answer, but I have broken it down.
And I’m reviewing my 8 favorite traveling lenses for your Sony A7iii.
Let’s get started:
What lens do I need for Sony A7iii?
Here are my recommended top 8 best travel lens for Sony A7iii:
|Image||Product||Best lens for||View on Amazon|
|Sony 16-35mm 2.8||(Best Travel lens for Sony A7iii)||View on Amazon|
|Sony 16-35mm f4||(Best Landscape Lens for Sony A7iii)||View on Amazon|
|Tamron 28-75mm F 2.8||(Best vlogging lens for Sony A7iii)||View on Amazon|
|Sony 100-400mm F4.5–5.6||(Best Wildlife lens for Sony A7iii)||View on Amazon|
|Sony 24mm F1.4||(Best wide-angle lens for Sony A7iii)||View on Amazon|
|Sony 85mm F1.4||(Best portrait lens for Sony A7iii)||View on Amazon|
|Tamron 17-28 f2.8||(Best budget travel lens for Sony A7iii)||View on Amazon|
|Sigma 24-70mm f/2.8||(Best sigma lens for Sony A7iii)||View on Amazon|
Which Sony lens is best for travel photography?
I keep seeing many people repeatedly asking the same question on forums, Facebook groups, Twitter, and Reddit about a single lens they can use to travel worldwide.
I can tell you about it from my experience with travel for almost half of the year and shoot edit publish almost daily.
So this is my lens like I travel with it worldwide, which is the single-lens I travel with. I don’t even unscrew it from my Sony isn’t an art, Not a single day.
This is heavy, expensive, and extremely sharp, recommended in the great, deeply insane lens.
This is the only single-lens I used to shoot daily, and I do everything with it.
It can do a session, and it can do very well; it can do 35, he can do 52 mm. What else can you expect from a $2,500 lens? This is like the only lens you need in your kit bag.
So, in my opinion, this is the best run and gun walk around the lens.
So talking about the focal length, 16 mm is just so perfect for vlogging, landscape photography. 35 mm is just so perfect for portrait photography.
If you’re only Sony full-time, you can switch to Super 35 mm mode and go to the crop mode, and you reach 250mm that is insane.
It’s incredibly fast if the aperture opens up after one day, and that is what full range for 16 till 35 you can have the aperture open up to 2.8 that is ridiculous.
Sony is diminished to a Sony A7iii, can see in pitch dark with this lens.
I love it, and I keep seeing the person like people ask, which lens for photography and which lens for videos?
This lens can do for photos, and it does seek highly sharp images can. This is one of the sharpest lenses in the Sony lineup, the GM 16-35 F 2.8.
And talking about the videos, I’ve already clarified that this is the only lens that I use the whole day for filmmaking, vlogging weddings, almost everything.
This is heavy; this is expensive, like $2,500 that is crazy expensive, almost the same price as a Sony camera, but yeah, it makes sense because it is incredibly sharp, extremely fast, and does almost everything.
This is the only lens that you can travel within your kit bag, and do not regret anything. I mean, this does almost everything for you.
This can see in pitch dark conditions as well. He opens up to F 2.8, so yeah, that’s pretty much all about it.
I can tell you it sleeps with me 😀 Go ahead and get it recommended.
I choose this lens mainly because of its size and its weight. It’s a great size, and it’s a great way; it’s also image stabilized.
So if I don’t always have my tripod with me, or maybe it’s not convenient to have that tripod set up at that time.
I can still rely on this to give me sharp images, even at lower shutter speeds.
It’s also a tremendous versatile focal range.
I can have 35 millimeters and use it for portraits and get right there for people and whatnot. I can also use it at 16 and get my huge landscape shots to get as much as I want in there at a time.
As far as performance goes, the autofocus is reliable and fast.
As I mentioned, it is image stabilized to use at slower shutter speeds, and I don’t mind the f4 because I’m not using a fast ultra-wide lens.
I’m using different things like landscape or real estate, but that’s just my shooting style.
So that’s my first pick when it comes to landscape lenses.
Its size and weight pretty much can’t be beaten for what is fantastic, very sharp, very crisp pitchers, and it’s just a versatile focal range.
Lens size and weight will be a huge factor, but for me, this one will win out just because of the size and weight.
But it all depends on the type of trip you’re going on and how much space you have.
So I love this lens for its versatility; it’s also a great video lens. It’s a great all-around lens.
This lens has it all; its autofocus is fast, accurate, and performs well in any situation.
It’s a fast f 2.8, giving you beautifully blurred backgrounds, as well as decent performance in low light. I’d have to say this is one of my most use lenses.
It’s decently weather-sealed, it does extend as you zoom, but it’s a great size and weight.
Overall performance creates value, and I’d recommend this lens to anybody.
So looking at some of our standard zoom options, our Tamron 28 to 75 is one of the best value-for-money lenses, in my opinion. It’s a fantastic value.
So a common question I get asked pretty often is, what one lens do I recommend that can do everything, that you can vlog with that, you can shoot photography with and get B roll with all without changing out your lens.
And not to mention won’t break your bank? And that’s an excellent question.
But there is one lens that gets pretty darn close, and that is the Tamron 28 to 75 F 2.8. A perfect description of what this lens is.
It’s a jack of all trades; it can get some pretty decent wide shots, as well as getting some pretty lovely tight bokeh background blur shots.
So is this budget lens worth it, and can it compete against the G master lens?
So main reason why pick this design, because I was looking for a versatile lens that I can get wide-angle shots and then quickly zoom in and get those tight background blur bokeh shots without having to switch out my lens.
This is important to me because many of my shots are running guns, and a lot of it is candid, so I don’t have a lot of time to switch on my lens to get the certain shots I need.
So it’s town-wide enough, and can they get a nice background blur with an aperture of 2.8.
At first, I was pretty skeptical, too, as if this could get a nice background blur, but when zoomed up into 75 millimeters.
At F 2.8, you can see some very nice background blur, and bokeh all are generally impressive as, of course.
It’s not going to be as good as a prime lens at, say, f 1.8, but it definitely still does the job, and I would use it for client projects.
I can get wide shots and then zoom in; they get those types of bokeh shots, making me a pretty versatile videographer. I can save a lot of time while I’m out shooting on the set.
Another thing that’s great about this lens is that it’s lightweight, pretty compact, and large because it is made out of plastic.
But that’s a trade I will take as long as it doesn’t affect the image quality.
I was amazed at the results, there is no difference to Tamron’s lens is just as sharp, and honestly, it works almost just as good as Sony’s native lens, so that’s pretty impressive.
Okay, so how about the drawbacks?
There will be some drawbacks with this lens; with every lens, there’s got to be some drawback, but the only drawback that I can think about with this lens is that it’s a 28 millimeter instead of a 24 millimeter.
I would rather have this lens via 24 millimeters versus the 28 just because I can get wider shots.
I’m thoroughly impressed with this Tamron lens, and it saved me a considerable chunk of money.
This is a very great beginner lens that can cover wide-angle and tight zoomed-in shots.
This is an absolute no-brainer, probably my favorite travelers of all time.
This thing is so small for what it is and versatile with this three-foot minimum focus distance.
I cannot get enough of this lens, throw 1.4 times teleconverter into your bag, and you’ve got a 150 to 600; it’s an absolute no-brainer.
This thing will be able to capture just a multitude of things on your trip, and it’s easy to throw in your bag.
So these, hands down, are one of my favorite lenses ever.
It’s sharp through every focal range at every aperture, and for me, it replaces many lenses. The autofocus is fantastic.
You can bet that whatever you point this lens at, whatever you throw at it, it’s going to perform.
I’m constantly amazed by this thing and just whipping my camera around to capture whatever might be heading my way.
It acquires focus and captures whatever I’m looking for instantly. So yeah, it’s got phenomenal autofocus.
But let’s talk about another huge factor in me choosing this lens, and that’s the minimum focus distance I just over three feet.
This lens can produce some incredible macro-like shots, making it one of the most versatile extreme telephoto lenses out there.
You could expect between a 7 and 9-foot minimum focus distance on average with your typical long-range lenses.
So to have a lens that performs this well inside a meter and still has some decent reach is fantastic.
So yeah, it’s great for birds and wildlife. But could you use it for portraits? Sure. What about events in the landscape? Absolutely yes.
It’s small and portable enough that you can pretty much take it anywhere.
And I find myself using it in a lot of cases.
If I’m taking a telephoto lens traveling with me, this is straight-up my number one choice.
This is awesome, and it is truly my favorite lens.
I like a lot of lenses and a few lenses I love, but this is my favorite. This is always on the camera lens.
Now let’s begin with the build quality; as you all know, I’m a sucker for lenses that are lightweight and compact, and this lens weighing in at only 445 grams or 15.7 ounces, just a pound.
The Sony A7iii camera body is lightweight, and this lens balances perfectly on it.
Sony noted that this lens is dust and moisture resistant, and there is a thin rubber gasket around the mount which creates a moisture seal.
It’s not fully weather-sealed, but it can stand up to some environmental challenges, so that’s comforting.
Now let’s talk about image quality.
When it comes to image quality, this thing is exactly what you expect. Sony claims spectacular resolution, even at F 1.4, and I’d have to agree.
Even when shooting at F1.4, You get very sharp centers in fairly sharp corners with minimal corner blur.
After some tests, it looks like the sharpest aperture on this lens lands somewhere around F5.6, and it stays incredibly sharp.
So, that’s sharpness, but what about how this lens deals with the negative artifacts that tend to appear like chromatic aberration vignetting and distortion.
Well, it’s looking to be exceptionally well-controlled, with even areas of heavy contrast only showing a little bit of that green magenta.
Next up, vignetting and distortion; it does look like this lens does suffer from some level of vignetting in the corners.
However, it’s about par for the course for wide-angle lenses for video, which could be an issue.
However, for photos, this is a straightforward fix in Lightroom with a click of a button.
But if we’re talking about distortion, it seems like there is a tiny amount of distortion.
However, it’s one of those cases where there’s so little distortion that, in practice, it doesn’t affect the image at all.
Finally, bokeh, this lens produces at F1.4 this lens can create beautiful background blur.
Even at 24 millimeters, you can get beautiful bokeh, and at a focal length like 24 millimeters, that’s easy to do.
So, combining the wide aperture of F1.4 and the ability to get close to someone while still maintaining a wide field of view, you get this beautiful look, something I like to refer to as environmental portraits.
You managed to get a sharp subject, combined with a wide Vista behind your subject for context.
And on top of that, you still get subject separation from the shallow depth of field from the combination of the F 1.4 and the proximity.
This creates beautiful images that let you showcase the photo’s location, giving context to your portraits while focusing on the subject.
This focal length and aperture combination is so incredible for traveling, and on top of all of that, the lens renders bokeh in a very pleasing way.
Next, let’s discuss video quality flaring in bright sunlight is very cinematic and aesthetic.
It has this unique quality where you do get those separate lens elements separated throughout the lens flare, and it looks very, very good.
Personally, it has that cinematic quality that I personally really like having in my shots. You don’t get any blown-out images, and you get creative flares.
Next is autofocus speed is incredibly responsive in both photo and video; this thing doesn’t miss a beat.
It seems like he can focus for a minimum close focus distance out to infinity in just under a second and silently.
That’s another thing, no autofocus motor noise, which is excellent for video if you’re vlogging or have just any setup where the microphone is on top of your camera.
You’ll never have to worry about hearing the autofocus motors working to keep things in focus. Also, the focal length of 24 millimeters is perfect for handheld shooting.
This means that this is a great focal length for shooting on the go for situations like traveling or vlogging. You won’t have to make your audience potion sick from all the shaky footage.
Now, let’s talk about things I love about this lens; what’s my favorite thing about this focal length, combined with its lightweight qualities, how well it works on a gimbal.
The A7iii plus the 24 millimeter F1.4 G Master Plus design weevil crane has become one of my go-to stabilizer setups for the past month.
It just all works so well together, it balances incredibly easily, it’s super compact, and I can shoot with it for hours on end without, like, destroying my shoulders, and most importantly, the footage looks so good.
The compact size of the setup means I’m willing to bring the setup with me wherever I go without fearing it being too cumbersome to carry around.
Another great thing about this is what I mentioned initially, and it’s my always-on-the-body camera lens.
This means I’m lovely with traveling anywhere with just this lens and camera body with the camera strap on.
I can walk around and get shots, and that means more footage with less effort.
Finally, in general, I’ve been in love with this field of view, and I can get it on my full-frame Sony A7iii, which means an even more shallow depth of field and better low-light performance.
On top of that, I can use it knowing that Sony’s best construction gives me a bit of professional reassurance when I want to bring on the jobs with me.
So here’s my conclusion.
This lens is incredibly sharp, starting at even F 1.4, and gets sharper as you go all the way up to F 5.6 When you hit critical sharpness.
There’s nearly no distortion despite its wide-angle lens, and it handles chromatic aberration very well. It renders bokeh pleasingly and smoothly and has beautiful lens flares.
It’s compact and lightweight; it balances perfectly on the Sony A7iii.
It’s priced competitively when you compare it to what other brands are selling similar quality lenses.
If you don’t have a wide-angle lens in your arsenal, this is the one.
I’m a big fan of it because it’s useful for so many types of shots, Astrophotography, real estate photography, travel photography, vlogging, gimbal work, low light work, and more.
This is a lens that genuinely gets recommendations from me.
I think this is one of the best focal lengths for both photo and video.
The buttery, smooth out-of-focus background, crisp and sharp in focus and just adds a little bit more of a cinematic style to your videos.
This is a prime lens, and F1.4 blurs that background. It’s also fantastic in low light. So this is giving you that extra stop of light.
The other big deal is just how crisp things are; it draws your eyes to the subject that helps you create and share the emotion that’s going on in the people.
I find myself doing a lot of sort of portrait work where I’m up in people’s faces, and I’m moving around them, and I’m just getting like a conversation or some laughing, and you’re feeling the emotion with this lens.
I liked the 85mm because I do many portrait-style videos where I’m shooting with people. I love to evoke that emotion and see that emotion on their face.
Many of my videos revolve around emotions, and I think 85 is a fantastic job of capturing that.
It’s still wide enough that you can go back a little bit and still get some good scenic shots.
I know it’s a high price for this lens, but it is absolutely 100% worth it for me. I’ve been using this one specifically on my Sony A7iii body and have just been blown away by it.
It is amazing and absolutely a lens you should consider.
This lens matters so much you’re in that sub $1,000 category; it is incredibly small and lightweight matches this incredibly well.
It is fantastic if you’re using this on a gimbal because your center of gravity doesn’t shift at all while you’re using it for video.
So, I appreciate that being incredibly small and lightweight.
I have been using this lens with the A7iii, and I was impressed with how this lens handles flare.
I mean, overall, I didn’t see any kind of issues that I would generally see on a lens like this.
Now at F 2.8, I found it just a little less sharp than I would have liked.
You’ll be a lot happier with the quality coming out of this and then again when you start stopping down to like 5.6 and beyond.
This is a great quality lens all the way around really impressed, especially for under 1000 bucks.
Autofocus seemed great as well, and you’re not going to push the limits of autofocus on a wide-angle lens like this, even at F 2.8.
I’ve shot all of this at F 2.8 and for video or photos, and literally, all my photos were in focus, and the videos were in focus.
So, it was doing an excellent job, but yes, it’s a little bit easy for you to get that kind of performance from a lens like this.
If you haven’t picked up the 28 to 75 yet, I highly recommend that lens first. It is so much more versatile and has an F 2.8 in that kind of range is even more important.
I will say for wide-angle lenses; I’m not all the time shooting at F2.8, so the only time if I’m in low light, with no tripod, or I have a moving subject or want to blur that background.
The performance on this was excellent, so I quickly think you’ll be able to match that with a little bit of a reduction in image quality 2.8.
I had this lens somewhere between F8 and F 16 for many landscape shots, but man hiking through trails with a small and lightweight lens with this is a fantastic experience.
Honestly, the build quality has survived everything I’ve thrown at; it still looks perfect.
It’s fantastic and then to have one lens that you can use for just about everything.
This was huge for me for video: a constant aperture, a wide aperture, and a lens without any external focus.
So, it meant that I could use it on a gimbal and didn’t have to worry about anything.
I use this a lot at weddings, and I use it a lot out in the field, so for the video, I think this is a highly recommended lens and something you should consider.
The Sigma 24-70mm f/2.8 is the best lens for Sony A7iii traveling photographers!
A go-to lens for those looking to expand their range without breaking the bank.
This lens specifically for the A7iii at its focusing length will be just what you need to get fantastic photos like never before.
The Sony A7iii is a compact, full-frame camera with stellar image quality. It’s unbeatable for landscapes and flowers, but it might be low on high-end zoom.
That’s why we designed the Sigma 24-70mm f/2.8 lens to give you the perfect zoom range for your adventures!
With our clever Lightweight Construction design, this lens feels weightless at just 725 grams.
With SRGB and DCN support, this lens can take any photo seamlessly from day to night or with perfect natural color reproduction that you’ll fall head-over-heels over every time.
This highly versatile lens features a constant ƒ/2.8 and is perfect for traveling abroad, capturing wildlife, sports events, and any other photographic pursuit. Use it on Full-Frame sensors too!
Whether you want an extremely sharp, sweeping landscape or a glorious portrait shot, this gem will capture your beautiful moments like nothing before.
The sigma’s great bokeh effects will keep your subjects’ eyes popping out from under any look you can create in green screen sessions too!
This lens has an outstanding image quality in comparison to other lenses on the market today. This lens is worth every single ounce!
Is Sony A7iii good for wildlife photography?
Sony A7iii is an excellent camera for wildlife photography. Sony has been in the game for a long time, and they know what they are doing, so this should come as no surprise. The Sony A7iii is a full-frame mirrorless camera with an impressive 42MP sensor that captures every detail of your subject. If you’re looking for a high-quality wildlife photography setup, then go with the Sony A7iii!
Can you use Sigma lenses on Sony A7iii?
The Sony A7III is a fantastic camera. It has an impressive set of features, and it’s priced to sell. Can you use Sigma lenses on Sony A7iii? Can you use other third-party lenses with the Sony A7III? The answer depends on the lens mount that your specific Sigma lens uses, but in general, yes!
So at the end of the day, it’s all going to come down to what’s best for you, and your shooting style is going to be different.
What kind of shooting Are you going to be doing on your trip?
Where will you do some research and check out what’s going to be available to you?
If you’re traveling only in cities, maybe it doesn’t make sense to have a big telephoto lens.
Alternatively, if you’re going for the wildlife, maybe you don’t need an ultra-wide lens.
So it’s going to be up to you guys, and I hope this article was eye-opening.
I hope it helped and you enjoyed it.