If you are a Canon photographer looking for the best walk-around lens, this article is for you.
I will list lenses that I recommend based on several factors, including price, size, weight, and features.
This list will be geared towards those who need to carry their camera with them all day but still want high-quality photos.
Which is the best walk around lens for Canon?
Here are my recommended top 17 best walk around lens for Canon:-
|Image||View on Amazon||Best walk around lens for Canon|
|View on Amazon||Sigma 24mm F1.4: (Best walk around lens for Canon APS-C)|
|View on Amazon||Canon 24-105mm F4: (Best walk around lens for Canon 5D mark iv)|
|View on Amazon||Canon 55-250mm F4-5.6: (Best walk around lens for Canon Crop sensor)|
|View on Amazon||Tamron 24-70mm F2.8: (Best walk around lens for Canon Full-frame)|
|View on Amazon||Canon 18-135mm F3.5-5.6: (Best super zoom walk around lens for Canon)|
|View on Amazon||Canon 50mm F1.8: (Best walk around lens for Canon DSLR)|
|View on Amazon||Canon 24-70mm F/2.8: (Best walk around lens for a Canon 8D)|
|View on Amazon||Sigma 30mm f1.4: (Best walk around lens for Canon 90d)|
|View on Amazon||Canon 16-35mm f4: (Best walk around lens for Canon 7d mark ii)|
|View on Amazon||Sigma 18-300mm f3.5-6.3: (Best walk around lens for Canon 70d)|
|View on Amazon||Canon 50mm f1.8: (Best walk around lens for Canon 6d mark ii)|
|View on Amazon||Sigma 18-35mm f1.8: (Best walk around lens for Canon 7d)|
|View on Amazon||Canon EF 70-200mm f/2.8L: (Best walk around lens for Canon r6)|
|View on Amazon||Canon 24-105mm f4: (Best walk around lens for Canon 40d)|
|View on Amazon||Canon 17-55mm f2.8: (Best all in one lens for Canon)|
|View on Amazon||Canon 24-70mm f2.8: (Best walk around lens for Canon 6d)|
|View on Amazon||Canon 10-18mm f4.5-5.6: (Best walk around lens for Canon 80d)|
A fascinating new lens for full-frame cameras, the 24-millimeter F1.4 art lenses that combine such a wide angle and maximum aperture are helpful, creative, and fun.
24 millimeters is a very wide angle that dramatically pushes back your subject and gives you corners that look just slightly stretched.
It’s especially popular with wedding photographers or anyone who needs a big field of view without quite going into the ultra-wide-angle cemetery.
If you’re using an APS-C camera, you’ll get an angle of about 38 millimeters.
That’s still a reasonably wide angle, but you get more emphasis on your subject.
It’s a perfect focal length for general-purpose shooting.
You could fix this lens to an APS-C camera for an ideal walkaround lens.
I’d say that a 24-millimeter focal length has even more appeal on an APS-C camera than a full-frame.
And, of course, this 24-millimeter lens’s most significant selling point is its extremely wide maximum aperture of F 1.4.
This means it can let in a tremendous amount of light, which helps shoot indoors or in the dark.
F1.4 can also give you impassively out-of-focus backgrounds, especially for a wide-angle field of view.
A 24-millimeter F1.4 lens can give you striking images, whatever camera you use.
This lens is slightly big and heavy, jam-packed with 15 glass elements, typically for segment arts lenses.
It feels excellent and tightly put together.
It’s based on a lens mount, although no extra weather sealing exists.
The lens is dominated by a large rubberized focus when it turns about 90 degrees, so that’s nearly precise enough.
Driving itself turns extremely smoothly and not too heavy, and that is full-time manual fixing so that you can adjust the focus at any time.
The lens’s autofocus motor works silently but not very quickly.
That’s fast enough for most uses.
It’s not as fast as one of Canon’s lenses, but it works accurately.
Overall, the lens is very well made, and it’s a pleasure to use, just like segments and other art lenses.
The image quality, sigma, has recently produced some very sharp lenses.
Still, as I mentioned before, this kind of wide-angle fast aperture lens is challenging for manufacturers to design.
The lens is astonishingly sharp with slightly warmer colors and fantastic contrast levels on a full-frame camera, a 20-megapixel Canon 60 at F 1.4 in the middle of the image.
That’s a great result.
Most people will only be interested in how the lens performs in the middle of the image, and the sigma is mighty. Indeed, the contrast levels are awe-inspiring.
Overall, that’s an excellent performance on a full-frame camera.
The lens is very sharp indeed, with excellent contrast levels.
One issue is that you can see hints of color fringing on contrasting edges.
In the middle of the image, the picture quality is crazy sharp, and there’s no color fringing at this narrower aperture.
On an APS C camera, this lens produces a very tidy performance indeed. It’s nice and sharp with good contrast levels.
Although an average bonus of using a full-frame camera lens on a crop sensor camera, the corners are nice and bright.
The good news is that the lens only shows a little barrel distortion.
The lens can focus as closely as 25 centimeters, which is average among fast 24-millimeter lenses.
Still, that’s a very nice interface, enabling you to get some creative pictures.
The closer picture quality is pretty sharp, straight from F 1.4.
Finally, bokeh at F 1.4, you can get some impressively out-of-Vegas backgrounds for such a wide-angle lens.
When it comes to the quality of this lens, it is out of Vegas background. It has a bit of a split personality.
When your background is deeply out of Vegas, the bokeh looks smooth.
Overall, it’s still a compelling piece of equipment representing excellent value for money.
The build quality is excellent, and the optics are very sharp and punchy, at least in the middle of your images.
I’m especially pleased that the lens shows so little distortion.
The dark corners on a full-frame camera are admitted as disturbing, but that can be corrected in editing.
And it’s just a typical problem for this kind of lens on an APS-C camera.
This lab has no problems at all.
I’d say that this is probably the best walk-around claim lens you could get.
The segment 24-millimeter F1.4 is a delightful professional tool that comes highly recommended.
The 24-105 millimeter has a fixed aperture of F4.
So, it doesn’t matter if you shoot at a wide angle of 24 millimeters or zoom 105 millimeters; the aperture stays in F4.
This great walk-around lens is 800 grams, which is lovely for any occasion, especially weddings and holidays.
The focus ring has a pleasant resistance, and another feature of the 24 to 105-millimeter is the integrated image stabilizer.
This allows you up to three times longer exposure settings without noticeable shakings.
This piece of glass has outstanding performance when it comes to chromatic aberrations.
In terms of vignetting with the 24-105 millimeters, you don’t need to worry about that much.
At F4, you can expect to have some dark edges but nothing that Lightroom can’t fix.
The ultrasonic autofocus system works at an outstanding speed.
You get close enough, all for the next holiday and city trip with your family, through the flexibility of a wide-angle and zoom lens.
The touch focus was relatively fast in combination with the 5D Mark 4.
Street photography is another great opportunity to make the most out of this lens.
It’s a great lens to always have on one’s camera at 24 millimeters on a full frame.
You can get enough in the frame without distortion around the edges.
At 105 millimeters, you can get close enough for most occasions, even at a full-frame camera such as the 5D Mark 4 through the relatively lightweight.
It’s a great lens to have for discovering other cities.
I’m happy you also get a nice-looking bokeh with this lens.
The maximum aperture is just an F4, but filming interviews at about 50 or 85 millimeters open blurs the background, which is lovely.
If you consider having a lens that always sticks to your camera, it’s pretty nice and a good performer.
There is not much to say or complain about the lens flare.
You will notice a tiny flare pointing this lens straight into the sun.
The closest focusing distance on the entire focal length is 24 to 105, and a millimeter is about 1.4 feet, which is 45 millimeters with such a focusing distance.
You can take stunning detail shots of food, flowers, or jewelry, and you still get a broad background even shooting at f4.
The best part of this lens is its flexibility.
You must read a variable focal length of 24 millimeters, which is great for wide-angle shots.
And 105 millimeters allows you to bring your subjects closer to your full-frame or APS-C sensor camera.
The maximum aperture of F4 does not bother me at all on my 5D Mark 4 through its outstanding low-light performance.
When I take photos and videos during daylight conditions, I stop down to F8.
And if I want to use the bokeh, I will use an ND filter during the video recording.
This is an excellent walk-around lens for your full-frame or APS-C camera.
Remember that you get a 38 to 168 millimeter on a camera such as the ATD with a crop factor of 1.6.
It’s an excellent lens for your video recordings because you can save a lot of weight by carrying just a single lens.
Mainly if you deal with pressboard and wedding photography or for your walk-around and YouTube channel.
The bokeh of this lens is quite soft, even though the widest aperture is just f4.
And guess what? The image stabilizer seems to do a decent job as well.
I purchased this lens on Amazon; I was looking for a telephoto lens that was lightweight and inexpensive.
The EFs 55 to 250-millimeter lens is designed specifically for Canon APSC or crop sensor cameras.
I shoot a lot of wildlife photography on my Canon 80D, which I paired this lens with for the review.
This is the latest version of this lens, which adds faster autofocus.
It also comes with image stabilization, which Canon says will stabilize up to 3.5 equivalent stops of shake correction.
The lens has a 55 to 250 millimeters focal length on a crop sensor that’s 88 to 400 millimeters equivalent.
The aperture range is F4-5.6, closing down as you zoom into the 250-millimeter mark.
The aperture has 7 blades, which produce decent bokeh.
It takes some work to get a shallow depth of field with a human-size subject.
If you’re shooting outside with decent light and have the room, it’s much easier with more minor subjects like flowers, dogs, cats, and insects.
You’ll not need to get as close to your subject, and you can blur the background.
It sharps; the image is sharp through the aperture range.
It’s lightweight, has a quiet focusing motor, and is an excellent value for my price.
I noticed that at 250 millimeters, it would search in and out and around to find the bird’s head; it’ll get there, just not always on the first try.
It’s an odd focal range for crop sensor cameras.
So here are my final thoughts.
This is a significant kit lens upgrade, especially from 18 to 135.
It’s sharper than that lens, but you lose on the wide end.
Still, your images get more detail and contrast without breaking the bank.
The focal length for a crop sensor camera is odd because you have to have a decent amount of room between you and your subject to get everything in the frame.
At the end of Zoom, I always needed more reach than it could offer.
If you’re shooting your pets, flowers, or insects or vacationing at the zoo or the beach, you can get lovely, detailed images with this lens.
This came out a few years ago with a bit of excitement.
There are a few fast standard lenses for full-frame cameras, but this is the only one with image stabilization.
Something photographers have been calling out for.
The optics are good enough; this could be a real one-lens solution for full-frame camera owners still doing photography or video work.
The zoom range of 24-70 millimeters, going fairly wide-angle to slightly telephoto, is not a big vocal range, but it covers the basics well enough.
It’s your classic standard zoom range, suitable for capturing wide VISTAs or zooming in for portrait pictures.
If you’re using an APS-C camera, then 24 to 70 millimeters gives you a wide angle to work with.
This is more of a full-frame camera lens.
The maximum aperture of F 2.8 means it lets in a reasonable amount of light, and F 2.8 can also give you some nice out-of-Vegas backgrounds.
Tamron has thumbed its nose at the competition by offering image stabilization, or VC, as they call it.
The image is kept firmly still, which is great for still photography.
The lens around the stabilization is slightly jerky, so it’s not perfect for handheld video makers, but it’s doing a good job.
The lens’s build quality; it’s a pretty large lens.
It’s made of good quality plastics and a bit heavy.
Taiwan’s lens designers didn’t set any of their traditional size or weight restrictions this time.
The lens is based on a metal mount with a weather-sealing gasket attached to help keep dust and moisture.
The lens’s zooming is large, and the way it turns is rather heavy and not very smooth.
The focus ring turns very smoothly and precisely, being very well-damped.
The lens features full-time manual focusing, so you can change focus anytime.
And, of course, the lens’s front element does not turn or extend as he changes focus.
The autofocus motor runs very quickly, accurately, and quietly.
It sometimes needs to make a few micro-adjustments before it nails focus.
Overall, the time on 24 to 70 is a hefty lens, but it works very nicely.
The lens is bitingly sharp in the middle of the image, with good contrast and neutral colors.
The corners are a bit softer and Starker but still quite usable, with barely any chromatic aberration.
So, overall, the Tamron 24 to 70 pits have an excellent performance on a full-frame camera.
It’s always very sharp in the middle of the image, straight from F 2.8.
And if he stopped down the aperture a little bit, you’ll get sharp corners.
The Tamron lens works well enough on an APS-C camera at F 2.8, although your corners will be soft.
Stop down the aperture for fantastic image quality.
Finally, bokeh, this lens can give you quite a nice out of the figure’s background.
The quality of those backgrounds is generally okay.
The bokeh seems to be a bit smoother, but the Tamron 24-70 millimeter F2.8 VC USD is an excellent package at the end of the day.
Although big and heavy, the build quality and functionality are excellent, and its optics are nice and sharp.
Its image stabilization gives this fast standard zoom lens a significant advantage.
I could only have one lens for my full-frame camera to do all my still photography and video work.
This would be the one that is sharp and comprehensive; it’s a great lens that comes highly recommended.
This is the newest version of Canons 18 to the 135-millimeter lens and has an improved autofocus system.
It’s also supposed to have much-improved picture quality.
It’s an EF lens that won’t work on Canon’s expensive full-frame digital cameras.
The 18 to 135-millimeter focal range makes this a super-zoom lens.
It can zoom from reasonably wide-angle to telephoto.
135 millimeters is still very good, and having a shorter zoom range can often mean fewer compromises on picture quality.
The disadvantage of a super zoom lens is that it doesn’t give you a very wide maximum aperture, which means it doesn’t let in much light.
Thankfully, though, the lens does have image stabilization.
This helps you to get much sharper pictures and better handheld video work.
The image stabilization is relatively smooth as you pan the lens around.
It also works very quietly, which is another bonus for video work.
The lens’s build quality is relatively small and compact, considering its long zoom range, although it’s made of plastic.
The lens feels quite solid and tightly assembled.
The zoom ring works nice and smoothly, which is always a bonus.
The lens uses canons new STM autofocus system.
This means a couple of things.
Firstly, its focus system works using a special motor electronically coupled to your camera.
So, you can only change focus when the camera is turned on, and the motor runs slightly behind as you turn the focus ring.
It feels slightly odd, but it is responsive enough.
And the focus ring is also incredibly smooth, which is excellent news if you’re doing video work.
The lens’s front element doesn’t turn or extend as you focus, which is a lifesaver if you use a polarizing filter.
And, of course, the autofocus system is amazingly quiet and very fast indeed.
There is not a hint of noise or movement as your autofocus.
So, apart from the relatively slow maximum aperture, this lens would be handy for handheld video work.
At 18 millimeters with the aperture wide open at F 3.5, we see excellent sharpness and contrast in the middle of the image without purple fringing.
In the corners of the image, we still see acceptable sharpness, although there’s quite a lot of pink and green chromatic aberration on contrasting edges.
As we stop the lens down to 5.6, we see much more sharpness in the corners, or the chromatic aberrations remain.
In the middle of the image, we see fantastic sharpness and contrast.
So apart from the chromatic aberration, at 18 millimeters, it’s a performance on the good side of average.
The chromatic aberrations have significantly reduced the lens stop down to F8.
Finally, at 135 millimeters, it’s the same story.
Our study shows good sharpness in the center of the image and a few softer corners with a bit of visible chromatic aberration.
Overall, the lens performs reasonably well when wide open and stops the lens slightly for much more sharpness.
I would have hoped to see a bit less chromatic aberration, but at least that can be corrected in editing software.
Overall, the picture quality is better than average for the superzoom lens.
Some good news is that the background blur or bokeh quality is pretty nice on this lens.
It’s nice and soft at 18 millimeters, but you’re more likely to see it when you zoom in.
It’s still pretty good at 135 millimeters.
The lens can focus close to your subject, which is always helpful.
The picture quality at F 5.6 is pretty sharp, and it becomes even better when you stop the lens down to F8.
So that’s a pretty average performance that is still useful.
The lens’s performance against bright lights is pretty good.
There’s not too much of a loss of contrast, and flaring doesn’t seem too much of an issue either; good to see.
So overall, the Canon 18-35 millimeter STM is an excellent super zoom lens and a little sharper than the average.
The fantastic STM autofocus motor, excellent build quality, and dynamic image stabilization mean it’s all handled well for all kinds of photography and video work.
So, if you’re looking for a good super zoom lens, which one should you buy?
This new 18 to 135-millimeter STM lens will undoubtedly be much more popular.
And not just for its lower price; if you’re in the market for a super zoom lens, this is an excellent option despite its limitations.
As well as being excellent value for money.
If you’re a beginner photographer slash filmmaker, the Canon 50 millimeter at 1.8, the nifty 50, is a must-buy.
Are you looking to carry around one lens and have said $100 to spend on a lens?
Luckily for Canon shooters, there is a lens that is incredibly, incredibly wallet-friendly.
But it’s also surprisingly still a fantastic little lens, the Canon 50 millimeter f 1.8 STM.
This lens is very well-known and universally loved in the photography world.
So there’s nothing new in that respect.
However, if you are new to photography or filmmaking, let’s discuss why this guy is so popular.
So this is a standard first lens for people who’ve just bought a DSLR.
This was the first lens I ever bought, and this lens has taught me so much about photography and filmmaking.
So, enough rambling; let’s understand why this is a must-have lens for beginners.
So first of all, this lens is cheap.
The nifty 50 is the exception.
I guess it’s cheap, but don’t let the price fool you.
This little lens is a very, very capable piece of gear.
Not only is it cheap, but it’s lightweight and easy to carry around.
The nifty 50 weighs in at just 159 grams.
It’s so tiny that you can carry it around in your pocket.
The build quality is like its plastic, fantastic.
But it is still quite sturdy.
With that wide aperture of F 1.8 and within seven aperture blades, you’ll get that gorgeous circular-looking bokeh and creamy background.
This makes it a perfect budget lens for portraying words.
So you can make subjects pop from their backgrounds.
So basically, you get a good amount of subject separation, but not so much that it makes it so blurry that you can’t tell where your subject is; you still get that context of the environment.
Another benefit of the F 1.8 aperture is that it gives you lots of light.
This is considered a high-speed lens, which means it will work well in low-light situations.
So, because of this, you can still shoot what is not so bright but keep your shutter speed relatively high.
For example, if you’re trying to capture crisp images of fast-moving subjects, like your kids at a party or maybe your pets.
Let’s talk about the actual focal length, like 50 millimeters; at least on a full-frame camera, it is an excellent middle-of-the-road focal length, so it’s not too wide but tight.
So this makes it a pretty flexible lens in the sense that you can use it for portraits, use it for street photography, and use it for travel or landscapes.
Of course, with this being a cheaper lens, many people prefer more affordable cameras, likely more budget-orientated cameras with a temperature sensor.
So this 50-millimeter camera on a crop sensor body has a 1.6 times proxy.
You’re getting closer to an 80-millimeter focal length.
I get 80 millimeters, so this becomes an even better lens for a portrait on a crop sensor camera.
Is video work an excellent lens for capturing details and Play substitute?
The biggest reason this is such a perfect lens for beginners is that it is an affordable prime lens.
You don’t have the luxury of being able to zoom in and out.
You can’t be lazy with this lens.
It makes you physically move.
It makes you think about composition more about the field, forcing you to think and be a more thoughtful shooter.
I used the analogy of being like a gateway drug to this nifty 50, which was like my gateway drug into the world of cameras, filmmaking, and gear.
I’ve never met anyone who taught me and didn’t suddenly become like a cameraman overnight.
So, it will make you want to be a better photographer or filmmaker.
That is why the 50-millimeter F 1.8 lens is the perfect lens for beginners and, in my opinion, the first lens you should buy for your DSLR.
Now, considering the price, there are some downsides to this lens.
First of all, I didn’t mention the build quality before.
It’s fine. Isn’t the weather sealed?
So, I wouldn’t take you out in the rain and the snow, for example.
Second of all, I’ve had no issues with this focusing on taking pictures.
However, when using it for filming, occasionally It does.
It has trouble locking into faces, especially if you have fast-moving subjects.
However, dropping it to F 2.8 is slightly better, especially if your subject isn’t moving quickly.
But, at wide-open F 1.8 fast-moving subjects, it does have some trouble, like keeping up.
Lastly, the image quality It’s a sharp lens.
However, there are much better lenses out there.
You’re paying only a fraction of the price, and some drawbacks are expected, mainly with chromatic aberration.
So, if you put it on one of the crop sensor bodies, particularly with a crop sensor camera, do you get some chromatic aberration?
But all things considered, Considering how much you’re paying for the lens in the first place, I think those things are like you can forgive them.
I’m a prime lens shooter. So, what am I doing with this zoom lens?
I have a bag full of prime lenses, and I shoot almost exclusively with those prime lenses.
But I need to have a couple of situations I often use that I love.
And the Canon 24 to 70-millimeter f 2.8 version ii is one of those; this lens is like the standard zoom-in Canon lens lineup.
As far as professional photographers for weddings and events and things like that, this is an absolute go-to lens.
The zoom range on this, 24 to 70 millimeters, is excellent, wide end at 24 millimeters.
It’s a wide field of view, and you can zoom it into 70 millimeters, which isn’t a long telephoto focal length.
But with a large megapixel sensor like on the Canon 5D for 30 megapixels, I can shoot at 70 millimeters and crop fairly tight, still getting some great shots.
You can zoom in with the 70-millimeter focal length on a large sensor like this.
70 is an excellent range; the maximum aperture of 2.8 is great.
I love having wide, maximum-aperture lenses.
I would love it if it were image-stabilized, which it’s not.
I’ve had this for several years.
I’ve knocked it around.
I’ve used it a lot, and it still works and looks just as great as it did.
Use this 24 to 70 zoom as much as I do.
Well, it all comes down to what I’m shooting.
Why I’m shooting it? More importantly, Who I’m shooting it for?
In some situations, I have to get the shot and more for someone else and me if somebody asks me to shoot an occasion for them or an event.
I need to make sure that I get the shot, I get it in focus, and I get it right every time.
I would nail the shot every time because the focus is lightning-fast and always 100% accurate.
This is 100% accurate every time, even wide open a 2.8.
So, I know I go into a situation like that: I need to deliver something to somebody.
I know with this lens, it will focus quickly and accurately.
Because of this tremendous focal length, we’ll get the shot without changing lenses.
So, events like special occasions, parties, weddings, and anything like that are more about documenting the event for the person you’re not sacrificing image quality-wise with.
So, the Canon 24 to 70-millimeter f 2.8 mark ii is a must-have for me and might be for you.
So that’s my must-have zoom lens.
Help capture the magic of the world in stunning detail with the Sigma 30mm F1.4 lens for Canon 90D cameras.
It features an angle of view equivalent to 45mm on a 35mm camera and can take detailed, high-quality photos that are perfect for post-processing or enlarging.
Stunning as it captures all your memories!
It offers a bright F1.4 aperture and an angle of view close to human vision, ideal for shooting beautiful vistas and nearby subjects.
It is one of the best lenses for any pro or amateur photo lover.
This size in-depth, macro focus range at 0.30m and high-level image quality throughout the entire frame will take your photography skills to a new level!
A rear focus system prevents focus-dependent variation in aberration, meaning you can easily create professional-grade pictures!
It won’t take long before you pull out this lens repeatedly for every photo opportunity.
The lens offers a worry-free walk-around lens that is excellent for everyday photography and videography.
With its F1.4 aperture, you are letting in so much light to your camera’s sensor while mimicking human eyesight!
This Art Lens seeks beautiful simplicity, expressive blur, and high image quality throughout the entire scene it captures.
This assures high, crisp sharpness across all the optical elements within each component group on this top-tier optic.
Sigma’s 30mm f1.4 is the best walk-around lens for Canon 90d, printing the highest quality images possible with an F-stop of 1.4 and taking amazing pictures in the dark under low light settings!
The Sigma Art line has become famous for its high-quality, standard prime lenses with large apertures that can be easily used as all-purpose lenses for everyday photography.
If you are looking for a low-profile, slim-line lens that will allow you to have a less bulky camera on your body, this is the right one.
It’s wide enough to accommodate everyday scenes and has good portrait-length, which helps it be suitable as a “go-to.”
Many photographers will agree that the Canon 16-35mm f4 is one of the best walk-around lenses for a Canon 7D Mark II camera.
It offers unparalleled versatility with its wide focal length and fast aperture, ideal for candid shooting, cityscapes, and stunning landscapes.
It’s also a perfect complement to any lens kit if you need this zoom lens capability.
The lens is perfect for those who want to invest in an excellent walk-around lens.
It’s the best choice for people looking for more of an all-purpose lens that will expand their capabilities.
Take better pictures in low-light settings and improve your image quality by highlighting sharp details.
This makes it an excellent option for photography enthusiasts who need shooting precision with different perspectives.
This lens is perfect for those who need professional quality but do not have the budget for a full-frame camera.
It’s a high-quality glass with several unique focal lengths to ensure you get the right shot in every condition, even when unsure what conditions it will be!
This lens is the perfect way to get that wide-angle shot without weighing down your bag.
It also has a rounded 9-blade Diaphragm for an excellent color balance – even when shooting in AF mode!
This full-time manual focus lens promises that photographers will be able to achieve excellent color balance.
The versatility of this lens goes well with Canon 7d Mark II because it’s been made specifically to work seamlessly together.
No matter the distance from your subject, you will get razor-sharp images thanks to the Image Stabilization technology while shooting handheld.
Shots that are distant objects won’t be blurry at 16mm, even in low-light situations.
Fantastic picture quality means you can zoom in on an object or landscape without giving up fine detail, no matter how far away from your subject.
This versatile product has everything you could ever need!
This lens is for you if you want excellent color balance and detail in your images.
This Canon lens is a must-have accessory for anyone looking to shoot with the Canon 7D Mark II.
It would be best to have a versatile lens; quite a few exist.
If you’ve been looking for the best walk-around lens for your Canon 70d, Sigma 18-300mm f3.5-6.3 is the perfect fit.
It has many excellent features, like ultra-low distortion, and is sharp enough to capture fantastic wildlife action shots.
Whether you’re shooting landscapes or taking pictures of sports, this lens can cover you in all situations!
Plus! You don’t have to worry about carrying multiple high-end lenses because this excellent walkaround lens does everything for you!
This zoom boasts some groundbreaking features.
Including an innovative design that offers a maximum magnification ratio of 1:2 and changeable angles of view, enabling zoom macro photography.
As well as optical stabilization with its Super Multi-Layer Coating can form shots while taking care of flare and ghosting.
When shooting at the sun or shiny lights, this single best product has it all!
This versatile and durable zoom was designed with versatility, offering a focal length of 18 to 300 mm!
The Sigma 18-300mm F3.5-6.3 features impressive features, like a close focus angle of 15 inches, making it compatible with panoramic or commercial stock photography without losing detail.
This lens is perfect for both beginners and seasoned pros!
With an 18-300 focal length, you can capture anything from distant wildlife to up-close portraits of the people you love.
The fast aperture (f/3.5 – 6.3) makes it great for shooting in low light and gives your images some extra depth of field.
The optical stabilization locks on, so you get crisp photos every time.
This Sigma’s lightweight and small form factor makes it easy to go with you anywhere.
As the only lens in its class with a wide zoom range, this lens lets you cover everything up to 300mm and at 18-300mm.
If you want fantastic quality with minimal effort when photographing your next trip or event – get yourself the Sigma 18-300mm F3.5-6.3 today.
The Canon 50mm f1.8 is a fast, sharp “walk-around lens” perfect for low-light walks and capturing people from the proper perspective.
It’s also ideal for experimenting with shallow depth of field or doing close-up camera work without changing lenses.
Shoot portraits and action shots, or take some nighttime photography, all with this great walk-around lens.
This lens is perfect for when you are out and about with an APS-C camera or a fully framed one!
The angle of view is 40º horizontal and 27º vertical so that you can capture the best moment from almost any perspective.
Thanks to the stepping motor (STM), you will also enjoy near-silent operation.
The minimum focusing distance is 1.15 feet (0.35 meters), giving many options for shooting up close.
Perfect for giving your photos that macro effect, too!
With a maximum aperture of f/1.8, your images get a pleasing bokeh effect.
Its focal length and angle help you take beautiful portraits and impressive action shots even at night!
It’s small enough to carry around easily yet packs a massive punch in quality and versatility.
This is an excellent lens for those who want to take their photography off the grid, whether exploring ancient ruins or colorful festivals.
This lens can capture dramatic shots with naturally softer skin tones while showing backgrounds more subtly than its prime competitor’s.
Thanks to substantial bokeh (the pleasing out-of-focus area behind your subject).
This is perfect for traveling, last-minute photoshoots, or anything else photography-related!
We highly recommend this lens if you use a Canon 6D Mark II and want to take your photo skills to the next level.
If you want the best walking-around lens that will dominate at f1.8, this Sigma 18-35mm is perfect!
Its wide-angle range and bright F1.8 maximum aperture make it perfect for shooting HD videos, low-light images, street photography, action shots, and more.
The built-in AeroSnap focus system provides quick adjustments to your scene without a bulky tripod or monopod while still getting excellent results with its close minimum focusing distance of 11″.
But we have not finished yet!
Beyond beautiful video features, this lens is also designed to produce outstanding professional-quality photographs so you can share them on social media for all your friends to see and enjoy!
With an f1.8 maximum aperture, this compact zoom range will ensure you get the right shot in any light condition without compromising quality or durability.
Featuring an ultrasonic AF motor with full-time manual focusing and USB Dock compatibility, it provides easy customization to suit your shooting style.
And at only 138 grams (5 oz.), it won’t weigh you down either!
This bright f1.8 zoom lens by Sigma is the one-lens weapon in every sense of the word.
For Canon 7D shooters, it’s a no-brainer to go for this versatile full-frame prime with similar low light capability as an 18mm with over 16mm more focal length.
It offers impressive sharpness.
Thanks to its new design and elements made from SLD glass with lower dispersion than standard DSLR lenses in its category, let alone comparable ones at double the price!
This lens creates beautiful and powerful images with a modern look while maintaining its sharpness and artistic quality.
Photojournalists rejoice! When using this high-powered zoom lens to capture all your moments without compromise, it’s no longer necessary to lug around multiple camera lenses on your daily shoots.
This is the kind of lens that makes you say, “Why didn’t I buy this sooner?
The Canon EF 70-200mm f/2.8L walk-around lens is perfect if you like to spend time outdoors and take snapshots of your favorite landscapes and wildlife.
Canon supplies stunning optics for professionals, and now they have made a professional quality lens available to the average photographer.
This walk-around lens for Canon r6 is essential because it offers incredible light-gathering power with its constant F2.8 aperture.
This is an excellent camera for shooting sports or wildlife that require fast shutter speeds in low-light environments.
It can get dark out at night, so with a constant F2.8 aperture available at all lengths.
You won’t have to miss capturing starry skies or fast animals because of the lack of light!
This lens is Canon’s best 70-200mm, promising high-quality images with fast autofocus.
With a 70-200mm focal length, this lens’s range can cover most everyday photography scenarios, from group shots and landscape photographs to close-up portraits.
With an ultrasonic motor (USM) and full-time manual, little stands in its way to take convincing photos.
At F2.8, the closest of its focal lengths are unusually short, so you can take close-up shots without catching your background on camera!
This lens also offers image stabilization for minimal blurriness on long exposures and a minimum focus distance of over four feet from the subject.
So getting up close isn’t an issue, and compatibility with extender EF 1.4x II and 2x II.
Built to capture photojournalistic detail with incredible clarity and accuracy.
The legendary L series has had durable build quality matched only by its reputation since 1982.
This state-of-the-art technology also makes it ideal for photojournalists who need to take photos under difficult conditions quickly and efficiently.
It’s perfect for beginners who want to carry one lens around to cover wide distances without buying two lenses or renting one on location while still holding up in professional settings.
With this all-around performer in your kit, you can capture consistent, sharp images at any focal length with cutting-edge optics and stellar autofocus performance – high speed and near-silent.
Anyone looking for a reliable workhorse lens will love that the Canon EF 70-200mm f/2.8L can help them be ready for anything from landscapes, weddings, portraits, and much more!
A powerful zoom that outperforms all others.
Take your photography to the next level with this worth-it lens!
When looking for an all-purpose lens, one of the most popular options is Canon 24-105mm f4.
Possibly the best walk-around lens for Canon 40d, this produces fantastic photos.
Aspherical lenses minimize distortions and chromatic aberrations to produce high-quality results every time.
This is a perfect lens for photographers who love taking casual daytime shots in urban environments or outdoor family holidays: relax and have fun!
This high-performance, versatile, and reliable zoom lens offers shooters the natural perspective of a true wide to telephoto view.
It is designed to complement Canon’s EF series SLR camera line.
This is the perfect “walking around” aperture when shooting landscapes, architecture, or anything else that pulls close and keeps things relatively distant.
Key features include 1 Super UD glass element and 3 aspherical lenses, which reduce field curvature, chromatic aberration, and distortion!
The focal length starts at a wide midrange of 24 mm with a max aperture of F/3.5, which can go up to 105 mm on F/4.0 Wide open (F3.5 at the longest end).
It provides beautifully sharp images with distinct details everywhere you point and focus your camera.
This lens is perfect for someone who wants one lens compatible with portraitures and landscapes.
The super UD glass element ensures maximum clarity and color fidelity, and the 3 aspherical lenses minimize distortion and chromatic aberration.
This versatile zoom also has an Image Stabilizer for camera shake up to 3 stops.
It weighs 23.6 ounces, so it won’t weigh you down even when you have a full day of taking pictures ahead of you.
The product is lightweight with Image Stabilizer technology for steadying images by three shutter speeds, so you can rest assured that the shake won’t affect your shot.
You can also rest knowing this product is both water and dust-resistant too!
It’s also perfect for everything from birthday parties to weddings to concerts—great for catching unexpected moments usually missed when using other less expensive or more specific lenses.
With this lens, you can widen your perspective and take amazing photos that will stay with you for the rest of your life—designed to be an all-around option.
Perhaps you’re looking for a lens that does everything without breaking the bank.
Perhaps you need something rock solid and reliable that won’t let a little rain or snow dampen your plans.
This Canon 17-55mm f2.8 is as good as it gets and will take care of all your photography needs, from landscapes to nature shots, portraits (with the 135mm focal length), and candid shots (with its wide angle).
With weather sealing on this lens and an adjustable aperture ring with click stops.
Full manual focus override, customizable ergonomic dials including three custom buttons provided by MF/AF switch near the rotation tab.
It can hold one customized control at a time.
We recommend this Canon 17-55mm f2.8 lens with USM and AD elements that deliver impressive images from wide-angle to long distances for those who want the best all-in-one lens for Canon.
This lens gets the best of both worlds: a wide-angle zoom and fast f/2.8 maximum aperture to take your tightly cropped shots or nicely blurred backgrounds for when you want moody, soft portraits.
This lens is perfect for professional and amateur photographers, providing versatility and reliability in one excellent piece of equipment.
The 17-55mm lens for Canon is perfect for those looking to take amazing photographs.
This all-in-one lens has many features that will make you want to use it more and more often for shooting with your Canon DSLR camera.
It provides an uninterrupted 27 mm* expansive view; what seems like the whole space in front of you can be captured within this single frame!
The lens produces beautiful bokeh because it can produce shallow depth-of-field images with a maximum aperture of F/2.8 throughout the zoom range.
This means less light is required since the light coming into focus decreases as the distance from the subject increases.
You can also create “portrait mode” type shots by simply wanting to be close to or far away from your subject – animals included!
Image quality is impressive from edge to edge with aspherical elements that reduce distortion and chromatic aberration.
The ring-type ultrasonic monitor allows you to manually select various signal inputs, opening up possibilities for different shots.
With 22.8 ounces and 3.3 inches in diameter and 4 typical lenses designed to minimize reflections at many angles, it’s perfect for capturing quality images!
Don’t miss out on this sharp lens with image shake compensation features and a large circular aperture to create gorgeously blurred backgrounds!
This lens is excellent for general, everyday photography and can also capture landscape photos without sacrificing detail in the foreground or background.
Get close-up shots of wildlife without getting too far away from them, thanks to this lens near a minimum focus distance of 1.15 feet!
Paired with a high-quality DSLR camera like our Rebel T6i, you’ll enjoy vivid colors that pop and pictures with perfect clarity throughout all zoom settings.
The Canon 17-55mm f2.8 is an ideal candidate for all your photo needs!
Many people buy one lens for their Canon 6D or camera and stick with that.
There is much versatility in this 24-70mm Canon lens, and worth checking out if you are thinking about getting something new.
If you have been using your kit lens, you know just how limiting they can be, but want to take better photos? Get this one!
This lens is a sharp, versatile walk-around lens for Canon 6D cameras.
The 24 to 70-millimeter lens is most popular with full-frame cameras.
But it also works well on compact APS-C camera bodies like the Canon Rebel T6i or Canon EOS 80D.
This versatile zoom range makes this lens perfect for just about any situation.
Casual snapshots of landscapes and wildlife, candid portraits in cramped spaces, high-action sports shots right up close, shiny objects unlike anything you’ve ever seen!
Detailed, high-quality photographs are a must for every professional photographer, and the Canon 70mm lens is indispensable in your arsenal of lenses.
The Canon 6d offers fast autofocus and HD video capture without touching the camera.
No manual focusing is required! Focus distance can be preset to infinity or hyperfocal distances (usually 5m).
An F2.8 constant maximum aperture, 82-millimeter filters, and speeds of focusing at 1/16-first half shutter button press with full-time manual focusing.
In addition, this color-rich lens will give you sharp and saturated images, whether cloudy or sunny out!
This is great for all those creative moments you want to capture from a distance and close-up!
Weighing only 1.7 pounds, including a built-in USM motor, we know you will enjoy this lens!
This lens is perfect for anyone looking to expand their photography repertoire or upgrade from a kit lens.
With an expanded focal range, this lens can get anything from wide-angle shots of outdoor scenery to intimate portraits taken up close with a full-frame sensor camera.
The 24-70mm f2.8 is arguably the best walk-around lens for Canon 6D photographers who want to extend their creative control from 24 mm through the dramatic and hard-hitting land of 70 mm.
A near-perfect zoom lens when it comes to framing up your shots.
Canon 10-18mm is the day hiker’s best friend.
It’s perfect for hiking and sightseeing, with breathtaking landscapes to capture on your Canon 80D camera.
This ultra-wide zoom is perfect for the shoot, from wide, sweeping landscapes to snaps of the neighborhood flowerbed while walking with the dogs.
This allows excellent compositional freedom on any subject without changing lenses, saving you time outdoors and indoors to take home more memories from your trip!
This walk-around lens can capture more than your eyes see.
It will allow you to switch seamlessly from landscape photography to portrait photography without changing lenses or hiking up a mountain because this one has everything you need!
Reduce the light that hits your sensor with a bokeh effect for those moody shots.
Bokeh? Worry not. Your new best friend, the Night Scene Optimizer, has handled it for you.
What else is good about this wide-angle Canon lens?
It produces little noise even during video shooting (let’s be honest, who doesn’t take selfies?) and has a focal length range between 10mm.
It has an expanding focal length and maximum aperture exceeding comparable prime lenses.
It is fully equipped with a stepping motor that works quietly in video mode and optical image stabilization (plus a built-in hood).
You’ll get professional-quality photographs from every angle without missing out on what life offers.
The close focusing distance is 0.72 feet, which means greater detail to your photos when shooting far away subjects!
It’s compact and lightweight, with a focal length of 10-18mm.
With it, you can take in close details and expansive scenes full of detail.
Perfect for travel enthusiasts who want to capture wide vistas but don’t want to carry a camera bag everywhere they go.
And the anti-shake technology takes care of any sharp 24/7.
Another great benefit of this product is that Canon includes weather sealing in inclement environments like rainforests because they’re fantastic.
Ease of use never stands in the way of creativity, thanks to this lens’ built-in image stabilizer that lets you know where all those precious memories are coming from.
From ultra-wide angles at 10mm focal length up to 18mm for landscape photography or intimate close-ups on a solo outing—with its f3 aperture (or F4 at 11 mm).
Capture all the right moments with your buddies or that one person you can never get enough of, and tell them it’s time they bought their filter 😉
Alright, guys, that concludes all the lenses we will discuss today in this article.
Do you guys have any experience with these lenses? What are your thoughts on them?
Which is your best walk-around lens for Canon?
Is there a lens I didn’t mention in this article that you love using for walk-around photography?
Would you please leave your thoughts and comments below?
I am a Professional and Certified Digital Photographer born in the USA. I have been in this field of photography for 22 years, and in these years, I have used many photography lenses and Cameras, which I want to share here on this website about my experience. The idea for Bestoflens.com is to provide honest information about different Lenses and Camera products in the format of a “Best lenses for AYZ” list. I want this website to be the last destination for people to pick the best Cameras and lenses to fit their needs. You can find our unbiased reviews here on Bestoflens.