9 Best Canon lens for Indoor photography: (2024 Guide & Reviews)

Last Updated on December 5, 2023 by Sharon Advik

Since I’m a professional photographer, I’ve learned that the Canon lens for indoor shooting is the best way to capture the essence of moments in controlled settings.

Because it works so well in low light and has such clear optics, I’ve easily turned difficult indoor places into blank canvases for my creativity.

This lens has been a reliable companion for me at small family parties and large business events.

Its ability to perfectly balance light and detail has improved my indoor photography, and each picture tells a story.

If you trust me, you’ll get lost in a world where every click tells a story that will last forever, beautifully captured by this Canon lens.

Which is the best Canon lens for indoor photography?

Here are my recommended top 9 best Canon lens for indoor photography:-

Canon 85mm F1.8: (Best Canon lens for indoor portraits)

If you’re grabbing this, you’re probably starting to snap the photography game.

This is a nice piece of glass.

It’s got a nice low F stop.

I like to take photos with prime lenses because I love bokeh.

I love those soft backgrounds; you know exactly what I’m talking about.

The 85-millimeter is going to be awesome.

If you’re doing portraits, if you’re doing candid shots, headshots.

Because what it does is it allows you to have a nice little bit of distance.

You’re not too far from the model of your subject.

One of the nice things about this lens is that it keeps everything in proportion.

It doesn’t look close to the lens but a bit further back.

So you’re not right in the person’s face; you can get excellent headshots with this bad boy.

You can get some lovely portraits with it.

Also, if you’re like a scooter candidate, you can get nice candidates down to 1.8.

If you open that aperture up, you can get those nice low-light shots with that nice bokeh.

So, this lens is fantastic for portraits and remarkable for candidates.

And you’re just trying to hang low in the background and try to get some nice candid shots; this is awesome.

It has a lot of versatility because of the distance you can use when shooting; you don’t have to be so close.

You can also be far away and get a nice shot.

I loved the bokeh being able to open that aperture up to 1.8.

You already know whether it’s bright out or low light; you get fantastic portraits.

This is a nice piece of glass; it’s a good investment.

One of the other things I love about this is that I do a lot of canon photography, which is excellent for candidates.

Because you don’t have to be super close to your subject.

But you can also still get those lovely natural lights.

These are nice natural-field shots where you get that nice bokeh in the background, but you’re not all up in people’s faces.

So I love this because you can drop it down to 1.8.

It’s versatile because you know that it works well in low-light situations.

This is great for portrait model work.

Because it gives you an excellent distance between you and your subject and lets you get that nice bokeh.

This is an excellent play if you shoot weddings, events, headshots, portraits, or models.

If I’m doing a portrait, family portraits, I’m doing anything along those lines; this is awesome.

Pros
  • Nice wide aperture.
  • Great focal length.
  • Small & lightweight.
  • Excellent sharpness.
  • Colors are nice
  • Less distortion
  • Pleasing bokeh.
  • Very affordable & good value lens.
Cons
  • Purple fringing.

Canon 24mm F1.4: (Best Canon lens for indoor event photography)

The build quality speaks for itself.

I have had this piece for almost 10 years, and it works like on day one.

This lens does not feature an image stabilizer.

I have this lens with me while I’m traveling.

I am pleased about the dust and splash protection.

It weighs 650 grams.

I’ve been using this lens for a decade now, and at that time, no other lens has made it.

Because I consider this lens or the focal length with this aperture indispensable.

I use this lens on my Canon EOS 5D mark iii for club and event photography.

It’s an excellent lens for this kind of photography since you get everything in the frame.

And the 1.4 aperture allows you to use it in low-light situations.

So, this lens is excellent for event photography, filming, and weddings; it does a fantastic job in churches.

The focus ring could be a little softer, but otherwise, this is an excellent lens for filmmakers and all sorts of movies.

Why is my favorite lens for 10 years now?

It’s an excellent lens for architecture, ideal for filming in the dark and for details.

Another reason for this lens is the background of the so-called bogus.

At 1.4, you can make the most out of it.

It is ideal for isolating the foreground from the background or for interviews.

Maybe that plays a role in your life if you use this lens for details.

For a lower price, maybe that’s the right lens for you.

This is the best choice to film at events or weddings.

This lens has served me faithfully for ten years in hundreds of events and weddings for filming.

Pros
  • Weather-Sealed
  • Dust and splash protection.
  • Excellent in low-light situations.
  • Hood supplied.
  • It’s an excellent lens for filmmakers.
  • Excellent fast Aperture.
Cons
  • Not feature an image stabilizer

Canon 50mm F1.8: (Best Canon lens for indoor video)

The sweet spot for this lens is that mid-range, middle-range, which is not too wide.

But it’s not too tight, and just that’s like the perfect range for this lens.

Because of how it shows the image, it is close to what our human eyes see.

So, that mid-range will allow you to get a good look from this lens.

It is so, going back to the point of considering your look.

If you’re trying to go for a tight shot, like a close and intimate shot.

This lens might do the trick and might do it somewhat.

If you’re trying to go for a wider shot, it’s like a wide-angle shot.

This lens, as I said, can do it.

It’s versatile. It can do some of it.

I would say this is an excellent mid-range lens.

If you’re trying to get an idea.

Maybe waist up if you’re shooting someone with a good range where this can give you good coverage and a background blur.

Getting some good video footage with this lens is to maximize the aperture.

This lens is friggin excellent because it comes with a wide 1.8 aperture.

1.8 is good, considering the price point.

So, how do we take full advantage of that aperture?

How do we use that aperture to get some good video footage?

The first way you can do it is by utilizing that wide aperture to create some pleasing background blur.

Now, the background blur looks beautiful.

It looks fantastic; I love photos with pleasing background blur and videos with good background blur, but it’s not just for good looks.

It’s suitable for direction.

If you want to shoot good footage.

If you want a good video with some direction or story, you have some story.

It doesn’t have to be a grand novel, but it will be a journey you want to take your viewer on.

And I am using that background blur.

You can use it to zoom in and have the viewers focus on your subject instead of being distracted by the background.

So, you can blur the background if it doesn’t add to the story and have a pleasing background blur, not just 24/7.

But in good positions and good spots.

This allows your viewers to focus on the subject and continue following the story you’re trying to tell.

That’s going to make your video awesome.

That’s going to make your video that much better.

That will make your videos much better because they have a direction and take your viewers somewhere.

So, use that background blur because it looks good and gives your viewers some direction and focus.

The other way that this wide aperture will help you with getting better videos.

Because having that wider aperture helps you in lower-light situations.

So, having a lens with a wide aperture like this one, which can go up to F 1.8, is a blessing.

Because you can minimize the noise in your footage if you don’t have enough light.

You can compensate for not having enough light by increasing the ISO settings on your camera.

Now, the higher you increase the ISO, the more light comes in, and the more noise comes in.

So, if you have a lens that doesn’t have as low of an aperture as this one.

You’ll have to bump up the ISO, making your footage slightly grainy.

So, if you have a lens like this one with a wide aperture, instead of bumping up the ISO.

You can open up the aperture a bit more.

And that will allow more light to come in, allowing you to keep the ISO low.

And allow you to keep your footage clean.

Another benefit of having and taking advantage of that aperture is to use it in low-light situations or just light conditions.

So, having a wide aperture allows you to capitalize on that without ruining your image’s quality.

Maximize that aperture to take full advantage of that thing.

Getting some good videos with this lens is to unlock your creativity.

It will allow you to take advantage and get creative with some of the higher frame rates.

So, most cameras out now typically can shoot at higher frame rates.

But those higher frame rates are fantastic.

Because it gives you that flexibility to slow down the footage and pose and get some incredible slow-motion shots.

If you choose to go with a higher frame rate and have to increase your shutter speed.

So, the plus side of using a lens like this is that it allows you to stay creative with those higher shutter speeds.

Pros
  • Quite a sharp lens.
  • Amazing build quality.
  • Excellent autofocus.
  • Pretty cheap.
  • It’s the best prime lens.
  • Great for portraits.
  • Crips images.
  • Beautiful bokeh.
  • Versatile lens.
Cons
  • Some barrel distortion.
  • A lot of chromatic aberration.

Canon 16-35mm F2.8: (Best Canon lens for interior photography)

We love taking photos, and sometimes, we need a lens to be versatile.

The Canon 16-35mm F2.8 is the perfect solution for those with lots of creativity and determination.

They are achieving improved sharpness and resistance to ghosting and flare.

This lens combines technology and ergonomic comfort to offer the photographer easy operation and amazing photos.

It also features Sub Wavelength Coating (SWC) and Air Sphere Coating (ASC).

Which helps reduce flare from ghosting for clearer images under more challenging lighting conditions.

This is incompatible with extender tubes, making it a more versatile option for your home or office.

Where there isn’t much extra room to work around.

This lens combines technology and ergonomic comfort, offering the photographer easy operation and great photos.

The high resistance to dust and water intrusion allows shooting at any time!

This camera’s circular aperture (9 blades) helps deliver beautiful, soft backgrounds even when using extension tubes!

This lens provides a stunning view of your surroundings with minimal distortion.

So it’s easy to capture exactly what you need without giving any after-effects work afterward.

Though slightly heavy, it offers startling clarity and bokeh for an excellent price.

Its sharpness in the corners earned it distinction as one of our favorite lenses.

Which, in turn, earned it a spot on our list of best indoor photography lenses.

In addition to being excellent when shooting indoors, this lens excels when there’s not much light, too!

The Canon 16-35mm F2.8 is the perfect lens for enhancing interior shots.

Or simply photographing buildings and other structures that surround them.

It has high-performance features that, thankfully, will never disappoint you.

And will always work wonders behind any indoor scene.

Even if they’re hard-to-shoot places like street lights, vending machines, and advertisements.

It’s hard to find something this product doesn’t have!

Pros
  • Quality glass.
  • The contrast and the colors are spectacular.
  • Best wide f/2.8 aperture.
  • Super sharp.
  • Excellent image quality.
Cons
  • Some distortion and vignetting.

Sigma 70-200mm F2.8: (Best Canon lens for indoor sports photography)

What better way to enjoy the game than with a team photo made up of your favorite players?

The crisp detail, rich color, and impeccable clarity will make you feel right on the field!

The Sigma 70-200 2.8 is Canon’s Grade A lens for indoor sports photography to detail all the essential information in one photograph.

This lens lets you capture moments from a distance where it’s impossible to get close.

One thing that sets this lens apart from others is its optical construction.

They feature a 9 FLD and 1 SLD low-dispersion glass element.

This reduces chromatic aberration by suppressing color fringing even in wide-open aperture shots.

To produce renowned near-razor sharpness throughout the zoom range with minimal distortion or flare problems.

This Canon lens ensures that it will always provide top-quality results.

Little light is available even when shooting in poorly lit environments such as evening sports events or concerts.

The 11-blade diaphragm gives the lens an enhanced bokeh effect for stunning photographs.

That can be used creatively to highlight your subject matter like never before!

Photographers can find stability when needed thanks to the tripod socket design with 90-click stops.

Which helps maintain stability during sports photography events.

The tripod socket with 90-click stops lets you take your shot without finding the best angle.

This lens gives you enough leeway to find the perfect position without continuously adjusting your camera’s vertical/horizontal orientation, which can become tiresome.

An excellent lens for indoor photography.

The 70-200 2.8 offers a more precise and creative approach than most lenses of similar ranges.

This telephoto zoom is also lightweight and portable.

While providing extraordinary detail with its excellent image sharpness and superb control over aberrations.

This lens is dust- and splash-resistant, making it much more versatile than typical lenses.

So that you can use it in any weather.

Dust and splashproof structure combined with Canon compatibility.

Make traveling around town to finish those environmental portraits on location simple as pie, especially during sports-related events!

The Arca Swiss-type clamp locks onto pointed surfaces like monopods, tripods, benches, etc.

They are offering a greater degree of stability for that crucial shot.

This lens lets you capture moments from a distance where it’s impossible to get close.

It’s perfect for photographers who want high-performance capability in an affordable package – outdoors or indoors!

It’s more than just a picture.

It captures the memories of something that deserves to be captured for posterity.

Capture the game like never before with these perfect photographic lenses.

If you’re looking for all this in one lens, get the Sigma 70-200 2.8 right now!

Pros
  • Amazing build quality.
  • Weatherproofing & dust resistance.
  • Excellent image quality.
  • The optical performance is impressive.
  • Sharpness.
  • Pleasing blur, bokeh.
  • Quite a low distortion.
  • Great autofocus.
  • Great image stabilization.
  • Good value for money.
Cons
  • Heavy.

Canon EF 24-70mm f/2.8: (Best Canon lens for indoor wedding photography)

On your special day, you’ll want your moments of joy captured to last forever.

The Canon EF 24-70mm allows you to cover the entire area span during wedding ceremonies.

Due to its wide maximum aperture, you can shoot throughout your event without worrying about having too much depth of field.

This lens is perfect for indoor wedding photography.

With a 24-70 millimeter field of view and F2.8 constant maximum aperture.

Available to you whether you’re shooting at the altar or roaming around the reception hall!

The F2.8 makes photographing tiny details easy.

But if you need more light for portraits or group shots, open it 1 stop or 2 stops to widen your focus range and easily capture backgrounds!

Photographing live music performers will also produce less distortion on images taken from below eye level.

Which are becoming more popular at weddings these days.

The ring-type ultrasonic AF motor makes it easy to find your focus by turning a switch.

Thanks to its full-time manual focusing capabilities, it only autofocuses when desired.

Canon designed this lens with image stabilization technology in mind; Shake doesn’t stand a chance against these lenses.

Plus, thanks to the time-saving inner focusing system and fast autofocus motor.

Adjusting between all these different settings won’t slow down production at all.

And finally, if you’re concerned about weight, worry not because it doesn’t weigh 1kg or more!

This pair will be one of your bag’s lightest instruments without compromising quality.

All these features make this product perfect for your next indoor wedding shoot!

This lens is the top option for taking wedding portraits and capturing the intimate moments outside.

You’ll be captured goofing around with your friends, looking beautiful during the ceremony, snapping pics at the reception table, or smashing cake in each other’s faces.

All those memories deserve to be preserved in the best possible way, bringing out natural colors with increased saturation.

Finish each photograph beautifully; heavenly moments like these are meant to be cherished forever.

Pros
  • Versatile lens.
  • Great for portraits.
  • Fast aperture.
  • Superb low-light performance.
  • Solid build quality.
  • Weather sealed.
  • Excellent sharp image quality.
  • Best in low-light situations.
  • The Autofocus motor is fast & accurate.
  • No visible chromatic aberration.
Cons
  • Big & heavy.
  • Some distortion.
  • No image stabilization.

Tokina 11-16mm F2.8: (Best Canon lens for indoor real estate photography)

Keep your home’s curb appeal intact with photographs that show exquisiteness inside and out.

When you buy a new house, people first want to know how it looks outside.

Your home is an investment.

What better way to capture the beauty of your property than with stunning photography?

Tokina 11-16mm F2.8 is a must-have Canon lens for indoor real estate photography!

This new design and improved coating make the Tokina 11-16mm ultra-wide focal length an excellent choice for landscape shooting, interiors, nightscapes, and group shots.

It has an excellent performance in low light shooting, resulting in exceptional depth of field control and easy handling when using manual settings.

The new optical construction of this lens comprises an ultra-wide aperture range from f/2.8-22 at a minimum focus distance.

They provide excellent depth of field control and easy manual management.

Virtually zero flares on images make shooting in low light conditions possible without compromising image quality.

The F2.8 aperture also enables this lens to work well in low-light situations such as nightscapes, interiors, or group shots.

So you never have to compromise your creative vision again!

The significant contrast and edge-to-edge sharpness provide you with exceptional results every time.

The 11-16mm focal length can capture large expanses of space with beautiful detail.

This lens’s bright; constant F2.8 aperture ensures superior low-light shooting and exceptional depth of field control.

And ease when using filters or making manual adjustments.

Many lenses with this ultra-wide-angle often compromise clarity.

Without some Photoshopping post-production, work on your images at the edges of the frame, but not this one!

With edge-to-edge sharpness and reduced flare and ghosting.

You’ll never want to return to any other wide-angle zoom again.

At the same time, color reproduction remains accurate at different speeds.

In addition, there’s room on your camera body to use graduated or polarizing filters without a vignette (lens shading).

It has been designed to eradicate construction problems, flares, ghosting, and other errors.

That makes pictures less appealing or beautiful.

This versatile lens will help you create images that engage subscribers on the first visit by filling their pages with natural light and vibrant colors.

Best of all?

Using diffusional filters or balancing the weight of the lens by bending down on one leg whenever you need to change your viewpoint isn’t a problem!

You will enjoy an easy time swapping from capturing interiors to beautiful outdoor real estate spaces that are nearly impossible to shoot with a standard zoom.

Pros
  • Solid build quality
  • Popular ultra-wide-angle
  • Excellent optical quality
  • Fast constant f/2.8 aperture
  • The image quality is good.
Cons
  • No image stabilization
  • Chromatic aberration.

Tamron 15-30mm F2.8: (Best Canon lens for interior architectural photography)

Imagine holding onto photos long after they’ve faded away into history.

You can say, “I was there,” standing before or inside those historic architects.

Sometimes, choosing the best lens to capture those ripened details is hard.

Fear not, and this lens has you covered!

This wide-angle lens will blow you away with its incredible image stabilization and high-quality optics.

They are capturing every nook and cranny of those fantastic structures.

The Tamron 15-30mm F2.8 is Canon’s newest ultra-wide-angle zoom with all the bells and whistles.

It has a high-quality design, ultra-wide angles (perfect for shooting inside buildings), and a dual MPU system that provides reliable focus performance in light conditions.

4.5 Stops of image stabilization are guaranteed to keep your images sharp even when zooming or panning too quickly or handheld shooting on overcast days, plus plenty more attractive features!

This lens is the widest aperture ultra-wide-angle zoom lens offered for Canon cameras.

This lens also offers an expansive view that includes a lot while being compact and lightweight- only 2 lbs.!

This lens is perfect for capturing architectural features with accuracy and gorgeous aesthetics.

Without using complicated perspective manipulation methods in post-processing.

With this “Best Canon Lens,” you can capture the beauty of ancient ornate pillars with incredible clarity.

Even if they’re tiny on the page or shoot straight down on a stunning cathedral-style balcony with an expansive wide-angle perspective.

The focal length range covers medium indoor subjects and outdoor landscapes, increasing your artistic options.

It’s the best Canon lens for interior architectural photography.

There’s particular magic inherent to architecture photography.

It captures the human mark on their environment and showcases what makes people feel at home.

Find that particular moment in light with this lens.

And when only the very best will do for your photography needs.

Be sure to get your hands on the Tamron 15-30mm F2.8.

Pros
  • Sharp lens,
  • Excellent, bright f/2.8 aperture.
  • Optical stabilization.
  • Fluorine coating & all-weather build.
  • Great value for money.
Cons
  • Heavy.
  • Some barrel distortion.

Canon RF 50mm f/1.2L: (best lens for indoor photography without flash)

If you’ve been searching for a lens with high image quality and a bright f/1.2 aperture.

The Canon RF 50mm f/1.2L is perfect for indoor photography without flash!

This non-zooming lens has three aspherical elements and one UD element to help produce stunning images with minimal flare or ghosting.

This lens comes with three aspherical elements and one UD Element for the incredible image quality of your portrait shots.

The 12 Pin Communication System helps bring out the best in days fading into the evening light.

Or when shooting subjects against dazzling backdrops or whatever crowd they’re fronting.

The mounting type is EF, so it’s compatible with multiple camera types.

It’s ideal for photographing indoor environments without using flash, which can create overexposed photos.

This is especially practical when using natural light, such as the evening sun or the low-light glow from light bulbs.

The focal length is fixed at 50mm.

At the same time, the lens’ high image quality and bright f/1.2 aperture allow you to capture beautiful close-up shots.

Full of color and clarity, otherwise impossible on some other camera systems.

Its small size means that it easily fits into a camera bag anywhere.

Whether on location or carrying around town with you on weekends.

This is an excellent quality first-rate lens with intricate detail – you’ll be amazed at how fun it is!

If you want to take zillions of pictures without all the typical flashlights, try Canon RF 50mm f/1.2L.

Pros
  • Super-versatile lens
  • The fast, bright aperture
  • Fastest focusing lens
  • Less distortion
  • Pleasing bokeh
  • Dust & splash protection
Cons
  • No image stabilization
  • Some vignette

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