17 Must Have Lenses For Wedding Photography: (2024 Guide & Reviews)

Last Updated on December 4, 2023 by Sharon Advik

Wedding photography is significant for capturing a long-awaited day of bliss and joy.

You can not go wrong here because a whole family expects to see the digital print of the special day for the rest of their life.

Therefore, choosing the right Lens is paramount to clicking seamless pictures of the bride and groom.

A lens that can work in multiple scenarios without lagging and give a mesmerizing tint of realism must be used.

We have your back if you are wondering where to find this kind of Lens.

In the following article, you will go through a list of must-have lenses for wedding photography, so let’s get started.

Which are the must-have lenses for wedding photography?

Here are my recommended top 17 Must Have Lenses For Wedding Photography:-

Sony FE 70-200mm f/2.8 GM OSS:

As the wedding event unfolded, I was ready to ensure I framed every moment with my Sony FE 70-200mm f/2.8 GM OSS Lens.

The stars were shining brighter than ever, and the couple was walking down the aisle elegantly attired in white and black.

From the beginning of the vow ceremony to the bride and groom’s departure for honeymoon, I captured every moment, candid or otherwise, flawlessly with this must-have Lens for wedding photography.

Bright Optics/ Sharp Results

If you wonder how I got brighter and crisp results even in the dimly lit wedding setup, the answer is f/2.8 aperture.

The wider aperture lets enough light in to illuminate the pictures evenly; there is nothing like overexposure or underexposure.

Moreover, the ability of the Lens to create exceptionally detailed bokeh struck my photos with unmatched resolution.

The results were sharp thanks to the extreme aspherical element with 0.01-micron surface precision.

Speedy linear Motor Focus

As I needed to be ready to click on spontaneous moments during the wedding, the Lens gave me an edge to keep going without getting slow on focus.

The fastness of the focus is due to the double linear and Super Sonic wave motor that ensures I get everything timely.

The Lens gave minimal focus breathing when switching from closeup to zoom out, but it is not a problem to worry about.

The 70-200mm focal length

This focal range is very reliable in versatile image-making.

Whether I was capturing wide open scenes, including the couple of the day under the starry sky and exquisite decor at 70mm or zooming in at 200mm to isolate the bride and groom from the rest of the background, I got sharp results with no vignetting whatsoever.

Why is this Lens best for wedding photography?

Honestly, it is the lightest telephoto zoom lens with effortless operability.

I am never tired of carrying this Lens with my camera.

Also, due to its ability to work with teleconverters, I can pair it with any E-mount teleconverter without compromising its ability to diminish focus speed.


With the ability of the Lens to make realistic and highly crisp photos, this Lens breaks the record of many other rivals.

The lightweight 70-200mm telephoto zoom lens is sturdy with a splashproof coating for drizzling or other extreme environments.

  • Bright F2.8 optics
  • Speedy linear focus motors
  • Very light build
  • Sharp results on high-resolution cameras
  • Sturdy, dust- and splash-protected construction
  • Works with teleconverters
  • Tripod foot doesn’t fit Arca mounts

Canon RF 70-200mm f/2.8 L IS USM:

As society develops, people are growing more creative ways of planning and organizing events, especially weddings.

Nowadays, most of my clients want something extraordinary, trendy, and artistic in their wedding photoshoots.

Therefore, I must keep updating my photography gear, especially lenses, to find new ways to satisfy my clients.

Recently, I covered a pool wedding with my Canon RF 70-200mm f/2.8 L IS USM Lens, a must-have lens for wedding photography.

Excellent optics

The Lens is one of a kind when it comes to optics.

What else could I want to cover a pool wedding where I had to go wide and telephoto occasionally?

Capturing the champagne color scenery of the pool sides at 70mm at f/2.8, it came out strikingly wide and sharp.

The bride and groom pictures with a closeup of 200mm and an aperture of f/2.8 were also clean and detailed.

Smallest with Optical Stabilization

Another characteristic of the Lens is its smallest build with even a telephoto range of 70-200 and optical stabilization.

When working on relatively still or slow moments in a wedding, I have to keep the shutter slow; this wedding, in particular, had many instances where I had to go slow, and the optical stabilization provided me with added shake-free framing ability with easy holding due to small size.

Accurate and Fast Focus

The manual and autofocus of the Lens work well.

I mostly rely on autofocus; in this case, it is very silent and fast.

I could picture candid moments where the guests danced in the pool during the after-party.

The focus worked precisely to capture every decisive moment and got me results as close as 2.3 feet due to dual Nano USM motors.

Why is this Lens best for wedding photography?

This Lens has a potential range of features and gives outstanding results regarding wedding photography.

From a wider perspective, I can capture whatever happens on a wedding day.

The Lens also gives a reasonable 1:4.3 macro magnification at 200mm for remarkable close-ups so I can capture the happy tears of the bride with zero hesitation.


Rest assured, your investment is not worthless if you buy this Canon RF 70-200mm f/2.8 L IS USM Lens with its telephoto zoom capabilities.

This camera is the smallest piece with powerful telezoom integration.

In addition to its state-of-the-art features, it also has dust, splash, and fluorine protection for ultimate protection.

  • Smallest of its type
  • Excellent optics
  • Optical stabilization
  • 1:4.3 macro focus
  • Dust, splash, and fluorine protection
  • Tripod foot, not Arca standard
  • Telescoping barrel may turn some off

Nikon NIKKOR Z 70-200mm f/2.8 VR S:

My sister’s wedding event was arriving, and the preparations were starting when I returned home after a long travel assignment in Amazon.

As a photographer, everyone expected me to cover the wedding, and I was eager to do so equally. However, I needed changes in my typical lens range to get something more fighting for wedding photography.

Out of every Lens I checked, the Nikon NIKKOR Z 70-200mm f/2.8 VR S Lens was the one that struck me as the most reliable for a wedding event.

So I bought It and gave my sister’s wedding shoot a magical outlook.

Excellent optics

This Lens has unmatched optical ability with its 70-200mm focal range and f/2.8 aperture.

There is nothing that I could not frame throughout my sister’s wedding, even in the lowest light.

Getting an excellent bokeh of the couple by defocusing the background of white flowers was the show-stealing picture.

I could zoom in and out as I liked, and no smooth edges were in any picture.

I got even illumination and sharpness throughout the frame.

Fast and quick Autofocus

When my sister was walking down the aisle, I got terrific pictures with candid moments and smooth and fast autofocus.

One notable thing is that the autofocus is very silent because of the Stepping motor.

Moreover, no matter how many transitions I do between the focal ranges, I never see any focus breathing.

Obviously, It is present, but it is minimal, so it mostly went unnoticed.

Stable and Sturdy

The Lens has a very sturdy build, so it is very long-lasting, but the best thing is its optical VR image stabilization.

There was too much going on at the wedding, and I was about to stumble while taking pictures, but the camera’s image stabilization reduced the possibility of handheld shakes.

The image stabilization works effectively to about 5.5 stops, which is incredible.

Why is this Lens best for wedding photography?

Color production, in addition to optical reliability, is the thing essential to making wedding images.

The Lens has it all, from a 70-200mm focal range and wider aperture to aberration elimination that gives premium-quality sharpness in color.

I like how this Lens tackles the ghosting, flares, and chromatic aberration due to short-wavelength refractive glass.


The Nikon NIKKOR Z 70-200mm f/2.8 VR S Lens is the ultimate quality telephoto zoom must-have for wedding photography.

The Lens is splash and dust-free, but you will also get anti-smudge protection for an extra shield layer.

The Lens also has teleconverter compatibility in case you want some supplementary magnification.

  • Excellent optics
  • Quick, quiet autofocus
  • Minimal focus breathing
  • Dust, splash, and anti-smudge protection
  • Teleconverter compatibility
  • Tripod foot isn’t Arca compatible

Sony Planar T* FE 50mm f/1.4 ZA:

Every client and every photographer approaches wedding photography.

Too much is added in one picture; sometimes, you want to isolate the couple from the noisy background.

Therefore, it is essential to have a lens that can work in different scenarios.

I use a Sony Planar T* FE 50mm f/1.4 ZA Lens for my wedding coverage because it gives me the specificity I need to capture desirable pictures.

This is one of the must-have lenses for wedding photography with all its unique features.

Super Sharp Optics

The Lens has super sharp optics due to two advanced aspherical elements and an ED glass element; this helps me to get a breathtaking resolution and contrast.

Although the illumination at corners is slightly compromised when I use a wider aperture, it’s very slight, and I have never had a client complaint.

Moreover, the pictures always come out at high resolution, even when I print them in a larger format.

Bright and Wide f/1.4 Aperture

The wider aperture means more light, so I never had issues clicking wedding photos at night.

The extreme bokeh formatting is smooth and helps me when the client wants defocused background portraits.

The image is strong at every aperture, but the resolution becomes greater at narrow apertures.

No Distortion/ Fast Focus

I have used many 50mm lenses, and most of the designs had barrel distortion, but it is absent in this Lens, which is a huge advantage for wedding photographers.

The focus of the Lens also works pretty well with its super sonic wave motor, so I am always getting smooth experience with image making.

Also, I can move between manual and autofocus with just an off/on button, so the operability is very handy.

Why is this Lens best for wedding photography?

This Lens has an excellent infrastructure and optical value that adds to the high-contrast pictures and renders true colors.

Nothing is distorting about the pictures I click with this Lens, and the physical aperture control gives me the ease to implement.

Moreover, the lens resolution improves when I take pictures at a narrow aperture.


The Sony Planar T* FE 50mm f/1.4 ZA Lens is a good option for making standout pictures.

The bokeh is high quality, and the focus is fast, but no image stabilization is often present in similarly priced prime lenses.

Also, the Lens has a good build with weather sealing, but it can be heavy for many.

  • Superb sharpness.
  • No distortion.
  • Solid, weather-sealed build.
  • Physical aperture control.
  • Bright f/1.4 aperture.
  • No optical stabilization.
  • Dim corners at wide apertures.

Canon RF 50mm f/1.2L USM:

It was a simple ceremony in Pasadena city hall, and the guests were standing with flowers to welcome the couple of the day.

Meanwhile, I was preparing to ensure my gear did not leave a moment behind.

At first, I was concerned about whether I had chosen the best lens because it was my first time using a Canon device.

However, With the Canon RF 50mm f/1.2L USM Lens’s ability, I was spellbound by my work.

Very Bright Aperture

A wider aperture means more possibility; this lens takes its stride to provide an unsuppressed brightness and sharpness.

While the couple came out of their car, I got a beautiful bokeh while both looked into each other’s eyes, and the sun shone brightly in the background.

Because there was enough brightness and the aperture was sensitive to light, I had to close it to f/2.8.

Edge-to-edge clarity/Minimal Distortion

The Lens has a 50mm focal length with no barrel distortion or negligible in some cases.

The clarity goes from edge to edge regardless of the aperture combined with 50mm.

Also, I appreciate the human eye perspective field of view that comes with 50mm as it allows me to make wedding portraits like the one I made when the ring ceremony was going on.


One of the other reasons I liked this Lens is its fast autofocus; at one instant, when the couple was coming out of the city hall, I captured some candid moments that the couple liked the most.

The fast focusing is due to a ring-type USM autofocus system that effortlessly moves the significant glass element.

Therefore, I could lock the fleeting yet memorable moments in the frame.

Why is this Lens best for wedding photography?

This has become one of the ideals for wedding photography due to its ability to pop up the finest details with crisp and creative bokeh making.

The Lens’s focal length and aperture also fall right in the range.

Moreover, there is fluorine coating on the Lens to protect it from fingerprints and smudges, which I needed the most due to my habit of unnecessarily touching the Lens.


The Canon RF 50mm f/1.2L USM Lens is a must-have for wedding photography.

This Prime lens has a perfect aperture focal range and seamless operability with two control rings.

It is also protected from dust and splash so that you can take it to your rough destination.

  • Very bright aperture
  • Edge-to-edge clarity
  • Minimal distortion
  • Dust and splash protection
  • Fluorine lens coat
  • No optical image stabilization

Nikon NIKKOR Z 50mm f/1.2 S:

Having a long career in wedding photography makes me realize how much the industry has evolved.

As Gen Z says, the flagships have progressed from simpler photographic shoots to more creative or aesthetic image-making.

I see more advanced lens systems that allow wedding photographers like me to control image-making without getting stuck at a point.

Nikon NIKKOR Z 50mm f/1.2 S Lens is one of those remarkable lenses that I appreciate the most.

Since I purchased this Prime lens, I have never left it out of my wedding photography gear.

Extra Wide f/1.2 Aperture

Using it means I get more light and brighter images.

Therefore, It is the best shot when I cover weddings in dimly lit halls.

The Lens also fits dramatically when it comes to artistic bokeh effects.

The bokeh comes out creamy at f/1.2 and enhances the aesthetics of the wedding pictures with its 9-round bladed diaphragm.

Remarkable Resolution

The Lens gives a good resolution with 50mm at various aperture ranges.

For instance, I get a bit of soft-edged pictures at f/1.2, which is normal, but as I keep going narrow, the resolution improves, for example, when close to a narrow aperture to shoot a group photo or a focused field view.

This is the best thing that keeps the pictures sharp and crisp, even in prints.

Quiet and Near-Fast Autofocus

The autofocus is quiet and fast due to two small Stepping motors, but telling the truth, it is not as quick as someone would want.

As for me, it works fine in marinating the subject in the frame when I use it with Z-mount cameras during wedding shots.

Moreover, the lens focus has minimal breathing, which is a plus.

Why is this Lens best for wedding photography?

The Lens has superior optics with a prime focal lengthy and wide aperture. It works excellently in low-light situations and excels at bokeh-making.

The Lens gives minimal distortion and no ghosting or flares due to its anti-reflective Nano Coat and ARNEO coating.


The Nikon NIKKOR Z 50mm f/1.2 S Lens is a must-have for wedding photography as it is much better than many similarly priced rivals.

The image quality is the one feature that takes it to the top.

The build is also strong with dust and splash protection, an essential component for the longevity of the Lens.

  • Extra-wide f/1.2 aperture
  • Outstanding resolution
  • Minimal distortion and breathing
  • Dust and splash protection
  • Big, bulky build
  • Sensitive control ring
  • No fluorine coating

Sigma 50mm f/1.4 DG HSM Art Lens for Sony E:

Sigma might seem like a relatively new flagship, but it has made outstanding progress in its lens ranges.

Especially if you want to use one Lens with several camera systems.

I was unaware of this until my cousin introduced me to the Sigma 50mm f/1.4 DG HSM Art Lens for Sony E.

Having it by my side, I covered many weddings, including my best friend’s.

It is the must-have Lens for wedding photography these days.

Wide Aperture

The 50mm f1.4 aperture has a human eye vision-like field view and keeps shining even in the lowest light, an ambiance I often encounter at weddings.

The aperture gives aesthetic bokeh when I take pictures in both front and back bokeh.

To elaborate on this point, front bokeh is more challenging than back ones and more artistic, but the Art lens keeps up with it every time I shoot bride portraits with front bokeh.

Fantastic Sharpness and Minimal Distortion

Sigma has done some challenging work here and improved the optics.

The Lens has an impressive resolution, and the prints come out crisp.

I am also grateful for the no-distortion manufacture as the lens has no typical 50mm f/1.4 distortion, a norm with many lenses of this focal range.

Moreover, the Lens’s sharpness improves when I draw the aperture to the narrow end.

Fast and Silent Focus

The autofocus of the Lens is silent and fast as I need to shoot weddings.

Sigma added Hyper Somic Moto here, providing Perfoamce with an elevated algorithm for fastness.

Also, I can achieve a closeup focus of approximately 15.7 inches, giving even more magnification when needed.

Why is this Lens best for Wedding photography?

The Lens is an image quality expert in delivering photos with fantastically sharp presentation and creativity.

The Lens is outfitted with special low-dispersion glass that eliminates axial chromatic aberration.

Also, the Lens tends to overcome the flare and ghosting as well.


The Sigma 50mm f/1.4 DG HSM Art Lens for Sony E is a prime lens that made its way into many photography gears with its outstanding optics and lens construction.

The Lens has a sturdy build that delivers solid operability.

The manual and autofocuses are present and compatible with many cameras.

The only missing feature is optical image stabilization.

Otherwise, this Lens has the maximum potential to offer.

  • Incredibly sharp.
  • Minimal distortion.
  • 15.7-inch close focus.
  • Available for several camera systems.
  • Big.
  • No optical stabilization.

Sony FE 24-70mm f/2.8 GM:

Photographing at cliff weddings is my favorite project because I explore the landscapes while shooting the happiest moments of someone’s life.

I deliberately chose this field because of my passion for adventure.

Shooting cliff weddings also gives room for creativity and social media popularity.

I always experiment with new picture styles with my Sony FE 24-70mm f/2.8 GM Lens.

I think it is the most versatile and must-have Lens for wedding photography.

24-70mm Focal Length

The 24-70mm focal length is perfect for capturing weddings in special spots.

With this range, I could take pictures with a wider angle of field so it is easy to incorporate the background treacherous cliffs that appear to meet down the waters.

I could zoom in on distant ships a few times while clicking the wedding venue’s eye-catching furbishing.

Superb Optical Performance

The image quality of the Lens is exceptionally good at every f-stop.

Whether I am creating a bokeh of the background of calm lakes and green lands while focusing on the wedding ceremony at f/2.8 or narrowing the aperture to f/5.6-6 for more defined backgrounds for added natural beauty, I get edge-to-edge sharpness that comes out crisp in prints.

Snappy Autofocus

The Lens has dual linear motor autofocus that works fast with every frame.

The best thing about fast autofocus in a wedding lens is its ability to frame everything in a time frame.

The only minor issue I faced was focus breathing, which happens when I change the focus view overwise.

I am delighted with both auto and manual focuses.

Why is this Lens best for wedding photography?

The Lens has nothing but high-end features.

The Lens has it all, whether attractive and light built or ideal size to carry for a long time in wedding functions.

Moreover, There is nothing like aberration, flare, or ghosting in the images, which I never noticed due to its construction.

The Lens also gives 1:3.1 macro reproduction, highlighting the tiniest details in the bride’s jewelry if you habitually click one.


Sony FE 24-70mm f/2.8 GM Lens is an editor’s choice zoom lens that is excellent in image production and operations.

Professional photographers can take advantage of the no-tension zoom and linear manual focus.

In addition to wide and sharp optics, you also get helpful no-barrel controls.

  • Very sharp results.
  • Wide-aperture f/2.8 design.
  • Solid build quality.
  • Weather-sealed design.
  • No image stabilization.

Canon RF 24-70mm f/2.8L IS USM:

Combining my Lens with the right camera and going to a shoot at a wedding is my lifestyle.

Wedding photography with my Canon RF 24-70mm f/2.8L IS USM Lens is the most pleasing.

From bridal showers to receptions, I frame every blessed moment in one click.

The combination of the beautiful couple, my Lens, and the breathtaking venue is one of the most extraordinary experiences that never gets old.

Therefore, I make sure I click the best pictures for every client so that this experience keeps coming back, and believe me, Canon RF, being the best zoom lens, has been of great help to me.

The 24-70mm Focal Length

Some weddings are simple, and some are extravagant, so their requirements can vary a lot when it comes to the final view of the picture.

Therefore, working with a versatile lens with a ranged focal length is convenient for me.

This focal length from a unique wider-to-zoom view gives me room to capture the broader and closer angles alike.

Excellent Resolution

I get equally brilliant quality with the bokeh of the couple’s affectionate junctures at f/2.8 or a more in-depth field view of the whole venue with f/11.

Indeed, It highlights sharpness and detail throughout the frame, unlike many rivals who fail the crispness at the end.

Quick and Quiet Autofocus

Another feature that left me speechless is its autofocus.

Spontaneous instances happen at every wedding, so I must always be ready.

Therefore, the Lens is a perfect choice with its fast, silent autofocus powered by a Nano USM motor.

Whether it is the bridal shower laughter or reception dance, I can click with nothing there to slow my Lens down.

Why is this Lens best for wedding photography?

The Lens gives optimal image quality essential for wedding photography due to advanced lens coating with Air Sphere and Super Spectral coats.

This Lens withstands anything I throw at it; no matter where the wedding occurs, it is always ready to repel dust and splash.

Moreover, the Lens’s image stabilization is always ready to hamper the shakes for a cleaner output.


The Canon RF 24-70mm f/2.8L IS USM Lens is a must-have for wedding photography with impressive and exclusive features that can give you the most beautiful wedding images.

Image resolution, 1:3 macro focus, sturdy build.

You have everything in your hand if you have this Lens.

  • Excellent resolution
  • Quick, quiet autofocus
  • Dust, splash, and anti-smudge protection
  • Outstanding hybrid stabilization
  • 1:3 macro focus
  • Factory service required to quiet control ring

Nikon NIKKOR Z 24-70mm f/2.8 S:

I was on a tour of Edinburgh with my family when a friend approached me to shoot his wedding.

I was unprepared as I was on vacation and did not have my usual wedding photography gear.

I was with my Nikon NIKKOR Z 24-70mm f/2.8 S Lens, a zoom lens, and I prefer it for nature photography.

Long story short, after my friend instated me, I had to shoot his wedding, which was taking place in a historical castle.

It was my first time in wedding-style photography with this Lens, and the results impressed me.

The 24-70mm Focal Length

The Iconic 24-70mm focal length is perfect for wide-perspective photography and zoom-ins for macro effects.

Capturing the ceremony in the greens of Dalhousie Castle.

As the wedding ceremony proceeded, I clicked wide-view pictures at 24mm with the castle walls and the tall green hills, elevating the couple’s grace.

I also got an outstanding macro magnification of 1:4.5 while close to the wedding rings.

Excellent Sharpness

One of the other things that I noticed with this camera was its sharpness, which was absent from my usual wedding photography lens.

I managed to get creamy bokeh at f/2.8 as the greens behind melted away into a beautiful blur, and the couple highlighted the frame with eyes locked into each other.

I also shot some pictures inside the castle, and the Lens overcame the dim light to provide sharp images.

Quick and Silent Autofocus

While the reception was going on, everyone was cheering and toasting. I was there silently and spontaneously at a distance, framing the candid moments with an autofocus that worked as fast as I ever imagined.

As I used to work with the fixed focal length at weddings, I feared focal breathing with this one as I shifted the focal length, but to my surprise, there was no breathing at all.

Why is this Lens best for wedding photography?

This Lens has a noteworthy infrastructure that I thoroughly explored before the wedding.

Apart from a wider aperture, the shiny optics are due to the lens construction.

The two ED and four aspherical elements eliminate the aberration, and the ARNEO and Nano crystal coatings are excellent for ghosting and flare elimination.


This Lens comes with high-end optics, but you can also take full advantage of its outstanding operability.

The control buttons provide ultimate possession of the settings without any complexity.

The weather protection and fluorine coating ensure the Lens lasts longer, making it one of the must-have lenses for wedding photography.

  • Very sharp.
  • Minimal distortion.
  • 1:4.5 macro magnification.
  • Weather protection and fluorine coat.
  • Programmable control button.
  • Quick, silent autofocus.
  • Sensitive control ring.
  • Telescoping design.

Sigma 24-70mm f/2.8 DG DN Art Lens for Sony E

A month ago, I was requested by my former client to attend him to shoot his destination wedding.

I had worked for this one’s sister’s wedding, and he liked my work so much.

However, it was my first lavish wedding that was about to take place in the Dominican Republic.

I was nervous because it was a fifteen-day contract and wanted to work at my peak potential.

However, having my Sigma 24-70mm f/2.8 DG DN Art Lens for Sony E along my side was a blessing in disguise for long hours of clicking.

A Classical Zoom Range

A wedding in a paradise of Democratic-Republicans requires endless capabilities.

This stunning zoom length provides that edge as the bridal shower was happening in Jewel Palm Beach under the starry night surrounded by blue waters; I captured some friendly moments with 24mm and 70mm focal angles, widening at some and zooming at other points.

On-point Resolution/Wider Aperture

When I paired this Lens with a Sony a6400 mirrorless camera, It gave me a sharp resolution necessary for clicking a luxury wedding.

Creating a bokeh of the couple in front of the palm trees while giving a delicately aesthetic effect at f/2.8 and clicking dinner pics in a gilded rooftop restaurant under a purple cloudy sky at f/11, everything turns out to be crisp and vivid.

Silent and Swift Focus

Autofocus is quiet and fast due to its stepping motor and the latest algorithm that provides swift framing control.

The Lens also works well with eye detection AF of mirrorless cameras such as the Sony A6400.

When you go to a beachy wedding, a yacht party is inevitable; that’s where I took advantage of this autofocus system while capturing random moments of the guests dancing, drinking, and diving down the waters.

Why is this lean best for wedding photography?

The Lens has an outstanding construction with its optical performance, giving unparalleled results.

The Lens has a Super Multi-layer Coating, a porous coating that reduces the flare, ghosting, and smudging and gives prominently clean results with incident light from any direction.

That makes its characteristics paramount for sunny and beachy or indoor weddings.


The Sigma 24-70mm f/2.8 DG DN Art Lens is a must-have for wedding photography with various capabilities and compatibility with high-end cameras.

You get a solid performer with weather protection and fluorine coating to reduce the chances of its spoilage.

You also get in-camera corrections, provided your camera body supports it.

  • Classic standard zoom range.
  • Close-up focus capability.
  • All-weather design with fluorine protection.
  • They are designed for full-frame mirrorless.
  • Supports in-camera corrections.
  • Distortion and vignette visible.

Sony FE 16-35mm f/2.8 GM:

I was thinking of changing my Lens because I bought a new Sony A7 IV camera, and I also wanted to upgrade my Lens, but to be honest, the whole EF lens range is also very overwhelming as every Lens is unique.

However, considering my wedding photography field and the pictures I wanted for my upcoming projects, I purchased a Sony FE 16-35mm f/2.8 GM Lens.

This one fits exceptionally in my kind of photography and is one of the must-have lenses for wedding photography.

Wide Angle Optics

To my satisfaction, I want every wedding detail, such as the bridegroom, family pictures, intimate moments, and the venue; therefore, a wider 16-35 mm lens was necessary.

It works delightfully while giving a broader perspective on wedding shoots and incorporating the sharp field view.

However, if I zoom in, I can also get a blurred background as the Lens focuses to about 11 inches when zooming in.

Aperture at its best

The lens aperture also allows me to play with the images as I like, and no matter where I set the aperture, the resolution keeps up throughout the frame.

As a wide-angle lens, I expect it to be edgy sharp from the center to the corner, and I get it all whether I use it at f/2.8 or f/4.

The Snappy Focusing

The autofocus works just fine when framing the subject.

The quality of focus is driven by SSM, which keeps it quiet and fast throughout the course.

I also noticed no focal breathing as the focus adjusts effortlessly to deliver precision on time.

This is an integral part for me as I am known to capture too many candid moments, which also surprise my clients.

Why is this lens the best for wedding photography?

The GM lens has a unique perception of the pictures with immense color production, resolution, and ability to contribute to Sony cameras.

I have a Nano AR coating of the elements to thank for this.

The camera can reduce ghosting and flare, so I am never horrified to capture pictures in intense lights.


The best decision for Sony A7 users is this wide-angle Lens that makes wedding image-making more exciting.

The build is very restaurant with dust and moisture protection and is well programmed to add professional working ease due to the focus hold button.

  • Fixed f/2.8 aperture.
  • Wide-angle coverage.
  • Quick autofocus.
  • Focus Hold button.
  • Dust and moisture-resistant.
  • No in-lens stabilization..
  • Some distortion.

Canon RF 15-35mm f/2.8L IS USM:

I was in Italy, a strange land, shooting a destination wedding when my Lens was stolen from my bag two days before the wedding.

Fortunately, I still had my camera, so I wanted to buy a new lens compatible with my Canon EOs R5.

After a long ride and searching for hours, I finally purchased a Canon RF 15-35mm f/2.8L IS USM Lens because it was the closest to what I lost.

This Lens truly helped me get even more superior images of the wedding.

Wide Angle Performance

Anything that falls behind a human eye field is not acceptable for me, especially for weddings, as more in-depth scenes always inspire me.

The 15-35 mm focal length gives that creative action poured in a dynamic wide angle of view.

Therefore, I could capture spellbound wedding pictures in the rustic Tuscany venue.

F/2.8 Aperture with Excellent Optics

The wide aperture delivered excellent performance even with low light ambiance.

I have used apertures at various ranges to capture the bride and groom walking down the rustic aisle and the wedding toast on a hill facing the city.

I captured from f/2.8-f/6 aperture mainly, and the pictures came out edge-to-edge sharp.

Responsive Autofocus/Image Stabilization

The lens autofocus was outstanding in clicking the singing and dancing in the reception when everyone was busy enjoying the night.

Nano USM motor handled the autofocus silently and swiftly.

Also, there was no focal breathing while I went down the zoom-ins from a wide focal length.

Moreover, the image stabilization added support while walking down the rustic passages for the wedding shoot from various angles.

Why is this Lens best for wedding photography?

The dynamic optics of the Lens with three aspherical and two UD lens elements ensure there is no chromatic aberration in the images and render optimal color and sharpness.

The advanced optical coating also repels the flare and ghosting to give a filtered, clean image.


The Canon RF 15-35mm f/2.8L IS USM Lens is a must-have for wedding photography with its dazzling fast autofocus and impressive optics.

The wide-angle zoom lens also has a progressive build and is weather-resistant.

The fluorine coating is also present to protect against fingerprints.

Although some may think it is a bit bulky due to the stabilization system, it is not that heavy when used practically.

  • Wide zoom with fixed f/2.8 aperture
  • Excellent optics
  • Pro-grade build
  • Weather protection and fluorine coating
  • Threaded filter support
  • The stabilization system adds some bulk

Nikon NIKKOR Z 14-24mm f/2.8 S:

Running a photography blog is not as easy as it may seem, as much experimentation goes into declaring a lens excellent or bad for the reader.

As I always want to deliver the right information, I evaluate lenses myself before declaring them worth buying.

This weekend, I Evaluated the best lenses for wedding photography due to many requests from my enthusiastic readers.

Although there was a list of excellent lenses, the Nikon NIKKOR Z 14-24mm f/2.8 S Lens topped my list because I used it to shoot my cousin’s wedding.

The Ultra-Wide Zoom

Pulling off ultra-wide scenes that confine the richest details of the scenery is a norm for this Lens.

I love to take pictures that incorporate everything that falls in the frame.

The wide 115-degree field of view at 14mm provides even more scenery that the human eye can take in, and the closest reach of 1:7.7 zoom-in gives extraordinary close-ups.

Regardless of the angle at which I captured my cousin’s pictures, the Lens always brings staggering sharpness that is even across the wide frame.

Sharp f/2.8 Optics

The Lens has never been overtaken by low light as the f/.28 aperture gives illumination when even the dimmest light is available, as in the chapel where my cousin’s wedding ceremony took place.

Moreover, when I printed the pictures of my cousin’s wedding, there was nothing but the ultimate sharpness and originality that comes with a high-end camera.

AF system/Anti-smudging

The AF system of the lean is fast and quiet, so I do not have to worry about disturbing sluggishness in the response while capturing the decisive moments at a wedding.

However, there is a with focal breathing.

Moreover, the Lens comes with an anti-smudge fluorine coating, something every wedding photographer needs to avoid fingerprints or wetting the Lens.

Why is this Lens best for wedding photography?

This Lens is very adaptable because of its excellent optics.

The lens construction is Four ED and three aspherical elements, so aberration is impossible.

The lens is coated in ARNEO and nanocrystalline coatings to reduce the flare, and there are two glass filters at the rear and front ends.

The Lens is fully capable and fully protected for long hours of usage.


The Nikon NIKKOR Z 14-24mm f/2.8 S Lens is a must-have for wedding photography as it is lighter and sturdier for a wide aperture lens.

Weather-sealed protection and programmable rings give the image makers the ultimate control over their photography.

  • Sharp f/2.8 optics
  • Sturdy, all-weather build
  • Anti-smudge glass coating
  • Supports front and rear filters
  • Design not as ambitious as competitors

Sony FE 85mm f/1.8:

My Brother’s wedding was in a garden filled with laughter, nature, love, and emotions.

Shooting the wedding with eyes full of joy and happiness was my aim.

I wanted to give my brother a gift, so I tried to click the best pictures of all time.

Thankfully, I had my Sony FE 85mm f/1.8 Lens, providing the base for shooting with a digitally realistic presentation.

A short Telephoto

It is a mid-range telephoto lens best for portraits; the 85mm focal length gives classical images.

I could zoom in to get a closeup of my brother’s hand locked with his wife’s while the green grass was evident in the backdrop.

The picture presentation ideally included the brother and his wife, giving the sleek green background a characteristic look while standing on the altar reciting the promises, and the sharpness was prominent across the frame.

Bright f/1.8 Aperture

The wider aperture was present to give bokeh, and I created a striking one with defocused floral arrangements.

In one picture, I captured the bride sitting on a stone, giving the vibes of nature while blurring the garden’s greenery.

This picture came out extremely breathtaking.

The Lens kept up its sharpness when I switched from one f-number to the other.

Quiet and Precise Focus

In one picture, my brother was saying something in the bride’s ear as her hair was waving across his face, thanks to the double linear motor system that delivered a quiet and fast performance to capture the scene they cherished together.

Why is this lens the best for wedding photography?

The Lens can bring dynamic pictures with its ED glass, decreasing the chromatic aberration to nothing.

The 9-bad circular aperture and a managed spherical aberration give this creamy and dramatic bokeh.

Moreover, if you want to go that close, the Lens touches the macro range with 0.8 meters of minimal focus.


Sony FE 85mm f/1.8 Lens is the perfect blend of quality imaging and a reliable body.

This is one of the must-have lenses for wedding photography with immense mid-range telephoto capabilities.

Moreover, sometimes minimal is better, and this Lens has very manageable controls with a focus hold button and a responsive focus ring.

The Lens also has weather sealing, protecting its interior and exterior.

  • Bright f/1.8 aperture.
  • Extremely sharp.
  • Dust and moisture-resistant.
  • Short telephoto focal length.
  • No image stabilization.

Canon RF 85mm f/1.2L USM DS:

I got to shoot a wedding in Oheka Castle, A summer wedding within a prestigious venue; it was an extraordinary experience.

I wanted to give all my professional energy to this event as it was a high-profile wedding.

Planning the photography gear was crucial to bring out the best in the pictures.

However, relying on Canon RF 85mm f/1.2L USM DS Lens to click the bride and groom show was a definitive turn that gave an astonishing performance.

The Perfect 85mm Focal Length

There is nothing underrated about this Lens, and I was lucky enough to have it by my side while clicking the pictures of the couple coming down the majestic stairs of the castle.

The candlelights lit in antique stands enhanced the beauty of the picture in a portrait.

The 85mm field of view gave me another striking shot from above while the couple stood in the hall; I got a huge nearby floral vase in the frame.

Wide Aperture

The f/1.2 is a very wide aperture that worked best during the inside castle shooting as there was a bit of low light.

While outdoors, I took down the aperture to f/4, but it never left the sharpness behind with equally crisp corners of the images.

The 9-bladed diaphragm and an open aperture also delivered the extent of bokeh performance and sunbeams while I was shooting in the marvelous bailey of the castle.

Responsive Focus/DS Filter

The Fast USM motor of the Lens locked the couple in the frame while they were slowly dancing under the sunny sky.

The Lens also has control rings that give me additional grip over focus management when required.

Moreover, the DS coating and effect refined the blurry bokeh and skilfully defocused the details.

Why is this Lens best for wedding photography?

It was a wedding under a summer sun, yet I chose this Lens because I was confident there would not be any flares or ghosting of the intense light due to ground aspherical elements and ASC coating.

Moreover, special blue spectrum refractive optics are also present to eliminate color aberrations.


The Canon RF 85mm f/1.2L USM DS Lens is a must-have lens for wedding photography with its redefined ability to make portraits and render subtle details even while smoothing out the backgrounds.

The portrait-length prime Lens also has dust splash and fluorine protection to preserve its integrity, so it’s a whole package for wedding image makers.

  • Extra-bright f/1.2 optics
  • Excellent resolution
  • Dust, splash, and fluorine protection
  • Reliable autofocus
  • Customizable control ring
  • Hefty

Nikon NIKKOR Z 85mm f/1.8 S:

The beachfront of the Secret Harbor Resort was getting ready to receive the couple.

There were rows of fairy lights prepared to be lit after the sunset.

The tables were adorned with rose-pink flowers, and the smooth, refreshing air flowed through the white ribbons on the altar.

Beach balloons were also making their way on the smooth sand to add to the embellishment of the venue.

As the venue was getting ready, so was I with my Nikon NIKKOR Z 85mm f/1.8 S Lens to lock the meaningful moments as they happened.

An 85mm perspective

An 85 mm perspective is perfect for realistic capturing expressions at events like weddings.

This focal angle is built to keep the subjects in the center of focus, so even when the wedding was at the beach rush, I could often isolate the bride and groom to frame the love and emotions flaring down their faces with tremendous sharpness.

Excellent sharpness

With water in the background, lights in the foreground, the couple in the center, and my camera set at f/1.8, the foreground bokeh was brilliantly beautiful.

The Lens enabled me to get subtle details of the scene when I used it at a narrow aperture and also worked best in the backlighting of the setting sun in keeping the pictures sharp.

Quiet and fast focus

The two AF drive units delivered precise and fast focus, which helped me get random shots after the reception while the cake-cutting ceremony took place.

Also, the autofocus accuracy locked the fireworks that happened right after the wedding.

The close-range color fringing was also absent.

However, I did feel a bit of focus breathing occasionally.

Why is this the best Lens for wedding photography?

There are many excellent features of the Lens, but the construction makes it unique and fundamentally gives it distinctive sharpness and precision.

The 2 Extra-low dispersion elements correct the chromatic aberration, and the Nanocrystal eliminates the flare and ghosting so that the pictures are not ruined while on the open beachy lights.


Nikon NIKKOR Z 85mm f/1.8 S Lens is a must-have lens for wedding photography that gives an edge-to-edge sharpness with an incredible optical performance and immersive image quality, even in tricky light.

The short telephoto prime Lens is also dust and splash-proof, which gives more reasons to take it to beach weddings without worrying.

  • Outstanding optics.
  • Quick, quiet autofocus.
  • Dust and splash protection.
  • Omits fluorine protection.
  • Some focus breathing.


Alright, guys, that concludes all the lenses we will discuss today in this article.

Do you guys have any experience with these lenses? What are your thoughts on them?

Which are your must-have lenses for wedding photography?

Is there a lens I didn’t mention in this article that you love using for wedding videography?

Would you please leave your thoughts and comments below?

Related posts:

Best Prime Lenses for Wedding Photography:

Best Sony Lens for Wedding Photography:

Best Lens for Wedding Videography:

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