I feel that 95% of the weddings I film every year by myself, and most time, people ask me which is the best lens for wedding videography.
I film roughly 30 to 35 weddings a year; I do commercial work and various other projects in between that.
To do that, I try and keep the most simplistic minimalist setup possible when filming a wedding.
To film a wedding, you need quite a bit of gear.
By reducing that down as much as possible to use exactly what I need in the way, I need to.
And over the 4 years I’ve been doing it; I’ve gotten pretty good at finding something that works for me.
Occasionally, I bring in someone else to help me, especially when you need to be in two places at once, which, as a single shooter, you can’t be.
Still, I mostly film these weddings by myself, and I love it fun.
I’m going to run through each lens one by one
Which is the best lens for wedding videography?
What lens do you use for wedding videography?
Here are my recommended top 6 best lens for wedding videography:-
|Image||Product||Best lens for||View on Amazon|
|Canon 70-200 F2.8||(Best lens for wedding videography Canon)||View on Amazon|
|Sigma 35mm F1.4||(Best focal length for wedding videography)||View on Amazon|
|Sony 85mm 1.8||(Best lens for wedding videography Sony)||View on Amazon|
|Sony 16-35mm F4||(Best wide-angle lens for wedding videography)||View on Amazon|
|Sigma 24mm 1.4||(Best Nikon lens for wedding videography)||View on Amazon|
|Canon 17-55mm f2.8||(Best DSLR lens for wedding videography)||View on Amazon|
Best zoom lens for wedding videography
So I was able to use the RF 70-200 on a couple of jobs and weddings, and I want to share with you guys some experience on actually using this lens.
The other day, I went on a personal trip into the city using the RF 7200 for two weddings and projects.
So, under those circumstances, I can put the lens to the test and see if it’s a lens that might be worthwhile for you guys to purchase or upgrade to if you currently own the EF system.
I love the size of this lens.
There are positives and negatives for a lens this size, especially from the 70-200 range.
This camera lens is beautiful.
It is small, and its compact is new from the 70 range.
Let’s be honest; the 70-200 from any manufacturer has fantastic image quality, ranging from 70 to 200 2.8.
It’s been a gold standard for many professionals for years and has five stops of image stabilization.
The motors themselves are, I wouldn’t say it’s completely silent; you do hear the motors work.
Now I must say autofocus on this lens is actually what I feel is quite a bit faster version.
It’s the fast-focusing lens, but RF 70-200, I feel like it’s just that fast.
And I enjoyed using it, shooting a wedding with a buddy of mine.
For both photo and video, it’s just nice to have a small lens that can go far.
That’s a pretty big deal, so if you guys are wedding photographers, portrait photographers, or even doing a video when you are in a tight space, that’s nice to kind of get that is focusing on getting that nice to be able to pack this into your bag.
It is so light that you have a focal length; this range 70 200 2.8 used to be brick in your bag.
It’s a nice tiny compact; I could take it everywhere.
It was such a pleasure to use.
So yeah, guys, are this lens right for you? If you are a wedding photographer or travel a lot if you are working remotely, you’re into the AR series of cameras for Canon if you use the 70-200 very often.
This definitely might be worthwhile.
I think it’s for me it was worth it; having something like this in your bag is a big plus.
It is an unbelievably fantastic lens that is so sharp, and the colors are so beautiful; they make images stand out, and I love using them.
I use it for preparation shots.
This is the perfect focal length to get close and get nice shots of makeup and details.
And it’s also perfect for getting a few wines and things of bridesmaids when they might be gifts or just shots of people huddling together into a group.
It’s also lovely for short buildings and is wide enough to get nice shots of rooms and details.
The great thing about Sony’s is you can jump in on the APSC crop because I sometimes change from a full-frame to the APSC to get that crop.
I need to get in a little tighter if I use the 35 millimeters.
What is Sony lens best for Video?
This lens I bought this about 2 years ago.
This lens is excellent for bridal breath because you don’t want to get into the close, which is for me.
When I step into a room first thing in the morning, I don’t want to do the first thing I do is not want to come in and create clothes so everybody suddenly realizes I’m filming.
So actually, in the morning, the first thing I do is put on the 85, hold myself back a little bit, start filming from a little bit further away from this lens, which helps to do, and then throughout drinks reception particularly.
I always use the 85 millimeters as an excellent way to get guests having fun, having drinks, and getting clear faces.
While not getting close and not making it too apparent, you’re filming and making people uncomfortable.
You want to get natural-looking shots, and the more natural you can get, the better, and the 85 millimeters, for me, help get those natural shots during a drinks reception.
I will also use this for a set for the ceremony on my second camera.
If the dance floor is not too packed, I might use it to get tighter shots on the dance floor of a few people dancing.
One of my favorite purchases that I ever made is this 85-millimeter lens.
I use this lens for a considerable portion of the day.
Every time I’m on my gimbal, I will use the 16 to 35 to get some nice wide shots of venues or details of anything outside.
I’ve had this lens for probably 3 or 4 years, and I love it.
My lenses are battered because I’ve used them so much, but it works perfectly.
It looks crisp; it looks brilliant.
I’ve only got the f4.
I didn’t step up to go to the 16 to 35 2.8 because I’ve always enjoyed the f4 as it is, and if I need anything more of a shallow depth of field and brighter, I use my 35 millimeters.
So this lens has worked well for me most of the time.
I’ve been filming weddings, generally for the evening, sometimes for the first dance, and things like that.
I will generally use 16-35 millimeters.
For many of the first dances, I have been using the 35 because it’s not, as getting the shallow depth of field by 16-35 is a great option.
Sometimes, when a big group of people huddles around dancing, it is nice to go crazy wide and get everyone in a while hanging out on top of them with a camera.
I do want to talk about the newest lens, and I love it.
So this is what it looks like at 24 millimeters with the sigma, 24 1.4, and honestly, it’s beautiful.
Reason number one I love this lens. It has a super shallow depth of field, like, I mean, like razor-thin, and I love that.
Especially for isolating your subject, making a blurry foreground and background.
To add depth to your videos, which is visually pleasing for me; being also a prime lens, you get that crisp, sharp detail in your image, and it looks beautiful.
Reason two is its low light capabilities; I took this thing out the other night in Chicago, experimenting with some hyper lapses, and I couldn’t believe it.
I was shooting an ISO 640, and I was like.
I can see everything, and there’s no brain when you desire to film, like evenings or after sunset or even when it’s fully dark outside, just like some city lights, it just makes for a pleasant experience.
The last reason I got this lens is that it’s a fantastic storytelling lens.
What I mean by that is just like its ability to keep it on your camera at all times and capture every moment.
Whether you’re shooting people dancing on the floor, shooting the groom and bride’s first kiss, or capturing speeches, it does everything.
It’s just all-around a fantastic lens, and I can’t say enough good things about it.
There are a few negative things about it; it is a bit heavy.
It’s a prime lens that is sharper, but typically, you’re not able to zoom like if you want to zoom in, you have to move your body physically.
And if you want to zoom out, you have to step away from your subject a little bit, but that’s the only two things I can think of.
Overall I’m super pleased with this; I’m so happy I got this lens.
It’s just another tool and my filmmaking bag.
Canon’s professional series lens is perfect for capturing cinematic and emotional videos during wedding ceremonies.
This lens is ideal for videographers, mainly if they shoot in low-light environments like weddings.
This lens was designed to be used with DSLRs by offering fast and responsive autofocus performance (and) a constant aperture of 2.8 throughout the zoom range so you can seamlessly go from macro shots to wide scenes without adjusting your settings on the fly.
Perfect for when moments are fleeting at a wedding!
The 55mm range makes you feel like you’re on the inside of everything without having to mount up close or be by your guests’ faces.
It’s compact and lightweight while still producing stunning images with a wide-angle perspective of up to 27mm, giving you the power to capture large group shots or in tight spaces.
This highly versatile lens also incorporates Image Stabilizers, allowing videographers to shoot at slower shutter speeds without compromising sharpness or brightness.
The large circular aperture produces a beautiful shallow depth of field effects that can even be dropped down one step further thanks to the ring-type ultra sonic monitor (USM).
This is the ideal lens for wedding videographers needing a quality wide-angle zoom lens with plenty of speed and features to play around with.
The aspherical elements allow you to capture fantastic images through the entire focal range.
Even when shooting during dim lighting conditions, thanks to an Image Stabilizer that uses four lens groups, which shift to compensate for any camera movement or image shake.
Its smallest focusing distance is 1.15 feet, making it perfect for shooting close-up wide shots in dim lighting without sacrificing detail or depth of field.
Whether you’re shooting a wedding, headshots, or evening social events, the Canon 17-55mm f2.8 lens is an excellent option for videographers of all levels.
So what are you waiting for?
This product will take your wedding videos to an entirely new level.
What is Sony lens best for Video?
The Canon EF 85mm f/1.8 is the best full-body portrait lens I’ve come across when taking pictures. The 85mm lenses from Canon are all excellent for photographing portraits, especially up-close shots of the face. They produce beautiful portraits and videos. I can preserve a lovely flattened perspective while being conveniently from my subject while using a telephoto lens with an 85mm focal length. I attended a family wedding event last night. A wonderful family with four darling little children lived there. I captured a Video of the family for my Instagram page. I got unguarded shots of my loved ones using this clever focus length.
What cameras do wedding videographers use?
Videographers for weddings commonly utilize Sony A7III cameras. I can make the highest 24.2 megapixels cinema-quality film with back illumination power. I get a reading speed of 1.8x from this well-focused sensor, which is quick. Beautiful 4K wedding movies with resolutions up to 2.4 times higher make it possible for more realistic and expressive cinematography. I was in charge of photography during my brother’s wedding, but I only had one camera-related issue. The tiny device with great precision stabilization is excellent for taking outstanding pictures. Without feeling any strain, I captured the entire wedding on film.
Is a 50mm lens good for wedding videography?
Yes, a 50mm lens is suitable for wedding videography. This lens is very adaptable. To obtain the ideal frame and composition, go a few steps forward or backward. The 50mm lens works well for catching all those genuine laughs and jokes from the bridal party. Canon 17-55mm f2.8 lens is what I mostly use for wedding videography. Its small size and light weight allow it to take beautiful pictures with a wide-angle lens of up to 27mm, allowing me to take videos of vast groups of people or in confined locations. The image stabilizers built into this versatile lens enable videographers to film at slower shutter speeds without sacrificing clarity or brightness. With this lens’s aid, I could photograph my friend’s wedding ceremony in Italy and get flawless results amid a fragrant, floral-filled landscape wedding theme.
What lens is suitable for weddings?
For weddings, the Canon 70-200 F2.8 lens is suitable. Photographers have a wide range of creative choices because of the combination of a fast, constant aperture and short, medium, and long telephoto focal lengths in one lens. This camera’s lens is lovely. It is tiny, which is unique to the 70s. Today’s cameras’ brightness, focusing speed, and general clarity are stunning; wedding photographers from earlier eras would undoubtedly be in awe of what is now commonplace. I was hired to photograph a famous businessman’s wedding. I was aware of the entire situation, and my proficiency with this lens enabled me to create commendable results.
What lens should I use for videography?
Sigma 35mm F1.4 lens is what I would recommend you all use for videography. It offers a wide maximum aperture for shooting in low light and taking pictures with a narrow depth of focus, captures sharp images at every f-stop, and costs a lot less than rivals from Canon, Nikon, and Pentax. The lens is also among the quickest and most precise ones I’ve ever used. The ability of this lens to accurately and quickly follow the bride and groom as they make their way down the aisle allows me to use it regularly to document processionals and recessionals. It’s also fantastic for small wedding venues and spacious enough to obtain lovely pictures of spaces and particulars.
Which aperture is best for wedding photography?
The ideal wedding pair photography requires an aperture between f/1.4 and f/2.8. I can imagine using a larger aperture setting to photograph the wedding venue and get wide shots of the guests. Aperture Priority Mode allows me to set a specific aperture for my photo. My camera then selects a shutter speed for me to create a perfectly exposed image. I can help you all get fantastic wedding photos with my excellent range of options in this range.
What is the best lens for wedding photography, Nikon?
Sigma 24mm 1.4 is the best lens for wedding photography Nikon, in my experience. It made my images crisp into a full-frame sensor’s corners, light, compact, and with good resistance to flare, glare, and ghosting. It also has a great background, Bokeh. The de-clickable aperture ring, locking lens hood, and focus lock button are good extra features. I adore the razor-thin depth of field that it has, which is shallow. That means I could have it on my camera at all times and catch every moment, is what I mean. It does everything, including capturing speeches, the first kiss between the bride and groom, and people dancing on the dance floor.
What is the best lens for wedding photography, Canon?
Canon 70-200 F2.8 is the best lens for wedding photography, in my personal experience. It offers excellent image quality. It provides five stops of picture stabilization and has long been the industry gold standard. I can hear the motors working, so I wouldn’t say they are silent. I had a great time when I used it to shoot a wedding with a friend. It’s just fantastic to have a tiny lens that can go far for photos and videos. That’s a significant issue, so if you are a wedding or portrait photographer or are filming in a remote location, it would be fantastic to fit this into your suitcase.
I am a professional photographer born in the USA. I have been in this field of photography for 22 years now, and in these years, I used many photography lenses, which I want to share here on this website about my experience of it. The idea for Bestoflens.com is to provide honest information about different Lenses products in the format of a “Best lenses for AYZ” list. I want this website to be the last destination for people to pick the best lenses to fit their needs. You can find our unbiased reviews here on Bestoflens.