In today’s article, I want to share how I photograph a wedding using only prime lenses.
So, I photograph in a wide variety of prime lenses, and if you’re wondering, why don’t I shoot on a zoom lens rather than a whole bunch of prime lenses? And there are a few reasons for that.
So, first of all, I love the low-light capabilities of prime lenses.
Another reason is that prime lenses generally have a better quality in their photos.
The prime lenses do have excellent quality.
The bokeh is beautiful, the sharpness is crips, and I love using prime lenses.
One less reason I love using prime lenses is that prime lenses help me stay creative throughout the day.
So these are my favorite 5 best prime lenses for wedding photography that I love to shoot with my whole wedding.
Which are the best prime lenses for wedding photography?
Here are my recommended top 5 best prime lenses for wedding photography:-
|Image||Best lens for||View on Amazon|
|Canon 85mm F1.2: (Best Canon prime lens for wedding photography)||View on Amazon|
|Canon 50mm F1.2: (50mm prime lens for wedding photography)||View on Amazon|
|Canon 35mm F1.4: (Best prime lens for wedding photography)||View on Amazon|
|Sony 50mm F1.8: (Best Sony prime lens for wedding photography)||View on Amazon|
|Nikon 20mm f1.8: (Best Nikon prime lens for wedding photography)||Click Here|
So when looking at this lens, I think there are two things you should consider the size and the price.
The size of this thing is massive.
When I attach this lens to the Canon art camera, it makes it very top-heavy.
Although it is very large, I don’t find it too heavy to handle when shooting with my art.
With the Canon RF lens mount, you’re getting faster autofocus and faster communication between the body and the lens.
So when I shoot weddings with this lens, it is a must; it is fast in autofocus.
So a few other things to consider is that this is a prime lens, so it’s 85 millimeters, so you’re stuck at 85 millimeters mount is only suitable for the Canon mirrorless system.
One of the most fantastic features of this lens is the control ring in front.
I use this control ring to control my ISO, so when I used this lens for this wedding, it was super quick, and autofocus was a breeze picking up I focus with the Canon art.
This thing was incredible; I found that the colors, the contrast, and overall picture quality was a lot better.
If you’re getting into prime lenses like myself for weddings, I say this is a must.
As I mentioned before, this is F 1.2, and, incredibly, the sharpness is out of this world. The bokeh in the background is beautiful, and there is no chromatic aberration happening.
The Canon 85 1.2 is just absolutely insane.
It is big; it’s heavy, it is not a nifty 50.
However, I think it’s worth it because of the image quality, the razor sharpness wide open at 1.2, and the overall color rendition of this lens.
So let’s jump into a little more detail about why I think it’s worth it.
But let’s start with just kind of the overall appearance and the size of this guy.
It is huge, is not a small 50-millimeter lens, definitely not a nifty 50 by any standard.
When I first got this, it turned me off because of the huge size; obviously, having the grip on the ASR makes it feel better in my hand.
However, it’s still usable without the grip, especially with the ASR, because the grip is so good.
The appearance of this guy builds quality-wise; it’s pretty solid.
I know that some people are not fans of the plastic outer coating that the lenses have; I love it; it’s kind of like a tough plastic.
So I think that’s welcome in this is a weather-sealed.
I shoot both photos and videos for weddings for commercial work.
The first thing that is my absolute priority with any lens is autofocus, is it quick, and is it accurate?
The lens performs well; I don’t think it’s the fastest lens that I’ve ever used however it’s fast enough for all my wedding use cases.
As I’m a pretty quick shooter, I like to get in, pull the camera up, roll off a couple of shots, and then move, so I do not want better autofocus from this camera with the RF system.
It just feels good. It’s snappy.
I tend to use a single shot or an Fs most of the time, but then we’ll switch into servo with four shots where a bride and groom walk towards me or anytime or somebody walking towards me.
That’s typically when I go to continuous or servo autofocus; there is one thing to note, though to be completely honest, this lens the internal focusing element moves.
The next thing is image quality, and this is kind of where this lens shines.
I saw attack sharpness out wide open at 1.2 on the subjects’ eyes, and I was amazed I was blown away by how razor-sharp that was.
Not only that, but the out-of-focus renderings, the bokeh that you can see in these images, are just so soft and pleasant to look at.
Some lenses have out-of-focus renderings that aren’t as pleasant; this one is so buttery smooth, and I love it for that. I’m not a huge like bokeh maniac.
My experience so far has been nothing but good with this lens; it inspires me to shoot with it, which makes me shoot more with it.
I hope that gives you a good idea, in terms of flair, how sharp it can be, and various settings, maybe studio outdoor.
It’s just a versatile lens.
I started my photography career with a single camera and 50 millimeter 1.2 lenses.
It is a versatile focal length that you can shoot events with; you can shoot portraits with you and shoot just about anything you want.
I feel like it’s good enough, and the image quality is excellent enough to where it is worth using, and it is worth purchasing.
I used to own that one, and I shot with it for about 3 years, so this lens was a massive upgrade, and I want to go into a couple of reasons why this lens was a huge upgrade.
So, one of my favorite things about this lens is its ability to shoot at 1.4; it’s still really sharp.
So this allows me to go down if there’s a messy background and get rid of some of that stuff in the background but still have lots of context with the longer focal length.
Another thing I love about this lens is the ability to frame in the corners, so I like creative framing.
I don’t like to dissenter people a lot.
I like to have them off to the side or at the bottom, so this lens allows me to do that without getting a considerable penalty and corner sharpness.
So, when I’m doing my framing, I’m not constantly thinking about the center and getting that sharpness.
Another considerable advantage of this lens compared to the old version is that there’s hardly any distortion.
So you get an adorable frame; I find that if the lens has a lot of distortion and you’re crushing it in Lightroom, then the corners get even less sharp.
And for like family formals, where you’re putting people on the sides, you want to fill that frame for like it like an 8/10 at least, and I found that that this lens like it was like.
When I’m doing a photo, the first thing I’m usually looking for is the backlight unless it’s like Twilight or then the golden hour.
Because this will be a lot more flattering of a picture, we’re not going to have those like harsh shadows people’s eyes won’t be watering and stuff like that.
So I constantly shoot backlit, and I don’t get any chromatic aberration background with this lens.
Canons do BR lens element is taken away a lot of that chromatic aberration, so it saves me time in a post I don’t have to correct for it.
And the backgrounds look more likable, and there’s more resolution; you’re not losing resolution to weird lens defects and stuff, so yeah, massive advantage to this guy.
In conclusion, this is my favorite Canon lens.
You get even a little more resolution and starboard 1.4; you still get those nice cannon colors.
I’d say this lens. If you’re a working professional, this is pretty much a must-have; I don’t; I would never want to go into a wedding without this lens.
If you’re a prime shooter like me and know it is your full-time job, I think this is an excellent investment for just about any working professional.
The 50 millimeters 1.8 OSS is one of the best lenses with a wide aperture in the IPC range; I’m going to give you five reasons why.
I’ve used this lens for quite a while now with my Sony A 6000, and it’s just one of those lenses that just gets picked over and over again when it comes to portraiture shots.
Firstly, the 50-millimeter lens has one of the best features you need when filming on the A 6000, which always says optical station.
As you may know, the A 6000 doesn’t have fibers, which is tough for video users.
There’s not too bad; the fibers allow photographers to use slower shutter speeds, creating more light performance; they bump up that ISO to compensate for their low light.
In video work, it makes an incredible difference with OSS found in most of the markets.
Holding the camera smooths out, giving you a much smoother, steadier-looking image, which can be the difference between an amateur-looking shot and a professional-looking one.
But paired with a gimbal, you will get incredible cinematic footage out of this lens.
Secondly is the price; this lens is the cheapest autofocus with OSS on the market.
The beauty of having an APS-C camera is that the lens is so much cheaper than the Full Frame Options.
It’s a huge difference when I bought LEDs for my 6006 or A7iii that I do my six steps, saving money on a lens.
It’s fantastic because you have more money in your pockets.
You have more money to spend on accessories that you might need, such as ND filters, gimbals, tripods, whatever you name that; the reason this lens is excellent is the focal range.
Now, it’ll vary from person to person in the focal range, but this is a 75-millimeter equivalent.
It’s perfect for portraits and in a situation that you don’t want to get too close to the subject.
This is incredibly significant for gimbals; you can also purchase smaller gimbals, which are generally cheaper and much easier to carry around.
The negative side to full-frame is that the lenses are generally bigger and heavier, the body is big in a bigger gimbal, and it is too heavy to carry around.
Lastly, the 50-millimeter lens is sharp, even at a wide aperture at 1.8; this thing is incredible.
Stopping it down to 2.8 and f4, and boom, you have incredibly sharp images with pretty decent background compression or bokeh.
There’s a little bit of vignetting in the corners as check at the center sharpness, and it’s pretty sharp in the center and on the corners.
It’s very nice and sharp in the center, with high contrast but a little bit of chromatic aberration in the corner.
Overall a fantastic performance by the Sony lens, so if you’re looking into getting an excellent nifty 50 lens, this one is a must. It would help if you got this lens.
The Nikon 20mm, f1.8 Prime lens for Wedding Photography would be the best and ideal choice if you’re looking to buy your first or second prime with a more professional function.
This award-winning lens is the best Nikon prime available for wedding photography.
This prime lens for wedding photography is a favorite in the industry because of its wide aperture, and experts have claimed it is best for most fashion shoots.
Its f/1.8 maximum aperture lets you shoot without a flash in dimly lit situations and offers close focus capability.
So you can capture every detail with a stunning background blur that creates an emotional connection with your subject.
The design of this lens is sleek and elegant but has a durable build, so it can handle whatever you throw at it on big days like weddings.
Wedding photography, in particular, will benefit from this small wide-angle setup as it gets you close to your subjects while maintaining the headroom needed to work quickly on crowded dance floors.
Its versatility in sneaking up on subjects without noticing makes it an ideal choice when you need something that will not distract other guests from your day but will still get shots of every detail.
This professional wide-angle lens shoots high-quality imagery without sacrificing image quality or versatility.
Ditch the blurry group pictures and give your clients sharp wedding portraits with this Nikon 20mm f1.8 prime lens for weddings!
It’s also Nikon’s fastest wide angle with a maximum aperture of f/1.8 to create dramatic images at night or in low-light situations that would be impossible without high-aperture lenses like this one.
This lens features ED glass elements and Nano Crystal Coat throughout the optical system for more precise image quality.
I am ensuring you never miss a moment, even when shooting under low light or mobile conditions!
When you’re shooting weddings, it’s all about capturing the moment as beautifully and creatively as possible. And with this prime lens for wedding photography, you’ll be able to do just that!
The Nikon 20mm f1.8 prime lens is considered one of the best performers in its class for wedding photography.
Discover the uncompromising performance of this Nikon prime lens today!
Is F2.8 enough for a wedding?
The question that is on every wedding photographer’s mind: “Is F2.8 enough for a wedding?” The answer is yes, but it depends. It always depends on the situation and subject matter you are dealing with. However, if you’re shooting in low light or a dark church, then an aperture of F1.4 may be more appropriate.
Which prime lens is best for wedding photography?
The Canon 50mm F1.2 prime lens is the best lens for wedding photography because of its versatility and sharpness. This lens can shoot in tight spaces or produce a shallow depth of field portraits, popular among couples who want to capture their big day with an artistic flair. Plus, it’s affordable compared to other lenses on the market that offer similar features – making this a great addition to any photographer’s kit!
Which mode is best for wedding photography?
I would say aperture priority, or Aperture-Priority Auto (A). This mode allows the photographer to set the aperture, and the camera will automatically adjust shutter speed and ISO to get a proper exposure. In this way, it’s great for capturing those dark church interiors on a bright sunny day.
Which is the best lens for candid photography?
It is challenging to choose the best lens for candid photography because it depends on what you are looking for. If you want something small and lightweight, then a prime lens with a wide aperture like f/1.4 or below will be your best option. However, if you are looking for excellent image quality, then an all-in-one zoom lens may be the way to go.
Which is the best prime lens for Nikon?
The Nikon 20mm f1.8 is arguably the best prime lens for Nikon DSLRs on the market today. The wide-angle of this lens makes it perfect for landscapes, architecture, and group shots. It also performs well in low-light settings, making it a popular choice among wedding photographers. If you want to upgrade your kit without getting too expensive, this lens is perfect for you!
Alright, guys, so that concludes all the lenses we will talk about today in this article.
Do you guys have any experience with these lenses? What are your thoughts on them?
Which are your best Prime Lenses for Wedding Photography?
Is there a lens that I didn’t mention in this article that you love to use for weddings photography?
Would you please leave your thoughts and comments below?
I am a professional photographer born in the USA. I have been in this field of photography for 22 years now, and in these years, I used many photography lenses, which I want to share here on this website about my experience of it. The idea for Bestoflens.com is to provide honest information about different Lenses products in the format of a “Best lenses for AYZ” list. I want this website to be the last destination for people to pick the best lenses to fit their needs. You can find our unbiased reviews here on Bestoflens.