Last Updated on January 22, 2024 by Sharon Advik
So you already decided, or you’re deciding on starting a real estate photography videography business.
Which is the Best wide angle lens for real estate photography?
What is the reason why we even need this wide-angle lens?
The whole purpose is to capture the home in the best and most creative way possible.
We had to show the rooms as spacious as possible in real estate.
If you guys are starting in the real estate photography business, you’re probably wondering, Which lenses should you use?
I ran into that problem the same when I first started.
So, let me show you some of the best wide-angle lenses for real estate photography.
Let’s drive in:
Which is the Best wide angle lens for real estate photography?
Here are my recommended top 7 best wide-angle lenses for real estate photography:
Canon 10-18mm f/4.5-5.6: (Best Canon wide-angle lens for real estate photography)
The real reason why I wanted the wide-angle lens above anything else was that I found it to be an incredibly quirky lens.
But I thought the wide-angle distortion differed from anything I’d seen in photography.
I thought it could be an entertaining introduction to photography, so I was correct.
So, the wide-angle lens serves that purpose for me. Free to widen the lens is an acquired taste because it has a much more significant distortion factor than other lenses.
But if you’re interested in real estate photography, landscape photography, architecture, street photography, or even documentary photography, you might want to consider investing.
The Canon 10 to 18 millimeters is quite a decent lens. It lets in quite a bit of light, which is excellent.
Like I said before, you want to focus on things like Real estate photography, landscape photography, street photography, and so on.
They want to be able to freeze the action, possibly even getting exposure shots, in which case, it’s fantastic because the amount of light you’re letting in would lead to a very nice long exposure shot.
So, if I had to describe my experience with this lens, it would probably be reliable in one word: Amazing.
The only real negative that I could say if there is a negative about this lens is that it is a plastic lens, and it is one of the Canon beginner lenses, and I guess you can say.
But it’s incredibly versatile for what it is and is the plastic lens.
At 10 to 18 millimeters, it’s decent and not incredibly expensive.
So, if you’re a beginner wanting to get into Real estate photography, for example, with a wide-angle lens.
But you don’t know what to go for, so I recommend this lens.
Sigma 10-20mm f/3.5: (Best wide-angle lens for indoor real estate photography)
This thing is a beast, and it’s enormous. So this is Sigmas 10-20 millimeter super wide-angle lens.
And I have to tell you one thing: this lens kills. I bought this lens because I’m getting into real estate photography.
I’m taking pictures of the inside houses, and I need ultra-wide to get a whole room in an image, so this goes from 20 to 10, which is super helpful.
It’s pretty useful for filming.
This lens is perfect, and I love it. But that being said, it’s not the ideal lens.
So, I have noticed some issues with it.
And they’re not deal breakers for me.
So, one problem I have when I go ultra-wide and 10 and a little bit wider is that it focuses, but the focus isn’t tacking sharp, and it depends on how the lighting is and what you’re focusing on if something you’re focusing on is far away.
But when I was doing real estate, they were working great inside. I was taking super sharp photos.
The lens is sharp at 3.5 in the center, and it is very sharp.
The only problem is towards the outer edges, which is soft; it’s not super soft, but pretty quiet.
And I mean, that’s something you’ll run into when you go with these wide-angle lenses. So, that can always be a problem.
The thing I do love is that this is built like a tank.
The only problem is that it’s so heavy that I can’t use it for the vlog because it weighs so much when I hold the camera.
You can barely hold the camera for 30 seconds, and it’s a pain in the butt.
But that is a fantastic lens in my heart; it’s sharper than others, and you get better.
You have a wider aperture at 2.8, but I needed the range.
I love the range on this, and I think it works great for what it needs to do, and I’ve had no problems with it.
So there’s a slight vignetting at 10 millimeters, but you can remove it easily with Lightroom.
My only problem with shooting the house was that F 3.5 is almost not dark enough.
So, I was doing long exposures to get a better look in this dark house without raising the ISO because I didn’t want to have some serious noise in my photos; instead, it was great.
Samyang 14mm F2.8: (Best Budget Ultra wide-angle lens for real estate photography)
This is a crazy, magnificent beast. This is the F series lens, an autofocus lens from Samyang.
It’s one of their first lenses; it’s pretty crazy, and I can’t help but love this lens; it’s not for everybody. It’s very extreme.
Let’s get into the build.
The build is a little bit different than your typical lens. It attaches nicely and securely, but note that this lens has no filter threads.
There are no buttons or switches, measuring only 3.8 inches long.
This lens is a great size. It is a bit hefty at 500 grams or just over a pound, but it feels well-made and put together.
A pleasant middle mount complements its mental build, but unfortunately, Samyang has left a little rubber gasket for additional confidence in weather sealing.
So, it’s a decent enough lens when it comes to building features as a whole.
So, regarding value, many Samyang are rocking on lenses. There’s lots of value here.
And for a fast ultra-wide of this quality, you’ll be hard-pressed to find something else.
It is a very neat lens for being creative because you’re forced to put yourself in situations where you disagree with most lenses.
It’s just an ultra-wide lens and can create some cool distortion effects.
It’s going to be great for things like real estate.
And just getting creative and having some weird Warby fun effects with whatever your mind can come up with.
So, let’s dig into a bit of the performance now.
When it comes to autofocus, this thing might surprise you a little bit. Its autofocus for video is pretty decent.
It’s not the world’s fastest but pretty accurate and silent.
Honestly, he gets a thumbs-up for video and stills when it comes to autofocus.
So, as far as focal length goes, I don’t think this lens is a filmmaker’s dream, but you could get some fantastic shots if you’re creative.
At F 2.8, it suffers from some heavy vignetting and quite a bit of distortion that you’d expect to have a wide-angle lens like this, with the profile correction turned on in Lightroom.
The 2.8 is excellent if you’re doing something like Astrophotography or working indoors, but for the most part, I think you will use this lens more to stop down.
I like the autofocus; it’s excellent, it’s quiet, and it’s snappy.
It’s fun to shoot with crazy ultra-wide primes, and the fast F 2.8 aperture is nice.
I get this thing for starters for performance.
So, wrapping up, if you’re in the market for an ultra-wide angle on a budget, this lens will take a lot of your boxes.
Tokina 11-16mm F2.8: (Best wide-angle lens for property photography)
This is an exciting lens. If you’re looking for the best wide-angle lens for real estate photography for the APS-C Canon camera.
It is a lot better than we expect it to be. This is the new version, 11 to 16-millimeter f 2.8 lenses for Canon.
First, it has fantastic build quality.
The lens is mainly metal and much heavier; the zoom and focus rings are well-built.
It has the perfect stiffness, gives accurate zoom, and focuses the pulley.
It feels much more premium than other lenses.
The size of this lens is also an advantage because it is very compact for an ultra-wide zoom lens.
This is perfect for gimbal use because, with a smaller lens, it’s always easier to balance on the gimbal.
I film a lot of dense videos.
So, an ultra-wide angle to focus everyone in the frame while using the gimbal is a perfect match.
Let’s talk about the most crucial thing about image quality.
This lens is very sharp.
This lens has a constant aperture of F 2.8, so you don’t have to worry about arbitrary changes while zooming in and out.
F 2.8 is also perfect for low-light photography and videography.
You will blur out the background if the subject and focus are far away from the background. That’s just how ultra-zoom works.
11 to 16 millimeters lens will give you about 18 to 26 millimeters of angle, equivalent to a full-frame lens of 18 millimeters, which is very wide already.
It is a lovely wide angle without having fisheye distortion.
That is perfect if you are in a tight space and want to capture as much as possible.
Another good use of this lens is real estate photography. I don’t have a big house, but you can imagine how it works.
Since this is an ultra-wide-angle lens, we have to talk about distortion.
When I tested the lens, the distortion was minimal chromatic aberration-wise, even at its widest angle of 11 millimeters.
I didn’t notice anything significant, which is lovely, especially when using this lens for videos.
When you zoom in and out, your focus point will usually change, but this lens almost stays focused on the same issue.
That is crazy because powerful bonuses are usually very expensive.
Another awe-inspiring thing about this Lens is the focus breathing.
The lens does not zoom in when focusing from the furthest point to the closest one.
There are a couple of minor things that I wish they could do differently.
First, the autofocus noises are loud.
If you plan to use autofocus while filming, ensure you don’t use the onboard microphone or any microphone close to the lat; it will pick up the noise.
It is another thing that’s also related to autofocus; the way to switch the focus from auto to manual is by pulling the focus ring in and out instead of switching.
It sounds brilliant, so you can switch between modes without having your hands or hands off the focus ring, but it is not that great.
That’s pretty much the case, and to be honest with you, I don’t have too many complaints about this lens.
I highly recommend this lens and your kit because the length is 16 millimeters, which is needed for many situations.
I can’t think of anything with the same or better quality than that at this price point.
This will be my new best wide-angle lens for real estate photography, especially when I’m filming outside again.
Nikon 10-20mm f/4.5-5.6: (Best wide-angle lens for real estate Nikon)
It is the cheapest wide-angle lens you can get, especially compared with similar lenses on the market.
This lens is mainly made of high-quality plastic, making it very compact and light.
The zoom and focusing rings are rubberized, have no rubber gasket, and are made of plastic, which may be disappointing for autofocusing.
This lens is silent, snappy, and accurately gives a few extra stops. But I find it to be unnecessary for an ultra-wide-angle lens like this.
As part of the image quality, I can say that it is not bad, but not that good.
You will get chromatic aberrations toward the corners through the wide-open zoom range, which is, of course, entirely typical for an ultra-wide-angle lens like this and can be fixed post-posing or just by closing down the aperture.
The good thing about this lens is that it does not distort the image like other lenses.
It does not bulge out the center of the image but instead closes it back to give him a natural look.
This makes it a good lens for Real estate, landscape, and architecture photography for me, straight lines to be straight.
10 to the 20-millimeter lens with a maximum aperture of 4.5 millimeters and 5.6 add 20 millimeters.
So even if it can focus over 22 centimeters from the sensor, it renders both okay.
It has a maximum aperture of 4.5. So, it’s not an excellent low-light performance, which is a significant breaking factor for this lens.
So, is this the lens for you?
If you are a beginner amateur-level photographer on a tight budget, look for the best wide-angle lens for real estate photography than he has.
You can buy this lens and be happy with it.
Sigma 18-35mm F1.8: (best wide-angle lens for real estate pictures & video)
This lens is for Canon cameras, so consider it when selecting yours.
This lens delivers a fantastic image for both photo and video.
If you want a nice-looking picture, the Sigma 18 to 35 will give your camera a new life with fantastic picture quality, color, sharpness, and beautiful bow cakes.
If you’re into that kind of thing, who is it right? Images popped in that sweet F, 1.8 wide open aperture makes it stand out in low light situations, especially compared to the standard kit lens.
It holds excellent focus with little to no hunting.
Now, let’s talk about the build of this lens.
This is sturdy. It has some serious weight and is built like a tank.
It has little distance measurements on the lens to see the numeric value of your focal length.
Let’s talk about low light.
This lens is a beast. Beast is a low light with its constant one aperture compared to the Chitlins 3.5 variable aperture, which gets darker when you zoom in, causing you to bump up your ISO and introducing more noise into your videos and pictures.
At a wide-open aperture of 1.8, the corners get a little soft.
That’s expected with a wide-open aperture; everything gets so soft that your focal distance is very natural.
So, is it a big deal? Not really, not for me.
It is reliable, but it is slow. If you prefer manual focus, this may not be an issue.
It’s a heavy lens, especially on an already waited body like the Canon 80D—no weather sealing.
Now, this one is a real bummer for me. There is no image stabilization, and that sucks.
So it’s a feature sorely missed, but I guess if you’re using a tripod, a gimbal, or a Hambourg camera within body stabilization. You’re good.
So, in the end, am I happy with the Sigma 18 to 35 with my Canon 80D? Fantastic images and videos.
This lens will be my primary lens for you to ensure paid work.
Rokinon 14mm: (Affordable wide-angle lens for real estate photography)
This is the best budget lens for real estate interior photography.
Part of what I do is real estate photography, among many other genres.
So what you need, If you’re doing minor to medium-sized houses like most of mine are, you need a very wide lens, but you need a good wide lens that will be appropriate for your camera.
In my case, I needed something appropriate for a full-frame lens. And I came across this Rokinon 14-millimeter lens.
So Rokinon 14-millimeter f 2.8, as if you were getting dialed in, you guys understand 14 millimeters it’s wide.
You understand f 2.8, and it’s got a constant. It can have a continuous aperture as wide as 2.8.
So here’s some of the exciting stuff about this lens.
It feels very solidly built, right? So you start with that.
This is not a fisheye lens. While there is some distortion, it’s not extreme at all.
So, let’s talk about the distortion. I’ve read it described as bow-tie-shaped; that’s a little weird.
But if you’re running a current version of Lightroom, with the current Lens Correction profiles in there.
One-click on the profile for Rokinon 14 millimeters takes it away; it’s practically a rectilinear lens.
It is a manual focus. It will work beautifully on a full-frame camera, and it’s great for those little rooms that get a sliver up with other lenses.
You probably already have something like that; a 24 to 28-millimeter will do fine in huge rooms, but this is what you want for smaller spaces.
We have to do wide angles. I tend to be very forgiving, and I focus on sharp pictures.
They’re showing off all the features of the room.
So Rokinon 14 millimeters, I can’t recommend it enough.
Alright, guys, that concludes all the lenses we will discuss today in this article.
Do you guys have any experience with these lenses? What are your thoughts on them?
Is there a lens I didn’t mention in this article that you love using for real estate photography?
Please leave your thoughts and comments below.
I am a Professional and Certified Digital Photographer born in the USA. I have been in this field of photography for 22 years, and in these years, I have used many photography lenses and Cameras, which I want to share here on this website about my experience. The idea for Bestoflens.com is to provide honest information about different Lenses and Camera products in the format of a “Best lenses for AYZ” list. I want this website to be the last destination for people to pick the best Cameras and lenses to fit their needs. You can find our unbiased reviews here on Bestoflens.