Many photographers want to know what telephoto lens they should buy.
Fortunately, there are many options on the market that will suit any budget or level of experience!
And If you’re looking for a telephoto lens that won’t break the bank, check out this list of the 7 best budget telephoto lenses for the Sony E mount that I recommended to you.
Which is the best budget telephoto lens for Sony E Mount?
Here are my recommended top 7 best budget telephoto lens for Sony E Mount:-
|Image||Product||Best lens for||View on Amazon|
|Tamron 70-180mm F/2.8||(Best Affordable and Compact Telephoto lens for Sony)||View on Amazon|
|Sony 70-300mm F4.5-5.6||(Best Budget Telephoto lens for Intermediate or Beginners)||View on Amazon|
|Sony 55-210mm F4.5-6.3||(Best Budget Telephoto Portrait lens for Sony)||View on Amazon|
|Sigma 100-400mm F5-6.3||(Best Budget Telephoto Lightweight lens for Sony)||View on Amazon|
|Tamron 70-300mm F/4.5-6.3||(Best Budget Telephoto Zoom lens for Sony)||View on Amazon|
|Sigma 100-400mm f/5-6.3||(Best budget telephoto lens for wildlife photography)||View on Amazon|
|Sigma 150-600mm f/5-6.3||(Best telephoto lens for sony e mount full frame)||View on Amazon|
It just came out earlier this year in 2020, and it’s been in high demand.
I’m going to give you three things to consider before you buy this lens.
The first thing to know about this lens is that it completes Tamron’s holy trinity of lenses.
If you’ve heard the term holy trinity of lenses, it refers to the three zoom lenses that a lot of photographers like to have on hand with them whenever they’re out shooting.
It includes a wide-angle lens and mid-range lens, and a telephoto lens; not tamarins are working on their own version of the holy trinity of lenses, and this 70 to 180 lens completes that collection.
So the advantage of going with Tamron is savings and costs and in size and weight; this lens is more than one and a half pounds lighter than the Sony version.
On the other hand, this lens is so small and lightweight that you can stick it in your bag and not even think twice about it.
Even if you don’t use it, It’s not a big deal to have it with you, Just in case.
So this lens is super great for sticking in bags that typically would not hold a super-telephoto f 2.8 lens.
It does not have built-in image stabilization, which is typical if you look at the rest of the lenses, camera, and holy trinity.
It’s not the best or in-body stabilization that I’ve seen on the market, but it works pretty well, and it actually complements this lens super well.
I was shocked by how stable the footage-wise when I shot a video with this 70 to 180 and my Sony A7iii.
It did surprisingly well, and it actually backs up tamarins’ claim that you don’t really need image stabilization built into the lens.
So even though there’s no image stabilization in this lens, it’s not necessarily a deal-breaker, If you shoot video or if you shoot at low shutter speeds.
So those are three really key things to know about this lens but here are a few bonus points.
This is a super simple and straightforward lens.
There are just two rubber barrels, the one closest to the camera controls the focus, and the other controls the zoom.
This lens extends when it’s being zoomed; there’s only one physical switch on the lens, which to locks that zoom into place so that it doesn’t move while you’re in transit.
This lens is super easy to use, and it works exceptionally well with Sony e mount cameras.
You get all of the autofocus you’re used to in your Sony camera; the image quality is also excellent for both stills and videos. It’s tack sharp, and the colors really pop.
So bottom line, should you get this lens true on a budget and you need a super-compact telephoto lens, yes.
This is an excellent option for thinking about getting this lens. I would get it at the first possible chance that you can because it’s been in high demand ever since it came out because so many people want an affordable and compact telephoto lens.
The price point is correct, and the image quality is stunning for how much it costs.
It’s a mid-range telephoto lens with some decent reach.
This will not be a professional lens; I recommend this more to an intermediate or beginner.
It’s going to give you a versatile focal range to capture anything from Sports to wildlife and even some landscape or portrait; it’s going to do a lot of things decently.
The overall build is decent and pretty much what you’d expect for a G Series lens.
It’s got a convenient, customizable focus hold button and automatic manual focus switch, the focus limiting switch, and of course, image stabilization.
It is all great to expect something in this price range.
The large oversized zoom ring is grippy and turns firmly and confidently.
From the front, you’ll find 72-millimeter filter threads, as well as Sony’s patented nano AR coating to eliminate flare and ghosting.
Despite being a variable aperture, this lens does boast a decent minimum focus distance of 0.9 meters or just shy of three feet.
You’ll find a sturdy metal mount on the back, but unfortunately, an absence of a rubber gasket makes this question when it comes to weather sealing.
I can’t say that I’m a fan of the multi-piece extension tube, which does open this lens up to dust issues, but overall it is rated as dust and moisture resistant.
As far as the overall value is concerned, it is pretty good for what it is.
The lens is only as good as its autofocus system.
Now when it comes to video, this thing is not that impressive, but most likely, you’re not going to be doing any major productions with this thing.
It’s more of a stills lens for the video.
I did find it hunting quite a bit.
Still, the overall autofocus speed is quite impressive, and it’s almost silent and an older lens.
Unfortunately, it doesn’t utilize Sony’s newest linear focus motors.
But when it comes to stills, It keeps up quite nicely. It should be able to keep up with whatever you’re doing for the most part.
One of the best things about this lens is its focal range, 70 to 300 is a great big range, and you’re going to be covered with pretty much anything you’re going to want to shoot. Both animal and human eye autofocus work great.
And it’s a long reach, and impressive minimum focus distance means you can get some up-close macro leg shots with 9 aperture blades.
The bulk of this lens is actually quite lovely; it can come across as a bit nervous at times, but the overall quality is decent for a telephoto lens with a variable aperture.
One great feature of this lens is its image stabilization, and I’m happy to say that it works exceptionally well. This is a must-have feature, in my opinion, on any long telephoto lens.
If you’re using this lens on a crop sensor camera, it’s going to be about 450 millimeters.
It’s also going to work together with your in-body image stabilization to make it that much better.
When it comes to the sharpness and optics of this lens as a whole, it’s decent but nothing extraordinary. I enjoy the versatility of this lens; its long focal range makes it great for many situations.
It’s not going to be great in low light, obviously, because of the variable aperture.
The autofocus is quick and adequate to build is decent enough.
Maybe it’s just a price that I’m having a little bit of a hard time within this day and age; by no means has this lens let me down, and it does have some great qualities.
This is a great versatile lens for a hobbyist or a beginner with some coin.
I think this could be great for many people, as it does cover a huge focal range.
If you are looking for a versatile telephoto and don’t have the budget for the GM, then maybe consider this one.
I will be checking out the Sony 55 to 210 telephoto lens that many of you guys have asked me to review.
It’s a pretty large lens. It’s about the same size collapsed as the 18 to 105.
However, it feels a little bit lighter to me.
You will get a huge zoom ring, or a smaller focus ring decently smooth, not too crazy smooth though, around the front.
This lens is made in Thailand, and it does have an optical steady shot.
So overall, it’s a lightweight lens. I was expecting it to weigh a lot more than it does. Build quality is good.
Everything seems to be well put together; around the back, you have a metal mount.
You have electronic connections because this lens does have autofocus. So, overall, looks pretty good.
So my initial impression of this lens is that I’m pleasantly surprised. A pretty good lens actually gives you a huge range of 55, and 210 is huge.
Obviously, it’s not going to be super usable, even at 55, unless you’re outside shooting subjects from further away, but you can shoot some amazing portraits with a crazy background.
Especially at 135 millimeters and beyond, the optical steady shot works well because the lens is already zoomed in so far; small camera shakes will affect it.
It’s built well; it’s lightweight and easy to use, a little bit longer.
The only real gripe that I’ve noticed initially is that the autofocus sometimes doesn’t hit the spot where you want it to hit, but overall it’s about 90% accurate.
You can tell from the photos there’s a bit of distortion with this lens, as you would expect with zoom with such a wide range.
I noticed that flaring with this lens is pretty cool because you can use it with your portrait shots. So overall, it’s an interesting lens.
I know it’s not going to be super-tack sharp in the corners. I already noticed that, but as an all-around just casual shooting lens.
If you’re going to the zoo or filming sporting events, you don’t really care about speed or low light performance.
This is a pretty cool little lens that you can pick up.
I really liked this lens a lot; it actually surprised me.
The image quality photos and videos, but the price like this is a sub-thousand dollar lens, and for a telephoto zoom lens with this much reach and high image quality, I can’t believe this is at an affordable price.
The Sigma 100 to 400 is specifically designed for Sony e mount cameras.
It has a very smooth focus ring and a smooth zoom ring and even has a locking switch.
There’s an autofocus and manual focus switch; you got to focus limiter.
There’s an autofocus lock button that you can customize for any function you want.
Then you have the optical stabilization toggle, which you can turn off or switch on for general stabilization.
The entire exterior of the body is tough plastic but not like cheap plastic.
It’s a really well-crafted kind of plastic; I don’t know how to explain it; it just feels friendly towards me.
The bottom of the lens is this rubber ring that’s nice to grip with, but you can actually attach a lens color to it if you remove t if you remove it.
The sigma 100 to 400 does not have a constant aperture; depending on your focal length, it will vary from f5 to F 6.3.
Honestly, I don’t think that’s too big of a deal because if you’re shooting, even at 100 millimeters like you kind of don’t want to shoot an F 2.8, like if you’re shooting wildlife sports or weddings like you want to make sure that your image is tack sharp and because you’re reaching so far.
Anyway, even at 100 millimeters, you’re still going to get that excellent blurry background.
The lens is dust and splash-resistant, and there’s even a rubber gasket at the bottom of the lens, so that’s nice.
And the autofocus performance of this lens is pretty good.
When I took photos, even at 400 millimeters, it was pretty snappy, and even shooting videos, the autofocus was good.
And yes, if you are wondering, the face and eye auto-tracking does work really well with this lens, as far as stabilization goes.
It was good for when I took photos, especially when my shutter speed was high.
But for videos, maybe not so much like when I was filming at 400 millimeters handheld, I noticed many shakes.
I was wondering why at first because the in-body image stabilization of my Sony A7ii is pretty good.
Still, I noticed that when the stabilization is on the lens, it does disable the bus inside my Sony camera, so keep that in mind.
The last thing about Sigma 100 to 400 millimeters is that it handles chromatic aberration really well.
Like, I couldn’t really tell right off the bat.
Maybe if I pixel peep and like really pixel peep, I could see some, but at first glance, I couldn’t tell at all, even with video.
So overall, I really like this lens; I really do; I’m surprised how good the image quality is for photos and videos.
I’m surprised at how lightweight this lens is, and I’m so amazed that this lens costs at that affordable price.
So, when I was filming with this lens, I noticed that this is a satire lens.
That fits a wide variety of different shooting from wildlife to sports and filming people and taking portraits, the autofocus on this lens is excellent.
It’s very fast, accurate, and silent.
We did some autofocus tests with the lens using the Sony A7iii, and the autofocus worked very well with all focal lengths.
All the way from 70 millimeters to 300 millimeters, and there were no issues at all.
One thing that’s also very interesting is that if you use this lens on a crop sensor APSC camera like my Sony A 6500, which has a 1.5 times crop that makes this lens.
And the equivalent of 105 to 450 millimeters on a full-frame camera, like the Sony A7iii, which is quite a lot of rain and reach.
One of the most fantastic things about shooting with a telephoto lens is that you can zoom in on a distant object and make it appear closer.
I was actually surprised how pleasing Bokeh or background blur you can get with this lens at 300 millimeters. I noticed that this lens is excellent for both videography and photography.
So I shot a couple of photos with this lens.
And I noticed that it’s cool that with 70 millimeters, you can get sharp wider shots.
But if you want to get closer to the subject, you can always zoom in to 200 millimeters or even 300 millimeters.
You can also get very decent portrait shots with this excellent background blur which is fantastic.
This lens is relatively small and relatively lightweight; this actually works very well with gimbals.
So we’ve filmed a couple of gimbal shots, and we used Ronin s gimbal with this lens set at 300 millimeters, which gave this cool looks and emphasized the sense of movement.
Another great bonus that I really like about this lens is that the filter size is 67 millimeters, which is the same as in almost all of the other Tamron lenses that have come out within the last one year or two years.
So that means that you’re going to use the same ND filter in all of the lenses.
This lens is protected from moisture and dust, which is great if you’re shooting or filming in harsh conditions.
And I must say that even though this particular lens is a pre-production model, not the actual production model, it worked like a charm without any issues.
So, if you’re looking for a telephoto zoom lens that is versatile, but gives you an excellent bang for your buck, then I can highly recommend this lens.
No matter what your style, no matter how you take shots, at some point, you’re going to need that long lens.
Catches a batting stance from the sidelines? Capture an intimate moment while escaping the snap-happy tourists?
Spectacular sea life off of shore in Maui? Need to get that really far away shot with fixed focus and great clarity?
This Sigma 150-600mm f/5-6.3 telephoto zoom lens is for you.
This super-telephoto lens can get images close to 600mm in length; this super-telephoto lens captures sharp detail in photos and videos from far away distances.
This is the best telephoto lens for many thanks to its bright and sharp images with wide contrast at every shooting range.
This Sigma 150-600mm f/5-6.3 lens is perfect for sports and wildlife photography or a telephoto zoom in general.
The 15x zoom range of this sleek and discreet imaging tool produces crisp images at distances up to 600 feet away (or just 10.4 inches).
Allowing travelers for an exhilarating experience of chasing wild animals through their favorite national parks.
It’s also perfect for capturing beautiful landscapes that are out of reach to amateur photographers.
And how about those incredible details?
Thanks to Image Stabilization (VC) technology, you won’t miss any shots, which ensures that everything is captured perfectly.
This particular lens is designed to cover Sony”s full-frame sensor, so you get crisp details across the entire field of view with very little vignetting.
It features a beautiful super multi-coating on all air surfaces, which means each pixel is well defined, meaning sharper images with less noise.
A must-have for the professional photographer, this supersize lens will cover your digital cameras’ shortfalls with its incomparable reach of 150-600mm.
With Sigma’s dedication to making only the best lenses on the market, we guarantee that this one will not disappoint.
Capture some absolutely stunning shots, and don’t be the one person not having that fun sigma moment!
This may very well be one of the best investments that any photographer can make!
The Sigma 100-400mm f/5-6.3 lens for Sony E Mount is the best budget telephoto lens on the market – perfect for wildlife photographers!
This budget-friendly zoom is perfect for those who want to jump into wildlife photography on their latest holiday but don’t want to spend too much money.
This is an excellent telephoto lens for APS sensors in Sony e-mount.
This lens is perfect for activities like game bird shooting or watching dolphins playing offshore as it delivers beautiful images with low noise even in low-light settings.
The lens is the perfect companion to give your wildlife photography a new life and perspective.
This lens also gives you some wiggle room if your subject gets close. You’ll be able to step back a few steps without missing anything, thanks to this impressive 100-400mm range!
You can be sure that this product will be helpful when it comes to zooming in and reading license plates from a half-mile away (in theory).
This versatile zoom lens offers excellent autofocus, letting you have continuous AF during video recording with any of your compatible Sony cameras.
The optical design features a wide, constant maximum aperture that minimizes chromatic aberration throughout zoom range—even when shooting at 400mm.
It offers an actual 400mm focal length, well balancing the gap between the wide-angle and telephoto end of your kit lens.
With this new Sigma outfit, you will have a durable construction that utilizes three extra-low dispersion elements and four glass-molded aspherical lenses.
I am giving shooting any time of day with excellent color correction and accuracy from center to edge – every single shot. This lens offers fantastic value for photographers at all levels.
Which is better, telephoto or zoom lens?
Telephoto lenses are great for taking photos of distant objects or a wide area. They can be used to achieve dramatic perspectives, such as the bird’s eye view. This is often achieved by using a longer focal length than is typically needed for portraits and other close-up shots. For example, if you need to take a picture of an object that is 100 feet away but your lens has a maximum focal length of 50mm, then you will need to use 200mm on your telephoto lens to capture the exact image size on film (assuming that both lenses have equivalent f-stops). Zoom lenses allow photographers to frame their subjects more tightly without physically moving closer.
Are telephoto lenses worth it?
Are telephoto lenses worth it? Are they worth the cost and weight? Are they worth lugging around or changing your lens frequently to avoid having to change from a wide-angle to a telephoto lens for close-up shots? Are they worth carrying that extra bit of equipment if you are doing any outdoor photography? The answer is yes. A resounding yes! Telephotos lenses are very versatile tools in your camera bag. They can allow you to capture detail far away, make people appear closer together when shooting portraits, and have many other uses as well.
Alright, guys, so that concludes all the lenses we will talk about today in this article.
Do you guys have any experience with these lenses? What are your thoughts on them?
Which is the Best budget telephoto lens for Sony E-mount?
Is there a lens that I didn’t mention in this article that you love to use for Sony E-mount?
Would you please leave your thoughts and comments below?