So you already made a decision, or you’re deciding on starting a real estate photography videography business.
Which is the Best wide angle lens for real estate photography?
What is the reason and why we even need this wide-angle lens?
The whole purpose is to capture the home in the best and most creative way possible.
And in real estate, we had to show the rooms to be as spacious as possible as high.
If you guys are just starting in the real estate photography business, you’re probably wondering, Which lenses should you use?
I ran into that problem the same when I first started.
So let me show you some best wide angle lenses for real estate photography.
How do you take wide angle photos for real estate?
Usually, in real estate photography, you need the impression that the space you’re photographing is bigger than the actual. And that’s why a wide-angle lens can be handy for that makes the place look bigger.
Which is the Best wide angle lens for real estate photography?
Here are my recommended top 7 best wide angle lenses for real estate photography:
|Image||product||Best lens for||View on Amazon|
|Canon 10-18mm f/4.5-5.6||(Best Canon wide-angle lens for real estate photography)||View on Amazon|
|Sigma 10-20mm f/3.5||(Best wide-angle lens for indoor real estate photography)||View on Amazon|
|Samyang 14mm F2.8||(Best Budget Ultra wide-angle lens for real estate photography)||View on Amazon|
|Tokina 11-16mm F2.8||(Best wide-angle lens for property photography)||View on Amazon|
|Nikon 10-20mm f/4.5-5.6||(Best wide-angle lens for real estate Nikon)||View on Amazon|
|Sigma 18-35mm F1.8||(Best wide-angle lens for real estate pictures & video)||View on Amazon|
|Rokinon 14mm||(Affordable wide-angle lens for real estate photography)||View on Amazon|
The real reason why I wanted the wide-angle lens above anything else was that I found it to be an incredibly quirky lens.
But thought that the wide-angle distortion was really different from anything else that I’d seen in terms of photography.
I thought it could be a really fun introduction to photography, in which case I was correct.
So the wide-angle lens serves that purpose for me free to widen the lens is kind of an acquired taste because it has a much greater distortion factor than other lenses.
But if you’re interested in things like Real estate photography, landscape photography, architecture, street photography, or even documentary photography, then you might want to consider investing.
The Canon 10 to 18 millimeters is actually quite a decent lens. I mean, it lets in quite a bit of light, which is great.
Like I said before, you want to focus on things like Real estate photography, landscape photography, street photography, so on and so forth.
They want to be able to freeze the action, possibly even getting exposure shots, in which case, it’s fantastic because the amount of light that you’re letting in would lead to a very nice long exposure shot.
So, if I had to describe my experience with this lens so far, it would probably be reliable in one word, Amazing.
And the only real negative that I could say if there is a negative about this lens is that it is a plastic lens, and it is one of the canons beginner lenses, and I guess you can say.
But, having said that, it’s incredibly versatile for what it is and is the plastic lens.
At 10 to 18 millimeters, it’s pretty decent, and it’s not incredibly expensive.
So if you’re a beginner wanting to get into Real estate photography, for example, specifically in a wide-angle lens.
But you have no idea what to go for, and then I would personally recommend this lens.
This thing is a beast, and it’s huge. So this is Sigmas 10-20 millimeter super wide-angle lens.
And I have to tell you one thing, this lens kills. I bought this lens because I’m getting into real estate photography.
I’m taking pictures of the inside houses, and I need ultra-wide to get a whole room in a picture, so this goes from 20 to 10, which is super useful.
It’s actually pretty useful for filming.
This lens is perfect, and I love it. But that being said, it’s not the perfect lens.
So I have noticed some issues with it. And they’re not deal breakers for me.
So, one problem I have when I go ultra-wide and 10 and a little bit wider, it focuses, but the focus isn’t tacking sharp, and it depends on how the lighting is and what you’re focusing on if something is you’re focusing on is really far away.
But when I was doing real estate, they’re working great inside. I was taking super sharp photos.
The lens is sharp at 3.5 in the center, and it is very sharp.
The only problem is towards the outer edges, and it is kind of soft; it’s not super soft, but it’s pretty soft.
And I mean, that’s something you’re going to run into when you go with these super wide-angle lenses. So, that can always be a problem.
The thing I do love though is, this is built like a tank.
The only problem with that is it’s so heavy that I can’t use it for the vlog because it weighs so much when I hold the camera out.
You can barely hold the camera for more than like 30 seconds, and it’s a pain in the butt.
But that is an amazing lens on my heart, it’s actually a little sharper than others, and you get better.
You have a wider aperture at 2.8, but I really needed the range.
I love the range on this, and I think it works great for what it needs to do, and I’ve really had no problems with it.
So there’s a slight vignetting at 10 millimeters, but you can remove it super easily with Lightroom.
The only problem I had with shooting the house was F 3.5 is almost not dark enough.
So I was doing really long exposures to get a better look in this dark house without raising the ISO because I don’t want to have some serious noise in my photos; rather than that, it was great.
This is a crazy magnificent beast. This is the F series lens, and it’s an autofocus lens from Samyang.
It’s one of their first lenses; it’s pretty crazy, and I can’t help but love this lens; it’s definitely not for everybody. It’s definitely very extreme.
Let’s get into the build.
The build is a little bit different than your typical lens. It does attach nicely and securely, but note that there are no filter threads on this lens.
There are no buttons or switches whatsoever, and measuring only 3.8 inches long.
This lens is a fantastic size. It is a bit hefty at 500 grams or just over a pound, but it feels very well made and put together.
Its mental build is complemented by a nice middle mount, but unfortunately, Samyang has left a little rubber gasket for additional confidence in weather sealing.
So when it comes to building features as a whole, it’s a decent enough lens.
So when it comes to value, a lot of Samyang are rocking on lenses. There’s lots of value here.
And for a fast ultra-wide of this quality, you’re going to be hard-pressed to find something else.
It is a very kind of neat lens for just being creative because you’re really forced to put yourself in situations where you would disagree with most lenses.
It’s just an ultra-wide lens, and it can create some really cool distortion effects.
It’s going to be great for things like real estate, of course.
And just getting creative and having some really just weird Warby kind of fun effects with whatever your mind can come up with.
So let’s dig into a bit of the performance now.
When it comes to autofocus, this thing might surprise you a little bit. Its autofocus for video is actually pretty decent.
It’s not the world’s fastest, but it’s quite accurate and basically silent.
Honestly, for video and definitely stills, he gets a thumbs up when it comes to autofocus.
So as far as focal length goes, I don’t think this lens is a filmmaker’s dream, but you could get some cool shots if you’re creative.
At F 2.8, it suffers from some pretty heavy vignetting, and quite a bit of distortion that you’d expect to have a wide-angle lens like this, with the profile correction turned on in Lightroom.
The 2.8 is nice if you’re doing something like Astrophotography or working indoors, but for the most part, I think you’re going to use this lens more to stop down.
I like the autofocus; it’s great, it’s quiet, it’s snappy.
It’s fun to shoot with crazy ultra-wide primes, and the fast F 2.8 aperture is nice.
I get this thing for starters for performance.
So wrapping up, if you’re in the market for an ultra-wide-angle on a budget, this lens is going to take a lot of your boxes.
This is an exciting lens. If you’re looking for the best wide-angle lens for real estate photography for the APS-C Canon camera.
Actually, it is a lot better than we expect it to be. This is the new version, 11 to 16-millimeter f 2.8 lenses for Canon.
First, very amazing build quality.
The lens is mainly made of metal and is much heavier; the zoom and focus rings are very well built.
It has the perfect stiffness that gives you a very accurate zoom and focuses pulley.
It feels much more premium than other lenses.
The size of this lens is also an advantage because it is very compact for an ultra-wide zoom lens.
This is perfect for gimbal use because, with a smaller lens, it’s always easier to balance on the gimbal. I film a lot of dense videos.
So having an ultra-wide-angle to focus everyone in the frame while using the gimbal is a perfect match.
Let’s talk about the most important thing about image quality.
This lens is very sharp.
This lens has a constant aperture of F 2.8, so you don’t have to worry about the arbitrary changes while zooming in and out.
F 2.8 it’s also perfect for low light photography and videography.
You will blur out the background if the subject and focus are far away enough from the background. That’s just how ultra-zoom works.
11 to 16 millimeters lens will give you about 18 to 26 millimeters of angle, equivalent to a full-frame lens 18 millimeters definitely very wide already.
It is a very nice wide angle without having fisheye distortion. That is perfect if you are in a tight space and want to capture as much as you can.
Another good use of this lens is real estate photography. I don’t have a big house, but you can kind of imagine how it works.
Since this is an ultra-wide-angle lens, we have to talk about distortion.
When I tested the lens, the distortion is very minimal chromatic aberration-wise, even at its widest angle at 11 millimeters.
I didn’t notice anything significant, which is very nice, especially when using this lens for videos.
When you zoom in and out, your focus point will usually change, but this lens stays focused on the same point almost.
That is crazy because powerful bonuses are usually very expensive.
Another very impressive thing about this Lens is the focus breathing. When you’re trying to focus on the furthest point to the closest, the lens does not go zoom in at all.
There are a couple of minor things that I wish they can do differently.
First, the autofocus noises are very loud.
If you plan to use autofocus when you are filming, make sure you don’t use the onboard microphone or any microphone close to the lat, it will pick up the noise.
It is another thing that’s also related to autofocus; the way to switch the focus from auto to manual; it’s by pulling the focus ring in and out instead of using a switch.
It sounds brilliant, so you can switch between modes without having your hands or hands off the focus ring, but it is actually not that great.
That’s pretty much, and to be honest with you, I don’t really have too many complaints about this lens.
I would highly recommend having this lens and your kit because the length is 16 millimeters is definitely needed for many situations.
I just can’t think of anything else with the same or better quality than that at this price point.
I think this will be my new best wide-angle lens for real estate photography. Especially when I’m filming outside again.
It is the cheapest wide-angle lenses you can get, especially compared with other similar lenses on the market.
This lens is mainly made out of high-quality plastic, which makes it very compact and light.
The zoom ring and the focusing ring are rubberized, have no rubber gasket, and are made of plastic, which may be disappointing for autofocusing.
This lens is silent snappy and accurately gives a few extra stops. But I personally find it to be unnecessary for an ultra-wide-angle lens like this.
As part of the image quality, I can say that it is not bad, but not that good either.
You will get some chromatic aberrations toward the corners through the zoom range wide-open, which is, of course, completely normal for an ultra-wide-angle lens like this and can be fixed in post posing or just closing down the aperture.
The good thing about this lens is that it does not distort the image like other lenses.
It does not bulge out the center of the image but rather closes it back to give him a natural look.
Which makes it a good lens for Real estate, landscape, and architecture photography for me straight lines to be straight.
10 to the 20-millimeter lens that has a maximum aperture of 4.5 millimeters and 5.6 add 20 millimeters.
So even it can focus over 22 centimeters far from the sensor, it feels to render both okay.
It has a maximum aperture of 4.5. So obviously, it’s not a good low light performance, which is a major breaking factor for this lens.
So is this the lens for you?
Well, if you are a beginner amateur level photographer on a tight budget, look for the best wide-angle lens for real estate photography then he has.
You can buy this lens and be happy with it.
This particular lens is for Canon cameras, so keep that in mind when you’re selecting yours.
This lens delivers an amazing image for both photo and video.
If you want a nice-looking picture, the Sigma 18 to 35 will give your camera new life with amazing picture quality, color, sharpness, and that both so beautiful bow cake.
If you’re into that kind of thing, who is it alright images popped in that sweet F, 1.8 wide open aperture really makes it stand out in low light situations, especially compared to the standard kit lens.
It holds great focus with little to no hunting.
Now, let’s talk about the build of this lens.
This is sturdy. It’s got some serious weight to it and built like a tank.
It has little distance measurements on the lens so that you can see the numeric value of your focal length.
Let’s talk about low light.
This lens is a beast. Beast is a beast that low light with its constant one aperture compared to the chitlins 3.5 variable aperture, which gets darker when you zoom in, causing you to bump up your ISO, introducing more noise into your videos and pictures.
At a wide-open aperture of 1.8, the corners get a little soft.
That’s kind of expected with a wide-open aperture, and everything gets soft that your focal distance is kind of very natural.
So, is it a big deal? Not really, not for me.
It is reliable, but it is slow. If you prefer manual focus, this may not be an issue for you.
It’s a heavy lens, especially on an already waited body such as the Canon 80 D. No weather sealing.
Now, this one is a real bummer for me personally. There is no image stabilization, and that really sucks.
So it’s a feature sorely missed, but I guess if you’re using a tripod, a gimbal, or a Hambourg camera within body stabilization. You’re good.
So, in the end, am I happy with the Sigma 18 to 35 with my Canon 80D? Absolutely fantastic images and videos.
This lens will be my main lens for you to ensure paid work.
This is the best budget lens for real estate interior photography.
Part of what I do is real estate photography, among many other genres.
So what you need, If you’re doing small to medium-sized houses like most of mine are, you need a very wide lens, but you need a good wide lens that will be appropriate for your camera.
In my case, I needed something appropriate for a full-frame lens. And I came across this Rokinon 14-millimeter lens.
So Rokinon 14-millimeter f 2.8 as if you were actually getting dialed in, you guys understand 14 millimeters it’s wide.
You understand f 2.8, and it’s got a constant. It can have a constant aperture as wide as 2.8.
So here’s some of the interesting stuff about this lens.
It feels very solidly built, right, so you start with that. This is not a fisheye lens. In fact, while there is some distortion, it’s not extreme at all.
So let’s talk about the distortion. I’ve read it described as bow tie-shaped; that’s a little weird, right.
But if you’re running a current version of Lightroom, with the current Lens Correction profiles in there.
One-click on the profile for Rokinon 14 millimeters takes it away; it’s practically a rectilinear lens at that point.
It is manual focus. It will work beautifully on a full-frame camera, and it’s great for those little rooms that just get a sliver up with other lenses.
You probably already have something like that; a 24 to 28 millimeter will do fine on huge rooms, but this is what you want for smaller rooms.
We got to do wide angles tend to be very forgiving, and I focus on sharp pictures.
They’re really showing off all the features of the room.
So Rokinon 14 millimeters, I can’t recommend it enough.
What is the reason why we even need a wide-angle lens in real estate?
The whole purpose is simple. You want to get as wide as possible for each room; they want to make sure they look spacious to the viewer.
Alright, guys, so that concludes all the lenses we will talk about today in this article.
Do you guys have any experience with these lenses? What are your thoughts on them?
Which is the Best wide-angle lens for real estate photography for you?
Is there a lens that I didn’t mention in this article that you love to use for real estate photography?
Please leave your thoughts and comments below.