Which is the best Canon lens for indoor photography?
Here are my recommended top 5 best Canon lens for indoor photography:-
This is the first SLR zoom lens globally to have a very fast constant maximum aperture of F 1.8.
In other words, this lens lets in a lot of light. F 1.8 is a very nice aperture, indeed amazing for a zoom lens.
It lets in plenty of light for video work shooting at night or shooting indoors. It’s a really fast aperture.
F 1.8 lets twice as much light and gives you a background that’s over twice as blurry.
However, the zoom range of 18 to 35 millimeters isn’t very long, even less than a normal camera kit lens.
So, in reality, this is basically a wide-angle zoom lens, so don’t expect to take pictures of anything that’s farther away.
The lens can produce much better picture quality, and the other cool thing about this lens is that it doesn’t cost an absolute fortune for such a revolutionary and tactical lens.
The price is quite reasonable.
This lens is designed to work on less expensive APSC digital cameras.
This lens is big; it’s quite long that fairly thin. It’s made of metal and feels fantastic to hold in your hand.
It’s also pretty heavy, so it feels bigger camera body like my Canon 60D. It is big, but I love the design.
The zooming turns the opposite way from Canon lenses, which took me a little getting used to, but it’s extremely smooth and precise and quite heavy to turn.
So, it feels wonderful to use the lens zooms internally, which is always a nice touch.
Zooming in and out while you’re doing video work is amazingly smooth, and you don’t get annoying changes in nice levels like you would do with a more basic lens with a variable maximum aperture.
There’s no image stabilization on this lens, but because this is a wide-angle lens, that’s not such a complete disaster.
The focus ring is super smooth and well done, like those classic lenses from the 1960s and 70s.
It’s extremely precise, great for pulling focus during video work.
The lens has full-time manual focusing, so you can enjoy turning that focusing, even if it’s set to autofocus and the fun element of the lens doesn’t move while you’re focusing.
So, that’s yet another professional touch. The autofocus motor is quite fast and almost completely silent.
It seems that the days of inaccurate sigma lenses are gone.
This lens focuses very accurately on normal use, which is great.
I’m really very happy with its performance. Basically, the lens is comparatively big and heavy, but it’s handled like a dream.
When I first heard about this lens, I was pretty impressed that someone had actually made an F 1.8 zoom lens.
The picture quality of an F 1.8 zoom lens is good. Well, I’ve tested it on my 18 megapixels Canon 60 D.
The aperture opens at F 1.8, the picture quality in the middle is amazingly sharp.
The picture is very sharp indeed, with only a little chromatic aberration visible and other contrasting edges.
Although a tiny hint of chromatic aberration is still visible in the middle of the image, everything remains perfect.
This is an absolutely amazing performance, even better than canon’s best APSC zoom lens.
With the aperture open at F 1.8, the center of the frame is slightly less sharp than at 18 millimeters, but still very impressive indeed with absolutely no aberrations or optical problems.
This is a great showing for an F1.8 lens, especially one which can zoom.
Stop the aperture down to f 2.8, and the sharpness in those corners makes the final leap from being very good to incredible.
The lens is so sharp at 2.8 that the improvements will be barely noticeable. I could never have imagined this lens would be so sharp.
Hopefully, I do not sound like some sigma fanboy because I’m objective; the pictures speak for themselves.
The image quality is wonderful. The great result is probably due to the lens’s smaller zoom range; this makes me happy.
Overall, its excellent performance for distortion and vignetting. This lens can also focus very close to your subject combines with the wide angles and F 1.8 aperture.
This means you can get many extremely fun and very creative photos, which aren’t possible with other lenses.
At 18 millimeters, the close-up image quality is very sharp, straight from F 1.8, improving even more as you stopped down.
However, if you zoom the lens into 135 millimeters, your close-up pictures will be slightly softer to F 1.8, so you might want to stop down a little to F 2.8 for more sharpness.
The lens works okay against a bright light, maintaining good contrast, but a bit of flattening is visible.
The lens has a slight issue with longitudinal chromatic aberration.
Finally, this lens has a very nice quality bokeh; they look really nice and smooth.
Even at this wide angle of 18 millimeters at 135 millimeters, the pocket is just as impressive.
That’s really important for any fast lens and display to the sigma is wider angles.
The wide aperture means you can get some 50 out-of-focus backgrounds.
So, I better wrap up this review, and what more could I possibly say the Sigma 18 to 135-millimeter F1.8 is a masterpiece.
It’s got even better picture quality than most F 1.8 prime lenses, which even zoom professional photographers and amateurs alike will love this lens.
The F 1.8 maximum aperture is at once practical for video work and shooting indoors.
And also intensely creative, especially as you can focus this lens so close to your subject.
You also love having an F 1.8 aperture available and everything that entails.
This lens is a great achievement for sigma, and although it’s probably something that more advanced photographers will appreciate the most.
It’s also an efficient and useful lens for many applications.
I bought and hired a lot of camera lenses for my reviews. This is one of the few, which I’ve actually gone out and bought.
The thing is amazing, very highly recommended.
If you’re grabbing this, you’re probably starting to snap the photography game.
This is definitely a nice piece of glass. It’s got a nice low F stop.
It is a perfect lens if you have a couple of dollars that you want to spend.
But you’re not trying to break the budget; you’re looking to get something different.
I really like to take photos with prime lenses, because I love bokeh. I love those soft backgrounds; you know exactly what I’m talking about.
The 85 millimeters is going to be awesome.
If you’re doing portraits, if you’re doing candid shots, headshots, because what it does is it allows you to have a nice little bit of distance, you’re not too far from the model from your subject.
One of the nice things about this lens is that it keeps everything in proportion; it doesn’t look so close to the lens; it looks a little further back.
So you’re not like right in the person’s face, you can get really nice headshots with this bad boy, you can get some really nice portraits with it.
And also, if you’re like a scooter candidate, you can get really nice candidates being able to go down to 1.8.
You can really get those nice low-light shots, and they really get that nice bokeh if you open that aperture up.
So this lens is awesome for portraits, great for candidates, and you’re just trying to hang low in the background and try to get some nice candid shots; this is awesome.
It has a lot of versatility because of the distance you can use when shooting; you don’t have to be so close.
You can also be far away and get a nice, really nice shot.
I really loved the bokeh being able to open that aperture all the way up to 1.8.
You already know whether it’s bright out or low light; you get awesome portraits.
This is actually a really nice piece of glass; it’s a good investment.
One of the other things I love about this is I do a lot of canon photography, and this is absolutely great for candidates because you don’t have to be super close to your subject.
But you can also still get those really nice natural light, nice natural field shots where you get that nice bokeh in the background, but you’re not like all up in people’s faces.
So I really love this, and being that you can drop it down to 1.8, it’s really versatile because you know that it worked well in low-light situations.
This is actually great for portrait model work because it gives you a nice distance between you and your subject and allows you to get that nice bokeh.
If you’re shooting weddings, if you’re shooting events, if you’re especially doing headshots, portraits, or you’re shooting models, this is definitely an awesome play.
If I’m doing a portrait, family portraits, I’m doing anything along those lines; this is awesome.
What lens is best for indoor photography?
35 millimeter is a classic general purpose focal length on a full-frame camera; it’s wide-angle enough for you to catch the bigger picture.
As a result, it’s quite a versatile focal length for all kinds of uses, especially for street photography.
Personally, at the moment, it’s my favorite focal length.
However, if you’re using an APS c camera, then your camera’s sensor will give you a more zoomed-in field of view, the equivalent of about 56 millimeters.
So, on an APS-C camera, the lens behaves more like a standard lens, giving you a stronger emphasis on your subject and a more compressed background rather than a wide field of view.
That’s also quite a useful and popular focal length. So, the lens could be very valuable to you.
Whatever camera you also have, the lens has quite fast a maximum aperture of F2, which means it can matter in quite a lot of light.
So, it’s very useful for indoor or nighttime photography.
The first F2 aperture also means that you can get quite an out-of-focus background.
Its main design drawback is that it’s a bit too old to have image stabilization.
Its design is pretty old-fashioned to look at, especially with that really thin focus.
But actually, the lens feels very solid and weighty.
It feels like a good quality product in your hand, even having a metal lens mount. It’s a very smaller lens, which is nice.
The manual focus ring turns quite precisely, with hard stops at either end, virtually can feel gears moving as it turns. So it’s not the smoothest mechanism.
The front lens element does not turn as you change focus, and the lens does not have full-time manual focusing.
But if you switch the lens to autofocus, then a clutch to design means that you can safely turn the focus ring without the focus motor being forced around.
It’s actually quite a good design. The autofocus motor is super fast.
All in all, the lens looks a bit cheap and nasty, but it’s actually excellent, and it works nicely in practice, handling quite well.
The autofocus is a little noisy.
The lens is quite sharp, in the middle of the image, with slightly low contrast levels.
The corners are also quite sharp, with no visible chromatic aberration.
So, on a full-frame camera, the lens performs fairly well.
The lens performs averagely well; you got a usable picture at F2 and sharp image quality when he stopped down the lens’s aperture.
It has good performance for distortion but a fairly weak performance for vignetting.
The lens can focus down to 25 centimeters, which is good enough for this kind of lens.
The close-up image quality is fairly sharp at F2 and a fairly nice firm F2.8. That’s not a bad performance.
Overall, the Canon 35 millimeter F2 is an older design now, but it’s fairly good. It handles nicely, and it still gives a good optical performance in a lot of areas.
It’s fairly sharp, with low chromatic aberration, and it has low distortion.
So, if you’re on a budget and you want a nice little 35-millimeter lens, then this might be a perfect choice for you, a nice little lens.
The build quality speaks for itself. I mean, I have this piece for almost 10 years now, and it works just like on day one.
This lens can be used on all full-frame cameras like the 5D Mark 4 on APS-C sensor cameras like the iOS 550D or an adapter on a mirrorless camera like the Canon EOSR 5.
This means that it can be used on virtually all Canon cameras of the last 25 years.
Keep the crop factor in mind on APSC sensor cameras. With this crop factor, you get the 38-millimeter lens and lose the wide-angle. So, think carefully.
This lens does not feature an image stabilizer.
I have this lens with me while I’m traveling. I am pleased about the dust and splash protection.
It weighs 650 grams.
I’ve been using this lens for a decade now, and at that time, no other lens has made it because I consider this lens or the focal length with this aperture to be indispensable.
I use this lens on my Canon EOS 5D mark 3 at the time for club and event photography.
It’s a great lens for this kind of photography since you get everything in the frame, and the 1.4 aperture allows you to use it in low-light situations.
So, this lens is great to use for event photography, filming, and of course, weddings; it does a fantastic job in churches.
The focus ring should be around a little softer, otherwise a great lens for filmmakers and all sorts of movies.
The big disadvantage of the Canon EOS R is the crop factor of 1.78. For me, as a filmmaker, this is one of the reasons why the EOS has grown.
Why is my favorite lens for 10 years now?
It’s a great lens for architecture, ideal for filming in the dark and for details.
Because of the low close-up limit of only 25 centimeters, which is equivalent to 9.8 inches.
Another reason that speaks for this lens is the background so-called bogus. At 1.4, you can make the most out of it.
Ideal for isolating the foreground from the background, or for interviews, maybe that plays a role in your life if you’re using this lens for details.
For a lower price, maybe that’s the right lens for you.
If you want to film at events or weddings, then this is the best choice.
This lens has served me faithfully for 10 years in hundreds of events and weddings for filming.
This is the 50 millimeter Canon EF 1.8.
When it comes to using this lens and honestly using any lens in general, the lens is just a tool part of the camera, is just a tool to help bring out the vision of what you have inside of you.
The sweet spot for this lens is kind of that mid-range that middle range where it’s not too wide, but it’s not too tight, just that’s like the perfect range for this lens.
Because of the way that it shows the image, it actually shows it close to what our human eyes see.
So, that mid-range will allow you to get a good look coming out of this lens.
So, going back to the point of considering your look, if you’re trying to go for a kind of a tight shot like a really close and intimate shot, this lens might do the trick and might do it somewhat.
If you’re trying to go for maybe a wider shot, kind of like a really wide-angle shot, this lens, like I said, can do it.
It’s versatile. It can do some of it. I would say this is a good mid-range lens.
If you’re trying to get an idea, maybe waist up if you’re shooting someone with a good range where this can give you good coverage and a background blur.
Getting some good video footage with this lens is to maximize the aperture; this lens is friggin awesome because it comes with a wide 1.8 aperture.
1.8 is really good considering the price point.
So how do we take full advantage of that aperture? How do we use that aperture to be able to get some good video footage, the way that you can do that?
The first way you can do it is by utilizing that wide aperture to create some good background blur.
Now, the background blur looks beautiful. It looks awesome; I love photos with good background blur, I love videos with good background blur, but it’s not just for good looks.
It’s actually good for direction, right.
If you want to shoot good footage, if you want to have a good video and have some direction or story, you have some story.
It doesn’t have to be a grand novel, but it’s going to be some journey that you want to take your viewer on.
And using that background blur, you can use it to zoom in and have the viewers focus on your subject instead of being distracted by the background.
So, you can have the background blurred out if it doesn’t add to the story and having a good background blur, not just 24/7.
But in good positions and good spots where it allows your viewers to focus on the subject and continue to follow along with a story you’re trying to tell.
That’s going to make your video awesome. That’s going to make your video that much more best.
That will make your videos that much better because it has a direction and takes your viewers somewhere.
So, use that background blur not just for the looks but also to have some direction and focus where your viewers.
The other way that this wide aperture will help you with getting better videos is because having that wider aperture actually helps you in lower light situations.
So having a lens that has a wide aperture like this one that can go all the way up to F 1.8 is a total blessing.
Because you can minimize the noise in your footage and if you don’t have enough light.
You can compensate for not having enough light is by increasing the ISO settings on your camera.
Now the higher you increase the ISO, the more light comes in, but also the more noise comes in as well.
So if you have a lens that doesn’t have as low of an aperture as this one, you’re going to have to bump up the ISO, which will make your footage a little bit more grainy, right.
So if you have a lens like this one with a wide aperture, instead of bumping up the ISO, you can actually open up the aperture a bit more.
And that will allow more light to come in, allow you to keep the ISO low, and allow you to keep your footage clean.
Another benefit of having and taken advantage of that aperture is to use it in low light situations or just light situations.
So having a wide aperture allows you to capitalize on that without ruining your image’s quality.
Maximize that aperture to take full advantage of that thing. Getting some good video with this lens is to unlock your creativity.
It will allow you to take advantage and get creative with some of the higher frame rates.
So, most of the cameras that are out right now typically have the ability to shoot at higher frame rates.
But those higher frame rates are awesome because it gives you that flexibility to slow down the footage and pose and get some cool slow-motion shots.
If you choose to go with a higher frame rate and have to increase your shutter speed.
So, the plus side of using a lens like this and what allows you to stay creative with those higher shutter speeds.